Music, My Stories

The Week In Destroyer Of Harmony History – March 1 to March 7

4 Years Ago (2017)

This period is always busy for me, with getting the football season up and running in Australia, so as a volunteer to my local club, there’s no time for blogging.

“All The Right Reasons” from Nickelback is certified Diamond for sales of over 10 million copies in the United States. Not bad for a Canadian band who started out as a Metallica copy cat in the garage.

8 Years Ago (2013)

Like 2017, this period is always busy for me, with getting the football season up and running in Australia, so as a volunteer to my local club, there’s no time for blogging.

Also in 2013 an important case happened in a Czech court.

Lamb Of God singer Randy Blythe was charged with manslaughter, stemming from a 2010 gig in Prague in which a fan went onto his stage to stage dive and Blythe pushed him off, which is the norm at these kind of concerts.

In this instance, the fan sustained head injuries during the fall, however he still finished watching the concert, but after the concert he didn’t feel well, fell into a coma and died. When LoG toured Prague again, Blythe was arrested and held in jail.

This happened in June 2012.

After spending more than 8 months in jail Blythe was acquitted of manslaughter and returned home to the U.S.

And here is some other music history.

2003 (18 Years Ago)

Who didn’t hear the “Fallen” album from Evanescence (which came out during this period)?

2002 (19 Years Ago)

“The Osbournes” premiered on MTV which showcased a very high or intoxicated Ozzy trying to work out how to use a remote control and his family at home. In the process it became the most-viewed series on MTV.

1999 (22 Years Ago)

It pisses me off when labels do this to artists, because without the artists the labels would have nothing. In this instance, (and according to Wikipedia) Trauma Entertainment filed a $40 million breach-of-contract lawsuit against the band Bush for their failure to deliver a new album.

1994 (27 Years Ago)

Lemmy wrote some of his best lyrics on “I Don’t Want to Change the World” which appeared on “No More Tears”. And it got Ozzy Osbourne a Best Metal Performance with Vocal.

1991 (30 Years Ago)

“The Doors” biopic from Oliver Stone is released, with Val Kilmer playing the role of Jim Morrison. I watched the movie and I felt like it was the real people, compiled of intimate footage found.

I need to rewatch it and see if it’s stood the test of time.

1986 (35 Years Ago)

Some people call it their greatest album. For me, it’s always “Ride The Lightning”. But during this period, “Master Of Puppets” from Metallica was released.

1984 (37 Years Ago)

“This Is Spinal Tap” is released, one of the best movies I have seen. Well at the time, I thought it was a movie, I must have missed the part at the end that said it was fictional and all that.

1974 (47 Years Ago)

Rush (with no Neil Peart) release their debut album, a blues rock influenced album with some progressive overtones. “Working Man” become the anthem.

1973 (48 Years Ago)

“Dark Side Of The Moon” from Pink Floyd is released. It didn’t set the world on fire initially, but word of mouth kept promoting it and its biggest sales happened between 1977 and 1988.

And that’s it for this week.

Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

Australian Method Series – Baby Animals

Well, the Australian Summer is over as we move into Autumn. The first day of Autumn was a 33 degree Celsius scorcher and the good folk that is Thunder Bay decided to pack up and leave our shores, taking with em the Australia variant. But the series focusing on Australian artists will not stop. It will continue each week as the Australian Method Series.

The debut Baby Animals album was everywhere in Australia.

Being added to The Angels live show in 1990, when The Angels were the hottest band in Australia, helped build the momentum needed for when the album dropped.

Released in September 1991, the album debuted at number six on the ARIA Album Charts and spent six weeks at number one, eventually going eight times platinum and becoming the highest-selling debut Australian rock album of all time (until the release of Jet’s album, “Get Born” 12 years later).

I saw em live at the Revesby Workers Club on the tour. An up and coming band called Judge Mercy was opening for them, who unfortunately disappeared when the labels started dropping metal and rock acts in a years’ time.

In relation to the live show, the Baby Animals rocked. Drummer Frank Celenza was huge and along with bassist Eddie Parise, they laid a solid foundation for Dave Leslie on guitar and Suze DeMarchi on guitar to shine. Then you had a the bluesy, soulful tones of DeMarchi on vocals.

The album was produced by task master Mike Chapman and engineered by Kevin Shirley, so you know its gonna sound massive.

And my favourite track is “Working For The Enemy”, that whole break down section, lead break and build up is excellent. My second favourite is the metal like “Waste Of Time” with its energetic double kick intro and heavy blues boogie rock riffs.

“One Too Many” is “Rock N Roll Noise Pollution” in spirit and influence, while “Aint Gonna Get” is AC/DC on steroids and highway speed tempos with a Chorus that reminds me of “I Love Rock And Roll”.

And I haven’t even gotten into the singles yet.

How good is the intro to “One Word”?

But DeMarchi didn’t like the song after it was finished and asked the label to keep it off the album. The song went through a transformation, from a country-ish rock feel in the demo (which can be heard on the 25th Anniversary Edition) to the melodic rock beast it became, as Chapman kept asking them to work on it.

Guitarist Dave Leslie is underrated, paying his dues in a Cold Chisel covers band called Swingshift, playing Australian pub rock classics on a nightly basis and he knew what worked with audiences. His chicken finger picked intro to “One Word” is guitar hero worthy.

“Rush You” is the opener as the power chord crashes down and the cymbals ring before it goes into a double time beat and some series riffage and how cool is that “Back in Black” walking chromatic riff just before the verse.

“Early Warning” begins with the drums while a slide guitar plays a rock riff and the music then stops while DeMarchi sings, “Too Young To Know and Too Old To Listen”.

The band kicks in again. Then the verses come and it’s like a Jimi Hendrix song, before it moves into the power of the Chorus.

“Painless” has this funk blues boogie which I like.

If you haven’t heard it, today is a great day for it.

Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

2000 – The 13th Post

Here we are, the final 2000 post which brings to an end, the tandem 2000, 1985 and 1977 series before I move on to 2001, 1986 and 1976 series.

Motorhead – We Are Motorhead

Its fast and fast and fast. A perfect statement of intent for the 2000’s.

Certain songs had different producers like Bob Kulick, Bruce Bouillet and Duane Baron.

Phil Campbell on the guitar is phenomenal. Very underrated. And of course, Mikkey Dee on the drums is a metronomic machine when he needs to be and sleazy swingy when he needs to be.

Then you have Lemmy.

Heavy as lead, all fuzzed out with his bass lines and throwing his voice into the concrete and still sounding good.

“See Me Burning” clocks in at 3 minutes as the double kick pattern is relentless from the start to the end. “Wake The Dead” has another fast double kick pattern from Dee. “We Are Motorhead” sounds like it came from the “Ace Of Spades” album. “Stagefreight” and “Heart On Your Sleeve” continue the speed.

“Slow Dance” is the mid-tempo hard rock track and my favourite. The riff is sinister like and I like it. Especially that harmony lead before the lead break.

And my other favourite, is “One More Fucking Time”. At 6 plus minutes it’s the longest song on the album.


I like the idea behind the first Fozzy album and the funny backstory they put into the promo.

They had signed with a record company and moved to Japan to be huge rock stars, but the company went out of business, leaving them stranded in Japan for 20 years, while all their demos were snatched and recorded by other bands. Once they returned to America, they realized that many famous artists had ripped off their songs.

So this album is mostly cover songs (which are like the Fozzy songs that other artists took) however, the album does have two new original songs, so that these thieving bands don’t have enough time or a chance to “rip” off these new songs.

So who is Fozzy.

Well wrestler Chris Jericho (credited as Moongoose McQueen) is on vocals, Rich Ward (credited as Duke LaRüe) on guitars, Dan Dryden (credited as Shawn “Sports” Pop) on bass, Frank Fontsere (credited as KK LaFlame) on drums and Ryan Mallam (credited as The Kidd) on guitar.

Megaforce Records had high commercial hopes for this album, but it disappointed the label heads and they more or less cancelled their support of the album and the band.

One more album would come two years later called “Happenstance” and when it did even less business than the debut, Megaforce ran to the hills.

“Stand Up and Shout” written by Ronnie James Dio and Jimmy Bain and performed by Dio kicks off the album.

“Eat the Rich” is a Krokus cover, written by Butch Stone, Marc Storace, Fernando von Arb and Chris von Rohr.

“Stay Hungry” is a Twisted Sister cover and written by Dee Snider. Less than 3 minutes long, it’s a speed metal cut.

“The Prisoner” is an Iron Maiden, written by Adrian Smith and Steve Harris.

“Live Wire” is a Mötley Crüe cover, written by Nikki Sixx.

“End of Days” is written by Rich Ward and Chris Jericho. It got some fast palm muted picking but it doesn’t have that classic riff like the songs above, but it does have a wicked pre-chorus vocal melody, when Jericho/Moongoose sings “Can you believe in love?”

“Over the Mountain” is an Ozzy Osbourne cover, written by Ozzy Osbourne, Randy Rhoads, Bob Daisley and Lee Kerslake.

“Blackout” is a Scorpions cover, written by Sonja Kittelsen, Klaus Meine, Herman Rarebell and Rudolf Schenker

“Feel the Burn” is another cut written by Rich Ward and Chris Jericho but its forgettable.

“Riding on the Wind” is a Judas Priest cover, written by Glenn Tipton, Rob Halford and K. K. Downing. Like all of the other tracks on the album, they are played with a bit of a pedal to the floor attitude.

The album is basically an 80’s Heavy Metal jukebox under 40 minutes.

Symphony X – V The New Mythology Suite

I read some stuff about this band and how good Michael Romeo is on guitars. But to me, it was Russell Allen on vocals that got me interested, because Romeo was too much like Malmsteen on a lot of the stuff, or maybe he wasn’t like Malmsteen, instead it was the keyboard lines of Michael Pinnella that made it sound like Malmsteen.

Wikipedia tells me it is a concept album dealing with the story of Atlantis, ancient Egyptian mythology, and astrology.

There is a lot of same same here, but “Communion And The Oracle” is a bit different, with its soundtrack like feel and very Kansas feel in certain sections. Its progressive the way I like progressive to be.

Nightwish – Wishmaster

I’m a fan of the riffs. The operatic vocals are hit and miss for me on this album, but they do get better with subsequent releases.

“She Is My Sin” has a kicking intro riff.

“The Kinslayer” has another great riff, but on this one, the vocal line is like that “O Fortuna” vocal line. Brilliant.

If the intro to “Come Cover Me” doesn’t get you playing air guitar then you have no heartbeat.

“Wishmaster” continues that symphonic “O Fortuna” element in the Chorus, when they sing “Mas-ter”, “A-pprent-ice” in that style. Check out the harmony leads as well.

In Flames – Clayman

This is the album that put them on the map for me. Thirteen songs at 50 minutes. No fat whatsoever in the songs.

I really like the melody and aggression in the riffs and those European Minor key harmonies and leads.

Case in point, check out the riffs and leads in “Bullet Ride”. Vocally, its more in the vein of acts like “At The Gates” so if you want to hear a more commercial sounding In Flames, then Ghost AD does a pretty good job as the riffs they use are very similar.

Then you get the fast speed metal of “Pinball Map”. But hang around until the 2.20 minute mark, when it breaksdown into a head banging groove. Then the lead break starts, which copies the Chorus vocal melody before it picks up the speed metal.

How good is the intro melodic lead and that chugging staccato riff for the verses in “Only For The Weak”?

Listen to the lead break in the Chorus for “Square Nothing”.

I wanted Metallica to write a song like “Clayman” around this time. But who knew the dramas that Hetfield was going through during this period.

The clean tone arpeggios and harmony lead to kick off “Satellites and Astronauts” always gets me to pick up the guitar and then the madness starts before it goes back to those clean tone arpeggios for the verses.

The riff at 1.30 in “Brush The Dust Away” reminds me of Lynch/Dokken era. And the lead break starts off with some fast legato lines, some melody, then sweeps and harmonies.

“Swim” sounds like a Europe song from the first two albums, but then it moves into a Dream Theater/Petrucci like riff before the Euro melodic riffs kick in.

Finally “Another Day In Quicksand” feels like it’s the younger brother of “The Fire Still Burns” from Twisted Sister.

Children of Bodom – Follow The Reaper

RIP Alexi Laiho.

A Children Of Bodom album has riffs. A lot of fast riffs and a lot of groove rock riffs and a lot of progressive riffs.

And it has leads plus harmony leads with guitars and keyboards and breakdown grooves.

Check out the intro riff to “Follow The Reaper” and those lead breaks in between.

The verse riff in “Bodom After Midnight” is the best Malmsteen riff that he didn’t write.

How good is the intro to “Children of Decadence” and the 80’s melodic pop grooves for the intro to “Mask Of Sanity”?

Killswitch Engage – Killswitch Engage

For the debut album, Adam Dutkiewicz played drums and he moved to guitars on the albums after. Jesse Leach is on vocals, Joel Stroetzel is solely on guitar and Mike D’Antonio is on bass guitar.

The debut album is way too extreme for me, vocally, with every song in that screaming range. But musically, there are a lot of good riffs in this.

“Temple From The Within” opens the album and listen to that riff at the 1.10 minute mark to 1.33 mark. Then the bass kicks in and its heavy when the guitar kicks in. This track was re-released on the follow up album “Alive And Breathing” in 2002.

Check out the acoustic flamenco section from the 3 minute mark in “Irresversal”, an oasis of melody in the chaos of heaviness and aggression. This track was also re-recorded for “The End Of Heartache” album in 2004.

“Prelude” is only 2 minutes, but that’s enough for an instrumental, with head banging riffs and a sing-a-long lead break. “One Last Sunset” is another instrumental, sad and melancholic.

Nonpoint – Statement

The debut album reminds me of “Sevendust” and “Mudvayne” with a bit of “Tool” on this album. I think it’s a big reason why I gravitated to them.

“Mindtrip” has the vocals kick in start right away and that vocal line “trip inside your mind” reminds me of Tool.

“Endure” is the superior track here, combining melody, aggression and powerful riffs into a cohesive 3 minute track.

“Years” is a cross between clean tone arpeggios, busy drumming and aggressive down picking with a melodic Chorus, very Tool like.

Taproot – Gift

Bands classed as Nu-Metal had a lot of promo in Australia.

But Taproot, while classed in that style had a bit of progressive in them, clean tone vocals, hard core vocals with metal and rock overtones.

“Again And Again” has this groove, which people might say is more Disturbed than anything else, but both bands came out the same time, so let’s just say it’s a 2000 groove. Reminds me of Staind.

“I” is a favourite.

And thats it folks, the year that was 2000 comes to an end.

Music, My Stories

The Week In Destroyer Of Harmony History – January 17 to January 23

2017 and 2013

I didn’t have any posts during this period 4 years ago and 8 years ago.

So here is a brief history.

2008 (13 Years Ago)

Gene Simmons got fired by Donald Trump on The Celebrity Apprentice.

I don’t know why, but I saw this as funny.

2001 (20 Years Ago)

Jason Newsted asked his Metallica band mates to take a year off to work on side projects.

They said no and Newsted left.

Mike Portnoy tried the same with the Dream Theater guys in 2011 and the same result happened, with Portnoy leaving.

1991 (30 Years Ago)

AC/DC had to complete a show based on the recommendation of a Fire Marshall even after three fans got killed when they were crushed by the crowd at a show in Salt Lake City, Utah

1989 (32 Years Ago)

The embryo of the massive Black album begins, as Metallica drops an almost 8 minute music video, for “One”. This got em into the public eyes and minds.

1982 (39 Years Ago)

Ozzy becomes even more famous because he bit the head of a bat. Plus he gets rushed to hospital for rabies shots.

1974 (47 Years Ago)

One of my favorite bands is formed, by taking two bits of Free and a bit of Mott The Hoople and a bit of King Crimson to form Bad Company.

Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

Thunder Bay Down Under Summertime Spin Series – Vanishing Point

Here is the usual prologue.

My blogger pal Deke over at Thunder Bay had a cool Northern Hemisphere Summertime Series between July and August.

Each week, he wrote about albums he spun during the summer.

Well, the real Earth summer is between December, January and February in the Southern Hemisphere.

So the good act that Thunder Bay is, boarded a Qantas plane, landed in Sydney, survived 14 days quarantine in a Sydney hotel and is finally here to present the “Thunder Bay Down Under Summertime Series”.

Vanishing Point are from Melbourne, Australia.

“Dead Elysium” came out in 2020. Six years since they released the excellent “Distant Is The Sun” and during that period they had their setbacks in getting this album done, especially around vocalist Silvio Massaro and his throat infections and respiratory illnesses.

And before “Distant Is The Sun” there was “The Fourth Season” which came out in 2007.

The thing with Vanishing Point is that they write the music that makes them happy. With Silvio Massaro behind the mic and Chris Porcianko on guitars, they act as the mainstays and the main writers within the band, which actually came to my attention in 1997 with their debut album “In Thought”.

And while Massaro was on vocals for the debut, Porcianko wasn’t.

The guitars on the debut were handled by Andrew Whitehead and founder Tom Vucur. Porcianko joined the band after the debut album was done and never left. Vucur left during the writing of “Distant To The Sun”, which meant they had to restart the writing process again as they couldn’t use his riffs.

And in 2020, they dropped “Dead Elysium”.

Guitarist Chris Porcianko doesn’t get the recognition but he is an excellent song writer, and guitarist, creating intricate and syncopated riffs. And the dude can shred and be emotive as well.

The haunting piano kicks off “Dead Elysium” and then that syncopated riff comes in, which reminds me of “The Masterplan” and “A Touch Of Blessing” from Evergrey blended together.

And I was all in.

“Count Your Days” starts off with crunching guitars and an octave lead which gels with the symphonic elements.

Then the singing starts.

The day when I waved goodbye I remember it well

Those momentous days of saying goodbye to someone are engraved in our minds. One chapter ends and a new one begins, for better or worse. And it’s hard to say goodbye to something, because of fear. The fear of the unknown, the fear of other people’s opinions or the sadness that comes with saying goodbye.

Once the Chorus kicks in, it takes the track into AOR territory.

I took a look inside and I felt the great divide
In a world I fear that’s giving in to lies

The world was always giving in to lies. People believe what they read from the various newspapers and books. Reading critically is not easy, because it means you need to take another opposing view in mind, plus invest time to read widely. And people don’t want to take in a view that opposes their current beliefs.

And that melodic harmony lead break in the Outro.

How good is it?

The emotions it evokes, just makes me press repeat.

On YouTube, the video clip its shortened, so make sure you get the 6 minute plus version, so you can hear this lead break repeated endlessly before it fades out.

“Salvus” has this major key vibe in the intro, which hooks me in.

A few distorted chords, the orchestral synths and then a guitar lead.

Just before the minute mark, it all becomes quiet, just a vocal melody and some choir synths.

Staring at the edge
Reaching out to the world
Feels like I’m alone

The way this section comes in, I felt like I was alone, at the edge of the world. The movie “City Of Angels” comes to mind, how the character played by Nicholas Cage, stands at the beach, at sunrise, listening to some choral symphony being played in the atmosphere.

Then the drums and bass come in, no guitar as yet, because when they do come in again at the 1.38 mark for the pre-chorus, they are effective.

You don’t have to change the world
I will keep you safe

With all that is happening in the world, it’s hard to even feel safe.

Bring our dark to light

While the title track could have come from an Evergrey album, it’s tracks like “The Fall”, which provide the variation.

Just listen to the Chorus.

I should of seen the signs

Foresight is a wonderful thing but in real time we aren’t the best at seeing the subtle signs.

I can make believe or I can take the fall

How I would love to escape sometimes instead of facing reality.

Throughout my life I’ve been knocked on my arse so many times by people and by society in general, that once I’ve fallen the only way up, is to stand again.


Sometimes with broken bones.

I won’t give up, give in

It’s repeated in the outro, like a mantra, a new awakening and a new awareness.

And the guitar work from Porcianko is brilliant.

Check out Vanishing Point.

Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

2000 – Part 10

Kings X – Please Come Home Mr Bulbous

Creativity is all about experimenting and I like it when artists experiment. It alienates some and it might not even bring in anyone new, but as a fan of music, I enjoy it when artists try to grow out of the box that the record labels tried to fit them in.

I didn’t hear this album until 2012.

After feedback and noise, the opening track “Fish Bowl Man” finally kicks in with its groove orientated riff. It’s a product of its time, more alternative than the hard progressive groove rock the band is known for.

On the other hand, “Julia” could have come from a Bush album.

“She’s Gone Away” moves between clean tone arpeggios and syncopated palm muted riffs, with a Beatles vocal melody. That riff before the Chorus should have been repeated a lot more.

“When You’re Scared” has another Beatles like riff, from “She’s So Heavy” with another vocal melody inspired by the Liverpool legends. And it’s no surprise that a lot of artists during this time had Beatles like vocal melodies. I called it the “Oasis Phenomenon”.

Check out the lead break from Ty Tabor on this track. Emotive, bluesy and when he had to shred, he did.

“Charlie Sheen” has some great guitar moments in the opening arpeggio riff and the staccato clean tone verse riff.

Here is a review from Mike Ladano that I agree with (and if you are a Kings X fan, he has reviewed most of their stuff).

Babylon A.D – American Blitzkrieg

The first two Babylon A.D albums are great listens, especially the debut. Then the labels started dropping hard rock bands while they started chasing Alternative sounding bands and Babylon A.D was lost to me.

I saw that this album came out via the Metal Edge magazine, but I never really looked for it in Australian shops, nor did I have any interest at that point in time. It was about 2008 when I came across it via a torrent. I downloaded it and pressed play on my winamp player.

Musically, it sounded different, but it was still hard rock to me.

The title track kicks it off with a rap like vocal line which reminds me of the Beastie Boys and a certain song called “Fight For Your Right”.

Then it goes into the song “War”.

You know the one.

“War, what is it good for, absolutely nothing, say it again.”

That one.

“Magic Mary” has a voodoo power and a Charlie Manson smile. It’s hard rock but its sounding dirtier and grungier. It doesn’t matter what sound effects producers put on the guitars, a rock riff is a rock riff.

“I Wanna Live” has a Tool “Sober” like riff as inspiration for the Verses with a Cheap Trick inspired Chorus. A brilliant combination and one of my favourites on the album. “One Million Miles” from their newer album has a similar intro and verse which is like the Chorus.

“Sinking In The Sand” is one of their best tracks. Its heavy and melodic and the way the verses roll along with just the bass and the vocal line, it reminds me of “Lost Behind The Wall” from Dokken.

“The Sky Is Falling” is a slower tempo song and I like it. Other songs start to become interchangeable with previous songs and the album closers with “Superstar” a perfect hard rocker about seeking your fifteen minutes of fame. Its riffs remind me of songs like “Creepshow” and “Mudkicker” from Skid Row.

Cold – 13 Ways To Bleed on Stage

Released on Geffen Records.

“13 Ways To Bleed On Stage” is the album in which their spider logo made its first appearance.

It was a bargain bin purchase in Australia even though it was a Gold selling album in the U.S, as I always saw this album in discount bins. I picked it up in a 3 for $10 bin, so I paid $3.33 for it.

And I became a fan.

I really liked the Staind/Bush vibe of the album.

Scooter Ward on vocals sounded a lot like em but I didn’t care.

“No One”, “End Of The World” and “Confession” stood out right away. Modern rock songs.

“It’s All Good” has a vocal melody in the verses which is catchy.

“Bleed” has an acoustic arpeggio riff that reminds me of “While My Guitar Gently Weeps”.

As the album closer it is my favourite.

On a side note, guitarist Terry Balsamo would depart after the 2003 follow up “Year Of The Spider” to fill the vacant guitarist spot left by Ben Moody in Evanescence.

Mudvayne – L.D. 50

The singer from a band I was in, who introduced me to Linkin Park and Limp Bizkit (mentioned in the 2000 – Part 9 post previously) also introduced me to Mudvayne.

I mentioned in the Kings X post that creativity is all about experimenting. Well, meet Mudvayne.

The press labelled em as “Slipknot Part 2” because they had painted faces. The press labelled em as Nu Metal as they released an album during the Nu Metal movement. But to compare Mudvayne to anything, you needed to listen to em.

They had progressive elements in their music and odd time signatures and because of these, another term came out of this debut which was “math rock”.

They had speed metal songs, jazz fusion breaks, and death metal vocals on some of the songs.

Pushing the boundaries of what is known as metal, that’s Mudvayne. To compare them to Korn, Limp Bizkit, Linkin Park and Creed, who became the faces of Nu Metal was wrong.

Bassist Ryan Martinie is unbelievable. His bass lines don’t just compliment, they add and enhance the song, as he mixes slap funk bass lines with metal, jazz, rock, chromatics and whatever other musical style he could find.

Guitarist Greg Tribbett is from the era of being influenced by Randy Rhoads.

Drummer Matt McDonough makes sense of all the chaos by keeping time, with tom rolls and a lot of double bass, and some excellent cymbal work.

Vocalist Chad Gray, who formed Hellyeah with Vinnie Paul and Tribbett, after is unique as well, moving between screaming, growling, gravel chainsaw like and melodic and leaving his $40K factory job to chase his dream of being a rock singer.

The album’s title is short for “Lethal Dosage 50”. It basically means the level of toxicity needed in a drug to kill half of the population.

“Dig” blasts out of the speakers with a funky bass riff, drums, power chords and gravel-throated vocals. Its telling the music business suits that they don’t care about their two cents input into their art. And it sets the trend of the album.

My favourite is “Death Blooms”. Musically its perfect and vocally the song moves between clean tone vocals and Gray’s talking vocal lines with a melodic Chorus which wouldn’t be out of place on a Tool or A Perfect Circle album.

Mob Rules – Temple of Two Suns

How could you not give a band a listen who carries a name from a pretty cool Black Sabbath album?

I pressed play, only to be confronted with sounds of Rainbow and Deep Purple on the opening track “Pilot Of Life”.

And I liked it.

It’s basically 80’s Hard Rock with some nice acoustic classical moments and in one song, some violin folk. It all sounds metal and for their second album, it’s a band still finding their feet.

There was enough here to get me interested to hear what would come next.

Tad Morose – Reflections

From Sweden, who play a sort of dark melodic progressive metal. Evergrey is a well-known band who plays this kind of dark prog.

“Reflections” is a compilation album from their first three albums, “Leaving The Past Behind” released in 1993, “Sender Of Thoughts” released in 1995 and “A Mended Rhyme” released in 1997.

The “Sender Of Thoughts” album is a favourite and I’ve been a fan since. So if you want to get a feel for the band, then this compilation is it.

See ya in 1985 for part 10.

Music, My Stories

The Week In Destroyer Of Harmony History – January 10 to January 16

4 Years Ago (2017)

I had no posts come out during this period 4 years ago. My usual routine at this time was a post at the start of the month and a post towards the end.

From new album releases, Swiss hard rock band Gotthard, released a very underrated album called “Silver”. Tracks like “Electrified” are as good as any well known hard rock songs.

8 Years ago (2013)

I also had no posts come out during this period. Celebrating the festivities or holidays or something like that. And the site was still young.

But I’ll go outside the designated years to highlight some other cool events.

29 Years Ago (1992)
Hard rock or glam rock or hair metal or whatever else the labels called it, had finally died.

“Nevermind” from Nirvana reached #1 in the U.S and the rest of the world followed soon after.

35 Years Ago (1986)

The Satanic Panic in the U.S was reaching fever pitch. Ozzy Osbourne was served with court papers by the parents of John McCollum, a teenager who shot himself while listening to Ozzy’s song “Suicide Solution.”

The parents claimed that their son was driven to suicide by Ozzy’s song and the subliminal messages contained within the song when its played backwards.

The court later throws the case out.

36 Years Ago (1985)

Queen, Iron Maiden and Whitesnake play the first “Rock In Rio” festival. Other hard rock acts included are Ozzy Osbourne and AC/DC.

41 Years Ago – 1980

Rush released “Permanent Waves”.

“The Spirit of Radio” and “Freewill” become commercial successes. The new Rush would get even bigger and better with the next album “Moving Pictures”, which was my introduction to the band.

72 Years Ago (1949)

The 45-RPM, 7-inch record format is introduced by RCA.

This was a time when record labels used to innovate. This new format replaced the 78-RPM record for “singles” – one song on each side.

The format takes off in the early years of the rock era almost 15 years later.

Music, My Stories

The Week In Destroyer Of Harmony History – Jan 1 to Jan 9

4 Years Ago (2017)

I was writing about the labels and the publishers meeting with newly elected President Trump on Copyright issues under the pretense of helping artists.

We all know that when these organizations meet with government officials it’s for their benefit only and maybe some small change to the artists to keep em quiet.

And based on how all of these investment houses are buying the rights to songs from artists, expect to see a new player in the meetings with government over copyright and its terms.

8 Years ago (2013)

The site was still young and new and I had a few posts in the month of January but none during this period.

But… I’ll cover a bit of history.

Jason Newsted flirted as a band called Newsted and released the underrated “Metal” EP. Interest was high, they played smaller venues and they sold out on the physical CDs for “Metal”.

The plan was for three EPs.

But that got canned and the same year they also released the album “Heavy Metal Music”.

The band was costing Newsted money. He was the investor for the tours and what not. And it was on a tour of Australia that Newsted ended the band for personal reasons.

And Black Veil Brides released the excellent album “Wretched and Divine: The Story of the Wild Ones” which gave rise to their biggest song. “In The End” currently stands at 99.299 million streams on Spotify.

Check em out.

Influenced, Music, My Stories

The Record Vault – The Classic Experience

I purchased it for “O Fortuna” from Carl Orff.

That song became a part of my life from two distinct events.

The movie “Excalibur” which came out in the early 80’s, when Arthur and his Knights start their final ride into battle is one event. It plays then and the memory of it still remains with me, 35 plus years later.

And from the opening to Ozzy Osbourne’s “Randy Rhoads Tribute” album. The song plays, the band comes out, Ozzy tells the crowd “they look beautiful” and then “I Don’t Know” cranks in.

This is also one of those CD’s I purchased between 2002 and 2006 that had the Copy Control software on it. The system was intended to prevent “ripping” from the protected discs, and limit the file sharing of ripped music.

But Copy Control discs cannot properly be referred to as CDs because the system introduces incompatible data, making the discs non-compliant with the universal standard for audio CDs.

Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

The Record Vault And Thunder Bay Down Under Summertime Spin Series – Candy Harlots

Here is the usual prologue.

My blogger pal Deke over at Thunder Bay had a cool Northern Hemisphere Summertime Series between July and August.

Each week, he wrote about albums he spun during the summer.

Well, the real Earth summer is between December, January and February in the Southern Hemisphere.

So the good act that Thunder Bay is, boarded a Qantas plane, landed in Sydney, survived 14 days quarantine in a Sydney hotel and is finally here to present the “Thunder Bay Down Under Summertime Series” with the great act “The Record Vault” opening up.

“Five Wicked Ways” the debut album from Candy Harlots finally came out in May 1992 after a long 5 years of trying to get a record deal.

Candy Harlots started in 1987 in Sydney by guitarist Ron Barrett, drummer Tony Cardinal, vocalist Mark Easton and bass guitarist Nick Szentkuti. Guitarist Marc De Hugar joined soon after.

Szentkuti was replaced by Scott Millard and then Leeno Dee. The addition of Dee on bass also gave them another songwriter on top of Easton and Barrett.

The band eventually got a record deal from Virgin Records after three shows but their manager turned it down.

And the guys couldn’t sign the contract themselves because their management deal didn’t allow them to do it without their manager approving it.

In between bad management decisions they still wrote and toured. They opened up for The Cult, Cheap Trick, DAD, Kings Of The Sun and The Angels.

But they still couldn’t get a major deal apart from the Virgin deal. So they released their debut 7″ single Red Hot Rocket in April 1989 on a small indie label.

A follow-up single entitled Danger (backed with Wrap 2 Arms) was released in May 1990.

They jammed and partied with members of Skid Row and Motley Crue.

Then tragedy struck.

In October 1990, founding guitarist Ron Barrett died after an asthma attack, at the age of 26.

Peter Masi was recruited. But the changes didn’t end here.

In February, 1991, guitarist Marc De Hugar was replaced by Phil Bowley.

And a month later, vocalist Mark Easton left after a final performance with Candy Harlots. The only founding member left at this point is drummer Tony Cardinal.

New vocalist Tony ‘Aiz’ Lynch joined the band soon afterwards. By now their management deal had also expired. And Virgin Records came knocking again and signed the band.

The Lynch-led line-up received greater media attention than the Easton-fronted group, and they remained popular with the Australian hard rock and heavy metal fraternity, gaining many new fans through Virgin-backed promotional activities.

In 1991, the “Danger” single got re-recorded and released with the new version of the band. I purchased the cassette single and CD single.

“The Tease Tapes” also came out in 1991 as a promotional release with “Hot Metal” magazine, to promote the upcoming album which was scheduled to be released in October.

But October came and went and still no album.

Then at the start of 1992, the “Foreplay” EP came out, which would have three songs from the album plus a cover from The Kinks.

And finally in May 1992, “Five Wicked Ways” came out.

The Candy Harlots had the LA sleaze of Motley Crue, Guns N Roses, Ratt and Poison. They could be like Skid Row, AC/DC and Kiss when they wanted to be.

“Backstreet Boys” kicks off the album with its AC/DC riffs. “Sister’s Crazy” is more grown up, a modern sounding pop song about the whole “Fallen Angel” and “Runaway” story.

“Danger” is back and its a melodic rock anthem. “Cheat On Me” is typical hard rock with a bit of punk sleaze.

My favorite is “Where No One Dares”. It’s a slow rock song with excellent guitar playing.

“My Flame” starts off with a pulsing bass riff and a bluesy riff that would make Georgie Satellites proud.

“The Lady Shakes” has Cardinal beating those drums to kick off the song before a bass riff kicks in that reminds me of Rachel Bolan.

“Wrap 2 Arms” is a Ron Barrett cut and its resurrected here, which is a good tribute to their founding guitarist. It’s sleazy and dripping with melted rock along with “The Wildest Way”.

Then the big Aiz Lynch penned “What Are We Fighting For” comes in at track 10 and so far it’s all killer and no filler.

“Mercenary Baby” is funky and rock like. “The Other Side Of Love” feels like a Dokken cut and the album is rounded with an acoustic “Devils Blues”.

And they released a few singles from the album in “Sister’s Crazy” and “What Are We Fighting For” with extra unreleased tracks and cover songs.

Like an AC/DC cover in “Can I Sit Next To You Girl”.

And then Aiz Lynch was fired.

The band got new singers, changed their name and then it ended.

But that small output is as good as any of the big bands.

Check em out.

And all the best in the New Year.