Copyright, Music, My Stories, Piracy, Stupidity, Unsung Heroes

The Paul Stanley Article

The Article
Paul Stanley reckons that if KISS started today they wouldn’t stand a chance because the music industry as it exists today isn’t even an industry, it’s just shambles.

KISS didn’t really blow up until “ALIVE” came out. So in today’s standards or even the late eighties standards they wouldn’t stand a chance to reach their fourth or fifth album. The thing with Paul Stanley and Gene Simmons is that they base a lot of their decisions on what piracy and peer-to-peer downloading has done to the industry.

Now if you search the RIAA database for the band KISS, you will see that “Destroyer” is 2x Multi-Platinum and that happened in September 2011. Two other KISS albums have been certified 2x Multi-Platinum and they are “Smashes, Thrashes and Hits” and “Alive II”.

They don’t have an official album that has been certified more than 2x Multi-Platinum and piracy has been around since 1999. So even in the heyday of record label control, KISS were not large sellers of recorded music as they would like you to believe. Especially when you compare them to Pink Floyd, Eagles, Bon Jovi, Metallica and Motley Crue. It wasn’t until the KISS Reunion in the late nineties that KISS finally went from playing to 10,000 people to 40,000 people. Credit Doc McGhee with the vision to make that happen.

As for Stanley’s comments on file sharing, it just shows how out of touch he is.

“File sharing is just a fancy way of saying stealing. You can’t share what you don’t own. It’s like me saying, ‘transportation borrowing,’ and I steal your car.”

If a person illegally shares or downloads the song “Lick It Up” what that person has done is infringe on the copyright of the song. The song is still available on iTunes for downloading. The song is still available on Spotify for streaming. The song is still available on YouTube for listening. The song is still available on the “Lick It Up” album that is gathering dust in the record store waiting to be purchased. No one has stolen anything.

Paul Stanley also reckons like Yngwie Malmsteen, Kirk Hammet and Gene Simmons that younger bands don’t have a chance in hell of ever getting that pot of gold.

What about Five Finger Death Punch, Shinedown, In This Moment, Bullet For My Valentine, Skillet, Red, Trivium, Halestorm, Black Veil Brides and many more others that are releasing albums and going from success to success.

What about musicians/bands who have been doing the rounds since the eighties and nineties who have all seen an upswing in recognition and success like Slash with Myles Kennedy, Godsmack, Stryper, Volbeat, In Flames, Machine Head, 10 Years, Coheed and Cambria, Lamb Of God, Avenged Sevenfold and Killswitch Engage.

Now, Ed Sheeran has nothing to do with heavy metal or hard rock music however the work ethic and ideas that he exhibits should be noted. His current tour of Australia has one ticket price at $99. All of his fans will have the chance to sit in the front row.

This in a way takes out the elitist tickets. It makes it affordable for people with rich parents and not rich parents. This is in contrast to say Kiss who sell front row tickets for a premium of around $2000 for some shows. In Ed Sheeran’s case he keeps the front row tickets and gives them out on the day. He and his team try to find fans outside of the venue of fans in the nosebleed seats and give them front row tickets. And what an artist to fan connection he is establishing.

And for hard work, Ed Sheeran is up there. It took two years to sell two million copies of the first album through constant touring and intimate acoustic gigs and now it’s taken 14 weeks for his new album “X” to do the same.

This more or less proves the piracy argument decimating the music business is invalid. People still purchase albums along with streaming and downloading the songs. The great thing about musicians being worldwide right away is that if a song’s not successful in one country like Australia it usually is in another. Different countries have different tastes. You can always have a hit somewhere. But Paul Stanley doesn’t get that. Which is a shame.

I actually finished reading his book Face The Music last week and the impression I got from it was an out of touch and sheltered rock star. Guess his comments sum it up.

And the thing is Kiss’s best song in the last fifteen years has been “Hell Or Hallelujah”. So how about coming up with more songs like that instead of the other garbage that has done the rounds.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

My Own Top 40 List Based On iTunes Play Metrics

I made the upgrade from the iPhone 5 to the 6 and when I synced up the old phone to iTunes to back it up, I saw the top 30 songs that did the rounds over the last 12 months.

1. Lift Me Up
Five Finger Death Punch
The Wrong Side Of Heaven and The Righteous Side Of Hell Volume 1
Released: 2013
Plays: 1481

What can I say, “The Ultimate Sin” influence just connected with me and I kept on coming back to the song over and over again.

2.Shepherd Of Fire
Avenged Sevenfold
Hail To The King
Released: 2013
Plays: 1319

Any song that can combine “Enter Sandman” and “Trust” from Metallica and Megadeth deserves attention.

3. West Ruth Ave
The Night Flight Orchestra
Internal Affairs
Released: 2012
Plays: 1271

What can I say, the Kiss “I Was Made For Lovin You” vibe connects and that Chorus melody is infectious.

4. A Day in My Life
Five Finger Death Punch
The Wrong Side of Heaven & the Righteous Side Of Hell, Vol. 2
Released: 2013
Plays: 1071

Five Finger Death Punch have two entries in my top 5. This one is a classic from Volume 2. The chorus is indelible.

5. Angel Of Mercy
Black Label Society
Catacombs Of The Black Vatican
Released: 2014
Plays: 1124

The monster that is Zakk Wylde returns with a classic. The song opens up for Zakk’s masterclass in soloing.

6. Be Somebody
Thousand Foot Krutch
The End Is Where We Begin
Released: 2012
Plays: 996

The song just flows that it sounds effortless. Brilliant.

7. Used To Be
Arrows To Athens
Kings And Thieves
Released: 2011
Plays: 743

Very surprised by the album when I came across it this year.

8. Mist
Protest The Hero
Volition
Released: 2013
Plays: 660

I thought this song would have been higher as i certainly feel like I have played it a 1000 times. Guess I’ll be a Newfoundlander.

9. Conquistador
Thirty Seconds to Mars
Love Lust Faith + Dreams
Released: 2013
Plays: 557

The riff owes a lot to Marilyn Manson’s “Fight Song” and when Jared Leto/backing vocals sing, “we will, we will, we will rise again” you can just imagine Freddie Mercury singing “we will, we will rock you”.

10. Heritage
The Kindred
Life In Lucidity
Released: 2014
Plays: 419

Love the band formerly known as “Today I Caught The Plague”. The message in this song sums up exactly how I feel about culture, we build on what came before.

11. Fly On The Wall
Thousand Foot Krutch
The End Is Where We Begin
Released: 2012
Plays: 403

Another song that just flows effortless from the fan funded “The End Is Where We Begin” album.

12. Fallen
Volbeat
Beyond Hell Above Heaven
Released: 2010
Plays: 387

Our Danish heroes deliver a rockabilly metal classic.

13. Draw The Line
Disciple
O’ God Save Us All
Released: 2012
Plays: 322

The lyrical content connects and the song is a great pop ditty from a band that borders on metal, rock and Christian gospel.

14. Tuesday’s Rain
Asphalt Ballet
Asphalt Ballet
Released: 1991
Plays: 223

A brilliant song that got lost in the seismic shift of 1991/92. You were either in or you were out. Asphalt Ballet was deemed to be out.

15. Strife
Trivium
Vengeance Falls
Released: 2013
Plays: 222

With a Judas Priest sing along intro, Trivium deliver with “Strife”. Go on Spotify and you will see that it is getting some serious traction.

16. Denial Waits
Ashes Divide
Keep Telling Myself It’s Alright
Released: 2008
Plays: 215

This song is unique and in a league of its own for production, craftsmanship and melodies. A classic that deserves more attention.

17. High Wire
Badlands
Badlands
Released: 1989
Plays: 210

If Jake E.Lee wants Red Dragon Cartel to reach a certain level of success and be ubiquitous than HE needs to write songs that are better than “High Wire”.

18. Hail To The King
Avenged Sevenfold
Hail To The King
Released: 2013
Plays: 209

What can I say, who doesn’t like a song that reminds them of AC/DC and “Thunderstruck”.

19. American Slang
The Gaslight Anthem
American Slang
Released: 2010
Plays: 200

The song that Bruce Springsteen and Jon Bon Jovi wish they wrote.

20. Lick It Up
Kiss
Lick It Up
Released: 1983
Plays: 197

The song that saved Kiss’s career.

21. Rainbow in the Dark
Dio
Holy Diver
Released: 1983
Plays: 195

The Corey Taylor version from the Dio tribute album appears further down the list. An infectious song just tattoo’s itself on the skin and remains forever.

22. The Last Time
Badlands
Voodoo Highway
Released: 1991
Plays: 194

If Jake E.Lee wants Red Dragon Cartel to reach a certain level of success and be ubiquitous then HE needs to write songs that are better than “High Wire” and “The Last Time”.

23. Moth
Hellyeah
Blood For Blood
Released: 2014
Plays: 177

Clearly the best song on the new album.

24. Live In Love
Times Of Grace
The Hymn Of A Broken Man
Released: 2011
Plays: 167

This should be added to the set list of Killswitch Engage, it is that good.

25. Until It’s Gone
Linkin Park
The Hunting Party
Released: 2014
Plays: 167

It’s a return to the Linkin Park trademark sound.

26. Attack
Thirty Seconds to Mars
A Beautiful Lie
Released: 2005
Plays: 147

The song that got me into the band. A pure masterclass in electronics, industrial and fuzzed out rock.

27. End Of My Rope
Asphalt Ballet
Asphalt Ballet
Released: 1991
Plays: 139

From a band that deserved way more than what they got.

28. Hell Or Hallelujah
Kiss
Monster
Released: 2012
Plays: 135

The best song that Kiss or Paul Stanley has written since “Psycho Circus”. Mmm, “Live To Win” was also pretty good, however that was from Paul’s solo album of the same name.

29. Wolvish
The Kindred
Life In Lucidity
Released: 2014
Plays: 122

Progressive music the way it should be.

30. Watch You Bleed
Five Finger Death Punch
The Wrong Side Of Heaven and The Righteous Side Of Hell Volume 1
Released: 2013
Plays: 121

Another chorus melody that is ubiquitous.

Other songs outside the Top 30 are as follows:

31. Rebellion
Linkin Park
The Hunting Party
Released: 2013
Plays: 103

It was like System Of A Down never went away. Having Daron Malakian on it doesn’t hurt at all.

32. Orestes
A Perfect Circle
Mer de Noms
Released: 2000
Plays: 103

This song was pivotal as my development as a songwriter. Much in the same way that Evergrey showed me that good music is still being created from a metal point of view, A Perfect Circle showed me the same from a progressive art rock point of view.

33. Wrong Side Of Heaven
Five Finger Death Punch
The Wrong Side Of Heaven and The Righteous Side Of Hell Volume 1
Released: 2013
Plays: 93

The emotion grabs me. One of the best ballads that FFDP have created.

34. It’s Time
Imagine Dragons
Night Visions
Released: 2012
Plays: 84

The main vocal melody is the same as a melody for an instrumental song I wrote for my wedding. So it connected from the outset.

35. Key Entity Extraction I: Domino The Destitute
Coheed and Cambria
The Afterman: Ascension
Released: 2012
Plays: 83

What can I say, when the “Wasted Years” like intro starts off, I was hooked.

36. Line Of Fire
Vandenberg’s Moonkings
Vandenberg’s Moonkings
Released: 2014
Plays: 79

The mighty Dutchman is back and he sure knows how to turn it up to eleven.

37. Out Of Reach
Vandenberg’s Moonkings
Vandenberg’s Moonkings
Released: 2014
Plays: 73

An emotional roller coaster that straps you in and doesn’t let you go.

38. Rainbow In The Dark
Corey Taylor
Ronnie James Dio – This Is Your Life
Released: 2014
Plays: 73

Corey does a stellar job on the vocal.

39. When Truth Lies
Vanishing Point
Distant Is The Sun
Released: 2014
Plays: 69

One of the most consistent and best progressive metal bands to come out of Australia.

40. Coming Home
Avenged Sevenfold
Hail To The King
Released: 2013
Plays: 63

Synester Gates goes to town on this song. That whole minute plus lead break is beautiful.

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A to Z of Making It, Music, My Stories, Unsung Heroes

Credibility = Musical Differences

Music used to be about finding some Avant garde musical and lyrical edge and pushing yourself and that edge to the limits.

Want to be as big as Metallica. Forget about the Napster court case and remember that Metallica once was a band that had an edge. They were an outlier versus the LA Glam Rock movement.

When did it all change?

Now it’s about what maintains.

Now it is about what can an artist do to ensure that the nice income they got from the last recording and tour cycle remains the same?

So they go away and recreate the same album thinking that is what the fans want.

Now imagine thousands of artists doing the same thing and pretty soon, we, the public will be ploughed under by the plethora of product that all sounds very similar. And we do either two things. We switch off completely and go back to the classics that we know or we gravitate to a few current acts and decide that they will be the ones that we stick with.

Because we don’t have time to sit back and listen to every new album just to find that one song that could blow our mind.

Musicians didn’t want to make the same music everybody else did. It was all about finding your style.

Musicians didn’t care about how they looked. It was all about how they played.

Musicians didn’t want to sell out to the corporation because it took away their street cred.

And credibility is everything.

That is why Rock/Metal bands didn’t really last forever.

Credibility equals musical differences.

How long were The Beatles together? Eight or nine years.

What about the original line up of Kiss? Eight or nine years.

Twisted Sister (the version of Dee Snider, Jay Jay French, Eddie Ojeda, Mark Mendoza and AJ Pero) had a run of 7 years before AJ Pero was booted and another year after that the band itself was goneski for a long period of time.

Motley Crue had a run of 11 years before Vince Neil was outed.

Led Zeppelin had a run of 12 years before the tragic passing of John Bonham and even though they got together with Jason Bonham on a few occasions, you could honestly say that was the end.

The Doors had a run of 6 or so years before the tragic passing of Jim Morrison.

What about Jimi Hendrix? He had a three-year reign before he tragically died.

Dokken had a run of 7 years before they went down in flames just because George Lynch couldn’t get over the fact that the band he was in was called Dokken.

Credibility is the honesty and openness of our past heroes and the lyrics in their songs.

Motley Crue didn’t come out and pretend to live the destructive lifestyle they sang about. They actually lived it. Same goes for Guns N Roses.

Dee Snider wrote his career defining songs when he was poor and broke. He had the anger and the credibility of knowing what it was like to be poor and hungry for success.

With Desperado and especially Widowmaker Dee Snider was in the same position as he was before the “You Can’t Stop Rock N Roll” success and he wrote a lot of great songs for those projects that no one has really heard. Listen to “Reason To Kill” from the Widowmaker album, “Blood and Bullets”. Elektra boss Bob Krasnow at the time would have hired multiple body guards to protect his sorry ass.

This is what music was.

Truth.

The basic human connection to one another.

And now with music available 24/7 everyone is sacrificing that truth in desperation to chase a trend that makes money. But the ones that had longevity in music never chased trends. Like Frankie said, they did it their way.

That is why in most new acts, most people know the singles, the real stand out songs from the album.

That is the difference between the new breed and the old acts. The fans of the old acts know the material. Because when you have that one album for a six month period, it is all that you listen too.

I will let you in on a little secret. All of our heroes are “years in the making” success stories. They started something, failed, looked stupid doing it, dusted themselves off and started something again.

But everyone these days wants to parade themselves as a winner. Which is BS.

What we need are musicians pushing the limits of their art.

We forget the latest song we listened too in a matter of minutes but we are still talking about the latest Game Of Thrones episode.

It needs to be the other way around.

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Band Harmony: Is There Such A Thing?

Who remembers watching interviews or reading interviews from their favourite bands about how much the band members love each other and all of that other rubbish about how great they are for the band.

The cold hard truth is this. Bands/artists want to show a solidarity, a unity.

They don’t want people and fans of the band to see weaknesses, so they try their best to make it look like everything appears fine on the surface.

However underneath it is a different story.

Every biography I have read, from “The Dirt” about Motley Crue, to “Enter Night” about Metallica, to “Lifting Shadows” about Dream Theater, to “Face The Music” about Kiss or to Dave Mustaine’s bio about his career. The same theme is prevalent throughout. The band members didn’t like each other.

No one really speaks their mind as it would cause problems in the band.

Others want to speak up and do more, however since a band member has already taken on that responsibility they step down as they don’t want to step on any toes.

Others want to have their songs included, however they keep on getting rejected or changed until the song loses it’s soul.

So they hold their tongue until it gets to a stage where they can’t anymore and all hell breaks loose.

Look at a few bands that are doing the circuit today and there is a pretty good chance that they do not have the original members in there.

Volbeat – holding on to lead guitarists proved problematic.

Five Finger Death Punch – holding on to bass players and lead guitar players proved problematic.

In This Moment – holding on to bass players, guitar players and drummers proved problematic.

Shinedown – holding on to bass players and lead guitar players proved problematic.

Dream Theater – where do you start. Singer changers after one album, three different keyboardists and a drummer change.

Trivium – changed drummers.

Evergrey – only Tom Englund is the original member.

Machine Head – only Robb Flynn is the original member.

When a record label signs an artist/band, they want to know that their newest signing/s are committed to the cause.

Want some advice.

Sacrifice everything. If you are in a band that means you are only as good as your weakest link. If the other band members don’t have the same committment, then they need to be sacrificed or you need to sacrifice yourself from the band.

If you don’t sacrifice everything then it is just a hobby.

Want to know about sacrifice. About change.

Look at Marty Friedman. Megadeth is on a high, selling platinum records (we’ll excuse the “Risk” album) and Marty Friedman leaves. As a fan of Megadeth and a fan of Marty Friedman’s solo work, I didn’t want it to happen.

Friedman reinvented himself by describing it as the best decision he has ever made, because, he was looking at the music that was making up the Top 10 in Japan and he liked it. Then he compared it to the music that was making up the Top 10 in America and as a musician he felt that Japan was the scene that he should be in.

It takes guts.

I can’t say I was a fan of the music he did while in Japan, however a musician needs to follow their muse. And that is what Marty Friedman did.

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Divided We Stand. But It Doesn’t Have To Be That Way.

Metallica resorted to a professional coach to get it together again. So did Aerosmith.

Motley Crue imploded at the peak of their powers with the firing of Vince Neil and then sued each other in the courts. Then when Vince Neil was back in, John Corabi was out and soon it was Tommy Lee that was out.

Bon Jovi and Megadeth resorted to group therapy. For Bon Jovi it was a way to keep the band together after “New Jersey” and for Megadeth it was a way to keep a stable line-up together.

Van Halen ousted David Lee Roth and there was a few years of bad mouthing each other. Then when Sammy Hagar was ousted, the feud turned ugly with both sides airing their dirty laundry.

Guns N Roses appetite for destruction more or less has the band as an Axl Rose solo project. According to Axl, “Slash is a cancer”. There was a lawsuit as well from Axl to Slash to stop the “It’s Five O Clock Somewhere” album as Axl claimed those songs were written for Guns N Roses by Slash.

Scott Weiland had a nasty split with his first act, Stone Temple Pilots (on more than one occasion) as well as with the Velvet Revolver project that featured Slash.

Sebastian Bach and Skid Row are still at loggerheads. Matt Kramer left Saigon Kick because he felt ripped off.

Machine Head and Adam Duce are in the courts because Adam Duce felt ripped off. Dave Lombardo is spitting venom at Slayer and their management team because he feels ripped off.

Paul Stanley went to town on Ace and Peter, calling them anti-semitic. Gene Simmons said that Ace and Peter didn’t deserve to wear the make up.

Dream Theater and Mike Portnoy ended their relationship abruptly.

And Rock and Roll was supposed to be fun. Yeah right, I hear people say.

The ugly truth is that the biggest obstacle standing between musicians and a career in music is the simple fact that we cannot get along.

Every band I have been in imploded because I was writing the music and the lyrics from the beginning. So when the other members realised that I am getting extra royalties and publishing moneys, then money becomes a factor and suddenly everybody wants to write a song or make suggestions to change a finished song just so they could a songwriting credit.

And I said NO a lot of times.

And that starts to put a strain on the relationship and the band dynamics. Eventually we became assholes to each other and one of the main commandments that I swear by is to “Don’t Be An Asshole”.

It’s easier said than done. Especially in metal and rock circles. You know, we are all alpha males in this business.

So how can we achieve a healthier band dynamic.

We need to handle criticism better. At one point in my life, the way I offered criticism wasn’t at all constructive and criticism towards me was seen as a personal attack.

Don’t be assholes to each other as everyone is replaceable.

True love of music is the best reward. Money is a byproduct.

Realise that if the guitarist does come in with a completed song, or an albums worth of songs, it’s okay. Same goes for the other musicians in the band. And if your song doesn’t make the cut, that is also okay.

If the band is a democracy, then happy creating, however let me tell you one truth. Bands that claim that their songwriting is a democracy are lying. There is always one that will be the boss.

Look at Van Halen. Songwriting credits originally showed Edward Van Halen, Alex Van Halen, Michael Anthony and David Lee Roth. However it is a well-known fact that Eddie Van Halen wrote all the music and David Lee Roth wrote the lyrics, with little input from Van Halen’s rhythm section.

Slow and steady wins the race. Remember a music career is a lifers game.

You will get screwed by someone in the music business. Don’t let it get you down. Roll with it and learn from it.

In order to be seen or be heard, we need to stand united.

Don’t see every other artist or band as competition. The history of rock n roll shows that it was friendships and recommendations from other artists that broke artists to an audience. This is needed even more so in 2014.

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Music, My Stories, Stupidity, Treating Fans Like Shit

Things That Bug Me With Rock And Metal

ROCK N ROLL HALL OF FAME

Dave Mustaine should have been inducted with Metallica. A real RNR Hall Of Fame Assessor would look into the band’s career and see that all the evidence is there for Dave Mustaine to be inducted. The style of technical thrash that Mustaine brought to Metallica would end up influencing their first four albums.

The induction criteria does state that the committee looks at the influence and significance of the artists’ contributions to the development and perpetuation of rock and roll. So, I take it that Dave Mustaine’s contribution to Metallica and to the development and perpetuation of rock and roll wasn’t influential enough.

BUT for some reason Jason Newsted’s and Rob Trujilio’s contribution to the development and perputation of rock and roll in Metallica was enought.

Same goes for Vinnie Vincent, Eric Carr and Bruce Kulick. The Eighties for Kiss wouldn’t have been the same if it wasn’t for the three individuals mentioned. Eric Singer and Tommy Thayer also played very important roles within Kiss.

BANDS THAT FAIL TO UNDERSTAND THAT SUCCESS IS BASED ON MUSIC

A lot of the metal and rock bands have better marketing campaigns than actual albums. You need a great song first. The marketing comes after.

Dream Theater had a pretty expansive marketing campaign leading up to the album release, however they didn’t have the quality to support it. Good songs don’t equate to great songs and we only have time for great.

Avenged Sevenfold, Volbeat and Five Finger Death Punch had way less marketing and their albums are still on people’s tongues. If you still use sales as a barometer of success, then these bands are still moving units.

NICHES

Metal and hard rock are niches. Accept it and focus on it. It will be a lucrative business for you if you do. It will not bring back the glory days of the Seventies and Eighties, however it will give you a career.

Sometimes a metal band can cross-over into hard rock, or even the pop market. Or a hard rock band could cross over into metal or pop.

Look at Volbeat. They are a metal band, however with the style of music they play the have a certain cross over element.

Shinedown crossed over into the pop market back in 2008, with the “The Sound of Madness” album, however with “Amaryllis” they remained in the hard rock market with a small cross over into the metal market. They still had great success, even though the “sales” didn’t match the previous. But who cares about sales these days.

Killswitch Engage cross-over into a few genres, like metal, metalcore, thrash, hard core, melodic death metal and in some cases they cross over into technical djent style metal.

Dream Theater can cross-over into a few genres and it is their cross over between progressive music and hard rock that reaped the most benefits with “Images and Words” and “Scenes From A Memory” being stand outs.

VIRALITY

A song takes off because fans start to spread the word. They share links to it, they talk about it, they blog about it. A marketing campaign can never achieve this. Only great music can.

QUEENSRYCHE

When are the people involved (apart from Chris DeGarmo) going to realise that Queensryhce is no more. Move on, forge a new career and a new identity. I’m tired of hearing how great the new singer is, what a team we now have and all of that.

The Todd LaTorre band should do something similar to what the Ronnie James Dio version of Black Sabbath did before his death. Take a new name from one of their songs. As for Geoff Tate, he should go to Vegas and do a cabaret residency. His metal/rock days are over. And seriously, when you carry on like a child when people use their smart phones at a gig, you don’t belong.

VINYL, CD’s, DIGITAL DOWNLOADS

Streaming has won. The rest of us that actually purchase any music in physical form do it as a hobby. We just don’t think of it as a hobby.

I listen to most of my music on Spotify or YouTube or via the mp3’s on my iPhone, however I still purchase CD’s of bands that I like. BUT I haven’t even opened the shrink wrapping as yet. I have no need to. Buying CD’s is like collecting toys and keeping the toys in their boxes unopened. Maybe the CD’s will be worth something one day or maybe they will be beer coasters. Who knows.

MONEY IN MUSIC

There is still a lot of money in the business. Streaming pays the labels well. It’s just doesn’t filter down to the artists. Revenues from streaming services such as Spotify, Pandora and YouTube surpassed the $1bn mark.

ENTERTAINMENT LOBBY GROUPS ASKING GOOGLE TO DO MORE TO PROTECT THEIR BUSINESS MODELS

Seriously after almost 15 years post Napster we are still hearing about this. The latest is The International Federation of the Phonographic Industry (IFPI). It is the usual b.s. about how Google “could do so much more” or that Google have “not been effective” in preventing illegal music downloading.

HELLO, Google is a search engine.

It is not a protector of business models.

Innovate or die.

http://www.telegraph.co.uk/finance/newsbysector/mediatechnologyandtelecoms/media/10704766/Music-industry-claims-Google-is-failing-to-stamp-out-piracy.html

RECORD STORE DAY

Do artists really expect their hard core fans to travel decent distances to go to a Record Store Day Event and then not find all 4 of the (let’s just use Machine Head as an example since I am a fan) new Machine Head singles, “Killers and Kings”. It’s 2014. If we can’t buy it online or if we can’t find it to buy online, then artists are leaving money on the table.

Collectors want to buy, so make it easy for us to buy. Record Store Day is not easy for everyone.

TV SHOWS THAT STILL PLAY ON THE OLD BUSINESS MODELS

My kids love “Arrow” however they hate the fact that they have to wait each week. Will any of the actual TV shows or Cable Networks follow the “House Of Cards” Netflix example and let people overdose on all of the episodes over a weekend.

Having shows appear weekly for 8 episodes, then breaking for what seems like forever and then re-starting again, then breaking again, then finishing it all off, is old school.

Embrace the new.

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Semi Obscure Bon Jovi Songs – Part 2

It’s a new year and a new day, however for some insane reason I am listening to old music. I just back from a water theme park called Jamberoo Recreation Park on the south coast of New South Wales. Switched on the computer, went to YouTube and started listening to some Bon Jovi demos.

Jon Bon Jovi back in 2007, described the song writing process as different people getting together for different reasons to make one big soup. Everybody involved adds a little ingredient by taking a little piece of this and a little piece of that and a little piece of another thing.

RIVER OF LOVE

It never made the “New Jersey” album and it is a tragedy that it didn’t get fleshed out and recorded properly. It’s got a basic foot tapping riff that sticks with you from the outset. For those keen fans, you will hear the riff groove re-used in “Save A Prayer”.

“Pretend I’m Valentino and you’re the beauty queen
Pretend we’re in some movie instead of faded jeans”

Does “Captain Crash and The Beauty Queen” come to mind to anyone? Each Bon Jovi song tries to capture that message of escaping from your current surroundings.

“River of love and a full moon high”.

Even in its demo form it has warmth. The music needs no tricks if it’s real.

Listen to the “Raise Your Hands” reference in the interlude. You could write a whole song based on that riff. Wait, they already did. Progress is derivative.

By the way, this is nothing like the “Richie Sambora” version that appeared on his “Stranger In This Town” album.

JUDGEMENT DAY and GROWING UP THE HARD WAY

Both songs begin with that whole “Na Na NaNaNa” in the same vein as “Born To Be My Baby”, “Rosie” and “Hide Your Heart” from Kiss. Both songs also share the same riff. Both songs are written by Jon Bon Jovi and Richie Sambora.

As with “River Of Love” these songs were recorded for the “New Jersey” album and they failed to make the cut. When a band is at their peak, they are able to churn out some great songs. The motivation is there to keep the machine rolling to see if the first round of success can be repeated. Writers from all walks of life also want to get their name in.

“On Judgement Day
You walk through the fire
Nowhere to run to, no one to blame
Hey, Hey, Hey
Winners and losers, sinners and users, will all have to pay
On Judgement Day”

What a great chorus. In the end, that is it, we all have to walk through the fire. If our life was lived to our expectations there is no one to blame except ourselves.

They should have kept “Born To Be My Baby” as an acoustic song and then brought in one of these songs into the mix, however that was not to be. Especially when the label decided against the double album idea put forth by the band.

In “Growing Up The Hard Way” the verse melody and the phrasing was re-used for a certain song called “Hey God”. Remember my catch cry, “Progress is derivative.”

“Growin’ up the hard way, learnin’ how to live with the pain,
The weight of the world on your shoulders,
I guess that’s just the price that you pay.
Growin’ up the hard way, it’s gettin’ harder every day,
Lying in a bed made of fire,
Praying to God for some rain.
Growin’ up the hard way.”

This song reminds of the saying, “you live and die by the bed you made”. The main characters in this song made choices. One ended up on the streets, running away from an abusive family and the other ended up at the morgue. Guess they didn’t learn how to live with the pain.

In relation to the three demos mentioned above, I really thought that they would have seen the light of day “officially” when Bon Jovi released “100,000,000 Fans Cant Be Wrong” Box Set.

IF I WAS YOUR MOTHER

It is written by Jon Bon Jovi and Richie Sambora. It’s a Bob Rock production so of course the sound is huge. Richie’s song writing input on the “Keep The Faith” album was limited as he was out touring on his solo record, however when he did contribute it was of high quality.

Man, this song is heavy and it has got some serious groove. What a great vocal melody. I saw them play it live on the “Keep The Faith Tour” and it rocked hard. The lyrical themes let this song down. The subject matter is weak and that is what stops it from being a powerhouse of a song.

On the Bon Jovi Vevo channel the song has had 482,316 views. Compared to other songs, it pales, however it is a cult favourite.

LETS MAKE IT BABY

“Let’s Make It Baby” reminds me of “The Doors”. It is written by the Jon Bon Jovi, Richie Sambora and Desmond Child song writing team. It didn’t make the “New Jersey” album, however the bass line was used again in “Diamond Ring” (which was originally written for the “New Jersey” album however it was officially released on the “These Days” album.

“Lets Make It Baby” had to be written so that the Child, Sambora and Jovi could end up writing “Bad Medicine.” It was the stepping stone.

Various posts on the internet state that the original “New Jersey” album was supposed to have the following track list;
Disc 1
1. Love Is War
2. Let’s Make It Baby
3. Judgment Day
4. River of Love
5. Now and Forever
6. Growing Up the Hard Way
7. Does Anybody Really Fall in Love Anymore
8. Rosie
Disc 2
1. Homebound Train
2. Wild Is the Wind
3. Living in Sin
4. Blood o Blood
5. Backdoor to Heaven
6. Love Hurts
7. Stick to Your Guns
8. Love for Sale

Of course it is absent of four dead set classics in “Lay Your Hands On Me”, “Bad Medicine”, “Born To Be My Baby” and “I’ll Be There For You”. Also missing is “99 In The Shade”.

There is an “unofficial” argument that happens in music circles. One side argues that it is all about “Quality Not Quantity” when it comes to songwriting, while the other side argues that “Quantity Makes Quality”. I sit on the side that argues that quantity makes quality and it is obvious that Bon Jovi also sits on that same side.

WEDDING DAY

It is a derivative version of “I’ll Be There For You”. “Wedding Day” was written for the “These Days” album, however it didn’t make the final cut. As with “I Want You” similar themes from this song were also used for “Always”. It is written by Jon Bon Jovi and Richie Sambora.

The song is like a sleeper demo hit on YouTube. Various channels have it up. One channel called “Bonjocifanlol” has 247,578 views for the song. Another channel called “Paganini Jovi” has 93,474 views. Another channel called “ladybonjovi2007” has 69,230 views. Combined this is 410,282 views from three YouTube channels. Compared to an officially released song, like “If I Was Your Mother” having only 482,316, the “Wedding Day” numbers are pretty good.

Then the comments from various YouTube users show their connection to the song:

One user wrote that their childhood sweetheart married another guy and they are now listening to the song and thinking of all the happy days they had, however there is a sadness in their soul right now.

Another user wrote that they got married to this song, which is bizarre as the song is not really a song to play on your wedding day as it talks about a lost love.

Some of the lyrics made it into another Bon Jovi song called “Janie Don’t Take Your Love To Town”.

“If I aint smart enough to say I’m sorry
Just because the words got in the way”

It is a song that deserves to be re-recorded and given the full production treatment. That is what Bon Jovi should do for 2014. Go back and flesh out some of these gems in the studio and share them with the fans each fortnight. I am sure there are 26 songs in the archives, that can get this treatment.

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Classic Songs to Be Discovered, Music, My Stories

The Best Metal and Rock Top 10 for 2013

Well the year is almost over and it is time to look back at the albums that connected and hit the mark for 2013. Anyone who has been a constant visitor to this blog will notice that I have spoken about these albums in previous posts in more detail.

1. Protest The Hero – Volition

Disclaimer; I was one of those fans that contributed to this album, so the competition for the best album of 2013 wasn’t even close. Protest The Hero wins hands down. They delivered an album for the fans. It has everything that a condensed progressive technical metal album should have. Plus it has Chris Adler on drums. In 2011, “Scurrilous” was number seven on my list.

If you want the detailed breakdown, here it is;

This album also shows how the mainstream media is out of touch. Despite all the hype around Metallica, Avenged Sevenfold, Dream Theater, Korn and Black Sabbath, the biggest release of the year belongs to Protest The Hero.

And deservedly so.

They connected with their audience via Indiegogo. They have cut through all the internet noise without the need of major label. In the age of information overload, Protest The Hero relied on their audience and their music to get their message through.

2. Avenged Sevenfold – Hail To The King

Call this album what you will, however no one can take away the fact that it is a damn good listen. Having those nods to the past and building on those influences is what music is all about. In twenty years time, this album will be revered and copied, because that is how music is made.

3. Five Finger Death Punch – The Wrong Side Of Heaven And The Righteous Side Of Hell Vol 1

Part 1 is a killer classic metal album with arena melodic rock chorus. Watch You Bleed, Lift Me Up, The Wrong Side Of Heaven, Anywhere But Here are all rock sing a longs.

4. Killswitch Engage – Disarm The Descent

Jesse Leach is back and man can he write a catchy chorus. Each song goes through so many vocal emotions, it’s one heck of a roller coaster. The Times Of Grace project brought Jesse back into the metal world. “The Hymn Of A Broken Man” was one great album and it was in my top 10 list for that year.

In 2009, I also had the self titled Killswitch Engage album at number five in my top 10 list.

5. TesserAcT – Altered State

This band is really branching out from the Djent constraints by embracing atmospheric style song writing. The math metal is still there and the vocals bring it all home. I have always said, TesseracT will be seen as the new Pink Floyd by a whole new generation. In 2011, TesseracT came in ninth position with the album “One”. I was pleasently surprised to see this one pop in Robb Flynn’s top 10 list.

6. Trivium – Vengeance Falls

Trivium have always had the balls to make decisions. Working with Dave Draiman is one of them. Seriously i cant see an issue with how the vocal melodies are phrased or delivered by Heafy. I really like this album. The music is top-notch and the songs are of high quality. In 2011, Trivium came in tenth position with the album “In Waves”.

7. Coheed and Cambria – The Afterman – Descension

Another band that is employing data to connect with fans. They have been on the road since January and released two slabs of music within 3 months. This album doesn’t have Domino The Destitute, but it has Sentry The Defiant plus others.

8. Five Finger Death Punch – The Wrong Side Of Heaven And The Righteous Side Of Hell Vol 2

A Day In My Life. Man that chorus just hooks me in. Put to the side the cliché rhyming from Moody and just focus on the musical melodies and you will be hooked as well. It’s been played on repeat on my iPhone on my way to work and on my way home.

“American Capitalist” was fifth in my 2011 list and “War Is The Answer” was 2nd in 2009, just behind “Black Clouds and Silver Linings” from Dream Theater.

9. Volbeat – Outlaw Gentlemen and Shady Ladies

I was a fan of this band before they broke through in the U.S. It was the “Rock The Rebel/Metal The Devil” album from 2007 that made me a fan. I was really looking forward to this release and the band didn’t disappoint. It has all of their trademarks with a dash of country and hillbilly thrown into the mix.

10. Alter Bridge – Fortress

Mark Tremonti is one hell of a guitar player and most importantly a hell of a songwriter. Teaming up with Myles Kennedy has been a godsend. Alter Bridge get better with each album and they rarely fail to disappoint.

Notable Mentions

Audrey Horne – Youngblood

If you don’t know this band, you should. I swear every genre of music and time period associated with music is heard on this album. Give this band the attention they deserve. Their whole catalogue is on Spotify so there is no excuse to not check them out. Any band that is from Norway and with a black metal post deserves to be heard in a hard rock context.

Mutiny Within – Synchronicity

The only thing holding this band back is what their definition of success is and Chris Clancy. He is so hung up on fighting for the old system and how it used to be, he is failing to see opportunities in front of him.

Hearts And Hands – My Own Machine

A great pop metal or pop rock album. Hearts and Hands started off as a side project for Chelsea Grin vocalist Alex Koehler. However since he departed after their 2012 self titled EP, the band has undergone a significant transformation and their sound has shifted away from breakdowns and screams to effected guitars, acoustics and great songs.

Love and Death – Between Here and The Lost

A hundred times better than the new Korn album. They even sound like Korn on some of the songs. Brian Head Welch is a star and this album proves it.

Sound Of Contact – Dimensionaut

Progressive Rock and a voice that sounds very similar to Phil Collins. Plus any album that has a concept attached to it, always gets my attention. Its plot follows an alienated, unnamed human who is tired of humanity and embraces his fate as a traveler of dimensions, time and galaxies. Throughout the story, the dimensionaut constructs his escape from reality, realizing new experiences and encountering love in the process.

Faith Circus – Turn Up The Band

If this band had the same attention as Avenged Sevenfold, critics would come out and comment how each song sounds like a rip off from every successful glam rock and blues rock album made in the Eighties. Music is derivative and Faith Circus deliver. It is a great listen from start to finish. Another band from Norway that deserves your attention.

Final Notable Mentions

Due to my kids overdosing on the music I placed on their iPods certain classic rock albums have come back into my life.

Twisted Sister – You Cant Stop Rock N Roll
Twisted Sister – Stay Hungry
Kiss – Lick It Up
Kiss – Asylum
Kiss – Destroyer
Deep Purple – Machine Head
Bon Jovi – Slippery When Wet
Survivor – Eye Of The Tiger
Europe – The Final Countdown

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Alternate Reality, Copyright, Music, My Stories, Piracy, Stupidity, Treating Fans Like Shit

Piracy Was Rampant Even In The Eighties

Back in the Eighties, piracy was rampant. Most of my music collection during that period was made up of music taped onto blank cassettes. My “wealthier” older cousin in Sydney always seemed to have his finger on the pulse on the latest releases and every time I visited, I was armed with blank cassettes and proceeded to copy (download) albums that he recommended to me. There was also another shadier character locally that used to sell dubbed cassettes from 50 cents to $1 dollar. He then used the money obtained from his buyers to purchase more albums that he would sell to us on dubbed cassettes.

I was not alone in doing this, nor was I the first. Most of the music from the seventies that was passed down to me by my brothers was in the same format (blank cassettes that got filled with music).

So what did my brothers do in the Eighties, when they were old enough and had their own incomes. They started purchasing the music they listened to in the seventies. It worked like this; for example, they would purchase “Destroyer” from Kiss on LP or CD and once they did that I would get the cassette copied version that they had.

Another interesting thing in the Seventies was that while we all lived together, we only needed one version of the album to listen to the music. So what happens when family members move out. One brother purchases the album, the other brother purchases the album and then I need to purchase the album and so on. You can see the exponential growth here when children grow up and move out.

So what did I do in the Nineties, when I had more cash at hand. I purchased every album I had on dubbed cassettes on CD. I re-purchased every LP I had on CD. I went to second hand record shops and purchased LP’s from the Eighties and Seventies very cheap. If I found a real gem in those purchases, I then purchased that album on CD.

I went to the Record Fairs and Collector Fairs that started to gain traction during this period. Again, I purchased a lot of LP’s very cheap at those Fairs. I saw it as a try before you buy. If I found a real gem, I then purchased that album on CD.

I was not the only one that did the above. Based on sales figures during this period, the Record Labels had their largest ever profits to date. Everything that came after 1999 has been linked back to the unbelievable profits the record labels made during 1998 and 1999.

In the end, did all the piracy from the Seventies and Eighties hurt any of the bands that I supported. These are the bands that where pirated heavily on cassettes (from a list of the shady dealer selling them for 50 cents to $1 dollar);

Motley Crue
Bon Jovi
Iron Maiden
Metallica
Megadeth
Guns N Roses
Van Halen
David Lee Roth
Poison
Warrant
Skid Row
Twisted Sister
Kiss
Dio
Europe
Def Leppard
Dokken
Whitesnake
Judas Priest
Yngwie Malmsteen
Night Ranger
Queensryche
Ozzy Osbourne
Rush
Savatage
Stryper
Scorpions
WASP
Y&T
White Lion
Fastway
Joe Satriani
Loverboy
Meatloaf
Queen
Slayer
Survivor
UFO
Michael Schenker
Quiet Riot
Black Sabbath
Rainbow
Deep Purple
Anthrax
Motorhead

The answer is a resounding NO. All of those bands mentioned above are still around today in some form or another. All of those bands are part of pop culture in some form or another. They still have a loyal cult following and that cult following happened because of piracy.

If it wasn’t for cassette piracy, I never would have heard the full length albums of bands that did the rounds on MTV. I never would have heard “Master Of Puppets” from Metallica (I know own “Master Of Puppets” on CD, mp3 and LP).

The real hurter of bands was the Record Label. It was never piracy. Due to the labels having all the power in breaking a band, plus having all the control over the distribution, they would offer bands an unfair deal that stacked the deck in the Record Labels favour. For any musician that wanted their music exposed to a greater audience, it was the only option they had.

A lot of studies have come out stating that “pirates actually purchase the most.” I know it is a cliché statement at the moment however back in the Eighties I went to an Iron Maiden concert without actually owning an original copy of any of their albums. I went to a Megadeth concert without owning an original copy of their albums. The same with Bon Jovi, David Lee Roth, Guns N Roses and Stryper.

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A to Z of Making It, Music, My Stories

1986 vs 2013

BON JOVI

In 1986, Jon Bon Jovi was all about the music. He was in debt to his record label and still living with his parents. The “band” Bon Jovi released their biggest seller, Slippery When Wet.

Now, Jon Bon Jovi is all about the money. The band Bon Jovi released their biggest dud, in What About Now, Richie Sambora has been booted because of money and Jon Bon Jovi cancelled a New York Fair concert for an intimate Government concert that paid more.

 

BLACK SABBATH/OZZY OSBOURNE

In 1986, Black Sabbath released Seventh Star with Glenn Hughes on vocals and Ozzy Osbourne released The Ultimate Sin.

Seventh Star was originally intended to be the first solo album by Iommi, but due to pressures by Warner Bros. Records and the prompting of band manager Don Arden, the record was billed as Black Sabbath featuring Tony Iommi.

The Ultimate Sin featured songwriting contributions from Bob Daisley and Phil Soussan, however due to Sharon Osbourne (Arden) trying to keep as much money as possible in Ozzy’s corner, Bob Daisley was not credited on the initial release and Phil Soussan had an accounting disagreement with Sharon. Everyone got shafted by an Arden.

In 2013, Black Sabbath released 13, their first album with Ozzy since 1978, that also featured the talents of Rage Against The Machine drummer Brad Wilk. Bill Ward said he would not participate until he was offered a “signable contract.” One B.W is out and another B.W is in. Again, someone was shafted by an Arden.

RECORD LABELS

The major labels wanted their artists to have careers. They spent a lot of money to convince the public that they should pay attention to their new artist or the latest release of an existing artist.

The marketing was from the label down to the streets. The labels had so much power and they set the bar. Either a band was signed to a label or they didn’t matter. Major labels were plentiful and the most powerful person in the music business was the Record Label head. Artists could live off the money from their record deal as people had to buy the expensive record to listen to it. Because it was expensive, we played it over and over and over again and eventually became a fan.

Now the marketing is from the streets and the record labels want the hit singles. They have shareholders to please, a board to please and all the label heads are interested in bonuses and short term profits. There is no long term vision anymore as the Record Labels do not have the same power.

The major labels have been reduced to 3, with Sony, Universal and Warner Bros.

In 1986, record companies were cool. In 2013, HBO, Netflix, Showtime, Facebook, Apple, Samsung, Twitter and Amazon are cool. 

 

LIVE

In 1986, all the acts did the arena and stadium tours because demand was high. If a band opened for a major act, they believed they had made it. The public discovered new acts when those acts opened up for our favourite bands. Look at the list below;

Metallica and Ratt opened up for Ozzy Osbourne.

Anthrax opened up for Metallica.

Marillion opened up for Rush.

 

Loverboy opened up for Van Halen.

King Kobra, White Lion and W.A.S.P opened up for Kiss.

 

W.A.S.P also opened up for Iron Maiden.

Cinderella opened up for Bon Jovi in the U.S and Queensryche opened up for Bon Jovi in Europe.

 

Queensryche also opened up for AC/DC.

Cinderella also opened up for David Lee Roth.

Honeymoon Suite and Glass Tiger opened up for Journey.

Dokken opened up for Accept.

Keel opened up for Dio.

Krokus opened up for Judas Priest.

Now only the classic rock acts of the Seventies and Eighties can sell out the arenas and the few modern superstars. The majority of acts play the club circuit. If bands have a small hard core fan base, they can raise enough money to make an album and own everything about themselves. No one cares who the opening band is.

RANDY JACKSON

In 1986, he played bass with Journey. He appeared on the Raised on Radio album and also toured with them. People judged him on his abilities.

In 2013, he is a judge on American Idol.

CHARTS

Back in 1986, the charts meant everything and albums sold in double digit millions. Slippery When Wet from Bon Jovi went to Number 1 for 1 week in October and then it re-appeared at number 1 for 7 weeks in 1987.

Now the charts are useless and artists are lucky to sell a million units. There are a few, like Adele that go into double digits. Bon Jovi’s What About Now went to Number 1 for 1 week and it didn’t reappear again.

ANTHEMS OF A GENERATION

In 1986, we had Addicted To Love from Robert Palmer, Sledgehammer from Peter Gabriel, Dreams from Van Halen, Livin On A Prayer and Wanted Dead Or Alive from Bon Jovi, Peace Sells from Megadeth, Battery from Metallica, Raining Blood from Slayer and The Final Countdown from Europe.

In 2013, nothing lasts.

THE MUSIC BUSINESS 

In 1986, it was all about the music and if a band was all over traditional media, it meant they had traction and that people would be hearing their music.

Now, our favourite bands are playing to the masses who just don’t care and now it is all about marketing. Look at the marketing campaign for the new Dream Theater album. It looks like the label is trying to monetize every little bit of it. If a band is all over traditional media, it doesn’t mean that they have traction and it doesn’t mean that people have heard their music.

In 1986, everything was expensive and the cost of music was different at every store. Due to the high prices of music, everybody had a little bit of it. We had to buy it to hear it, or we used to tape it of someone who purchased it.

Now, music costs the same everywhere, and it’s cheap and everybody has more than they want. Music is available to hear for free, whether on YouTube or streaming music services like Spotify.

In 1986, albums from our favourite artists would normally come out every two years. Due to this lack of new material, music was scarce, so when we purchased albums we played them to death. We became fans by over playing the music we purchased as it was all about the music.

Now, music is released constantly and it is plentiful. Due to these riches of new material, we don’t spend as much time with the albums we purchased. We become fans by looking for the song that grabs our attention on the first listen.

LADY GAGA

In 1986, Lady Gaga was born. In 2013, Lady Gaga is just Born This Way.

METALLICA

In 1986, Metallica released Master of Puppets and lost bass player Cliff Burton in a bus accident while on tour.

In 2013, Metallica will be released Through The Never a live/concert film and will be losing a lot of money when it doesn’t set the world on fire.

MEGADETH

In 1986, Megadeth released Peace Sells.. But Who’s Buying, which in their case, everyone was buying.

In 2013, Megadeth released Supercollider and no one was buying.

KISS

In 1986, Gene Simmons from Kiss produced and co-wrote songs for the Black N Blue album, Nasty Nasty, that had a certain Tommy Thayer on guitars.

In 2013, Kiss released Monster, that has Tommy Thayer on guitars, as well as lead vocals on one song and a major co-writer of material.

STRYPER

In 1986, Stryper released To Hell With The Devil.

In 2013, Styper will release No More Hell To Pay. It looks they still have hell on their minds.

SLAYER

In 1986, Slayer reigned in blood.

In 2013, Jeff Hanneman’s reign ended. RIP.

QUEENSRYCHE

In 1986, Queensryche was one band that released the a superior album in Rage For Order.

In 2013, Queensryche are two seperate bands that ended up releasing two inferior albums in Frequency Unknown(Geoff Tate version) and Queensryche (Todd LaTorre version).

The fans are screaming for order.

CINDERELLA 

In 1986, Cinderella released Night Songs and proved to the world that they are nobody’s fool.

In 2013, Tom Keifer the singer from Cinderella released The Way Life Goes, an album 9 years in the making with a song called Fools Paradise.

VINNIE VINCENT

In 1986, Vinnie Vincent invaded the charts, with a point to prove.

In 2013, Vinnie Vincent is …..

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