Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

The Crimson Idol

It’s a favourite of mine.

Back in 1992, “The Crimson Idol” was a release day purchase on CD for me. It ended up being a perfect album in a time when the record labels started to put all of their marketing monies into Seattle. The style of song writing and the lyrical themes would serve as inspiration for my song writing forever.

I played it to death, I learned riff after riff and lick after lick and it didn’t matter how much time passed between listens, I still knew every lick, every drum roll and every word in the songs.

Fast forward some years later and “The Crimson Idol” was released as a Double special edition CD, with two new tracks.

“Phantoms In The Mirror” (which I would place after “The Invisible Boy” in the story arc) and “The Eulogy” (which I would place at the end).

Fast forward another decade or so from that release and “The Crimson Idol” has been “Re-Idolized” with additional songs added to the storyline however, “Phantoms In The Mirror” and “The Eulogy” have been left off.

The Titanic Overture
The ominous acoustic opening.

I look at my face in the mirror and I don’t understand

The drumming is epic and orchestral. It sets the stage and tone for what is to come.

Overall, the song is made up of the best riffs and licks from all of the other songs.

The Invisible Boy
Who am I – cause I’m the boy only the mirror sees

The riff is good. Play it down-tuned and you’ll be surprised how heavy and doomy it sounds, which is perfect for the tone of the song and the theme of not fitting in, being beaten and ostracised from the family.

Arena Of Pleasure
The riff that kicks the song off sets the scene in my head of a kid running away from home and when Blackie starts singing, “I ran away from home last night”, it was perfect.

And I’ve heard the words of what I should be
Live, Work, Die

The above lines have remained with me from the time and day I first heard them. It brought home all of the truths of my upbringing and my many conversations with my father.

He always said, if you don’t have control of your life and someone else does, like the bank, your employer or the courts, all you would do is just live, work and die. If you have control of your life, you can live, make choices, decide when to work and when not to work and you can do that as many times as you want too, free from burden and stress.

Chainsaw Charlie (Murders In The New Morgue)

If anyone wants to know what it was like to deal with the record label bosses when they controlled everything, here it is. And yes, these kind of people still exist today.

Chainsaw Charlie is the “the president of showbiz” who is just looking for the next raw talent that he can exploit.  Back in 1992, you never really got to hear stories about the labels and how they treated artists.  The bottom line was if an artist wanted to be heard, they needed a label behind them.

[Charlie to Jonathon]
O.K. boy now here’s your deal
Will you gamble your life?
Sign right here on the dotted line
It’s the one you’ve waited for all of your life

Artists worked hard to get a record deal. They paid their dues. Their best friends who formed the original version of their band had probably left to pursue “jobs” which paid “real money”. And then when you finally believe you get a break through, you are confronted with a deal, which would make the record label millions if your album sold and the artist would be owing the labels millions.

[Charlie to Jonathon]
We’ll sell your flesh by the pound you’ll go
A whore of wrath just like me
We’ll sell ya wholesale, we’ll sell your soul
Strap on your six string and feed our machine

It’s basically the hidden fine print in the deal.  The labels own the artist.  They own their image.  They own the music.  They would do whatever it takes to make as much money from the artist as they could.  And as our access to information has become greater with the rise of the internet, we are now seeing more and more people talk about the creative accounting of the labels.

Def Leppard did forgeries of their own songs, in order to circumvent a blockade put up by their label due to a breakdown in the negotiations to the digital rights of the back catalogue. Finally, in Jan 2018, Def Leppard’s full catalogue is available digitally. Almost 8 years from when Spotify started operating in the US and over 15 years from when the iTunes store opened.

Eminem took his label to court due to underpayments and won. His label was paying him a physical sale royalty % for iTunes sales and Eminen argued that it should be the licensing %.

[Charlie to Jonathon]
Welcome to the morgue boy
Where the music comes to die
Welcome to the morgue son
I’ll cut your throat just to stay alive

How many bands from the 70’s got added to the morgue in the 80’s. And every year, the morgue kept on growing. When Seattle happened, the record label A&R people would not even take the calls from the hard rock and heavy metal bands.

[Charlie to Jonathon]
I’m the president of showbiz, my name is Charlie
I’m a cocksucking asshole, that’s what they call me
Here from my Hollywood tower I rule
I’m lying motherfucker, the chainsaw’s my tool
The new morgue’s our factory, to grease our lies
Our machine is hungry, it needs your life
Don’t mind the maggots, and the ruthless scum
Before we’re done, son we’ll make you one

Power corrupts people. Money corrupts them a little bit more. When you have a person in charge that has both, prepare to be seen as a business cost instead of an asset in which to invest in. And this to me is the biggest problem. The power, wealth and boardroom negotiation leverage these people have is due to the artist, their asset, which was never treated as an asset.

The Gypsy Meets The Boy
All stories have the main character in a confused state, looking for direction.

She said, do you see what I see?, be careful to choose
Be careful what you wish for, cause it may come true
When I lay the card down will it turn up the fool?
Will it turn up sorrow? If it does then you lose

So many of us are looking for answers. It’s why the self-help books, behavioural science books, mindset books, grit books, resilience books and 10,000 hours books are all so popular. We purchase them in the millions, looking for guidance or advice on how to change. Then you have people who devote their life to the tarot or some other form of card reading, palm reading, crystal reading and what not.

Miss You
This is an additional song added to the album story in “Re-Idolized”. The interesting thing is the song appeared on another WASP album a few years before.

Lost inside our room
A priest at the door with news
Said you were gone and I knew
Oooh and my world was broken in two

Someone has the job of sharing the news of someone’s passing.

Oh God I miss you
Tell me can you hear me

You still believe that their spirit is somewhere. It’s hard to believe that the lifeless body is finished, with all of their memories gone.

I’ve found this thing that I make sing
Can you hear me now

The Crimson Idol has found his voice via his guitar.

Why did you go and leave me alone
Now I’m running away from my home
No they’ll never know I’m gone

The ones who remain are affected differently with loss. In the case of Jonathon, he lost a person who he saw as his friend and protector.

Doctor Rockter
It’s a great name for a dealer.

He’s the king of sting, Mr. Morphine my friend
Uncle Slam, the medicine man
And I’m a junkie with a big King Kong sized monkey
Crawling up and down my back

Great story telling. In four lines, Blackie has described his dealer, his relationship to him and Jonathon’s addictions.

Doctor please, my M.D., fix me in my time of need

Yes, but this Doctor doesn’t fix anything.

It’s the mirror from the wall, that’s on the table
Feeding me little white lies
And I’m wasted in a waste land, I’m a junk man
I got tombstones in my eyes

More of Blackie’s brilliance. He’s brought back the mirror, but this time, it’s not talking to him, instead it’s serving up some white lines.

I Am One

This is the song, where Jonathon realises he is just one. It’s just him. He lost his brother, ran away from home and he thought he would find love within his audience. But he didn’t.

Is there no love to shelter me
only love, love set me free

As David Coverdale sings, we are all looking for a love to surround us.

The Idol
It starts off with a phone dialling a number, a phone ringing, a woman answering, silence on the other line and then the caller hangs up.

Will I be alone this morning
Will I need my friends
Something just to ease away the pain

At this stage, who are your real friends. Read any biography of a “rock star” and you will be confronted by how lonely they are and how people they view as friends are really just leaches trying to get a free ride.

If I could only stand and stare in the mirror could I see
One fallen hero with a face like me?
And if I scream, could anybody hear me?
If I smash the silence, you’ll see what fame has done to me

Everyone is looking for an outlet, a person who can listen to them. Be careful what you wish for, cause it might come true. I watched my six year old’s assembly item last year and one of the questions the kids needed to answer was “What do you want to be when you grow up”? All of them gave a description of what they wanted to be and the majority of them ended with “to be rich and famous”.

For example, I want to be a singer and be rich and famous. I want to be rugby star and be rich and famous. I want to be a video game creator and be rich and famous.

Where’s the love to shelter me
Give me love, come set me free

In the song previously, he’s asking is there no love. In this song, he’s asking where is the love.

Hold On To My Heart
It could be taken as a love ballad, but even without reading the narrative, I associated it with the singer asking his audience to hold him. I even view “Forevermore” from Whitesnake in the same vein.

Oh no, don’t let me go
’cause all I am you hold in your hands,
Hold me and I’ll make it through the night
I’ll be alright,
Hold on, hold on to my heart

It’s the only place he feels safe and loved. But is it enough.

The Peace
I am a sucker for those power ballads that Blackie does. “Sleeping In The Fire”, “Forever Free”, “Heavens Hung In Black” and all the ones that appear on this album, like “The Idol”, “Hold On To My Heart” and now this one “The Peace”.

As soon as I heard the lyrics, I thought of the song “One Tribe” which appeared on “Still Not Black Enough”, released in 1995, after “The Crimson Idol”. Hell it sounded exactly like “The Crimson Idol”.

“Give me peace, give me hope, give me love” is how the lyrics go in “One Tribe”.

“Give me peace in my life, give me hope in my heart, give me love” is how the lyrics go in “The Peace” chorus.

Look to your own past, your own experiences to write something in the present.

The Great Misconceptions Of Me
Welcome to the show the great finale’s finally here
I thank you for coming into my theatre of fear
Welcome to the show, you’re all witnesses you see
A privileged invitation to the last rights of me

Jonathon to his audience.

How many people went to a rock and roll show and by the next day, they would read that their hero is gone?

Remember me? You can’t save me
Mama you never needed me
No crimson king, look in my eye, you’ll see
Mama I’m lonely, it’s only me, only me

With every hero, there is a past which hurts them, which drives them, which in the end could kill them. Nikki Sixx had the rejection of the father. Robb Flynn was put up for adoption. Dave Mustaine’s dad abandoned them and his mum changed her religion, which in turn changed her.

I don’t wanna be, I don’t wanna be, I don’t wanna be
The crimson idol of a million

At the start of the story, Jonathon wanted to be the idol and now at the end, he doesn’t want it.

Living in the limelight little did I know
I was dying in the shadows and the mirror was my soul
It was all I ever wanted, everything I dreamed
But the dream became my nightmare and no-one could hear me scream
With these six-strings, I make a noose
To take my life, it’s time to choose
The headlines read of my suicide, of my suicide

Alice Cooper goes to the guillotine every night in his show. In this case, there is a noose made from six strings and there is no coming back. A drastic and extreme measure.

I’m the imposter, the world has seen
My father was the idol, it was never me

To Jonathon, all he wanted was the love and acceptance of his father, but it never came.

[Jonathon to all]
No love, to shelter me, only love
Love set me free

And the circle is complete. In “I Am One”, he’s asking is there no love. In “The Idol”, he’s asking where is the love. And in the final song, he understands there is no love.

Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories

1979 – The Highway To Hell Begins

I’ve been doing a lot of 80’s reflection on this blog and currently I am up to the year, 1984. As I type up the first blog post for 1984, I also decided to start a 70’s one in tandem. But with a different touch. While the 80’s post ascend yearly, the 70’s posts will descend yearly. So when I start 1985, in tandem I will also start 1978.

So here is the kick off from 1979.

AC/DC – Highway to Hell

Who would have thought that six months after the album release date, Bon Scott would be dead. There is no denying what a massive force he was in the band and since his departure, AC/DC got stuck in recreating the formula of Bon’s intensity with the band. Even down to the lyrics Bon wrote in 1979. Yes, the version of AC/DC post Bon, just wrote songs which had knees rhyming with please and what not.

Mutt Lange is on board to produce at the strong insistence of their U.S record label and it was the start of the holy trinity of albums. Malcolm was less than pleased because it meant older brother George, was no longer involved.

I never purchased this album until the early 2000’s. I just went over to a friends place with a bunch of blank cassettes and I taped every album he had, while we drank beers.

“Highway To Hell” is a rite of passage. It might have been about touring, however timeless songs have lyrics that can be interpreted in many different ways. The riff to kick it off is iconic. Credit Malcolm.

Livin’ easy, Livin’ free

Those words are exactly how we want to live life. Easy living. Free living. But it isn’t so. Nothing is free in life and nothing is easy. The people born between 1948 and 1962 inherited a rich country and bankrupted it. They first got into government by the early 80’s and by the mid 90’s they had the power.

What did they do when they had the power?

Pass laws and regulations to benefit their bank accounts and the bank accounts of their sponsors. If they did something wrong, the taxpayer would bail them out.

I’m on the highway to hell
On the highway to hell

The Satanic panic begins. If this was played backwards, the subliminal message would say, “lleh ot yawhgih eht no”. Ohh, it’s so dangerous.

No stop signs
Speed limit
Nobody’s gonna slow me down

Nobody does this anymore. I tell my kids they go to school to learn, not to get a job. But people I speak to always tell me that schools are there for people to get a job. You see, money is more important than developing yourself and experiencing life.

Payin’ my dues
Playin’ in a rockin’ band
Hey, mamma
Look at me
I’m on the way to the promised land

It’s why music was great. People paid their dues. It didn’t mean they would make it, or be global superstars. Hell, it didn’t mean they would make a living wage. But they could have. Bon’s lyrics are a lifestyle and six months later, Bon Scott, would be on his way to the promised land.

“Girls Got Rhythm”

I been around the world
I’ve seen a million girls
Ain’t one of them got
What my lady she got

Only Bon could get away with confessing his cheating ways to his real love back in Oz via a song and still be in a relationship.

Love me till I’m legless
Achin’ and sore

Is this even possible anymore?

Everyone is too busy parading on social media, joining movements of empowerment. There is no time for loving until the morning light.

“Touch Too Much”

Seems like a touch, a touch too much
Too much for my body
Too much for my brain

Only Bon can put his bedroom ways into a song like this. In this case, the woman is just too much for him. He can’t handle her.

“If You Want Blood (You’ve Got It)”

It’s animal
Livin’ in the human zoo
The shit that they toss to you
Feelin’ like a Christian
Locked in a cage
Thrown to the lions
On the second page

Quick, call in the political correct activists.

Life is like living in a cage that you pay for, your whole life and you never really own it. The crap they toss at us, is the wage we get for building someone else’s dream and we have three options, leave and try to build our dreams, stay and work on the side to build our dreams or just stay and be a slave. Because the system is designed to benefit the companies. If you don’t have a weekly wage, you cannot get a loan.

Pink Floyd – The Wall

“The Wall” is Roger Waters lasting legacy. But the best song on the album to me is “Comfortably Numb” written by Gilmour and Waters. Credit producer Bob Ezrin for persisting to get Gilmour’s music on the record. But it was “Another Brick In The Wall Part 2” that was all over the radio.

“Another Brick In The Wall, Pt 2”

We don’t need no education
We don’t need no thought control

The rally cry against the institutions. Producer Bob Ezrin also produced some of Alice Cooper’s earlier work. On “School’s Out”, Ezrin had children sing on a chorus. On the “Destroyer” album from Kiss, Ezrin used his own kids to tell horror stories, on “God of Thunder”. It worked before and with “Another Brick In The Wall” it worked even better.

All in all you’re just another brick in the wall

More so today than before. We might have had stricter teachers and parents in the past, but we still explored and made our own way. The kids these days are told they need to go to University to get a job. It wasn’t the case when I was young. People went to higher education to expand their minds and walk different paths. Instead today, our universities are factories to produce like-minded individuals.

All I hear today is how education rules, but once upon a time people became self-educated without education, and they had the heart and voice to question authority and all the established norms.

“Goodbye Blue Sky”

It’s the inspiration for “Fade To Black” from Metallica.

Did did did did you see the frightened ones
Did did did did you hear the falling bombs
Did did did did you ever wonder
Why we had to run for shelter
When the promise of a brave new world
Unfurled beneath a clear blue sky

I studied WWII in History, however our focus was more on Australia’s involvement. But we still read the text about the London Bombings. And if we didn’t read the text, we had “Aces High” to listen to and digest, which also covered the London Bombings. And who can forget “Churchill’s Speech”. Only a metal band can take a politicians speech and make it even more legendary.

“Goodbye Cruel World”

You can hear the inspiration for “In the Presence Of My Enemies” by Dream Theater, and lyrically, you can hear similar themes and rhymes appearing in Metallica’s lyrical output on the “Ride The Lightning” album.

Goodbye cruel world
I’m leaving you today
Goodbye all you people
There’s nothing you can say
To make me change
My mind

So many people are checking out these days.

Is it the upbringing?

From the 90’s, every kid was told how perfect they are, how great they are and even when they failed or didn’t succeed, they still got told how great and perfect they are.

How is a child meant to build resilience and a growth mindset if there is no challenge set in front of them?

There are no easy answers.

“Hey You”

Hey you, out there on the road
Always doing what you’re told
Can you help me?
Hey you, out there beyond the wall
Breaking bottles in the hall
Can you help me?
Hey you, don’t tell me there’s no hope at all
Together we stand, divided we fall

So much power in the final verse. It covers obedience, living a life controlled by the state and dreaming of a revolution.

“Comfortably Numb”

It’s written by Dave Gilmour and Roger Waters and my favourite song because of the excellent outro lead break.

Is there anybody in there?
Just nod if you can hear me
Is there anyone home?

The mind, the spirit and the soul are three powerful revolutionaries. They need to be suppressed if governments want to exist.

Just a little pinprick
There’ll be no more aaaaaaaah!
But you may feel a little sick

The injection to numb and control.

I have become comfortably numb

Nothing else needs to be said and then the end lead break from Dave Gilmour kicks in. Just sit back, close your eyes and enjoy.

“I banged out five or six solos. From there I just followed my usual procedure, which is to listen back to each solo and make a chart, noting which bits are good. Then, by following the chart, I create one great composite solo by whipping one fader up, then another fader, jumping from phrase to phrase until everything flows together. That’s the way we did it on ‘Comfortably Numb.’”
David Gilmour

Judas Priest – Hell Bent for Leather/Killing Machine

This album had two different titles depending on the region it was released. “Killing Machine” all around the world and “Hell Bent for Leather” in the U.S. I didn’t get this album until well into the 90’s.

Delivering The Goods

It’s written by the holy trinity song writing team of Rob Halford, K. K. Downing and Glenn Tipton. The first time I heard this song was via Skid Row’s “B-Side Ourselves” EP. I enjoyed the Skid’s live take on it, so I went seeking for the album in the second hand record stores. I actually own both copies, the “Killing Machine” version and the “Hell Bent For Leather” version.

Shake down, rock ’em boys, crack that whip strap mean
Pulse rate, air waves, battle lies in every place we’ve been
Stealing your hearts all across the land
Hot blood doing good, we’re going to load you with our brand

It’s exactly how heavy metal and hard rock took over the world in the 80’s. Place by place, city by city, house by house.

Leaving your heads
Crushed out on the floor
Begging for mercy
Be careful or we’ll do it some more

Quiet Riot might have had a hit song with “Bang Your Head” and Drowning Pool in the late 90’s/early 2000’s hit the mainstream with “Bodies” and the catchcry, “Let the bodies hit the floor” but Judas Priest from day zero always had moshing and head banging in their songs.

You better watch out and hold on tight
We’re heading your way like dynamite
Uhhh, Delivering the goods

And the live show was just that. A band, turning up and delivering the goods. AC/DC’s first U.S show was played to less than ten people. After the first set, those people vacated the building only to return minutes later with many more. And the rest is history.

Hell Bent For Leather

This one is written by Glenn Tipton.

The riff is iconic. If you want to understand how iconic and how many derivative versions this derivative riff spawned, check out my post on it..

Wheels! A glint of steel and a flash of light!
Screams! From a streak of fire as he strikes!

Any fan of “Under The Blade” from Twisted Sister would also know the above lyric.

Hell bent, hell bent for leather

Simple and effective.

Black as night, faster than a shadow
Crimson flare from a raging sun
An exhibition, sheer precision
Yet no one knows from where he comes

The song’s story has been re-written many times by Judas Priest. A few that come to mind are “Screaming For Vengeance”, “The Sentinel” and “Painkiller”.

In relation to guitar playing, Glenn Tipton always kept an eye and ear out for what was hot in guitar circles and he would go away, master these new styles and incorporate those influences and styles into his guitar playing. In this case, he breaks out a tapping lick which was obviously influenced by EVH. On albums from the mid 80’s, Tipton would start to incorporate sweep picking courtesy of Yngwie Malmsteen’s influence.


How can you not like the “Walk This Way” riff merged with the “Superstition” riff from Stevie Wonder merged with the “Play That Funky Music White Boy” riff?

The Green Manalishi (With The Two Pronged Crown)

It’s a Fleetwood Mac cover song written by their original and largely forgotten guitarist Peter Green, and it works pretty cool in the hands of Judas Priest. It’s not out of place at all in the pantheon of songs written by Judas Priest.

I had to Google “manalishi” and the first search item that comes up is a Wikipedia page for the song. This is what Wikipedia tells me;

“The song was written during Green’s final months with the band, at a time when he was struggling with LSD and had withdrawn from other members of the band. While there are several theories about the meaning of the title “Green Manalishi”, Green has always maintained that the song is about money, as represented by the devil. Green was reportedly angered by the other band members’ refusal to give away their financial gains.”

There was something really out there about the late 60’s and early 70’s period. Every songwriter was experimenting with different narcotics so they could tap into some state of the brain, which would help them be even more creative.

Running Wild

The intro riff is another riff to rule them all. You can hear where Iron Maiden took inspiration from for the “The Wicker Man”. Quick call the lawyers. Then again, i am sure someone will. It’s another cut written solely by Glenn Tipton and he covers themes which in the 80’s became the norm.

No chains can hold me down
I always break away
I never hear society
Tell me what to do or say

The idea of being able to live your life the way you want to live it is our greatest invention. It is the bedrock of our culture. And these days more than ever, these ideals and rights have become inconvenient to our leaders who only serve the corporations or come from the corporations. And it’s precisely why we have to work so hard to defend them.

I rebel but I walk tall
And I demand respect

Fitting in seems like a good way to earn trust. How many people sit back and don’t do anything to draw attention to themselves, just in case they are left out. The philosophy is simple, go along with the crowd and you will get ahead. But the truth is, no one can fit in all the way. People can choose to stand out, be respectful and challenge the status quo.

Journey – Evolution

It has “Lovin, Touchin’ Squeezin’” but it’s not my favourite. The three listed songs are for various reasons.

Lovin’ You Is Easy

The music is upbeat and infectious and it’s always good to hear Schon rocking out.

Do You Recall

The melodies in this song appear in a lot of Jovi songs.

Yes, it’s the lovin’ things
That keeps us wondering

Lady Luck

This song grooves, taking its cues from the hard rock stylings of Led Zeppelin.

The Police – Reggatta de Blanc

The Police to me, didn’t really write a perfect album from start to finish, but man could they write classic tracks.

Message In A Bottle

The intro is the first thing that hooks me. And it’s guitarist Andy Summers who saves the day with his add9 chord voicings over a simple bass groove.

I’ll send an SOS to the world

Sending out a message to the world today is easier than ever. We are all hooked up, ready to go.

Is it a good thing or a bad thing?

Who knows, but to participate, we need to give away some of our privacy and people get a look into our lives.

Walked out this morning, I don’t believe what I saw
Hundred billion bottles washed up on the shore
Seems I’m not alone in being alone
Hundred billion castaways looking for a home

Today we live in a social media society. We have friends and likes. For some, this is fulfilling and for others they feel even more isolated and lonely. In the end, we all castaways looking for a home. Sometimes we find it, sometimes it takes a few turns to find it. Eventually we find our home.

Whitesnake – Lovehunter

I didn’t hear this album until very late in the 90’s. Hell, I was buying so many second hand LP’s from record fairs and second hand book shops, I can’t even place a memory as to when I purchased it. I was always a sucker for the $1 bins.

Walking In The Shadow Of The Blues

Written by David Coverdale and the underrated Bernie Marsden.

I love the blues, they tell my story
If you don’t feel it you can never understand

It all started with the blues. Rock was built on the bones of the 30/40’s blues artists. Metal was also built on the bones of those same artists, along with the defiance and rebellion of rock music. Without the blues, the music I listen to, would not be possible.

‘Cause I love the life I live, I’m gonna live the life I choose

My Dad knew what he was talking about, but I was too full of youthful energy to really listen and heed his warnings. You only have one life, so live it the way you want to live it. It’s easier said than done, but achievable and it starts with control.

Do you have control of your life, so you can make the right decisions or is your job and your commitments to banks and credit companies controlling you?

Once you give up control, your life path changes.

All of my life I’ve had the same reputation
I’ve been the black sheep of the family all along
I never know if in my heart I’m really guilty
But I’ve been accused of never knowing right from wrong

The themes are still relevant. When the youth don’t conform to the wishes of the elders, they are always seen as black sheep’s.

Medicine Man

It’s written by David Coverdale who is a pretty cool guitar player in his own singer/songwriter way. Lyrical, he’s the doctor of love, the medicine man who is always there to satisfy. Musically, it’s just a feel good jam song.

Mean Business

Lyrically Coverdale has his love gun loaded and ready to fire if the lady he’s with doesn’t mean business. Musically, it’s very “Ballroom Blitz” like in its pace and feel.

Love Hunter

In “Love Hunter”, DC is needing a woman to treat him good and to give him everything a good woman should, because she would be waiting for her brown eyed boy to come home and treat her right.

Do you reckon these lyrics will work today?

Maybe not.

Then again what about this one?

In my time I’ve been a back door man


I took to the highway,
Chasing my dream down the line

Does anyone do this anymore?

I keep on reading reports of kids staying at home with their parents well into their 30’s. Is this because parents have too much control and have taken away the right for their child to make a decision.

Outlaw – born outside of the law,

All the rockers and metal heads are outlaws.

I’ve always been a dreamer,
Dreamers find it hard to survive

You need to act if you want your dreams to come true.

Rock N Roll Women

About groupies.

I’m looking for the promise of a one night stand
So I’m going looking for those rock ‘n’ roll women tonight

That’s all DC wants, a good time with no strings attached.

KISS – Dynasty

One of the first albums I owned from Kiss and i played it to death, so it’s no surprise I have a few songs from it on my list. Other friends I know hate this album and the debates between albums is always fun. I always saw the debates like this.

“Dynasty” is my first Kiss album, so by default I dropped the needle on it a lot. However, most of friends had “Love Gun” or “Destroyer” as their first Kiss album and they dropped the needle on those albums a lot.

“I Was Made for Loving You”

It was the obvious single, and the unexpected hit, written by Paul Stanley, Vini Poncia and Desmond Child. Stanley also performs bass duties on this one. Seriously, if you were a fan of Kiss before this song, how can you not like the poppy chorus. Some of the best pop songwriters hung up their pens and pads after this. (Maybe not, but you get the point).

For me, the melodies are great, but the lyrics are crap.

Sure Know Something

Written by Stanley and Poncia, this is another song hated by “fans” who cried sell out. To me, it’s a mixture between melodic rock, disco and new wave. In the end, it’s still Kiss. It has all the ingredients of crap lyrics and great melodies. The bass groove is unique and the lead guitar break from Stanley is worth the listen.

Dirty Livin’

This is an excellent track. It could have been on a Steely Dan album or a Doobie Brothers record. Instead it’s on a Kiss record and it rocks. Peter Criss sings, it and he co-wrote it with Stan Penridge and Vini Poncia.  It’s actually the only track that Peter Criss drums on. Anton Fig played drums on all of the other songs.

Magic Touch

Solely written by Paul Stanley this track comes loaded with a melodic riff and a pop melody. Still to this day it’s a favourite, purely for its sense of melody.

Hard Times

Ace Frehley wrote it, he sings it and he plays all the guitars. It’s another Kiss rocker. All the pieces are here.

The hard times are dead and gone
But the hard times have made me strong

Damn right they did.

Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes


I have no issues with lyrics of any kind whether they are political, about social classes, racism, war or just having a good time. I also have no issue with artists I like taking a stance and commenting on what they see is the state of the world. Opinions are important whether you agree or disagree with them.

Robb Flynn is an artist. First and foremost, as an artist, he has a duty of care to himself first. The art he creates needs to satisfy him first. If it doesn’t, what is the point. What is the point of creating art if you write factory art. On occasions, the art an artist writes for themselves ends up going global and on other occasions it doesn’t.

So it’s no surprise that on “Catharsis”, Robb Flynn is giving his take on the world. It’s not pretty, but no one said the six o’clock news is pretty. And there is no denying the power of the message in the songs, regardless of what political party you support.

“It’s an angry, brutal song. We’ve had long intros on the last five or six albums, so it was time to start with something direct and violent.”
Robb Flynn in Metal Hammer

Musically, this is a classic MH song.

Sick of the white folks privileged and vain
Protesting the culture that isn’t the same

Sometime in the past, our leaders started to serve the corporations. Those lobby dollars became too great to refuse. Many years later, those corporations leaders are now leaders of nations. They bought their way in. It’s real and it’s happening. We need a reset, an anti-corruption watchdog for politicians, who can assess if these politicians serve the people or the corporations. Then again, give this body enough power and it will become corrupted like the rest. It’s a vicious power vacuum.

Dead, dead and bloated
These times are volatile
There’s no room left for you

The bed of music under the chorus is brilliant. And there is truth in these lines. Our times are so volatile there is no room for nothing else. We seem to move from conflict to conflict. Terrorist attack to terrorist attack. Mass shooting to another one. And it just keeps on going.

Sick of the racists, sick of this shit
Sick of them telling me its immigrants

I am sure that people know that Apple, Google and Amazon are all founded by immigrants. Spotify is an immigrant product from Sweden.  Marc Randolph, one of the Netflix co-founders is a son of an immigrant. Immigrants don’t come to a country to bomb the hell out of it. They come for a better life. And with all races there are people who do things which puts a stain on the name of the race. Based on our leaders reasoning, when a person from their own race commits sickening child offences, do we assume that all people from that race are the same sickos.

Sick of the phonies on my phone screen
Sick of the NRA trying to scare me

The amount of mass shootings that happen in the U.S is a worry. When nothing is done about it, its a bigger worry. However, if the mass shootings happened to be linked to a terror organisation, there will be changes to legislation straight away, which will give Governments more spying power and further reduce its peoples’ privacy and liberties.

Break it, smash it, burn it to the ground

It’s been our evolution. Humans will be known for building, smashing and burning. And those lines work in the slower groove.  When I first heard the song, I thought Robb was singing, break it, smash it, bullet through the crowd.

And man, when they get to the lead break, it’s pretty full on.

“This is a special song. The lyrics say it all: ‘The only thing keeping me sane, the music in my veins / If these words are my fists, this is my catharsis.’ That crystallised everything we were trying to say.”
Robb Flynn in Metal Hammer

The transition from “Volatile” into “Catharsis” works. It isn’t your usual crushing Machine Head song. It has atmospheric keyboard samples in the forms of strings and piano to kick it off and when the guitars come in with the open string riff, you know you’re in MH territory. And the structure of the song is experimental and I dig that.

I could never be another brick in the wall
You’ll remember me
As you break all our spirits down and push us to the ground
Call me a fool with a gasoline can
Burn it f down, start it over and over again

The powerful all want us to have jobs, so we can take out loans. Once we take out loans, we are in a cycle of repayments. Basically we are just bricks in the wall. When we crumble or die, another person replaces us. It’s a vicious cycle. But, people can make change if they are not so easily swayed over money. Hell most bands lose members over money arguments.

The only thing keeping me sane
The music in my veins
And if these words are my fists
Can you feel my catharsis?

It’s a primal scream. To me, music is king. We went to the shows to commune with the band and to make our lives complete. Today, going to the show is seen as  “a look where I am, look what I am doing” promotion job on social media. Hell, I was at a Metallica show with people who turned up so they could say they went to a Metallica show, but they don’t own any of their music and really don’t listen to em.

Music once upon a time was as important as water and electricity. My Dad told me, the first thing he did when he got his house was to set up the stereo. And I’ve kept the same motto.

And how can you not start to get ready to lose your mind when the military style snare pattern at 3.39 starts. It’s a perfect example of how you do bridges and interludes.

The lead work after two songs is stellar. And really after hearing the first 2 songs how can anyone be unhappy with the album…

Beyond the Pale
“It’s a straight-ahead Machine Head song, about embracing being outsiders and misfits. ‘I found my heroes / The freaks and zeros!’ That sums it up.”
Robb Flynn in Metal Hammer

I am skin and bones, broken stones,
See the scars that I show.
I live outside the bounds, in the unknown.

It’s a cool opening lyric line.

And yeah, the main riff sounds similar to Strapping Young Lad’s “Love” which Devin Townsend has said he’s flattered and the Chorus of “Love” was influenced by “City Of Love” from Yes and the cycle continues. Take what came before, tweak it and release it. And you know my views around riffs, progress is derivative.

And if people like SYL “Love” then there is no reason why they shouldn’t like “Beyond the Pale”. The mosh pit will go off when the chorus kicks in.

Beyond the pale,
I found salvation, emancipation.
Beyond the pale,
I found my heroes: the freaks and zeroes.

Metal music is about embracing the ones spurned by the mainstream and the popular. Then metal became popular and everything changed. Suddenly, popular metal bands were not cool, because of their popularity and metal started its fragmentation into different record label genres.

I’ll break down every wall, fight and claw.
Take their punches, stand tall,
My middle finger raised, so fuck em all

It’s a revolution. Musicians have been saying the same message since the 70’s. Why is it any different today?

And the two duelling leads works. And really after hearing the first 3 songs how can anyone be unhappy with the album…

California Bleeding
“This is a dumb song full of ignorant s, ha ha! It’s about my love/hate relationship with California. It’s a balls-out, rockin’ song, I think.”
Robb Flynn in Metal Hammer

The intro hooks me, the Chorus is cool and when the intro comes up again at 2.25, I was hooked.

And the lyrics are a blast.

I’m not the billionaire class, from San Lorenzo with the trailer trash

Take that all you social media users who portray a perfect life.

Sail me down the river, temper like a trigger
Take a shot of vodka, blow out my liver
California’s bleeding me

Angels and Demons live in California. Our quest to have a good time also carries it’s risks.

Highway 5 down to 99, I’m getting head near the Fresno sign


Triple Beam
“I’m just gonna say, ‘This is a nu metal song’ ha ha! It came together super-quick. You’re basically hearing the first time that we ever played that song and the first time I ever sung it.”
Robb Flynn in Metal Hammer

Yeah, this song could have been a left over from “Supercharger” and should have been left off this album. But If I’m being honest, if this song was released back in 99, I probably would be cranking it based on the main riff, because in 1999, these kinds of riffs sounded heavy and original but now the whole thing seems recycled.

“Again, it’s about the power of music. I’m not a religious guy, but music is as close as I get. The line, ‘Songs fill what religion won’t’ says it all.”
Robb Flynn in Metal Hammer

This hole in my soul
Songs fill what religion won’t
No hope, I can’t cope
Music plays in kaleidoscope
And if I’m lost
I don’t want to be found
Haunted by sound

The Chorus is a stand out and when the second verse starts off with the lyrics, “Open up the floor and start a pit, this shit is building up inside of me”, you know there will be circle pits.

Catatonic ignorance, the cronies run the show
Preying on our differences, divide and conquer the low

And it’s been that way for centuries. Will it ever change?

“Bastards is a straight-up folk song. I would relate it to Springsteen and Tom Petty, but it’s still Machine Head. It’s probably the most important song on here.”
Robb Flynn in Metal Hammer

I liked it when Robb Flynn released his acoustic YouTube take months before the album and I like it now. It’s different for MH but it works and those tapped arpeggio lines under the simple D, A, Bm, G chords ties it all together.

The vocal melody in the chorus, when Robb is singing, “Stand your ground, Don’t let the bastards grind you down, Be bold, Be strange, Don’t let their fears make you afraid”, how can you not like it?

It’s an anthem and no different to the messages from the 80’s. The difference between then and now is that we smoked in the boys room, felt the noise and sang together, we’re not going to take it. Now we are older and in a different fight for our lives and futures. Those baby boomers born after WW2 infiltrated our government in the 80’s and became its leaders in the mid 90’s. And this generation does not care about the past or the future. All they care about is now. And we cannot let these bastards drag us down. Because they will crash and burn. Everyone does. It just takes time and it starts with us.

Screaming At The Sun
“This is one of the first songs we wrote for the album. It’s pretty straight-ahead, but we went into some very weird places after writing this one.”
Robb Flynn in Metal Hammer

I really dig the riff on this one, the middle eastern feel, even the Arabic sounding vocal melody.

And that section at 2.38 works.

They see you blinded us, reminded us of all that’s ugly

Life is not perfect. We get blindsided by events or people. Sometimes the improbable becomes the probable. How we respond is what defines us.

Behind A Mask
“It’s all clean vocals. It’s all acoustic. It’s essentially unplugged. We’ve explored a lot of melody and harmonies on this record.”
Robb Flynn in Metal Hammer

Now this song is not what I expect from MH, but I like how they did it. It’s like Staind merged with Days Of The New and to me, it’s a pretty cool combination.

The Chorus is mad on this one, how the vocals are orchestrated. How can you not like it?

The old man sits alone staring at the screen
And contemplates these failures, done to his family
Cause depression’s bottles come along and filled his whiskey glass
With every sip put to his lips, erases all the past
So he tells another little lie and tells another tale
In hopes to spare the family and hide his private hell
But the more the words come out of him, like little cuts and scabs
Tearing at the tender hearts who gaze upon a mask

The verse is powerful. How we deal with our past skeletons later on in life is crucial. For some people, everything is perfect and they did nothing wrong. For others, they realise their mistakes, their ways and they try to make amends.

Heavy Lies The Crown
“It’s an epic and it’s about Louis XI, the Spider King of France. I’m a history buff and it’s just a great story. He’d weave these elaborate webs of deceit!”
Robb Flynn in Metal Hammer

It’s like a movie soundtrack. And when that riff kicks in, it’s yeaahhhhhhhhhhh time.

I slink along the boulevards and listen to the streets
The avenues and gutters give me truth to speak

And it’s in the streets revolutions start. It’s in the streets wars are won and lost.

“This one’s gnarly. It’s ugly and pissed off. I guess we could try to write more hits for the radio, but that’s just not how I write, you know?”
Robb Flynn in Metal Hammer

Yeah, the song is ugly alright. The intro is cool and so is the music in the chorus and that 12/8 section which is like a bridge is also cool. I would love to hear these sections fleshed out in future songs.

Grind You Down
“The phrase ‘stand your ground’ from Bastards appears in a few songs, including this one. Another classic MH rager.”
Robb Flynn in Metal Hammer

Man why did MH have to put that melodic chorus in this song.  And why did that have to put that speed metal section from about 2 minutes in this song.

Razorblade Smile
“This one turned into a tribute to Lemmy. I just started writing lyrics and all this crazy, debauched st just came out. It’s totally Motörhead.”
Robb Flynn in Metal Hammer

Something about this songs feels so familiar, I can’t put my finger on it. Maybe it’s a more rocking version of “Clenching The Fists Of Dissent” or maybe it’s the “Painkiller” start. When that double kick comes in after the intro riff, how awesome is it.

And that riff from about 1.45, I could be screaming “Die”, like in Creeping Death. Love it…

I got a razor blade smile and a cocaine tongue
I got a boner for miles, I’m slinging loads for fun
Carry a whiskey brown suitcase loaded with hash
I’m eatin’ pussy by a dumpster, beard stinking like snatch

The funniest lines I’ve seen in lyrics for a while. Brilliant.

“It’s a pretty dark end to the record, but the lyrics to Bastards pop up again. Late on, I realised that the songs have the same chords. That was kinda weird.”
Robb Flynn in Metal Hammer

Should have been dropped from the album.

So if I put my John Kalodner hat on and I had to bring the album down to 10 songs…..

Side One

Beyond The Pale
California Bleeding

Side Two

Hope Begets Hope
Razorblade Smile
Behind The Sun
Heavy Lies The Crown

Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Forgotten 80s Part 4

I read an article about how a computer system was only shown how the pieces move in a chess game. Then the system was told to learn how to play the game. 24 hours later, the system had all the chess moves worked out and it was beating strong chess programs convincingly.

Then I watched the “Metalhead” episode from Black Mirror and then I read a story about how Nissan wants to create a car that reads your mind and it got me thinking of the original Terminator movie and suddenly I was in the mood for 80’s music.

So here is another list of forgotten songs from the era. Just click on the number for the previous Forgotten lists, one, two and three.

Better Days
Taking On The World
The Feeling Within

Way underrated and way under-appreciated, it’s almost criminal. With their debut album, GUN got lumped in with the hard rock/glam rock style of bands because that’s the only way the record labels knew how to promote music. Compare it to something else which is popular and hopefully you get 10% of that audience to buy blind. 30 years later, it’s still the only way record labels know how to promote music.

Better Days

The groove captures me instantly and the vocal melody is so far removed from the LA Sunset strip, it’s perfect.

Living in the same scene way too long
Everybody hopes that one of these days
Everything you want is gonna come your way
Everybody knows what they have to do
Everybody dreams like me and you

Dreaming and hoping is easy. Deciding how to make those dreams and hopes come true is hard because making decisions is exhausting. It means you need to investigate, analyse and most importantly take responsibility for making a decision. We all know what we need to do, but so few do it.

Things could be heaven but this feels like hell
So hold your head high cause you know I’d die
For better days

And sometimes, decisions made with good intent could end up going bad. It doesn’t mean it’s the end. It just means a re-calibration is necessary and further analysis is needed, because our dreams and hopes for better days, make us push through the worry and fear.

Taking On The World

The acoustic strumming sets the sombre tone, but it’s the vocal melody which is captivating. It’s unique and catchy.

When you feel that life is dragging you down day by day
You’ve gotta break away
You’re taking on the world

Life is a process. You try things and you fail. You get into a relationship and you separate. In ten years’ time you would be using a technology that hasn’t been developed yet. The world evolves and you need to evolve with it, if you want to take it on.

And the lead break is full of thought out phrases that outline the chord progression under it.

The Feeling Within

The vocal tone of this song sounds like a cross between Jim Kerr (Simple Minds singer) and Michael Hutchence (INXS singer RIP).

You don’t know what silence means (you can pray for me)
You don’t know about shattered dream
You don’t know that I can’t run (you can set me free)
Set me free from the feeling within

Those lyrics in the brackets are sung by vocalist Mark Rankin’s cousin Sharleen Spiteri, of the band Texas.

Now Forever After
Kingdom Come

The most well-known version of the band only lasted two albums and one touring cycle. By the late 80’s the record labels didn’t care about artist development. It was all about platinum certifications. If the band got one, they had another shot. If they didn’t get one, they got dropped. Kingdom Come went platinum with their debut and their follow up didn’t set any sales record alight, even though it was better musically than the debut.

Musically, Kingdom Come had three sides. One side was the 70’s inspired classic rock of Led Zeppelin. The other side was the blues rock of AC/DC, while the third side was the Euro melodic rock inspired by Deep Purple, Scorpions and Rainbow combined with a little bit of Toto and Styx.

Now Forever After

“Now Forever After” is from the debut album released in 1988 and it falls into that melodic rock side of the band.

It’s now, forever after
Now, sharing our laughter
For better or worse
Until we die
Now, forever after
Now, sharing our laughter
Until the end of time

If only it’s true. Actually for some it is, for others it takes a few goes to get it right.


“Stargazer” is from “In Your Face” released in 1989. That keyboard intro which blends into the guitar lead just works brilliantly. This is another that falls into the Euro melodic rock side of the band.

Ooh, just to know what’s the reason for making us
Is what I would like to know

How did we come to be? So many theories out there, rooted in science and religion.

Live it out
Meet the Maker

Our ancestors looked to the stars for answers. Then they changed to religion. As humans got wiser they turned to nature and science for answers. Everything ends, including you and me. We thought we would live forever, but this proved to be untrue. And you don’t know what you’ve got till it’s gone.

I Believe In You
Knock You Out
Hands Of Time

For many, “Earthshaker” was a landmark album. In my opinion, it also became a major influence to any hard rock musician around the world who heard it. It you took all of the different rock stylings happening at the time, and put them into the Y&T blender, “Earthshaker” would be the result.

For Y&T, they were just happy to have a deal with A&M, after two albums on a different label who had had no clue what to do with the band. Coming into the album, Y&T had already played the songs live quite a bit, hence the reason why everyone who heard the album said, “wow, these songs would really work live”.

By 1981 bands didn’t really do ballads or power ballads. They did songs with slower tempos that just kept on building up to a huge ending.

I Believe In You

“It’s a song I wrote a long time ago. Well along time before it got put on a record, which is kind of a drag in a way, because our original managers ripped us off for our publishing on the first two Yesterday and Today records. We haven’t received a penny publishing to this day from those two records. I wrote” I Believe in You” about the time they were managing us, so when I put it on the “Earthshaker” record; well after they were gone they still took my publishing and never gave me a cent for “I Believe In You”. Anyway it was written a long time ago about a break up that I had with a long-time relationship so the song inspired itself more or less.”

Dave Meniketti

The music business is full of rip offs. There are so many stories of former managers claiming the rights on songs from artists written while they managed the artist, but released many years later, while the band had new management. So many people who contribute nothing to the Arts make money from the Arts.

Even record labels do it. They sign an artist and they will spend some money for the artist to record a demo. They might give the go ahead for the songs to be recorded for a release or they might not release them at all. If they are not released, the artist is in limbo. Ask Tom Keifer, Dee Snider and Joe Lynn Turner, just to name a few. And if they leave the label they need to buy back their songs at an extortionist fee the label sets themselves.

Your phony friends, they all counsel you
The things they say
Oh, you know aren’t true

Ahh, yes, who doesn’t have friends like these in our lives?

Breaking up with your partner is a lot more than just breaking up with one person. When a relationship ends, people take sides. Suddenly the friends you believed you had are not there anymore.

Knock You Out

How good is the riff that kicks off this song?

Up against the ropes
I’ve been there before
I’ve been hit by the best, but never hit the floor

Proving you’re at the best when you do it your way. Never forget that. You can make your own decision. Awards are irrelevant. It’s the art that remains. Y&T remain more relevant than some of their 80’s peers who achieved platinum sales. Y&T never did.

Hands Of Time

This appears on “Down For The Count” released in 1985. I swear that intro riff was used by Winger in “Headed For A Heartbreak” to platinum glory. Progress is derivative right.

Don’t be a prisoner of your memories
They steal from your future
And fill you with lies

Negative thinking stops us from taking action. And our tendency to attach an emotion to a past event is our biggest downfall.

‘Cause you can’t turn back the Hands Of Time

What is done, is done, so move forward because time keeps marching forward.


Both songs are from the “Out Of The Silence” album released in 1988 on A&M records. Wikipedia tells me Dare was formed in 1985 by former Thin Lizzy keyboard player Darren Wharton after Phil Lynott had dissolved the band. They had some success and when their second album “Blood From Stone” released in 1991 tanked in the sales department, the band was dropped.


I can’t forget the things that you said to me

We rarely forget. We move on but we don’t forget. Actually, we can’t forget, because if we do forget, then how did we learn from those events.

I wish I could say that the rest of the song had some earth shattering lyrical message but it didn’t. A lot of the problems with the 80’s rock bands are the lyrics. Even Dare, coming from some experienced musicians couldn’t get decent lyrics written. Some people are good with words and others not so much. But the music is still good.


It’s got a riff that reminds me of “Hit Me With Your Best Shot” merged with “Fantasy”.

She got no money and she got no pride
Don’t let her tell you she got nothing to hide
So full of passion with a wounded heart
I still remember when our love fell apart yeah
And when everything’s right, how could I be so wrong? so wrong?

While it was right for you, it was all wrong for the other half. They just haven’t had the courage to tell ya yet.


It’s from the “Cruisin’ For A Bruisin’ album released in 1988. A friend of mine had this album and he dubbed it on a blank cassette for me around 1992. I knew nothing of the band back then and I still don’t know anything about the band today, but what can I say, I’m a sucker for a derivative and clichéd melodic rock song and as soon as the Aldo Nova “Fantasy” influence kicked the song off, I was hooked.

Future World
We Came To Rock
Yellow Rain
Pretty Maids

They should have had more mainstream success. Not sure if the band name helped their chances or hindered them.

Future World

It’s the title song of their 1987 album.

Oh future world
There’s nothing left to save
They blew it all away

We will in troubled times and even more so today where “stable geniuses” are in power.

In troubled times
We saw the writing on the wall
We heard the fools
Who brought the human race to fall?

The human race always suffers because of a few individuals. Released in 87, this would have been referencing the Cold War between the US and USSR. Today, it’s the US vs North Korea. Leaders out of touch with reality and the people they claim to support and serve.

We Came to Rock

It’s from the “Future World” album and it’s one of those clichéd songs about going to the rock and roll show and joining the cavalcade.

If you’re feeling out of nowhere
If you got no place to go
If you’re feeling lost and lonely
When you’re down the open road

The heavy metal community is the most loyal and there is always a place for you and everyone else.

We are the faces
We are the guardians of the night
We’ll rock the ages
It’s all right
We’ve seen the fire
We are defenders of your rights
We’ll take you higher
Gonna take you to the sky

It’s easy to say in words that you are a defender of our rights, but only Dee Snider went to the US Senate hearings and defended the rights of US metal head citizens. It cost him dearly at the time, but today, he’s seen as the defender he set out to be in “We’re Not Gonna Take It”.

Yellow Rain

Also from “Future World” and this one references Vietnam. Musically it starts off acoustically, like Gary Moore’s “Victims Of The Future” before it becomes a speed metal song.

Left home as heroes
Fools when they returned
Blamed for all the damage
And the villages they burned
Betrayed by their leaders
Murderers they were called
Denounced as crazy maniacs
And locked behind the walls

It was the first war that was all over TV and the prime time news. Everyone saw the burning children, the napalm bombs and Agent Orange. And the poor soldiers didn’t come home to a ticker tape parade. They came home in pieces, mentally and physically.


It’s also from “Future World” and it wouldn’t be out of place on the “Screaming For Vengeance” album.

Gonna hit this town tonight
Let your troubles out of sight
Scream out, spread the word around
Get all up and stand your ground

Again, it’s all about going to the rock and roll show, being part of community and don’t let institutions get in your way of living out your dreams.


Also from “Future World”

I was born and raised on the street
I grew up in a jungle of stone

Like all of us. All social circles have become concrete jungles.

I walked my own directions
For fortune and fame

The ones, who made it, walk their own path and the ones who follow might make it, but they don’t last.

Life is a rodeo
Somebody makes it
Somebody don’t
And even though
You feel like losing
Don’t ever let it go

It’s the unwritten rule of life. Never give up, keep on going. From when we are born, we fight for every breath, for every step, every single day.

And sometimes when I came to a crossroad

Should I stick to the left or the right?

We always try to make the best decision with the information we have at the point in time. It might be right, it might be wrong, but we still make it. Because we need to.

Under The Gun
Turn It On
Danger Danger

For a band formed in 1987, they had Al Pitrelli on guitar for a brief time, then after they got a recording contract, Pitrelli left and was replaced by Saraya guitarist Tony “Bruno” Rey (who actually played on the debut album) before returning to Saraya and Andy Timmons replaced him and played on the rest of their debut album, which was released in the same year.

Under The Gun

From the debut album released in 1989 and its the same lyrical theme as “Runaway” and “Fallen Angel”. But musically and melodically it’s addictive.

Turn It On

Also from the debut and the guitar playing from Andy Timmons is what hooks me. The way he colours each bar with arpeggios, power chords, palm-muted pedal tones and double stop inversions is brilliant.

Long Way From Home
Angel In My Heart
Britny Fox

Carbon copy of Cinderella, Britny Fox formed in 1986 in Philadelphia. In fact, the band had former members of Cinderella in its roster and their connections to Cinderella allowed the band to secure a major recording contract.

Long Way From Home

The debut album is not on Spotify, however the follow-up “Boys in Heat” released in 1989 is.

My love’s with you always, oh yeah.
Long way from home.

On the road is a killer. You are away from friends and family and the band mates are suddenly not as likeable as you thought they were when you saw em only a few hours a day for practice.

Angel In My Heart

Also from “Boys in Heat”, it’s a simple hooky song.

Misery Loves Company
Nobody Knows
Hard Luck
Letters In The Rain
Lillian Axe

Formed in 1987, they caught the attention of Ratt’s management which led to a record deal with MCA and Ratt’s Robbin Crosby producing the band’s first album, Lillian Axe.

As Wikipedia tells me, neither the debut nor the 1989 follow-up, “Love + War”, met commercial expectations and the group was quickly dropped.

Misery Loves Company

The song is from the self-titled debut released in 1988.

The intro riff is a derivative version of “Breaking The Chains” from Dokken.

The poor get nothing while the rich get fat
Start living good, the I.R.S. takes that
I kinda wonder if there’s really any good at all, at all

While the rich pay nothing and hide their billions in offshore tax havens.

Nobody Knows

The song is from the self-titled debut released in 1988.

Nobody knows when there’s clouds in the skies
When there are tears in your eyes
Nobody knows when you’re hurting so bad
So what if they had?

Exactly. So what if people knew how bad your hurting or how low your feeling. What can they do to change it? How people deal with pain and disappointment is very subjective. Each person has their own unique way of overcoming obstacles.

Hard Luck

The song is from the self-titled debut released in 1988. The lyrics are forgettable, but the music and melodies work.

Letters in the Rain

From the follow up, “Love + War”, released in 1989, the lyrics deal with a person reading letters his ex-partner left in the rain, and after being heartbroken for so long, he finally moves on, only to have the ex-partner return asking for a second chance. But the music and melodies are cool.

The Right To Rock
United Nations
King Of The Rock
Don’t Say You Love Me

The rock is strong with Keel.

The Right To Rock

Released in 1985, it’s the title track.

All my life I’ve been fighting
For the right to make my stand

So what happened? How did we go from fighting and making a stand, to not caring?

Don’t internet users in the U.S care about net neutrality?

Don’t people in Australia care about the power corporations have with the courts and our leaders?

Don’t let anyone tell you
How to live your life

But they do tell us how to live our lives. If you have a credit card, you are being told how to live your life with each monthly repayment. If you have a mortgage, you are being told how to live your life with each monthly repayment. God forbid if you are late. If you have are employed, you are told how to live your live every single day, just so you get that fortnight or monthly pay into your account.

‘Cause it’s our way of life
I’m fighting for freedom
For the golden rule
The right to say what I feel

But we are too scared to say what we feel in case we get ravaged by the social media righteous police.

United Nations

From the self-titled album released in 1987.

We are the new generation
We got the inspiration
We’re feelin’ strong so spread the news
The youth of every nation
Will make this declaration
This is the way of life we choose
Together we will rock
Forever we will roll

We thought hard rock would last forever but it didn’t. All great empires fall, and rock was no different.

And someday we will rise
To take control

1986 was the year metal and rock took control.

We are united nations
Under the flag of rock and roll
We are united nations
United we will stand

If only we remained united, but we didn’t.

King Of The Rock

From the self-titled album released in 1987.

In the arena is the kingdom I call home
This coliseum is my dome, whoa!
I make my own rules, I call the shots
I’m not afraid of you and I’ll fight for what I’ve got

By 1987, we had moved on. The call to arms about the rock and roll show got old.

This concrete battleground is where I’ll make my stand
If you’re with me, raise your hands

We had splintered by now. Metallica went on tour with James Hetfield having a sticker on his guitar that said something like “Kill Bon Jovi”. Mustaine called Queensryche “Yuppie metal”. Any artist that introduced keyboards or had keyboard players got labelled as sell-outs. Any artist that brought in outside writers also got labelled sell-outs. The label marketing machine was in overdrive creating new genres. We had Glam Rock, Pop Metal, and Glam Metal.

We had hard rock, progressive rock, psychedelic rock and pop rock. We had thrash metal and speed metal. We had heavy metal and technical metal and progressive metal. Death metal was becoming a thing. Europe was having their own thing happening with power metal, progressive classical metal, folk metal and the embers of a black metal scene were beginning.

In the states, hard core was a thing and when it became heavy, grindcore became a genre. Punk was just punk, once upon a time. Then it became post punk, punk rock, punk metal and punk pop.

It’s like that scene in “The Warriors” with Cyrus trying to unite the gangs. It didn’t end well.

Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Random Listening 2.0

A few of the people I follow on WordPress had their 2017 lists up and it got me interested to check out the music which made their lists.

So these random listens are from the WordPress site ….THUNDER BAY.

Greta Van Fleet – From The Fires

For the last four months, people have been telling me to check this band out. And when I did, I thought it was Wolfmother, an Aussie band who had a similar 70’s classic rock/metal feel to their music. All I know of them is that they are young. That’s all. How different to before, when we read the interviews in the magazines, saw the advertisements and basically knew how the album was made before we even purchased it or listened to it or dubbed it from a mate.

“Edge Of Darkness” is the song that hooked me. It’s feel and groove, which is a cross between Southern Rock and Led Zep’s style of rock is infectious. “A Change Is Gonna Come” is heavy in Led Zep influences vocally, but musically, I am not sure if people have heard the song “Jealousy” by Frankie Miller. Well it sounds like that crossed with a little bit of Bob Seger.

“Highway Tune” is another one of those songs that sounds familiar, but it’s done in such a way, it sounds unique. “Talk On The Street” could have appeared on a Blue Oyster Cult album. “Black Smoke Rising” is a more dirtier and up-tempo “Dyermaker” from Led Zep.

Anyway, even though the album was released in 2017, the songs above have been added to my 2018 playlist. Let’s see which ones remain until the end of the year.

Headstones – Little Army

The lyrics. Wow. Check out some beauties.

  • “We’ll I’m a red meat eater, liar and cheater”… from “Devils On Fire”.

Take that all you politically correct wannabes.

  • “We’re fundamentally broken, we no longer question ourselves and nobody noticed the quiet is a call for help”… from “Broken”.

Truth in these words, but we deny it, posting the happiest pics onto our social media account, so everyone can see how great our life looks.

  • “You won’t lift your finger to get your s!!t out of this” … from “Little Army”.

Blaming others when something goes wrong and doing nothing to fix the problem.

  • “Driving now with no headlights until the sunlight kills the stars” …. “Sunlight Kills The Stars”.

Sometimes in life you just don’t want to be seen or noticed.

  • “It’s so hard to find the positive again and again, it’s so hard to really listen to your friends when your mind just spins”… from “For Your Consideration”.

Picking yourself up from a hole you are in.

  • “You’re singing the same old song, it’s called “sucking the life outta me”… from “Dead To Me”.

You gotta love relationships.

Cheap Trick – We’re All Alright

“Brand New Name On An Old Tattoo” is an excellent song title and the song is pretty cool as well. “Floating Down” rocks hard for a mid-tempo song, and the vocal line is infectious and “If You Still Want My Love” is a bonus track on the deluxe version that probably no one would hear.

I was never a Cheap Trick fan.

Bands I liked always mentioned them as influences, but when you have limited funds to purchase music, I usually avoided Cheap Trick until the 90’s and I picked up their LP’s up to “Lap Of Luxury” for $2 each.

And youngsters won’t care about this album and the millions who purchased “Lap Of Luxury” because of “The Flame” won’t care either. But there are people who will care!

Europe – Walk The Earth and The Final Countdown 30th Anniversary live

I really enjoyed “The Final Countdown” 30th Anniversary show. Europe nailed it. They started off with the whole “War Of Kings” album and then played the while “The Final Countdown” album. When Joey Tempest screams, “Are you ready London?” the answer is a unanimous cheer.

And for “Walk The Earth”, my thoughts on the album are already on this blog. Europe’s creativity is at an all-time high and I’m loving it.

Stephen Pearcy – Smash

Does anyone care if Stephen Pearcy is running solo, the same way Vince Neil is running solo? Okay bad comparison, because Vince is just playing Motley songs live, while Pearcy is still being creative.

The “Unchained” sounding “Ten Miles Wide” is cool while “Rain” is interesting musically and it has some decent lyrics. “Want Too Much” works but the piece d’resistance is “Passion Infinity”. Everything just fits and works brilliantly together. Finally “Summers End” is another song that surprised me with its epic “Kashmir” feel. Not bad from the Rattster.

Collective Soul – Live

It took me a while to get into this band. It was actually a guitar transcription in Guitar World or Guitar School magazine for the song “Disciplined Breakdown” that got me interested.

After playing it through without hearing it, I enjoyed it so much, I went through a few earlier editions of the mag and found another transcription for the song ”Precious Declaration”.

So I sat down and started playing the riff the way it was transcribed and I’m thinking, man, this sounds like “Walk This Way”. Anyway, the song moves into different sections for the pre chorus and chorus and I was like blown away at the groove. So I went out and purchased. Afterwards, I was hooked.

Moving forward, I sort of forget about the band after “Dosage” was released in 1999. And I never thought of them as a live band however the Thunder Bay blog had the live album in a 2017 list, so I was interested to hear it.

They don’t disappoint and they have the catalogue of songs to keep the live show ticking over. I also dig the change to have “Shine” starting off with the piano and how they jam it out “Lynyrd Skynyrd” style at the end, turning one of their biggest songs into a 7 minute jam epic is worth the price of admission alone.

Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories

Randy Rhoads And The Blizzards

It’s a new year and I’m listening to songs from yesteryear. After overdosing on a Dio playlist I created that covered his Rainbow, Black Sabbath and solo career up to “Lock Up The Wolves”, between Xmas and New Year, I returned to one of my biggest influences, Randy Rhoads and the “Blizzard of Ozz” album. Hell, the project could have been called just that. Randy Rhoads And The Blizzards.

It all started when Ozzy auditioned Randy in LA. Afterwards they jammed for a few days with Dana Strum and Frankie Banali. Then Ozzy went back to England and he met Bob Daisley. Ozzy and Daisley jammed with another guitarist and drummer however Daisley mentioned that they needed better players. Ozzy mentioned Randy Rhoads, however the label wanted a well-known British guitarist, but no one was interested to join because of Ozzy’s reputation. Gary Moore was Ozzy’s first choice and he rejected the offer to audition. Eventually the label relented and Randy was flown over to London. Rhoads and Daisley started writing music and it worked well. Lee Kerslake came towards the end of the writing process.

At that point in time, Ozzy was still married to Thelma Osbourne and Sharon had just taken over as Ozzy’s manager. Don Arden, her father, was the manager of Jet Records. David Arden (Sharon’s brother) was taking care of the managerial side of things during the Blizzard album cycle and Sharon got involved for “Diary of a Madman”.

I Don’t Know

Black Sabbath was just a rock and roll band from Birmingham, England, however fans of the band saw them as seers. Stories abound of fans asking Ozzy, what’s the future of mankind? Or when is the final day? And his answer was always, he doesn’t know. He’s just a rock and roll singer. Daisley was inspired by this story and fleshed out the lyrics.

The “A” pedal point riff in the intro is the first thing people heard and what an introduction riff it is. It is a simply ascending pedal point riff which Randy flourishes with harmonic pinches, artificial harmonics, legato licks and whammy bar dives.

This is Randy Rhoads announcing to the world that there is a new guitar hero in town.

Crazy Train

After getting blown away by “I Don’t Know”, the ear drums were assaulted once again with “Crazy Train.” The F#m demonic intro is a sing along riff and immediately identifiable. You can call this song Ozzy’s biggest hit and according to the chart makers back in the day, it never registered. But not on Spotify and YouTube it’s huge. The new paradigm shows us what is being listened too.

Bob Daisley provided the title while Randy Rhoads had the riff and the chord structure. For the lyrics, Bob Daisley used Ozzy’s vocal melodies and referenced what was happening in 1979/80. The Berlin Wall was still up and the Cold War between the USSR and USA was still going on. It’s pretty crazy when you think of how many millions of people are affected by religion and power hungry leaders from both sides.

And then you have that logically laid out, super melodic and shred happy solo section. What more can be said?

Listen and enjoy and play air guitar.

Goodbye To Romance

It’s a one-two-three knockout punch.

“Goodbye To Romance” was Ozzy’s title and it came from an Everly Brothers song called “Bye Bye Love.”

The lyrics were written by Bob Daisley and the subject matter was Ozzy’s “divorce” from Black Sabbath.

On the “Don’t Blame Me” video, Ozzy mentions he was humming the vocal melody, and Randy heard it and developed the chords around the melody. Ozzy’s revisionist take makes it sound that Bob Daisley was not involved at all in the song writing process, which is obviously not true at all.

It’s the piece d’resistance in guitar playing. The jazz like chords in the verses, the arpeggio chorus riff and that guitar solo. This song connects from the very first note but it is that descending chorus riff that is pure gold.

Listening to the studio version of the song with its many layers and then hearing the way Randy composed his live performance is awe inspiring.


Randy’s acoustic instrumental. Though Rhoads is best known for the heavier side of his guitar playing, his ambition was to devote his time to classical music. “Dee” served as an example of his devotion to classical/flamenco music however it was songs like “Goodbye To Romance”, “Revelation Mother Earth” and “Diary of A Madman” that showcased how powerful classical is in a heavy metal setting.

“Suicide Solution”

Ozzy borrowed the opening line “Wine is fine but whiskeys quicker” from somewhere else and Bob Daisley wrote the rest about Ozzy’s addiction to alcohol. The song ended up in the courts when the parents of an 18 year old kid wanted to blame someone for their son committing suicide. Suddenly, the song when played backwards had subliminal messages on it, which could convince kids to harm themselves.

The whole intro riff is just full of attitude and defiance. If you are familiar with the work that Randy Rhoads did with Quiet Riot, you would have noticed the influence of the QR song “Force of Habit”.

Mr Crowley

Mr. Crowley was Ozzy’s idea to cover the darker occult things in life however Daisley wrote the words.

The “was it polemically sent” part before the outro solo is just goose bumps stuff. I love the way the harmony guitar lines interweave over a classical chord progression. It’s the calm before the storm.

From a lead guitarist point of view, Mr Crowley served as a showcase of the talent that is Randy Rhoads.

No Bone Movies

For a last minute addition to the album, the song rocks hard in a live setting. It’s sleazy and perfect for the era.

Revelation Mother Earth

Daisley wrote the lyrics, taking inspiration from the Book of Revelation.

The finger picked part at the start is breathtaking, the interlude is subdued and relaxing but that outro is breathless.

On the “Tribute” live album, the tempo is increased, further increasing the status of the song to legendary.

Steal Away the Night

That intro is similar to the chorus riff in “Suicide Solution” at a higher tempo. Whereas in “Suicide Solution” it is a climbing motif, in “Steal Away the Night” it is a repeating motif.

There is also another nod to the Quiet Riot song “Breaking Up Is A Heartache” in the riff that comes after the chorus.

Remember that progress is derivative and Randy Rhoads was very good at that technique. Sometimes he would take bits and pieces from a lot of different songs to form one cohesive riff.

You Looking At Me, Looking At You

It’s a B-side and this song doesn’t get the attention it deserves. An argument can be put forward as to why “No Bone Movies” made it on the album and not this song.

The intro is Seventies Arena Melodic Rock. I can understand why the song didn’t get included on the album as it could have been deemed to poppy from the very metal sounding Blizzard album, however the riff is infectious.

Even in the pre chorus Randy Rhoads plays palm muted arpeggios (like Eddie Van Halen) and something that Vito Bratta employed on a constant basis. And that lead break just comes out of nowhere like another song within the same song composition. Again it reminds me of what Vito Bratta would end up doing.

By the way, if anyone is familiar with the work that Randy Rhoads did with Quiet Riot, they would have noticed the rhythm guitar riff coming from a Quiet Riot song called “Kiss of Death”, that was only performed live, and the lead intro part is from the Quiet Riot song called “Trouble.” Also, the same structure can be heard on the song “Breaking Up Is A Heartache” also from Quiet Riot.

This song shows what a band “Blizzard Of Ozz” was. Yes, that band had Randy Rhoads on guitar, Bob Daisley on bass, Lee Kerslake on drums and Ozzy Osbourne on vocals.

Jet Records put a picture of Ozzy on the front cover. This didn’t sit well with Randy Rhoads, Bob Daisley and Lee Kerslake who wanted a picture of the band. As far as they knew, they signed up to be in a band not as backing musicians for a solo artist. But record label politics always get in the way and self-interests of others take advantage of the situation.

You Said it All

The first time I heard this song was on the “Mr. Crowley Live EP.”

Randy had the basic riff and the song was put together musically by Rhoads and Daisley. Drummer Kerslake came up with the vocal melody while Ozzy crashed under the drum riser and Daisley then took the tape of Kerslake’s melody back to the hotel and wrote the lyrics.

These day’s guitarists can do unbelievable and very advanced things on the guitar but none of them have the magic and song sense of Randy Rhoads.

Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Random Listening

Happy new year to everyone. 2018 is here, so let the listening begin.

I started off my working day with Yngwie Malmsteen’s “Trilogy” album. I really dig the songs “You Don’t Remember (I’ll Never Forget)”, “Queen In Love”, “Magic Mirror”, “Fire” and the instrumentals “Crying” and Trilogy”. So many great riffs and leads in those songs. Hell chuck in “Liar” and “Fury”.

Actually does anyone remember the plane incident with Malmsteen where he said to the flight attendant they’ve unleased the fucking fury?

I am sure there is an internet meme out there.

When the U.S record labels went anti shred in the 90’s, the Japanese and South American markets kept his career going. But there is no denying his 80’s output and it’s a shame that a rumoured collaboration with Ronnie James Dio never happened. Actually not sure how true that was as it was in the rumors section of Metal Edge or Hot Metal.

Then I moved to “Trash” from Alice Cooper. It’s been a long time since I heard the full album from start to finish and man I still dig it. I know its commercial sounding and that Desmond Child is producing, but man, its chock full of good songs.

And it’s Alice Fucking Cooper singing. How can it not be good?

The real gems are “Spark In The Dark”, “This Maniac Is In Love With You”, “I’m Your Gun”, “Why Trust You” and “Trash”. They are Alice all the way and when you add the pop metal tunes in “Poison”, “House Of Fire”, “Only My Heart Talkin”, “Bed Of Nails” and “Hell Is Living Without You”, you get to understand why it the album was so popular and moved a lot of units around the world.

Afterwards, “Operation Mindcrime” from Queensryche got a listen. This is a monster concept album. It’s funny how Mustaine once called em “Yuppie metal” and at the same time Metallica put them as openers on their “Justice” U.S trek. Maybe having the same management team in Q Prime helped. But there is no denying the power of the album and the lyrical message.

“Revolution Calling”, “Operation Mindcrime”, “Speak”, “The Mission”, “Spreading The Disease”, “Suite Sister Mary”, The Needle Lies”, “Breaking The Silence”, “I Don’t Believe In Love” and “Eyes Of A Stranger” all have excellent guitar playing and the album gave me a tonne of great ideas and phrases to use as influences in my own song writing.

It was only ten past eleven (just before noon) and I clicked on Spotify’s recommendations. “Flesh and Blood” from Poison was recommended. Even though I listened to the vinyl a lot in the 90’s, I haven’t cranked it on Spotify at all.

It starts off with the pointless “Strange Days of Uncle Jack”, before it goes into “Valley Of Lost Souls”, which to me is one hell of good song and the best on the album. “(Flesh and Blood) Sacrifice” comes next and it’s a one-two knock-out punch. The pointless “Swampjuice” (Soul-O) is up before “Unskinny Bop” starts rolling. I know it was a single and one of their big songs, but I wasn’t really a fan.

“Let It Play” could have been on a John Cougar Mellencamp or Bryan Adams album while “Life Goes On” is a good power ballad and CC plays a tasty intro lead to the song and in the main lead section. “Come Hell or High Water” is another underrated tune in the vein of the Classic Rock of the 70’s that doesn’t get its dues.

“Ride The Wind” is another sleeper, while “Don’t Give Up An Inch” is a bit derivative of “Come Hell or High Water”. “Something To Believe In” copies the “Every Rose Has It’s Thorn” country bluesy vibe, however this time, the piano is the main driver instead of the acoustic guitar.

“Ball And Chain” is unfinished. “Life Loves A Tragedy” is another sleeper song that deserves more attention. “Poor Boy Blues” sounds like a drunken 12 bar blues jam which ended up on the record.

“Blow My Fuse” from Kix was up next. Now this album is a perfect example of the “progress is derivative model”.

It starts off with “Red Lite, Green Lite, TNT” which sounds very familiar like something from “The Rocky Horror Picture Show”. “Get It While It’s Hot” is heavily influenced by “You Shook Me All Night Long” from AC/DC. Actually it’s very heavily, heavily influenced.

“No Ring Around Rosie” is a beefed up “La Grange” from ZZ Top in the verses. “Don’t Close Your Eyes” is taking its cues from “Home Sweet Home” and “Dream On”. “She Dropped Me The Bomb” is again heavily influenced by AC/DC with a touch of The Who.  “Cold Blood” is a very similar to “Long Way To The Top” from AC/DC in the verses.

“Piece Of The Pie” is very heavily influenced by Aerosmith. “Boomerang” is influenced by Led Zeppelin. “Blow My Fuse” is such a good track where the influences are not as obvious as the other tracks. “Dirty Boys” is influenced by “Let There Be Rock” by AC/DC.

Finally, Winger is up, with “Kip Winger” becoming a face on a dartboard when Metallica was recording the “Black” album. All in all, Winger (the band) was a powerful unit of brilliant musicians. If you purchased Winger for earth shattering lyrics, this wasn’t the band. But if you wanted to hear great music and good melodies and arena rock choruses, well you wouldn’t be disappointed.

The groovy “Can’t Get Enough” kicks off the album and it’s followed by “Loosen Up” which probably should have been lost from the album. When “Miles Away” came on, I wasn’t sure if it was Bad English or Def Leppard. It’s one of those slow tempo melodic rock songs. “Easy Come Easy Go” has a cool groove and I dig the horn section in the verses.

The next two songs are two of my favourite songs. “Rainbow In The Rose” is an interesting song, a cross between Toto and Journey. It’s very mature musically. “In The Day We’ll Never See” is another mature song and to be honest it’s a shame that these kinds of songs get lost behind the generic MTV songs that each band recorded.

There are a few misses and then the title track bookends the album, which again is another mature track lost behind the more commercial tunes.

I must say, not a bad day at work.