Seriously you can’t make up the madness that Copyright comes up with these days.
It looks like the music labels will get even more richer. Facebook is making licensing deals with all of them so users are allowed to upload their own videos to copyrighted music.
Of course musicians can earn royalties from the views/plays, but how much of the licensing fee is going back to the musicians, because it’s those works the label used in the negotiations. So far Universal and Sony have made the deal and Warner Music Group is in conversation.
And music creators believe a government bill increasing the royalty rate services that play music need to pay, will increase the payments get back. Umm, it won’t. The record labels and publishers will have more money in their bank account and the creators will still get the payments they always get based on their publishing and label contract.
And seriously how many times are we going to read how the music industry’s revenue declined to about $15 billion in 2015, from the $40 billion it brought in around 1998. First, those figures are about the RECORDING industry, not the music industry. The music industry encompasses income from tours, merchandise, radio royalty payments, licensing and sales of recorded music. Sales of recorded music is just one portion of recorded music. And if the people who are writing the songs are not getting paid, then they should be renegotiating their agreements with the organisations.
And being a music creator doesn’t guarantee you an income.
Then again, suing other artists for creating a song which is similar to another song has become a new income model for businesses who hold the copyrights of songs. And these cases bother me, because it sets a precedent that the person suing has created an original piece of work, in a vacuum, free from influence and other songs that came before it.
Here are two more suits around copying.
Ed Sheeran and Tim McGraw are being sued by Australian songwriters. Seriously, how many suits has Ed Sheeran faced in the last 5 years.
And then you have Boomerang Investments, the copyright holder to songs written by Harry Vanda and George Young suing an American band for their 2011 song, “Warm In The Winter” because it contains a line “love is in the air” with a similar melody. Now I have heard interviews from Vanda and Young back in the day where they state how classical music is a great influence for writing melodies.
The issue with this case is not the copying or the similarities, it is the fact that Air France paid a license fee to use Glass Candy’s song and the subsequent song is now making decent money.
And somehow people own the copyright to white noise. You know that noise you hear when you can’t find a TV channel. Suddenly on YouTube, a video containing “white noise” had a copyright complaint made against it. What’s next, copyright complaints against songs featuring distorted guitars. It’s madness.
And Spotify is still getting sued for licensing issues over songs played on the service. Someone is always aggrieved. Check out the text from the lawsuit.
The lawsuit alleges that Spotify hired Harry Fox Agency (HFA) to obtain the correct licenses, which Wixen calls “ill-equipped to obtain all the necessary mechanical licenses.” Moreover, the complaint alleges, “Spotify knew that HFA did not possess the infrastructure to obtain the required mechanical licenses and Spotify knew it lacked these licenses.”
You see, this is what happens when you create a law that creates a monopoly, which in turn gives rise to corporations who become powerful entities. Wixen is not about helping the creators and paying them the correct monies. They are all about their own pockets. People who have created no value and no art which is popular, living off the hard work of others.