Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Release Radar

Spot On Spotify

These are the songs that Spotify’s algorithms got spot on. Click the link to listen

Midnight Flyer by The Night Flight Orchestra
My favourite Swedish supergroup of metal heads is back, playing the classic rock music I love. This time around, it’s about a galactic space opera, where the human race is pitted against female space commanders with pearl necklaces. Brilliant

“I’m a stranger to myself
But still I long for the unknown”

Our love of adventure is what drives the world around.

Sinking Ship by Harem Scarem
What a funky groovy foot stomping riff?

How good is Pete Lesperance on guitar?

Along with Harry Hess they have navigated 30 years of Harem Scarem and 14 studio albums, plus their solo work and side projects. As a fan, I’m looking forward to the release of “United”.

When there’s no one out
When there’s nothing left
I’m gonna stand my ground
On a sinking ship

It sums up the career of Harem Scarem. When everyone abandoned hard rock, Harem Scarem, stood their ground. And the sinking ship of the genre is back on the ocean sailing to new horizons.

It’s The Right Time by Mitch Malloy featuring Van Halen
The long lost audition tapes between Van Hager and Van Cherone. As a guitarist, I dig the verses and the way EVH plays it, with palm muted arpeggios and staccato chords. It’s creative and innovative and that improvisation factor makes EVH unique.

In the end, I guess it wasn’t the right time for Malloy to join Van Halen.
“I go on gut feelings, and it was clear to me that something was amiss, so why continue?” It seemed like they were uneasy, and that whole presentation with Dave thing that they did for MTV … I mean everybody kind of knows now … that they were forced to [do that]. But I didn’t know they were going to do that, it was kind of like, ‘What is going on right now?’ It was a very strange time, and it didn’t feel good. [So] I was like, well, if they don’t want me, let me do them a favour and bow out.”
Mitch Malloy on why he didn’t join Van Halen 

Snakes In Paradise by Crazy Lixx
Great melodic rock from Sweden about snakes in paradise that feed you lies. What more do you want?

Never Was A Forever by Honeymoon Suite
It’s a good return to form for an old favourite of mine.

Don’t say you’re sorry
It’s an empty word when you don’t know what it means

It’s a brilliant lyric.

Light Me Up by Doom Unit
It’s got this swampy bluesy feel which I really dig. Plus the vocal melodies are addictive. And they are from Finland. I’ll be honest, there is something in the culture water’s around Northern Europe because there is so much good music coming out of the region.

When I start another day
I’m slowly drowning all the way
Light me up

Straight To The Top by Creye
Creye is another melodic rock band from Sweden with big keys and big 80’s chorus’s.

All the way to the end
This is your life
Don’t give up, don’t give in
Give it all you got
All the way to the end
Just follow your heart
Don’t give up, don’t give in
You’re going straight to the top

Yeah I know it’s clichéd and been used a million times, but it works.

Underneath by Blacktop Mojo
It’s a nice acoustic piece from these Texas boys who started off playing old country covers, and from time to time they would throw in some of their own stuff. With time, their originals got less twang and more distortion.

I trade this cloud for a hurricane
With enough water to wash away

What great lyrics to kick off the song.

Big Sky Country by KXM
There are some good musical movements. It actually sounds pretty similar to Metallica’s “Now That We’re Dead” in the intro, just a touch slower and a lot more groove.

“Shoot before you run”

It’s relevant to what is happening right now, with governments spying on their own citizens and terrorists driving their vehicles into crowds of people.

Undecided

These are the songs that have done enough to have me interested to check out some more. So I suppose it’s close to “Spot On Spotify” than “Misses”.

Broken by Falling In Reverse
I think this band has the potential to go really high and once they realise it, their classic metal masterpiece will come.

Age Of The Raven by The Raven Age
It’s aggressive and in a modern metal style I like. Just the lyrics are not connecting with me right now.

Stand My Ground by Adrenaline Rush
Musically it’s good, melodic rock but the vocals ruin it.

Remain Violent by Warbringer
It’s got that “Fight For Your Right to Party” vibe..

Half As Dead by Demonhunter
I’ve never heard any music from Demonhunter before this song, and with a name called Demonhunter, I expected a certain style. But I was surprised at the quality of the song, and that groovy riff.

Welcome To The Night by Night Demon
Again, I wasn’t sure what style I expected, but the New Wave Of British Of Heavy Metal merged with melodic rock was not the style I expected. At one stage it reminded me of Iron Maiden’s first album.

Warrior by Dead By April
This band kills me. Drop the screamo vocals, because musically the song is brilliant and when the clean tone vocals happen, it’s on.

Eating Lies by Blaze Bayley
Musically the song is brilliant, but man Blaze’s vocals really don’t connect with me.

How Could I Let You Go by Confess
The song is a typical power melodic rock ballad, however I am interested to hear how they rock, because even though the ballad doesn’t move my world, it’s done well.

Only The Dead by Westfield Massacre
It’s got enough there to get me interested.

Misses

Only Broken Heart by Warrant
Not too sure what to make of their Thin Lizzy inspired vibe. I suppose Warrant will forever be remembered as Jani Lane’s Cherry Pie instead of Uncle Tom’s Cabin and April 2013. Hence the reason to retire the Warrant name and start afresh, in the same way, Black Star Riders retired the Thin Lizzy name and started new.

Day and Night by Night Ranger
They have released a few songs from the new forthcoming album. “Truth” and “Comfort Me” are okay, this one is a big miss.

Lonely Nights by Bonfire
These are 50 year old men, singing about “Lonely Nights” and believing they are 20 again. Such a shame, as Bonfire between 1988 and 1994 was essential listening for me.

All I Got Is You by Deep Purple
Sorry guys, as good as the music is, the lyrics just don’t connect.

Shimmering Status by Cellador
Epic speed power metal just doesn’t do it for me. Dragonforce made sure of that.

Trouble by Tesseract
It’s a dance act that uses the same name as the progressive rock band I follow. Lame Spotify, surely you are able to distinguish between dance acts and rock acts.

Song For The Dead by Carach Angren
Don’t know why this would be in my release radar as I don’t listen to artists that could be even similar nor do I even follow this band.

Here’s To The Crazy Ones by John 5
“The Black Grass Plague” was a brilliant instrumental fusing country with metal. This one is a miss.

Hand Of Hell by The Doomsday Kingdom
The riffs are okay.

Click the link to listen

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A to Z of Making It, Derivative Works, Music, My Stories, Unsung Heroes

Metal Music

Heavy F…. Metal.

In 2018, it will be 50 years from when Steppenwolf, screamed the words, “Heavy Metal Thunder” in their iconic “Born To Be Wild” song. And while the reference to “heavy metal thunder” was the loud sound of the motorbike, it seemed to stick for a style of music that was just around the corner.

But heavy metal goes back a bit further than that. You see, in the 1930’s there was a guitarist called Django Reinhardt.

He was a jazz shredder who passed away in 1953, well before heavy metal became a tour de force. But to become a shredder, wasn’t easy for Django. You see, a fire in the late 20’s extensively burned his left hand and other areas of his body. His right leg was paralysed and his fourth and fifth fingers on his left hand were badly burned. The Doctors told him that he will never play guitar again and they wanted to cut his leg off. Django refused the surgery and within a year, learned to how walk again with the help of a cane. But his two fingers remained paralysed. So Django had to relearn how to play the guitar by using his thumb and two fingers.

Fast forward to the 60’s and an unknown Birmingham guitarist tore off the tips off his middle fingers in a freak factory accident. A visit from the company foreman, alerted Tony Iommi to Reinhardt.

“It really inspired me to really get on with it, and start trying to play.”
Tony Iommi VH1 in 2015.

Although Iommi’s problems weren’t as severe as Django, he still had to do things a bit differently. While Django had to relearn how to play the guitar from scratch using less fingers, Iommi just needed to innovate. The first innovation was the creation of the plastic finger tips. The second was the down tuning of the guitar from standard pitch to accommodate the plastic finger tips.

And while Sabbath are seen as the forefathers of heavy metal, metal in general was more than just Sabbath. It was the attitude, the rebellion, the free-spirited nature, the community and gang-like mentality. And this attitude goes back to the early 60’s. In 1964, Beatles records accounted for 60% of all music sales in the U.S. according to Billboard magazine. Rock became a commercial force, priming the U.S kids for the more abrasive, distorted version of rock would enter in a few years’ time.

But to understand the Beatles, you need to go back to Chuck Berry, the father of rock and roll. The Beatles covered “Rock And Roll Music” and “Roll Over Beethoven”. John Lennon ripped off Chuck Berry for “Come Together”.

Hell, the Beach Boys ripped “Sweet Little Sixteen” from Chuck Berry and called it “Surfin’ U.S.A.”.

ELO’s career was jump-started when they covered “Roll Over Beethoven”.

Let’s not forget “Johnny B. Goode”, a hit when it came out, and in 1977 the song was launched into space with the Voyager I and II spacecraft to await discovery. Chuck Berry was a metal head before metal was even around. He sang about fast cars, women and teenage rebellion. In other songs, he questioned the status quo. And since those days, metal has grown worldwide. It’s the new world music. As an article in the Wall Street Journal states;

“Today’s “world music” isn’t Peruvian pan flutes or African talking drums. It’s loud guitars, growling vocals and ultrafast “blast” beats.”

The internet and mp3 sharing has spread heavy metal music to all corners of the world. Music in general was locked up, behind gates, but now we can hear every song ever recorded online, even the songs from “out of print” albums. People from oppressive countries who wouldn’t normally have access to metal music suddenly had access via their fingertips. Metal music is a lifestyle. You live the way you look and look the way you live. There are no pretensions. And you can’t get more metal and no bullshit than Ginger Baker, a person who inspired future metal drummers going on record detesting the style. That’s exactly the free-spirit of a metaller.

“I’ve seen where Cream is sort of held responsible for the birth of heavy metal. Well, I would definitely go for aborting. I loathe and detest heavy metal. I think it is an abortion.”
Ginger Baker – Cream 

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1983 – VI – No Parole From The Born Again, Bent Out Of Shape, Rock And Roll Frontiers As The Never Switch Is Flicked For Steeler Siogo’s Surrender.

Listening back to all of the music from 1983 got me thinking about life and time. Even though 1983 is 34 years in the past, it feels like it was more recent.

How time flys?

And I am trying to work out how certain events pushed me onto different paths and how those paths became far removed from the path I wanted to be on.

And while life might seem chaotic in 2017, it wasn’t much different in 1983. We still had terrorism back them. The IRA was very active in the U.K and we had acts of terror in Lebanon. We had changes in government that didn’t appeal to the status quo.

The frontiers are a changing.

Journey – Frontiers

“I gotta tell you that I’m not hurtin’ for a place to live and I’m not hurtin’ for money, no, but filthy rich – no. You’ve got six people in the band, you’ve got unions in this country, you’ve got people who want a big hunk of what you make all the way down the line. It’s a big circus. It takes five semis and a lot of lights, a lot of sound, a lot of crew and a lot of busses and gas! When you talk 107 shows and you talk 30,000 miles, you’re talking a lot.”
Steve Perry 

Coming into the recording of “Frontiers”, Journey was riding the waves of “Don’t Stop Believin”. The Jonathan Cain era was in full swing.

So what was next for Journey?

How do you follow up “Escape”?

They began their career as progressive rockers in the 70’s, and by the start of the 80’s they had moved into hard rock. With the addition of Jonathan Cain on keyboards and with the success of “Escape” they moved into superstar territory. And with “Frontiers”, Journey kept on polishing their sound and moving further away from their progressive blues roots. Plus they also gave a certain person in Italy a name for his future record label.

Separate Ways
It’s been covered by metal bands ad infinitum because it’s such a good song. The opening keyboard lick would work well as a guitar lick. Then when the drum groove comes in, it’s quality all around.

I would have preferred to hear some more grunt in the verses from the guitar, but this is Journey coming off the success of “Escape” and Neal Schon transitions into a song decorator.

Someday, love will find you
Break those chains that bind you
One night will remind you
How we touched and went our separate ways

The chorus melody was so good, that Steve Perry, Jonathan Cain and Neal Schon re-used it/plagiarised it/copied it or let themselves be influenced by it on the song “Message of Love” from their 1997 comeback album, “Trial By Fire”.

Faithfully
It’s the signature ballad and the last track recorded for the album. Prince even asked Journey for permission before releasing “Purple Rain” because the chord changes are close to “Faithfully” and he didn’t want to get sued.

“I thought it was an amazing tune and I told him, ‘Man, I’m just super-flattered that you even called. It shows you’re that classy of a guy. Good luck with the song. I know it’s gonna be a hit.’”
JONATHAN CAIN 

“We all talked about it, and everybody said, ‘Nah, it’s the highest form of flattery. Let it go.’”
NEAL SCHON 

And Cain could have requested a co-writing credit on “Purple Rain,” but he didn’t.

“No, no, that’ll just bring bad juju on you, and you don’t want to do that. I just thought it seriously showed the kind of caring, classy guy Prince was.”
JONATHAN CAIN

All music is a sum of a person’s influences.

Circus life
Under the big top world
We all need the clowns
To make us smile

It’s a brilliant lyric comparing the rock and roll touring lifestyle with the life of a carnie.

Steve Perry did a great job on the vocals, especially that outro. In This Moment also use this song as an influence for the outro of their song “World In Flames”.

Troubled Child
This song is one of those underrated gems on an album. Those little nuggets.

Voices echo, from the past
Decisions made for you

The whole song is great lyrically, but it’s the above that sticks out. Something that James Hetfield constantly sings about, especially in “The Unforgiven” songs.

Ask The Lonely
It was a bonus track on the 2006 re-issue. It should have been on it.

Black Sabbath – Born Again
At the start of the 80’s, Black Sabbath re-invented themselves with the Dio led version of the band. However after the success of “Heaven and Hell” and “Mob Rules”, Ronnie James Dio said see ya later to Tony Iommi and took drummer Vinny Appice with him. Bill Ward was back in alongside Iommi, Butler and keyboardist Geoff Nicholls (RIP). So the search began for a vocalist. We all know the story of how this was meant to be a new supergroup project however their new manager Don Arden (who was also Ozzy’s ex-Manager and the father to Ozzy’s wife, Sharon) would not even contemplate it. His grudges against Ozzy and Sharon and the fact that he wanted to better them with the groups he managed would be the death knell of this project.

David Coverdale and Robert Plant were talked about as vocalists. They even received an audition tape from Michael Bolton who at that time was unknown. But it was Arden who recommended Gillian. And that is the problem. Ian Gillian is more or less terrible on it. And that album cover is now part of folklore. According to Wikipedia, Don Arden was fond of telling Osbourne that his children resembled the “Born Again” album cover.

But the songs “Disturbing The Priest” and “Zero The Hero” are pretty good musically. The lyrics are neither here or there, but the music is excellent.

Disturbing the Priest
According to Wikipedia, “Disturbing the Priest” was written after a rehearsal space set up by Iommi in a small building near a local church received noise complaints from the resident priests.

It’s underpinned by a bass groove reminiscent of “Heaven And Hell” and “The Sign of The Southern Cross”. Add to that, the eeriness of early Sabbath.

The devil and the priest can’t exist if one goes away

Damn right.

Zero the Hero
Accept the fact that you’re second rate life is easy for you

Conformity in one simple statement.

Rainbow – Bent Out Of Shape
MTV changed the way bands wrote albums. Suddenly experimentation, longer guitar solos or longer songs in general went out the window. Every band was trying to make that arena rock song. So it was no surprise that Rainbow would follow suit, especially after they had a few unexpected hits in “Since You’ve been Gone” from 1979’s “Down To Earth” album with Graham Bonnet on vocals, “I Surrender” from 1981’s “Difficult To Cure” with Joe Lynn Turner on vocals and “Stone Cold” from the 1982 album “Straight Between the Eyes”.

The band for the recording of this album was Ritchie Blackmore, Roger Glover, Joe Lynn Turner, David Rosenthal on keys and Chuck Burgi on drums. But the single here should have been “Stranded” instead of “Street of Dreams”.

Stranded
It’s the only good song on the album. That bass just keeps the pedal point note going, while Blackmore is free to explore so many different musical palettes.

Dog night, I’m so alone
A million miles out on my own
No one to talk, no one to care
Searching for someone, they could be anywhere

Life of a rock and roller.

AC/DC – Flick Of The Switch
It’s a solid album, coming out after the holy trinity of albums, their U.S breakthrough “Highway To Hell” in 1979, the mega selling “Back In Black” from 1980 and it’s 1981 successor “For Those About To Rock”.

Some personnel changes happened as well. Simon Wright is in the drummers’ chair, replacing Phil Rudd. Simon Kirke from the band Free also auditioned, as well as 699 other drummers. It would have been cool if it was 666 drummers.

The producer of their holy trinity albums, Mutt Lange was also out. Their manager Peter Mensch was also out. Angus and Malcolm stepped up to give the world a live and raw version of AC/DC. There are no classic songs on the album. But there is a lot of groove and swagger. The slower tempo’s make it sound HEAVY. But the songs don’t get played live, so the album remains largely forgotten to the masses.

“Basically what Mal had said was that he wanted to try and get that feeling of being in a room with it all happening. I don’t think it really worked entirely.”
Engineer Tony Platt in the book Maximum Rock & Roll

Rising Power
My body’s blown a fuse
Rising power
We’ll raise the night
Rising power

Rise/Rising = hard on. Blow a fuse = climax. Johnson is rolling out the metaphors.

Flick Of The Switch
With a flick of the switch
She’ll blow you sky high

Johnson is still rolling out the metaphors with innuendo.

Nervous Shakedown
It’s a dirty lie
It’s a shakedown
It’s lookin’ like a set-up

There is a lot of this happening today, with copyright trolls trying to shakedown internet users. The trolls put up the content and then take note who downloads the content via the public torrent trackers. Once they have a list of IP addresses, they go to the courts, so the courts could give approval for the Telcos to unmask their users and provide address details. If the courts approve, the trolls send the users letters, saying if they pay $50 to $100 and admit guilt, it all goes away, if they choose to fight it in court and they lose, then the users could be liable for thousands in fees. It’s a shakedown, a set-up.

Guns For Hire
Look out woman
I got gun’s for hire
Shoot you with desire

I wonder what Johnson means here.

Badlands
It sounds like Tom Keifer is singing this song. Musically, it’s a cross between George Thorogood’s “Bad To The Bone”, 70’s ZZ Top and AC/DC’s roots in the blues.

Again, it’s the groove that hooks me in.

“In the badlands”

Triumph – Never Surrender
I never heard this album in 1983. It became part of my collection much later on via Record Music Fairs and so forth and it was the more ambitious and melodic tracks that appealed to me.

A World Of Fantasy
How good is this song’s intro especially when the harmony guitars kick in?

Lost in your world of fantasy
Look what you’ve done to me

A Minor Prelude
It’s just a nice 90 second instrumental on acoustic guitar.

All The Way
How good is the intro?

Lyrical the theme is clichéd but the lyrics are just excellent.

Where there’s a will, there’s a way
Every dog will have his day
Those who wait are only wasting’ time

It’s all about the effort. In the 1900’s, research said that to achieve greatness you need to put in 10 years of practice. This was then enhanced to include 10,000 hours of practice, which was then further enhanced to say 10,000 hours of deliberate practice, which means breaking down a skill you want to learn into chunks and learning it slowly before increasing the speed.

That’s why the metronome is the best tool for any wannabe musician. Learn the song slowly and then increase the speed to its normal speed and just for fun, push the speed even faster to see how you go playing the song. Sometimes, ballads like “Alone Again” end up sounding pretty wicked at 150bpm.

That’s why the Senseball is the best tool for any wannabe football player. You start of slowly, focusing on the task at hand and slowly build it up.

Pray for wisdom – dig for gold
Can’t buy freedom by selling your soul

Recording contracts are designed to benefit the entity forking out the money to produce the works. So any wannabe artist needs to sell their soul for a shot at the brass ring.

You better watch out, you better look around
Cause what goes up is gonna come down
Everybody lives by the law of supply and demand

So true. Even the record labels live by the law of supply and demand. When people got fed up with the corrupted and very pricey supply chain, technology allowed mp3’s to be created. Suddenly music was everywhere.

Once you’ve set a course don’t change it
Luck will come to those who chase it
Don’t let anything get in your way

What a brilliant verse. Hell, the whole “Talent Code” book is based around the theory that you need to love what you do, to practice deep for a long time, so you can become an expert in your field.

Never Surrender
In the verses, it reminds me musically of Led Zeppelin’s “All My Love”. But at almost 7 minutes in length, it has a lot of musical movements and a groove that’s hypnotic.

How good are the lyrics in this?

Jivin’, hustiln’, what’s it all about?
Everybody always wants the east way out
Thirty golden pieces for the Judas kiss
What’s a nice boy doin’ in a place like this?

Everyone wants to be successful. Everyone wants to be famous. But is everyone willing to put the hard work in. Is everyone willing to be surrounded by people who will lie and deceive?

Today you found a hero tomorrow you’ll forget

This is so relevant in 2017. The speed at which we move on to new things is astonishing.

Never Surrender – we cannot be denied
Never Surrender – spread your wings and fly

To become an expert and have a chance of success, you need to be in it for the long run. The 10 years. The 10,000 hours of deliberate practice. There are no short cuts.

Writing On The Wall
It’s got that 80’s metal pedal point vibe, but in a major key instead of a minor key.

I am up here
Walking on a tight rope
But I never pause to think
That I could fall

Damn right, there is no safety net in life, especially in music.

I’ve got one short dance
On this planet
But I’ll carve my message deep into the wall

Long-time dead, short time alive. Don’t waste your days on what you can’t control.

Blackfoot – Siogo
The first time I heard Blackfoot was via a Spotify Discover playlist and it was the song “Send Me An Angel”.

Send Me An Angel
I can’t live with all this doubt

Are we good enough?

Is this song good enough?

Do I look good enough?

So many expectations we place on ourselves just to please others. And then we wonder, why so many doubt themselves. It’s even worse today with social media.

Teenage Idol
Standing in his hometown
Waiting for the bus that’ll take him
Farther than he’s ever been

I’ve shown them what a pretty life I’ve made
Even though I’ll miss you badly

It’s the ultimate sacrifice. A career in music vs loved ones you need to leave behind. As Jonathan Cain wrote in “Faithfully”, the road is no place to raise a family.

Alcatrazz – No Parole from Rock N’ Roll
When I was starting out in bands, one of the guitarists in the band was a huge Yngwie Malmsteen fan. The drummer of the band was also a fan of Malmsteen and he had this album on LP, so I dubbed it on cassette from him. Home taping was spreading the music.

But the Alcatrazz story is much deeper than Malmsteen’s brief appearance. Like a lot of other bands in the 80’s it was a pseudo supergroup of musicians. You had a 20 year old guitar hero in Yngwie Malmsteen, a 30 year old experienced bassist in Gary Shea, a 33 year old experienced drummer in Jan Uvena, a 24 year old keyboardist in Jimmy Waldo and a 35 year old vocalist with major label experience in Graham Bonnet.

The story starts with bassist Gary Shea and keyboardist Jimmy Waldo. After their band “New England” lost their singer, they moved out to L.A to work with a guitarist called Vinnie Vincent and a new band called Warrior. Vinnie Vincent at the time also had a deal in place to co-write songs for Kiss. ‘Boyz Gonna Rock” and “I Love It Loud” appeared on the first Warrior demo. On the strength of that demo and the songs that Vinnie had written, he was asked to join KISS. We all know how big “I Love It Loud” became.

And from the ashes of Warrior, the embryo of Alcatrazz was formed.

With a dodgy manager on board, who took royalties meant for the band into his own pocket, Alcatrazz was a go. Shea actually reckons Malmsteen lost a lot of money when he left due to the thievery of their manager.

Island In The Sun
It’s the opening track and a Malmsteen classic. Actual songwriters are listed as Yngwie Malmsteen, Jimmy Waldo and Graham Bonnet but there is no denying the Malmsteen sound.

In their nine by five rooms, became inspired
By the silence in sight of the city

Is it about prison or something else?

Jet To Jet
It’s a Malmsteen and Bonnet composition. It’s pretty safe to say that all the music is from Malmsteen and Bonnet wrote the lyrics.

How they stared as we made our exit
We’re white they’re all brown
Dr. Livingstone where are you when we need you the most
We’re white as ivory on the Ivory Coast

Is the song about the arrival of white men in Africa?

Is the “Jet To Jet” title referring to the colour black (as jet is a shade of black)?

Hiroshima Mon Amour
It’s another Malmsteen/Bonnet composition. Bonnet was inspired by the 1959 French film Hiroshima Mon Amour, (translation: “Hiroshima My Love”), which he had seen in school. The film recounts the Hiroshima bombing and tells of the human suffering in the aftermath.

“I was always horrified by what happened. And Hiroshima, my love, it was like, goddamn, you know, I didn’t want that to happen again. So I read up a little bit about it, and that’s how that came about. It was something I thought should never have happened. It was just a horrible thing. I couldn’t believe that the Americans would do this, or anybody would do that to anybody. It was sort of a protest song in a way.”
Graham Bonnet 

The fireball would dim the sun,
Promising death in its cruellest form

There is no good in war, but man, when you read about the fall out and the cancers still happening even today, you get to understand the gravity of Hiroshima and Nagasaki.

Hiroshima Mon Amour
As we beg to be forgiven do you spit
In our face and curse us all.

Incubus
A short Malmsteen instrumental that he would use in his solo career.

Too Young To Die, Too Drunk To Live
It’s another Malmsteen/Bonnet composition.

Chemical kids lost in the street,
Looking for some kind of saviour
Perverted minds lead them like sheep
Into the slaughter they have to face

Chemicals once upon a time = alcohol. Today, chemicals on the streets mean so many different things.

There’s time to die but she just needs more time to live

A brilliant line. In the last six months I have attended 4 funerals. Two for people aged 40, one for a person in their 60’s and one for a person a few weeks short of their 80th birthday. 40 is way too young to die.

Years from now
Look how they change
They’re so mature and respected
Makes them laugh
They were such fools
So unaware of the real live world

Some made it to an older age so they could look back, others didn’t.

Steeler – Steeler
From interviews in Guitar mags, I knew that Yngwie Malmsteen was in the band Steeler. Also in the band was vocalist Ron Keel (from Keel) and former W.A.S.P. bassist Rik Fox. The band produced only one album.

The album was released September 25, 1983 but I didn’t hear it until very much later.

“Steeler was formed by in Nashville and fought our way to the top of the LA hard rock scene in the early 80’s – it’s a great story, and if you want to know all the details, I suggest you check out my official autobiography “Even Keel: Life On The Streets Of Rock & Roll,”. Success is a relative term – Steeler sold a couple hundred thousand albums, while my band KEEL has sold several million albums.”
Ron Keel 

It was Ron Keel and then guitarist Michael Dunigan who came out to L.A to scout gigs. Once they got a feel for the place, the whole band and crew came out. Eventually the original line up splintered because Ron Keel felt threatened by the level of musicianship on the L.A scene and he believed he needed to get better musicians.

Mike Varney, the owner of Shrapnel Records played Ron Keel a demo tape of Malmsteen and he was on a ship from Sweden to L.A. Rik Fox looked like a rock star and got the bassist gig. By making changes, Keel lost the camaraderie and chemistry within the band.

For Malmsteen, this was a four month stopover in his grand vision for greatness. The stop-over involved 9 shows, the recording session for the album and two song contributions in “No Way Out” and “Abduction”.

Cold Day In Hell
It’s listed as a Ron Keel song and it’s one hell of good rock song. More in vein with what Keel would sound like, but without a Malmsteen lead break.

Empty eyes of heartless friends
The night is mine again
Bitter streets of evil stares
No one listens, no one cares

The lead break from Malmsteen is a classic.

No Way Out
It’s written by Ron Keel, Mark Edwards and Yngwie Malmsteen and although the lyrics are hit and miss, it’s still a good listen.

Click the link to listen to 1983-Part6

1. Separate Ways (Words Apart) – Journey
2. A World Of Fantasy – Triumph
3. Send Me An Angel – Blackfoot
4. Island In The Sun – Alcatrazz
5. Stranded – Rainbow

6. Disturbing The Priest – Black Sabbath
7. Rising Power – AC/DC
8. A Minor Prelude/All The Way – Triumph
9. Faithfully – Journey
10. Jet To Jet – Alcatrazz

11. Flick Of The Switch – AC/DC
12. Never Surrender – Triumph
13. Hiroshima Mon Amour – Alcatrazz
14. No Way Out – Steeler
15. Writing On The Wall – Triumph

16. Cold Day In Hell – Steeler
17. Badlands – AC/DC
18. Ask The Lonely – Journey
19. Incubus / Too Young To Die, Too Drunk To Live – Alcatrazz
20. Zero The Hero – Black Sabbath

Standard
A to Z of Making It, Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Score Card V4.0

Mutiny Within
In 2010, Mutiny Within released their self-titled debut on Roadrunner Records. It didn’t get the traction they hoped for and Roadrunner didn’t get the return on investment. Roadrunner blamed piracy, however, the whole marketing campaign was centered on stating that the band is a cross between Killswitch Engage and Dream Theater. It was a terrible comparison and a terrible marketing campaign.

They had tours booked, but no financial support the label, plus they had to contend with band member departures. Then in 2011, vocalist Chris Clancy left the band due to financial reasons. He had some interesting viewpoints on piracy and recording contracts in general. For some reason, he believed that just because he got a recording contract for album number 1, he was guaranteed to make an income from music. A few weeks after Clancy left, Roadrunner dropped em. 9 months later, the band was on hiatus due to the difficulties of finding a new vocalist.

Then social media came to the rescue. In 2012, they posted some unreleased demo tracks from unreleased album number 2 on YouTube and got a positive response from fans. By the middle of the year, Chris Clancy was sort of back, finishing off vocals on the unfinished tracks.

In January 2013, they released album number 2 in “Synchronicity”. Clancy also set up a project called Industry Embers, an organisation dedicated to spread the word about music piracy. He revealed that music piracy had been the downfall of Mutiny Within, with the debut album only selling around 10,000 copies since released, and the album being shared and pirated at least 100,000 times.

I don’t really subscribe to the theory that 100,000 downloads = 100,000 lost sales. If your music is getting pirated, it means people are interested, but when they choose to pay is really up to them. It could be instant, it could take years. I like Mutiny Within, however I don’t own any of their music. The first album I heard on YouTube, the second album again on YouTube and once I had a Spotify account, on Spotify.

Anyway, the response album number 2 was surprising for the band and one of the Facebook posts mentioned how the band was left speechless. Maybe 20% of the 100,000 people who downloaded the first album illegally, became monetized fans this time around.

Regardless, there is no denying the excellence of “Become”.

Can’t forget what I’ve become

In February 2017, “Origins” came out and “Reasons” is the track that is connecting with me. And to my surprise, guitarist Andy James makes a surprise guest appearance on the song.

All I wanted was a way to survive,
A simple reason to make me feel alive

The album was written by collaborating digitally over two continents and leaving the joining of it all to Clancy who also mixed and mastered the album. Music is a lifers game and the guys in Mutiny Within are in it for real this time.

Evans Blue
By 2013, I was spinning “Graveyard Of Empires” their 2012 release. Then the band went on hiatus, while singer Dan Chandler hooked up with Dan Donegan from Disturbed to create the band Fight Or Flight.

In July, 2013, “A Life By Design” was released and it had the excellent tracks “Leaving” and “First To The Last”. But the album got no traction. It couldn’t rise above the noise. Donegan went back to Disturbed and Chandler returned to Evans Blue and in 2016, we got a brand new Evans Blue album called “Letters From The Dead”. The songs are not as good as their previous releases but Dan Chandler has one hell of a voice and he keeps it sounding fresh. I’m still interested to see what comes next.

Corroded
In 2012, they released “State Of Disgrace” with the excellent “Let Them Hate As Long As They Fear” and “Believe In Me”. But I forgot about them, because the album was not on Spotify.

Then the new song “Fall Of A Nation” came up on my Release Radar playlist. So I was interested, as nothing new had come out since 2012. I went to check out the Spotify account and lo and behold, their previous albums are now available.

They are another band from Sweden that I dig, and musically, if you like Machine Head, Black Sabbath and groove orientated Judas Priest, then you will like Corroded.

Another Lost Year
In 2012, they released their debut album “Better Days”, which to be honest was a pretty good f listen. Then I heard nothing from them via the normal news cycle.

But when I went on Spotify to check em out a few weeks ago, I saw they had been busy.

They released an EP called “The Revolution: Pt. 1 The Other Side” in 2014, another EP called “The Revolution, Pt. 2: It’s a Long Way Home” came out in 2016 and an album called “Alien Architect” was also released in 2016. While the EP’s are hit and miss, “Alien Architect” is a return to form.

Hell Or Highwater
An excellent side project from Atreyu drummer and their melodic vocalist Brandon Saller.

So when Atreyu went on a “Disturbed inspired” break in 2011, Saller decided it was a good time to bring out his side project where he is the main vocalist. In 2011, the excellent hard rock album “Begin Again” was released. I came across it in 2012 and dug it.

“Gimme Love”, “Find The Time To Breathe” and “Rocky Waters Edge” are pretty good rock tunes.

But then I heard nothing from them. Most of the metal news outlets focused on Atreyu getting back together and releasing a new album.

But from writing this post, I now know an EP called “The Other Side” came out in 2013. So off to Spotify I go.

“The Other Side” is a brilliant track, along with

I’ve been feeling like a stone here
All my gathered moss in tow
So I packed up my cases
And headed into the unknown

Heartist
In 2012 they released the excellent EP “Nothing You Didn’t Deserve”. And they went silent, until the album “Feeding Fiction” dropped in 2014. It wasn’t bad, but it wasn’t as good as the EP. However I am still interested to see what comes next and a recent Facebook post mentions that vocals are complete for the new album.

I Am Giant
2014 gave us “Science And Survival” but it was “The Horrifying Truth” from 2011 that cemented their status, plus it had a re-recording of my favourite song, “City Limits” which first made its debut on the “The City Limits/Neon Sunrise” released in 2010.

In between, they toured, placed their music with corporations, became ambassadors of certain clothing ranges, became X-Factor NZ judges and helped produce other bands.

Fast forward to February 2017 and a new single called “Dead Flower” is doing the rounds on my Spotify release radar, however, it’s with a different singer.

Fates Warning
The addictive “Disconnected” album, released in 2000 is a perfect blend of Porcupine Tree, Pink Floyd, Tool and “Images and Words” era Dream Theater with the unique Matheos song crafting underpinning it all.

After a few more albums, the band went on hiatus circa 2005, only to resurface in 2013, with “Darkness In A Different Light”, which had the excellent “One Thousand Fires”.

Then in 2016, “Theories of Flight” came out, with a few more gems in “Seven Stars”, “The Light And Shade Of Things” and “White Flag”. To have a career and a future in music is to keep on creating music. You cannot rest on past successes.

Standard
Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

1983 – V – The Midnight Madness Script Is Built To Destroy While The Victims Of The Future Cry A Jesters Tear

Prior to MTV, we had radio in many different formats. Rock stations played rock, metal stations played metal late at night, top 40 played top 40 and so forth. But MTV played everything and suddenly a monoculture was created. Without warning, AOR was fighting with hard rock, glam rock, metal, hip hop, dance and every other format for people’s attention. And like all changes, some people win and some people lose.

The once trusted filter known as the Radio DJ was replaced by the MTV DJ. However in time, MTV became a PR machine with songs pre-programmed to suit those who paid the most. So we doubled down to the music magazines to be our filters and tell us what’s good.

For me it was;

  • Faces, Hit Parader and Circus up until 1988.
  • Guitar World from 1986 to current day.
  • Guitar For The Practicing Musician from 1987 to when it was absorbed by Guitar One and then until Guitar One was absorbed by Guitar World in the early 2000’s.
  • Metal Edge between 1989 to about 1998.
  • RIP for a few years around 1989 and 1990 and I think it also went bust.
  • Hot Metal (an Australian mag) from 1989 to when it ended and in the early 2000’s Metal Hammer became a filter.
  • Kerrang was another mag I purchased here and there.

But when the internet came and took our attention, changes happened again. Suddenly, our filters couldn’t be trusted anymore, because they had to compete with the noise. Instead of focusing on long form journalism, they focused on page visits and crappy articles.

So who do we trust in 2017?

Do we trust the playlists of the streaming service?

  • Spotify’s music playlists feel like they are based on which marketing team pays the most.
  • Who makes them?
  • Is it an algorithm or an actual person?

We live in an era where everyone wants to be a star however the creators of these playlists are unknown. If the streaming company wants us to trust these filters, shouldn’t we know who makes the lists?

Do we have any filters these days to believe in?

When I started writing what 1983 meant to me, I thought it would be easy as I had a lot of good music to write about. And that proved to be the problem. Here are parts 1, 2, 3 and 4.

Say hello to Part 5 and I still feel I am scratching the surface with this year. Maybe once I am done, I might go and do some stuff on the 60’s and 70’s music that made its way to my ears during the 80’s and 90’s. It would be much quicker than the 80’s.

Night Ranger – Midnight Madness
For some insane reason, “Midnight Madness” is not on Spotify. Actually, apart from “Dawn Patrol”, the whole commercially successful period of the band is not on Spotify.

Maybe some of those albums are close to an RIAA certification and they want to get there with sales, not streams. Maybe they are in dispute with the label over how they should be paid, like Def Leppard. Whatever the reason is, the legitimate paying fans get ripped off again, while the whole Night Ranger discography is on YouTube and pirate sites for free. It’s a typical recording industry story. The enemy is the service (Spotify) and the public. The majority of music consumers don’t want to own music. Access is king. Hell, people don’t even want to own their homes anymore. Once upon a time, a person who owned their home, ruled. Then the banks lost billions, the economies plummeted, people lost their job and suddenly people’s homes were taken away. And the ones that still own homes have their kids, who are approaching their 30’s, still living with them.

By 1983, Night Ranger went from an opening act to a headlining act with the release of their second album “Midnight Madness” album. And everyone was thinking how the hell did that happen?

He (Michaelangelo) was a promising but little-known artist until he produced the “Pieta” at age twenty-four. People called the “Pieta” pure genius, but its creator begged to differ. “If people knew how hard I had to work to gain my mastery,” Michelangelo later said, “it would not seem so wonderful at all.”
Dan Coyle – The Talent Code

The road is long and heavy in music. Age and experience count. The musical roots of each member goes back to the mid/late 60’s. Jack Blades along with Brad Gillis experienced fame in America with funk rockers Rubicon in 1978, however by 1979, Rubicon was no more. They had to start again. Lucky for them, Kelly Keagy was Rubicon’s touring drummer and the band Stereo was formed.

But Stereo ceased to be when a roommate of Blades called Alan Fitzgerald (bassist for Montrose and keyboardist for Sammy Hagar) suggested they form a rock band. Alan also knew a virtuoso guitarist called Jeff Watson from Sacramento. The band Ranger was formed in 1980; a supergroup of lifers, committed to be musicians.

“Dawn Patrol” came out in 1982, and it got some traction with the single “Don’t Tell Me You Love Me”. As the future looked bright, their record label Boardwalk went under. In the space of half a year, Night Ranger had released their debut album, got traction and then suddenly, they had no record deal.

However, Night Ranger had a believer in former Boardwalk vice-president Bruce Bird, who organised a deal with Irving Azoff to sign the group to MCA. Azoff at the time became chairman of MCA, a position he held until 1989. In the process, Azoff turned the label around. Those MCA losses became profits and Azoff’s skills at finding talent and pairing the talent with other talent to make hit records became the stuff of legend. Night Ranger would be the first signing to Bird’s new imprint under MCA, Camel Records Inc.

“Midnight Madness” came out in 1983. Think about the ages of the guys in the band. Jack Blades is 29, Brad Gillis is 26, Jeff Watson is 27, Kelly Keagy is 31 and Alan Fitzgerald is 34. The overnight success came in the form of the members paying their dues in other bands since the start of the Seventies. They had the experience and the 10,000 hours and in 1983, luck came in the form of music television. MTV would turn club acts into arena acts instantly on the back of a song, and “Sister Christian” along with “(You Can Still) Rock In America” became the songs that launched Night Ranger.

(You Can Still) Rock in America
The album kicks off with this Jack Blades and Brad Gillis composition about going out, having a good time and rocking it all night long. It was Jack Blades response to all of the magazines of the time, stating “Rock Is Dead”.

“I was just sitting around in my hotel room in Springfield, Illinois, in the shadow of Abraham Lincoln’s house, and we were on tour with Sammy Hagar. We were on tour behind our first album, doing the Dawn Patrol tour, and we were with Sammy, he was out playing his Three Lock Box tour, so it was ’83. We were sitting in this bad little Travelodge, that motel that has that sleeping bear with the sleeping hat on top of it. And we had a day or two off, and I went and bought a bunch of rock magazines. And at that time all these magazines were saying, “Rock is dead.” Because we were still coming out of the Cars, and Blondie, and A Flock of Seagulls, and Haircut 100, and Boy George, and all this kind of stuff. And all these magazines were saying that basically rock and roll as we know it – Deep Purple, all that kind of stuff – was dead, and all this new music was coming out. At least that’s what they were trying to jam down everybody’s throat to convince everybody that this is the music you should listen to; the Thompson Twins, the Cure, everything that wasn’t like real rock and roll. But everywhere we were playing with Hagar, it was thousands of people out there and everybody was just rocking and rolling and screaming, and we were just jamming. And I’m like, Man, I don’t get this. Everybody’s saying rock is dead, but as far as I’m concerned, you can still rock in America.”
JACK BLADES 

How do you follow-up this song?

You don’t.

You change tact and go into the melodic AOR Rock format, popularised by Journey, REO Speedwagon and Styx.

Two Jack Blades compositions come next in “Rumours in the Air” and “Why Does Love Have to Change”.

Rumours In The Air
It starts off quietly as the volume swell lick that reminds me of “Cathedral” from Van Halen builds in volume. But it’s the keyboard groove that hooks me in.

Used to call me
By my first name
Now you never even call me at all
Used to say
I was your only flame
It was so simple
I believed it all

We are screwed. Relationships are tough to get and tough to keep going once the initial spark/lust factor dies away.

Now I hear
You’ve got a new friend and lover
Who keeps you warm
On the cool cool nights
There’s a rumor in the air
Don’t seem right

In 2017, there’s a text out there that don’t seem right.

And how good is the keyboard lick after the 1st chorus.

Why Does Love Have to Change

Why does love have to change (x3)

I always dug simple chorus lines.

The old place
Don’t seem the same anymore
Yesterday’s dreams
Lie discarded on the bedroom floor

I understand that the song uses the word “love” in a relationship setting however I didn’t. I connected love with passion. Like a love to be a professional footballer, or a professional musician. And as we grow older, life events get in the way, and we are asking, “why does our love of music have to change?”

Sister Christian
It’s the closer to side 1. The single. The tour-de-force. This is the era of the LP, when sequencing mattered. And for Night Ranger, it was a perfect four punch combination knockout.

This song was not a favourite of mine when it came out, and I’m still not a fan of it because the lyrics fail to connect with me, however I understand it’s place in hard rock and MTV history while the song went on to become the high school prom graduation song that year for millions of U.S kids.

The song is composed by Kelly Keagy about his sister Christy. A demo was recorded for “Dawn Patrol” but it wasn’t used.

Side 2 opens up with two more Jack Blades compositions in “Touch of Madness” and “Passion Play”.

Touch Of Madness
She say’s
“I get high when I want to
Don’t ya think you need it too”
I need a touch, I need a touch of madness

All of the religious leaders in the 80’s got it right, that the youth of the world had been seduced by the devil’s music. We liked to experiment and Mister Juana was a favourite.

When You Close Your Eyes
The big ballad written by Jack Blades, Alan Fitzgerald and Brad Gillis is next.

“I remember we were doing the Midnight Madness album. Kelly had written “Sister Christian” before, but we hadn’t put that on our first album for some reason or another, I don’t know why. So we were doing the second album, we had a bunch of songs done, and I was sitting in the back room of the recording studio, Image Recording, and I started playing this chorus on the piano…I started singing, “When you close your eyes, do you dream about me?” So I showed it to our keyboard player, Fitz (Alan Fitzgerald), and he started banging around with some stuff. And I showed it to Brad (Gillis), and we kind of worked it up with the band, but we didn’t have the lyrics. We recorded the music, and then we didn’t have the lyrics for, I think, several songs. And we were in Hollywood and there was a lot of distractions going on when we were cutting the record; the guys from Motley Crüe were down all the time at our studio, and we were always up at the Rainbow, and always running around. There was a lot going on, a lot of partying, everything like that. So I got on a plane and flew to my parents’ house in Scottsdale, Arizona. I flew there late Thursday evening, and Friday, Saturday and Sunday I just sat around a pool. It was beautiful sunny days, and I sat around a pool where I could just focus with nobody around me, and no chatter going on, no parties. And I ended up writing, finishing up the lyrics to 3 songs, one of which was “When You Close Your Eyes.”
JACK BLADES

Chippin’ Away
Written by Jack Blades and Brad Gillis.

Chipping away
At my heart every day
You got me
Hanging by my window

Musically and melodically it’s catchy, but lyrically it made no connection.

Let Him Run
The album closer, written by Jack Blades, Kelly Keagy and Jeff Watson.

Strap on your safety belt
Blazing in the sky
Thinking of nothing
No disguise

The end of Night Ranger happened with the success of “Midnight Madness.” Suddenly, the band was on the radar of the record label who wanted another “Midnight Madness” so they could capitalise on the cash. It came in “7 Wishes”, a carbon copy of the breakthrough album. Then Bon Jovi blew up the airwaves with “Slippery When Wet” and suddenly the labels wanted Night Ranger to write their own “Slippery When Wet” and to look like Bon Jovi in the process. Two years later, Jack Blades was in a new supergroup with Tommy Shaw and Ted Nugent called Damn Yankees and a stripped down sound and look, while Jeff Watson and Brad Gillis released forgettable shred albums.

Gary Moore – Victims Of The Future
On 6 February 2017, it will be 6 years since Gary Moore passed away.

“My favourite of those is Wild Frontier because it was made just after Phil [Lynott] died. I was thinking about him a lot at the time, hence its Celtic influences. It’s a reflective record, whereas this [picks up Victims Of The Future] is just one of my feeble attempts at heavy rock.”
GARY MOORE

Feeble or not, “Victims Of The Future” is a pretty good heavy rock record.

In the 80’s I never owned any LP’s from Gary Moore, however I did own a few 7 inch singles like “Friday On My Mind”, “After The War” and “Ready For Love”. I also owned a few 12 inch singles (does anyone remember the 12 inch) of “Wild Frontier”, “Out In The Fields” and “Over The Hills And Far Away”. I picked this album up on LP via a second-hand music shop in the 90’s and it was an interview with guitarist Al Pitrelli in 1992 that got me interested.

You see, back in 1992, Al was in Widowmaker. For those that don’t know, Widowmaker was Dee Snider’s second attempt to kick-start his post – Twisted Sister music career. So of course, “Blood and Bullets” hits the streets and the obligatory press and interviews follow. At that time I purchased an issue of “Guitarist” and Al spoke a lot about Phyrgian mode scales in the interview. He referenced Gary Moore a lot and his emotive lead in “Empty Rooms”.

So it was a no-brainer when I saw the album for $2 and the supergroup of musicians recording it. Apart from Gary Moore, you had, Ian Paice (Deep Purple) on drums, Neil Carter (UFO) on keyboards, Neil Murray, Mo Foster and Bob Daisley all contributing bass parts.

The problem with the album to me was the marketing.

The labels in 1983 still had no idea how to market metal/rock acts. Virgin in this case decided the singles to be released as; “Hold on to Love”, “Shapes of Things To Come” (a cover), “Teenage Idol” and “Empty Rooms”. But to me, it should have been the darker political songs, “Victims Of The Future” and “Murder In The Skies” along with “Empty Rooms” as the singles.

But in the end, Gary Moore’s success came because he switched labels. He started off with MCA for “Back On The Streets” and changed to Virgin for “Corridors Of Power” and he remained on Virgin until 1997. He started to have hits because he was allowed to experiment. Virgin Records was originally known in the 70’s for signing progressive rock bands and by the late Seventies/Early 80’s, they had punk rock bands and new wave bands. It was only a matter of time before they started to accumulate hard rock and metal bands and gave them the freedom to do what they please.

And “Victims Of The Future” gave Gary Moore traction but no certifications. They came with the next album “Run For Cover” and continued well into the late 90’s.

Victims of the Future
It’s a brilliant song written by Moore, Neil Carter, Ian Paice and Neil Murray.

Searching each day for the answers
Watching our hopes disappear
Set on a course for disaster
Living our lives in fear
Our leaders leave us in confusion
For them there’s only one solution

Caught in the fight for survival
Trapped with our backs to the wall
Are we just lambs to the slaughter?
Who wait for the axe to fall?
Our world is headed for destruction
Our fate is in the hands of fools

I gotta confess that I plagiarized/stole the whole first two verses for my major art project as it was based on “War”. It was a mixed media project that involved me making a miniature coffin and on top of the coffin, I had the two verses written there, sort of like an Eulogy. Inside the coffin, I had drawings of all things war. Of course, Rattlehead and Eddie made appearances in there as well. Quick call the lawyers.

Shadows of the past,
Victims of the future
How long will it last?
Victims of the future

You would think our leaders would learn from their mistakes or the mistakes from the past, but no, they don’t. It’s just further proof that serial killers go into politics.

Into the verbal arena,
Armed with the lies that they tell
They’re fighting for world domination
Backed by the weapons of hell
Is there no end to all this madness?
Is there no hope for us at all?

Nothing has changed in 30 plus years and nothing will change in 30 plus years, like nothing has changed the last 3000 plus years.

Teenage Idol
It’s written by Moore and lyrically, it’s one of those typical early 80’s anthems, so no surprise that the label decided to release the song as a single.

Never did much good when he went to school
Too many teachers, there were too many rules

Oh yes, those stupid rules from the 60’s, just didn’t gel with the youth growing up in the 80’s.

But when he heard that guitar on the radio,
He knew one day he was gonna be a teenage idol.

MTV replaced the radio and made artists into global stars.

He dumped his chick and he sold his car.
He bought himself a hot guitar.
He joined a band and they cut some tracks.
He hit the road and he’s never looked back, oh no.

And to be honest, that’s how it was once upon a time. Today, they join a band, cut some tracks, build up a social presence so when they play a one-off show, a big crowd is in attendance.

Empty Rooms
It’s written by Moore and Carter and the second song on the album to be over 6 minutes long. This was the song that Al Pitrelli mentioned and man, he was right. The track is lyrical, melodic, it has movements and that lead break from Gary Moore is brilliant, full of emotion and feel. I guess Al Pitrelli was right.

Loneliness is your only friend
A broken heart that just won’t mend is the price you pay.
It’s hard to take when love grows old,
The days are long and the nights turn cold when it fades away.

We spend our lives searching for it, then spend our days working on it and hopefully it will remain forever. But when love takes a walk and never comes back, then those days are long and the nights are cold.

You hope that she will change her mind
But the days drift on and on
You’ll never know the reason why – she’s gone.

Sometimes people just grow out of love. Sometimes their views are years apart from each other. What she wants/desires now, he doesn’t, but probably will in a few years’ time. And when it breaks down and one side walks away without a real good reason, questions are asked as to why.

Empty rooms – where we learn to live without love

So true.

Over at the SongFacts website, co-writer Neil Carter mentions how the scratch vocal track was originally laid down by Glenn Hughes. I wouldn’t mind hearing that demo.

Murder in the Skies
Another song written by Moore and Carter. It’s the opening track of Side 2 on the LP and it’s the third song on the album to be over 6 minutes long.

It’s about those bloody Russian’s shooting down passenger planes. latter being a protest against the Soviet Union’s shooting down of Korean Air Lines Flight 007.

Does history repeat?

Of course it does. In 2014, they shot down a Malaysian Airplane.

The Russians have shot down a plane on its way to Korea.
Two hundred and sixty-nine innocent victims have died

Murder in the skies came without a warning
Murder in the skies, black September morning

Time was running out for everyone,
Flying over the Sea of Japan
None would live to see the rising sun,
Death was following close at hand

It’s a newspaper story. It’s not a single, it’s not a hit, it’s an album cut, back in the day, when artists still experimented with different lyrics.

MSG – Built To Destroy
We all knew who Michael Schenker was from his time in UFO and Scorpions, but none of us could name his MSG tunes correctly because we didn’t own his albums. He wasn’t on MTV and there was no Spotify, no YouTube, no BitTorrent, no internet where we could go and look up his MSG output. Radio in Australia never played MSG. So basically if you didn’t own his albums or know someone who did, it’s like he didn’t even exist.

But he was all over the guitar magazines. Weird that. That’s how I came across him. I am still undecided if his coverage was based on his past glories with UFO or was it due to the emergence of shredders in the Eighties who credited Michael Schenker as an influence.

The first MSG album came out in 1980 and it stiffs in the major U.S market. Japan however was another story for Schenker where his popularity remained high on the back of his Scorpions and UFO contributions.

The second album came out in 1981 and it did nothing as well. Something had to change. Someone had to be blamed. So original singer Gary Barden was fired in 1982 and Graham Bonnet fresh from his stint in Rainbow was hired. Album number 3 came out the same year (along with the Live at The Budokan album) and again, it did nothing. Bonnet was fired and Barden was back in for the tour. And here we are at album number 4. And although it has some great moments, commercially, it didn’t do great numbers. Maybe the problem lay with the lyrical content. Gary Barden went from a broken-hearted singer to a social conscience singer and then to a rock and roll preacher.

Rock My Nights Away

Far from home
Who’s gonna rock my nights away!

Is it about groupies?

I’m Gonna Make You Mine

You said you’d come back again
I never knew exactly when

Is it about the groupie who said she has to get some fresh air and ends up in someone else’s bed or is it about the girlfriend he left behind to go on tour and screw groupies. In case people are not aware, it’s my poor attempt at sarcasm here.

The Dogs Of War

To buy someone’s freedom’ who pays?

A brilliant lyric and so relevant even today. Democracy means that there are winners and losers after each election.

Red Sky

Laughing in the face of destruction
With nowhere to go

In the 80’s, the nuclear bomb scared us, today bio-terrorism scares us.

Rock Will Never Die (Walk The Stage)

So come walk the stage with me tonight
Rock will never die

Marillion – Script For A Jester’s Tear
I had no idea about Marillion until Dream Theater came out with “Images and Words” and Mike Portnoy was interviewed. He spoke so highly of the band, it got me interested. So it was the early Nineties and off I went to the second-hand record shop, where I picked up “Script For A Jester’s Tear”. I actually had my eye on it for a while, because of its cover, but never laid out the $2 to purchase it as there was so much other 80’s music that I needed to have.

The cover, based on idea from lead vocalist Fish and created by Mark Wilkinson, introduced “The Jester” and it is actually a brilliant piece of art.

“It was a struggle to get noticed. We weren’t fashionable. I discovered a long time ago that ‘fashionable’ is for short people. But there was a real arrogance about us: ‘We’re gonna make it.’”
FISH – Marillion

I was literally blown away by the moods and how they made songs that didn’t really have a VERSE – CHORUS structure into a cohesive statement of emotions and melodies.

Script For A Jester’s Tear
It’s the middle section of the song that gets me, from about 2 minutes to the 4 minute mark. It has a cool verse section, with a really good lead break and it segues back to the same verse section before the lead. The mood in the section always nails it for me.

So here I am once more in the playground of the broken hearts
One more experience, one more entry in a diary, self-penned
Yet another emotional suicide overdosed on sentiment and pride
Too late to say I love you, too late to re-stage the play
Abandoning the relics in my playground of yesterday

I’m losing on the swings, I’m losing on the roundabouts

Seriously, how good are the lyrics, the imagery, the metaphors.

I never did write that love song, the words just never seemed to flow

Lead singer, Fish had decided that Marillion would become his first love, so it was no surprise his love life suffered.

He Knows You Know
Listening to Marillion is an experience, because they didn’t sound quite the same like other bands and you can hear them testing limits with their song structures, lyrics and vocal phrasing.

What a hallucinating guitar riff to kick off a song about drug use and the views of the older generation of the time towards drug users.

Light switch, yellow fever, crawling up your bathroom wall
Singing psychedelic praises to the depths of a china bowl
You’ve got venom in your stomach, you’ve got poison in your head

And when that Rush inspired synth lead comes in at 2.30, the mood alters again. It’s simple, moody progressive rock, a style that Dream Theater used to great extent for Images and Words.

Chelsea Monday
The keyboard riff sets the mood on a song about fame or dreaming of fame.

Patience my tinsel angel
Patience my perfumed child
One day they really love you
You’ll charm them with that smile
But for now it’s just another Chelsea Monday

And then the solo kicks in and it’s Dave Gilmour-esque. The lead guitar notes and phrasing from 3.25 to 3.38 is brilliant.

Thanks for reading.

I guess Part 6 of 1983 will be coming up soon.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories

2016

2016 will be seen as the year when the populations of the world, fresh from dealing or seeing terror hit their streets, decided to enforce change with their vote. Whatever side of the fence people sat, it was shown in major countries that the major cities and the governments are out of touch with the rest of their country. When people voted in 2016, it was a protest against the last 30 years of democracy and how the ruling classes became richer while the middle classes became poorer.

Megadeth kicked the year off with “The Threat Is Real” and it sure was. Megadeth released the better album this year, however Metallica’s “Hardwired To Self Destruct” would be more popular.

The messiah or mass murderer
No controlling who comes through the door
THE THREAT IS REAL – Megadeth

The shepherd led, we blindly followed
Into the world of no tomorrow
THE ENDLESS KNOT – Haken

Tyrants overtaking intoxicate with lies
There is no escaping, not this time
The simple man receiving, defending every crime
Somehow still believing they are right
THE LAST HERO – Alter Bridge

Omnipresent endless knot
The architect of every thought
Through the prison walls made by your design
A chameleon hides behind Orwellian eyes
THE ARCHITECT – Haken

We give up more of our liberties and privacy, but how secure are we?

For all the spying our governments do, they have no idea when an event will happen. Sure, they might identify persons of interest and then what. No one stopped the terror attacks in Paris and Brussels but somehow the mainstream media and the police read and believed the fake news sites on the internet.

We will grow strong from this
We will not be defeated
However hard they try
Over and over and over a thousand times
RISE OF THE MELANCHOLY EMPIRE – Sixx A.M.

With hands held high, we can rule the world
RULE THE WORLD – Dee Snider

It’s a call to arms for the “good” people of the world to band together and defeat the “bad” people of the world.

When terrorist bombs go off, the lines between good and bad are clear, we are the good ones and the terrorists are the bad ones. During the U.S election lead up, Trump was portrayed as the bad one and Hillary as the good one by the mainstream media. The fact that over half of the country voted for him, does it mean that all of those people are bad.

The bottom line is everyone is clueless and the future is exactly that, with endless possibilities and outcomes.

So together we’ll build a new world
A better world
OUR NEW WORLD – Dream Theater

But for all of Petrucci’s clichés, the world is much more complex. Robb Flynn asked “Is Anybody’s Out There” that feels just like him. One simple song, with two powerful verses addressing abandonment and racism.

Now I stand as a father, to men with no honor
Ashamed of the racists I used to call brothers
Cause no flag can mean bravery,
when bloodied by slavery,
The rebel, a devil, disguised as a savior
IS ANYBODY OUT THERE? – Machine Head

And he didn’t stop there. After Trump’s election win, he released (via YouTube) an acoustic song called “Bastards”. A simple D to A to Bm to G chord progression, underpins some personal viewpoints about the state of his world. And “Bastards” generated some heated discussions amongst the Machine Head fans, especially the ones who voted for Trump.

I am disconnected from a system I’ve rejected.
ALONE WE STAND – Killswitch Engage

A sign of things to come with Brexit, Trump and the Italian referendum serving as perfect examples of the disconnected people rejecting the current systems in place.

  • And the system allows Volkswagen to cheat on their emissions tests.
  • And the system allows the banks to get away with running the country into the dirt.
  • And the system allows lobbyists to lobby/bribe elected officials into writing laws to benefit corporate profits.
  • And the system allows the CEO’s to scream help to the government for a bail out, while the people, the workers, need to sell because they lost their jobs or they can’t make repayments.

I’ve seen rock bottom and I’ve smashed my fists against it
Just keep telling yourself it will be alright
STRENGTH OF THE MIND – Killswitch Engage

And there’s nowhere to turn
At the end of the road, I can’t hold on
MY ALLIED OCEAN – Evergrey

I’m just a creature of a broken past
We’re all looking for a second chance
PRAYERS FOR THE DAMNED – Sixx A.M.

Who hasn’t been there?

You know the moment, when you feel like you are not winning and everything you do just turns to crap. And you cant get out of the rut, because you’re spending your days doing things for others, through obligation or duty to the family. And your life is so far away from the world of possibilities you had when you where young.

Somehow through it all
We carry on (we carry on)
WE CARRY ON – Killswitch Engage

And that’s our lives in a nutshell. We overcome setbacks, deaths in the family, wins and losses. Through it all, we still carry on. We rise.

Speak out, don’t let the status quo define you
This is your world, just put the fear back in their eyes
RISE – Sixx A.M.

Did I decide
Or did the road choose me?
1985 – Haken

Free will is an illusion. We believe we have it, but it ceases to exist when we start to follow the rules set by institutions.

 

Falling from the sky
Cast out from heaven’s light
Drenching the soil with blood
Baptized in the fire hole
THE DEVIL’s BLEEDING CROWN – Volbeat

I always looked for acceptance
I understood what it’s like to be different
PASSING THROUGH – Evergrey

From the day we are born we are looking for acceptance especially those outliers cast out from heaven’s light who do not conform to what the institutions what from them. The key is to stay true to who you are and be accepted and not be the artist who created safe art, looked safe, walked away from their fans to be in partnership with the corporation and so forth.

What have I got to lose
When I’ve already lost it all
PRAYERS FOR THE DAMNED – Sixx A.M.

When you’re at the bottom, the only way is up. For a lyric to work for me, the person writing it, has to have experienced it.

It’s the worse when you lose when you know how hard you tried
BELIEVE – Dee Snider

So many times when I was misunderstood
I just wish we had spoken so much sooner
DISTANCE – Evergrey

Life is funny in hindsight and sometimes painful to replay. We all would love to live with no “what if’s” however it never happens that way.

Just like tragedy
Folks line up to see
We forget and the problem’s gone
It just ain’t right to move on
MY LAST MISTAKE – Tremonti

We show outrage initially and then we move on like it never happened. It’s a sick symptom of society where we fail to hold to account, the people responsible for the tragedy. The GFC perps went on college speaking tours and high-five jobs at the financial firms they organised laws to benefit. They escaped unscathed, while the middle class and lower class got their homes foreclosed.

Every time there is a shooting there is outrage, however nothing is done after on gun reform.

For all of the laws passed to spy on citizens in the name of terror, not one terrorist act have they stopped. And after each terrorist attack, our privacy and liberties erode a little bit more.

The people need to hold to account the people responsible. But we cannot devote the time because the people responsible have us hooked line and sinker. We can’t take time of work because the income means more to us than the cause.

Sold my soul and signed my name in blood
Stole it back, now praying in the dark
Fooled the devil, begging for a fight
Count the dollars, make your bet tonight
SEAL THE DEAL – Volbeat

Seduced by fame
A moth into the flame
MOTH INTO FLAME – Metallica

Infamy
All for publicity
Destruction going viral
MOTH INTO FLAME – Metallica

If you wanna lead or be a star
They’ll expose all that you are
Are you sure you want this now?
They will only tear you down
CROWS ON A WIRE – Alter Bridge

Facebook and social media has created a culture wherein everything is on show. Ask yourself the question. Is it fame you want or a career as a musician/artist?

Middle fingers in the air, singing we don’t f….. care, when we say “So What”
SO WHAT – Dee Snider

It’s become the soundtrack to “Standing Rock” in 2016, but it’s been my motto since I got into hard rock/heavy metal music.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Spotify 2016

In 2016, Spotify tells me I listened to 25,538 minutes of music. On average, this equates to 70 minutes of music per day. The listening minutes are made up of 958 unique artists and 3,277 unique tracks got a spin.

Remember back in the 80’s and even the 90’s, when only a handful rock and metal artists would get our attention.

  • It could be because we laid out money for their record, so we had to spin it.
  • It could be we saw the music video on TV and recorded it to VHS tape and watched it over and over again.
  • It could be due to the record labels promotional campaigns we got caught up in their scorched earth PR policy.
  • It could be due to radio playing the songs non-stop.

In the process, we made the small number of artists into global superstars and lined the pockets of the record labels in the process.

Well in 2016, I am just one fan who listened to 958 unique artists on Spotify and I am sure I am not the only one. In my case, those 958 artists came from the rock and metal genres, which means the current bands, with their current releases are competing with the history of music, plus their past hits for our attention.

And my time listening to music is fragmented between iTunes, CD’s, Vinyl, CD and Spotify. I listened to a lot of music in the 8 weeks I spent in Europe but it all came from iTunes.

My five top artists for the year are;

  • Kingdom Come – does anyone even remember them? While the commercially successfully version of the band lasted between 1987 and 1991, vocalist and main songwriter, Lenny Wolf kept the band name going with German/European musicians until he retired the band in August 2016. And since the majority of their releases are on Spotify, it was happy days listening for me.
  • Sixx:A.M. – as a Motley fan from the 80’s it was only natural I gravitate to this and it’s the best of the side projects apart from Vince Neil’s first solo album back in the 90’s. And they are a band who had new product out in 2016 and it was good enough to compete with the history of music.
  • Saxon – there was a period between April and June this year that Saxon got a lot of listens as I got myself re-acquainted with their 80’s output and then I started to delve into their 90’s plus output.
  • Whitesnake – no new product in 2016 but still a big favourite of mine.
  • Tremonti – a lot of new product over the last few years so it’s no surprise the band ended up on this list.

My top 5 genres are;

Rock, Hard Rock, Album Rock, Metal and Glam Metal.

I always hated the genre labels and their stupid pigeon holed definitions.

Seriously, what the hell is Album Rock?

To me, it’s either Metal or it’s Rock.

Friday was my favourite day to listen, followed by Saturday and Sunday. Then came Wednesday and Thursday, with Monday and Tuesday been my least favourite days to listen to music.

And finally, here is a selection of my top tracks for the year from Spotify are;

Prayers For The Damned – SIXX:A.M
The album came out in April this year and this song was the lead single that hit streaming sites in February. It’s more or less a perfect modern hard rock song like “Life Is Beautiful” and a constant on my playlists.

Run To The Hills – Vitamin String Quartet
My kids prefer this version over the original and they found it by accident by searching for “Run To The Hills” on Spotify. To be honest, the eastern European vibe is intoxicating and since I was never really a fan of the original song to start off, the Vitamin String Quartet version has become a staple.

Twilight Cruiser – Kingdom Come
It’s 21 years old and the title track to the 1995 album. The feel and the groove and that guitar lead that sounds like a wolf howling are just perfect.

Ghostbusters – Ray Parker Jr
Another track courtesy of my boys, especially my 4-year-old. I hear it and i remember Huey Lewis.

Back In Black – Vitamin String Quartet
Another track courtesy of my boys and my four-year old loved hearing the vocal melody played by a violin, which he then sang along with.

Hall Of Fame – The Script
It was the reason why I got a family premium account. The song must have screwed up the Spotify algorithm because since this was listened to by my kids, my Discover playlist has been a mess.

Dust – Tremonti
The brilliant title track of the new album.

In The Fading Light – Andy James
He came up in a Discover Playlist. It’s an instrumental from an EP released in 2013 and it’s been on my Drive Home from work playlist since i heard. The guitar lead melody is perfect and I find myself chanting it as I drive home.

Sail On – The Night Flight Orchestra
The best classic rock side project from guys in Soilwork and Arch Enemy.

Funky Town – Pseudo Echo
My kids again, however I was a fan of this version in the 80’s, so it was cool to be re-acquainted with it.

Iron Man – Black Sabbath
My kids again, because of the Iron Man/Marvel movies.

Slip Of The Tongue – Whitesnake
It’s one of my favourite cuts and it’s Led Zeppelin on steroids.

War – Live – Bruce Springsteen
My kids again and it was good that they pulled up Bruce Springsteen performing live as I wouldn’t have listened to this song or the other live songs this year if it wasn’t for the kids.

Living Out Of Touch – Kingdom Come
Quick call the stupid plagiarism lawyers. Yes, I know it sounds like Led Zeppelin. Gary Moore even wrote a song called “Led Clones” about Kingdom Come. But there is no denying that Lenny Wolf was a master of re-creating classics, in the same way the Gallagher brothers recreated Beatles classics.

Good Enough – Van Halen
The boys were watching “Spaceballs” and this song came up. I totally forgot about it as it’s been 30 years since it came out and “Dreams” proved to be the cross over hit. But the Van Halen I like is the distorted groovy rock version of the band and this song is one of the best opening tracks for an album.

So I searched it up on Spotify and added it to my Drive Playlist.

“Hello Baby”. And all hell breaks loose. Enough said

Distance – Evergrey
The opening track from their new album “The Storm Within”. As the lead single, it got a lot of listens.

My Way – Kiss
It’s from 1987’s keyboard heavy “Crazy Nights” album. It’s a cool track, I dig the clichéd lyrics and it’s cool to hear Paul Stanley squeeze his balls even tighter for some of those highs. And now my kids dig it and it’s getting constant listens.

Stargazer – Kingdome Come
My kids had one of those toy keyboards and they figured out the intro, so it became a constant song we listened to on Spotify.

Rise – Sixx AM
The lead single to Part II – Prayers For The Blessed.

Trains – Porcupine Tree
Steven Wilson just did what he wanted and wrote songs the way he wanted. He wasn’t a songwriter that was locked in to a particular genre and that is why Porcupine Tree is a favourite of mine. Love the groove, the feel of the acoustic guitars and that epic ending.

Black Rose – Volbeat
I was hooked on that 60’s bubble-gum pop vibe in the Chorus.

My Last Mistake – Tremonti
The heaviness of the music.

We Are The Ones – Dee Snider
The title track and the opening track to Dee’s solo album.

Live In Love – Times Of Grace
Does melodic pop rock heavy death metal make even sense. If it does, then this track is for you.

The Threat Is Real – Megadeth
You get the Arab voices at the start and the chainsaw pedal point riff. The threat is indeed real.

Do You Like It – Kingdom Come
A simple ode to rock music and the live show and yes, I really like it.

The Devil’s Bleeding Crown – Volbeat
This song is a favourite of mine, because it’s a boogie-fied version of “Children Of The Grave”.

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