Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

Australian Method Series – Baby Animals

Well, the Australian Summer is over as we move into Autumn. The first day of Autumn was a 33 degree Celsius scorcher and the good folk that is Thunder Bay decided to pack up and leave our shores, taking with em the Australia variant. But the series focusing on Australian artists will not stop. It will continue each week as the Australian Method Series.

The debut Baby Animals album was everywhere in Australia.

Being added to The Angels live show in 1990, when The Angels were the hottest band in Australia, helped build the momentum needed for when the album dropped.

Released in September 1991, the album debuted at number six on the ARIA Album Charts and spent six weeks at number one, eventually going eight times platinum and becoming the highest-selling debut Australian rock album of all time (until the release of Jet’s album, “Get Born” 12 years later).

I saw em live at the Revesby Workers Club on the tour. An up and coming band called Judge Mercy was opening for them, who unfortunately disappeared when the labels started dropping metal and rock acts in a years’ time.

In relation to the live show, the Baby Animals rocked. Drummer Frank Celenza was huge and along with bassist Eddie Parise, they laid a solid foundation for Dave Leslie on guitar and Suze DeMarchi on guitar to shine. Then you had a the bluesy, soulful tones of DeMarchi on vocals.

The album was produced by task master Mike Chapman and engineered by Kevin Shirley, so you know its gonna sound massive.

And my favourite track is “Working For The Enemy”, that whole break down section, lead break and build up is excellent. My second favourite is the metal like “Waste Of Time” with its energetic double kick intro and heavy blues boogie rock riffs.

“One Too Many” is “Rock N Roll Noise Pollution” in spirit and influence, while “Aint Gonna Get” is AC/DC on steroids and highway speed tempos with a Chorus that reminds me of “I Love Rock And Roll”.

And I haven’t even gotten into the singles yet.

How good is the intro to “One Word”?

But DeMarchi didn’t like the song after it was finished and asked the label to keep it off the album. The song went through a transformation, from a country-ish rock feel in the demo (which can be heard on the 25th Anniversary Edition) to the melodic rock beast it became, as Chapman kept asking them to work on it.

Guitarist Dave Leslie is underrated, paying his dues in a Cold Chisel covers band called Swingshift, playing Australian pub rock classics on a nightly basis and he knew what worked with audiences. His chicken finger picked intro to “One Word” is guitar hero worthy.

“Rush You” is the opener as the power chord crashes down and the cymbals ring before it goes into a double time beat and some series riffage and how cool is that “Back in Black” walking chromatic riff just before the verse.

“Early Warning” begins with the drums while a slide guitar plays a rock riff and the music then stops while DeMarchi sings, “Too Young To Know and Too Old To Listen”.

The band kicks in again. Then the verses come and it’s like a Jimi Hendrix song, before it moves into the power of the Chorus.

“Painless” has this funk blues boogie which I like.

If you haven’t heard it, today is a great day for it.

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Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

The Record Vault – Crawlspace

They appeared on a show called “Hey Hey, It’s Saturday”, performing the song “Afraid”.

There is a YouTube clip of it. They are from Western Australia.

This EP/single release is the only release I’m aware of.

“Afraid” is a cool little rock song with a pop influence. I enjoyed it back then and showed my support by purchasing.

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A to Z of Making It, Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

11th May 1992 Australian Hard Rock and Heavy Metal Charts Snapshot

I posted last week about the albums that made up the Top 20 in Australia back in 1992.

Here is the Singles List.

Number 1
Under The Bridge – Red Hot Chilli Peppers

The Hendrix “Little Wing” inspired intro from Frusciante converted a lot of rock heads to the RHCP. Their album was on top and their single was on top.

Number 2
To Be With You – Mr Big

Their worst song by far, but it cashed in on the Unplugged acoustic craze. It worked for Extreme and it worked for Mr Big. But those ballad fans who cross over for the song are fly by nighters.

Number 3
Nothing Else Matters – Metallica

The variety on the self-titled “Black” album is a big reason why it sold. There was enough there to please metal heads, rock heads, thrash heads, country heads and pop heads. And this song is a perfect example of it. Plus it has a killer James Hetfield lead break.

Number 4
Alive – Pearl Jam

I get why it was popular, but I didn’t like it when it came out and after I purchased the album, I preferred a lot of the other tracks to this.

Number 5
Let’s Get Rocked – Def Leppard

So you wanna get rocked…. I guess we still wanted to get rocked.

Number 6
Thought I’d Died And Gone To Heaven – Bryan Adams

This is from the “Waking Up The Neighbours” album that went to number 1 everywhere.

Adams has a lot of fans down under, so it’s no surprise his songs chart well. And what a run he had between 1983 and 1999. And he made some big choices, like moving from Jim Vallance to Mutt Lange and the momentum just kept getting bigger.

Number 7
November Rain – Guns N Roses

You get three emotive Slash solos.

What more could you want?

Number 8
Viva Las Vegas – ZZ Top

It’s a cover song, but at this point in time there was nothing that ZZ Top could do wrong. This is one of the two new tracks, the other being “Gun Love”. Like Adams, they were on a winning plus decade.

Number 9
Dream Alone – Killing Time

An Australian hard rock band, which had a band name, the same as the U.S hardcore band and after this single release they would change it to Mantissa.

They supported bands like Janes Addiction, Baby Animals and Pantera on National tours but they had a constant turnover of musicians which felt like a momentum killer.

Number 10
Sister’s Crazy – Candy Harlots

This band story is a combination of Anvil and Motley Crue.

They had a deal offered in 1987 but their manager refused to sign it, because he wanted a bigger cut and then signed the band to a four year management deal, which suppressed the band from signing the record deal themselves. No other label wanted to get involved in this legal mess. They finally did sign a deal in 1991.

They had a massive Club following like Motley Crue. There was tragedy when one of their main songwriters Ron Barrett died before they even got their deal. In the 90’s, Barrett’s death was reported as a drug overdose, while these days, its reported as an asthma attack. And the evolving door of musicians just kept on happening, with drummer Tony Cardinal being the only founding musician in the band when they got their deal.

And as soon as they released their “Five Wicked Ways” album in 1992, within a year it was over.

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Music, My Stories

New Tattoo Tour, Australia, 2000

The tour that wasn’t.

The Crue had no press in Australia at the time. It’s like they didn’t even exist. Acts like Limp Bizkit, Matchbox 20, Blink 182 and Pearl Jam ruled. The only 80s act that could still draw big crowds was Bon Jovi and “Its My Life” was a massive comeback song and it proved to be a stayer on the charts.

So it was a bizarre feeling when I saw this advertisement on September 7, 2000 for Motley Crue shows in two months time.

Small time windows like this; from when tickets go on sale, to when the shows are meant to be on, just don’t happen in Australia. There is at least, as a minimum 6 months to a year notice.

And Australia wasn’t getting a lot of live acts at this point in time, especially hard rock acts who weren’t selling a lot because our AUD dollar was low compared to the USD, so to bring the acts out and pay them their US fee, meant the prices here would be extraordinarily high.

Plus it was a risk for the promoter, because an acts draw was always based on record sales. And hard rock acts just weren’t selling like they used to.

Anyway who was I to argue.

The mighty Crue we’re coming to town.

Yeah it’s not the Crue that I knew growing up as Tommy Lee was missing and his replacement Randy Castillo was undergoing cancer treatment, so Samantha Maloney was behind the kit.

But it was still the Crue.

The bad boys (now mid 30s men) we’re coming to town and playing the same arenas like it was 1989.

But “New Tattoo” didn’t set any charts alight when it came out in Australia. It was no “Dr Feelgood”, so this tour would need to rely more on the hardcore audience to buy tickets for nostalgic purposes rather than any new fans because of the “Generation Swine” and “New Tattoo” albums.

So I purchased tickets for myself, my wife and a few friends, as the gig on November 23 fell on my birthday. I thought man, it they make it and they don’t kill each other before hand, as the airport incident between Tommy and Vince was still fresh in my mind, then it would be a great birthday present.

Then on October 27, almost a month after tickets went on sale, the Crue cancelled their Australian tour which for a band as big as Crue was, it was only going to be their second ever tour of Australia. There first one being the “Dr Feelgood” tour.

The press release said it was because of “personal circumstances beyond the bands control” but Sixx filled in the blanks later when he said it was due to low ticket sales.

No shit.

But I didn’t think they would cancel because of low tickets. Like come on, it was still the Crue. Surely they still had enough fans to sell out. I guess in 2000 they didn’t care enough.

Redemption came in December, 2005 when they came to town and sold out a bigger arena than they had scheduled to play in 2000.

5 years. Things change a lot.

It goes to show what a game changer Napster, file sharing and “The Dirt” book were for Motley Crue.

Having their music easily available around the world because of file sharing, increased their fan base exponentially, which led to ticket sales and “The Dirt” book sealed the deal.

It gave them a golden run of another 12 plus years and if COVID-19 doesn’t kill it, they have their comeback tour planned on the backs of “The Dirt” movie. Funny how “The Dirt” was pivotal in two comebacks.

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My Stories

Fires

Since September, 2019, the land has been burning.

The photo below shows the fires burning along the East Coast at a macro level as of this morning, 5 January, 2020.

When you zoom in, you will see Wollongong, one of Australia’s steel city is still okay. That’s home for me.

The Red means it’s out of control, the blue means wait for advice, the yellow means watch and act and the white means it’s not applicable anymore.

At the places that have burned, I have holidayed there. Just recently, I spent New Years Eve 2018 in Bateman’s Bay. The area is still without power and people are in evacuation centers.

I have friends who lost property in Talbingo.

And if you read any publication from “The Murdoch Family” it’s like the fires have never happened. Rupert and his editors are no different than any extremist terrorist organisation. The news outlets Murdoch controls spread lies for their financial gain. While the whole world reported about the fires in Australia, Murdoch’s newspaper in Australia didn’t think it was a big problem. Check out this Guardian article.

And our Prime Minister has shown how incompetent and unfit he is to lead this country.

But hey, he’s supported by Murdoch’s stooges at the news outlets and he can do nothing wrong. If people yell at him for his lack of leadership, the Murdoch newspaper reports he was assaulted.

If people refuse to shake the PM’s hand, the Murdoch newspaper reported he was disrespected by feral people. Those same people voted in his government and now when they question him, they are not people in his eyes that deserve an answer.

And to sum up our PM’s incompetence;

He has no real heartfelt connection with the people and he doesn’t know how to connect and communicate with his people.

For the election campaign last year, he spoke to the Australian people about their budgets and what the opposition party would do to those budgets if they won, so they voted him in when all the Polls said he had no chance. When our wallets are affected, we take notice and speaking at a macro level he’s okay with that.

But when a volunteer tells you he hasn’t eaten all day, instead of sitting down and having a meal with him at a micro level and talking about nothing, he walks away, leaves the volunteer to get on with it.

I guess all of the people on the street are ferals, Mr Prime Minister.

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Copyright, My Stories, Piracy, Stupidity

Graham Burke – A Puppet To The MPAA

In Australia, Channel 10 (one of our free to air channels) is bleeding money and it needs an investor to pay off its debt, otherwise it will cease to operate.

The first problem with channel 10 is that it doesn’t have a large sporting code on its books like Channel 9 and 7.

The second problem is it shows its news at 5pm. Seriously who is home by 5pm to watch. Most people are still at work and don’t get home by 6pm at the earliest. And if some people do finish earlier and they have kids, there is a very high chance they are with their kids at some sport and get home after 6pm. Even singles and couples will be doing something at 5pm.

The third problem is the majority of people don’t really care about its hit show “The Project” but the station believes people do as it’s got no idea how to really track its reach. Data is king these days and Channel 10 has none of its own.

The fourth problem is its own content. You cannot operate a business without your own content as it’s drawcard. Ask Netflix or even HBO.

The last problem and one that all free to air stations have is they all operate under old business models that used to work before.

There are many other problems and according to Village Roadshow boss Graham Burke, a puppet to the MPAA lobby group, piracy is the reason why Channel 10 is going under.

But wait, it gets better.

Burke links the piracy of movies his organization was responsible for back to Channel 10.

So let me get this straight. Movies that leaked on the internet many years before the movies got licensed to Channel 10 is the reason why the station is losing money.

Seriously what the….

Burke believes that an audience exists many years later for movies to be seen on free to air TV with ads.

Umm, no it doesn’t exist.

Did it ever occur to Burke that people have already seen these movies legally or maybe own a copy of the DVD or BluRay?

And Burke is meant to lead the movie business into the new age. By denying the new age exists and trying to get back the old age.

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My Stories

Broadband Incompetence In Australia

I have never had an issue with the internet providers or the service of the internet. This even goes back to the days of dial-up. But I have never come across the bureaucratic red tape incompetence and laziness the way I have right now with the NBN rollout in Australia.

It all started back in May.

Westnet (otherwise known as iiNet) came out to install the NBN box in my house on 8 May 2017. The technician took a reading at the NBN box outside the house and said the reading was too high and that remediation works need to happen from NBNco. So a “Network Shortfall” fault was raised and I was told by Westnet that on June 19, 2017, the outstanding works would be completed by NBNCo.

On May 18 2017, Westnet disconnected my phone number and my ADSL internet. When I called on May 19 2017 to find out what is going on, I was told the NBN Porting department within Westnet stuffed up and that they ignored the remediation works notice on my account and still moved me over to NBN. I asked for my ADSL and phone number to be reinstated ASAP. I was told that cannot happen and that I need to wait to June 19 for NBN works to be carried out and then I will have NBN.

I asked to speak to a Westnet Manager. She called me back and told me the same. I was not offered any solutions as to how I can have ongoing internet while the NBN remediation works took place. With no option to have internet I went shopping around.

In the meantime, I purchased a Wireless device from Telstra for $100 that can have 5 devices connect to it and put a 25GB pre paid plan on it for $90. So already I am out-of-pocket for $190.

On 19 May 2017, I called Dodo for an NBN order. On 20 May 2017, I was told my NBN Order has been placed on hold and they will call me back with an update. After no updates or call back within 2 weeks I followed it up. On 2 June 2017, I called to check on my progress and I was told that NBNco have advised Dodo that the planned remediation date for my service is 6 June 2017.

I called Dodo on 6 June (after 5pm) as no NBN technician came out. I was told there is nothing on my account and Dodo is waiting for NBN to update the notes. They will call me back once that happened. No call back has been received.

On 14 June, I have called three times to check with Dodo the status of my NBN order. Every time I put in my phone number linked to my account, I get a message that states, this department is shut and to call back the next business day. But I am calling at 10am. When does their business day start?

All of the above could have been avoided if NBNco carried out works with a duty of care that all other professions need to abide by. NBNco is responsible for me being out-of-pocket $370 so far with the super expensive 4G Telstra pre-paid service. Basically every 10 days I need to recharge another $90. The negligence of NBNco is costing me money and putting my life and the life of my family back in the dark ages.

I finally got a chance to speak to someone from Dodo and cancelled the order with them. Now I am trying to get it going through Optus. Let’s see how that goes.

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Copyright, Music, My Stories, Piracy, Stupidity, Treating Fans Like Shit

Recording Industry Dumb and Dumber – The Sequel

So the Recording Industry in Australia is welcoming new anti-piracy legislation. High fives all around for site blocking laws. Add to those Recording Industry high fives, Movie industry high fives and any other legacy content owner.

The question I have is this;

  • With site blocking now becoming law, what does the Recording Industry believe would happen to their businesses profits?
  • Would people suddenly return to buying CD’s?
  • Would people suddenly buy an expensive Foxtel subscription to watch ten episodes of “Game of Thrones”?
  • Would people who normally don’t go to the movies, suddenly start going to the movies?
  • Would people suddenly go out and buy books, or e-books?

Site blocking laws are designed to stop people from accessing websites that film, TV and music companies say are hosting their content without permission. Surely, our government officials would have looked at the U.K before deciding if site-blocking was the right way forward.

In the UK, The Pirate Bay has been blocked since 2012 however people have found ways to get around that block. Even though site blocking laws exist in the U.K, sales of music are still declining. However, if the industry puts more emphasis into their streaming business, then some different results could appear. Lucky for the U.K, they have a lot of popular artists right now and these artists are really pushing the streaming side of their music.

So in return the U.K have more people streaming more music than ever before. By 2019, streaming is expected to account for 49 per cent of music revenue in the U.K, compared to 22 per cent in 2014.

Digital music downloading (both legal and illegal) is a thing of the past. It’s history. Why would we want to pay for an mp3, when the history of music is at our fingertips with streaming and we, the fans, like it.

It’s easy and uncomplicated.

So since streaming is king, can someone tell me why we need the Entertainment Industries going to the courts to block websites based on their own evidence?

I think the catch-cry put out by the government is “the laws will protect the viability and success of creative industries while restricting the profitability of sites that facilitate piracy.”

Yep, Mr Government, as long as you and your financiers know what that means, it’s okay, we believe the shit you say.

I would be interested to see the model they used to show how the laws would protect the creative industries especially since Australia is a huge market for DVD and Blu-ray sales.

How can the entertainment industries explain the HUGE profits they get from DVD/Blu-ray sales in Australia?

Let’s use Game Of Thrones.

The TV show is hidden behind an expensive Pay-tv paywall in Australia. The actual subscriber numbers for that Pay-tv provider are lower than the sale numbers of the DVD/Blu-ray season releases.

Where did all of these extra fans come from?

The content owners need to be talking about lowering their licensing fees so that the monthly streaming plans are cheaper and that all content is available in the one place.

I have a Netflix subscription and a Spotify subscription.

The content industries should be pushing more people to these services. In return, the money pie will get bigger. It’s simply economics. These industries cannot pretend anymore that the old business models are coming back.

Let’s use Game of Thrones for another example.

If HBO wants to stamp out piracy, ensure that the show is available to everyone globally from the one HBO source.

Not from a reseller.

HBO makes, it, so they should sell it, to the people who want to watch it, when they want to watch it. I cannot for the life of me understand why people need to pay another company who paid HBO a fee to re-broadcast it. It’s a business model that is doomed.

Why do you think Netflix started to make their own TV shows?

Hell, why do you think HBO started their own TV shows? Remember, HBO was once a Home Box Office re-broadcaster.

Because re-broadcasting is not a viable business models. Same deal for music streaming services.

Expect Spotify to start to sign bands and really shake up the streaming world.

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Copyright, Music, My Stories, Piracy

P.S.T (Piracy, Streaming and Touring)

All the talk in the media from the old gatekeepers is that piracy is bad for the artists or that Spotify’s free music-tier is bad for artists.

So can someone tell me how Motley Crue is playing in Abu Dhabi?

If we lived in the world of the old gatekeepers, the record labels would be in control and Motley Crue would have sold hundreds of thousands of albums (on a consistent basis) in the UAE before it was even considered to tour there.

However, in the internet age, it is a much different world.

Motley Crue suddenly has an audience in the UAE.

Is this audience courtesy of piracy or legit sales or legit streams?

There is a strong indication that Motley Crue’s UAE audience is due to piracy.

Do you know the Middle East is a huge region when it comes to illegal P2P downloading?

The following statement found in the book “Introduction to Private Security” by John Dempsey sums it up perfectly;

In Europe, Middle East, and Australia, P2P traffic consumes anywhere between 49 percent and 89 percent of all Internet traffic in the day. At night, it can spike up to an astonishing 95 percent.

You can do some further reading on countries where P2P piracy is very high at the following link.

Even though it is from 2011, the data tells us a few things.

Eastern/Central Europe, South America, Asia, Australia and the Middle East have high rates of P2P piracy as regions.

When you break it up to countries, China, Colombia, India, Russia, Malaysia, Turkey, Taiwan, Brazil, Saudi Arabia and Italy lead the way.

So let’s look at some of the recent tours bands have undertaken.

Metallica in 2011 did the “2011 Vacation Tour” that focused on Europe, South America, Asia and for the first time ever, they took in India.

In 2012, Metallica undertook the “European Black Album Tour” that focused solely on Europe.

In 2013, Metallica undertook the “Summer Tour 2013” which took in again Asia, Europe, South America along with North America.

In 2014, Metallica did the “Metallica by Request” tour which again took in Europe and South America.

Is it coincidence or shrewd planning that Metallica has taken in those markets. Hell, India is known as a nation of P2P downloaders, however it hasn’t stopped Metallica or Iron Maiden touring there.

Iron Maiden’s “The Final Frontier” tour (2010/11)  took in Eastern Europe, along with Singapore, Indonesia, Australia, South Korea, Japan, Mexico, Colombia, Peru, Brazil, Argentina, Chile and Puerto Rico.

The “Maiden England World Tour” (2013), took in Mexico, Brazil, Argentina, Paraguay, Chile and Eastern Europe again.

The “Somewhere Back In Time” tour  (2008/09) took in (apart from the North American and European markets) India, Australia, Japan, Mexico, Costa Rica, Colombia, Brazil, Argentina, Chile and Puerto Rico. Then on the second leg it took in Dubai (UAE), New Zealand, India (again), Mexico (again), Costa Rica (again), Venezuela, Colombia (again), Ecuador, Brazil (again), Chile (again), Peru, Argentina (again).

The Bon Jovi “Because We Can” tour from 2013 took in Brazil, Chile, Argentina, South Africa, Mexico, Japan, Australia, China, Malaysia, Singapore, China (again), Abu Dhabi (UAE) and Israel.

This was on top of the normal European and North American markets.

The “Bon Jovi Live” tour set to kick off in September 2015, takes in China, Malaysia, Singapore, Macau, Abu Dhabi (UAE) and Israel.

Five Finger Death Punch haven’t been around as long as Metallica, Iron Maiden or Bon Jovi, however it still hasn’t stopped them from hitting Japan, Singapore, Australia and New Zealand on their recent “Wrong Side Of Heaven” tour.

Avenged Sevenfold’s “Far and Middle East Tour” from 2012, took in Japan, Taiwan, Thailand, Singapore, Philippines, Malaysia and UAE.

Their “Hail To The King” from 2014 took in Brazil, Australia, Mexico, Chile and Argentina on top of the normal European and North American markets.

Their “Asian Tour 2015” will cover China, Taiwan, Thailand, Singapore, Malaysia, South Korea, Indonesia and Hong Kong.

Again the question must be asked, is it coincidence or shrewd planning. Streaming services can tell the bands which countries or even cities are streaming their songs and at what rates. Other firms out there like Music Metrics can tell bands, which countries or even cities are illegally downloading their music.

All of this data, once in the hands of a person that knows what to do with it, is a marketers dream.

Articles always point out that “pirates” are the biggest spenders and after seeing large bands hit markets with high piracy rates and still sell out shows, I would agree with that assertion.

Piracy, Streaming and Touring go hand in hand.

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A to Z of Making It, Music, My Stories, Piracy, Stupidity

The Costs Of Entertainment Today

Last Tuesday, January 13, I took the family to watch Australia’s game vs Oman at the Asian Cup. To do anything family related is a hit on the budget.

The tickets cost me in total  $171.50 which is broken down by $98 ($49 per adult) and $73.50 ($24.50 for a child).

Apparel at the game cost me $140 for 2 kids T Shirts and 1 female T-shirt.

The parking at the venue cost me $25.00.

Mt Franklin Water cost me $33.60 for 7 bottles at $4.80 each.

Coke Zero cost me $5.60 for a can.

Hot Chips cost me $30 for 5 little round boxes sold at $6 each.

A Chicko Roll costed $5.50.

A Stadium Hot Dog costed $6.20.

A pack of Kettle Chips costed $6.00.

A pack of Honey Soy Chips costed $5.50.

All up the whole day with the tickets came up to about $430.

10 days prior on January 3rd, I also took the family to watch a local A-League football game between Sydney FC and Newcastle Jets. Tickets for that event cost me $61.33 for the family. Parking was at zero cost (on the street with a 20 minute walk) and food/drink costs me $50 in total.

So in total I have spent about $540 on football/soccer related events for the month of January so far. To add to that expense, when I purchased the tickets for Australia’s group match against Oman, I also purchased tickets for the Semi Final and the Final. So those events are coming up on the horizon and thanks to some dumb and arrogant decisions from coach Ange Postecoglou, Australia didn’t finish top of their group, so instead of “hopefully” watching a semi final match with Australia playing, they now end up on the other side of the draw and play at different stadiums.

January is also the month when we gear up for the start of school, plus the registrations for all the winter sports (and gear purchases). So from a family point of view, the costs are adding up, plus we are coming off the Christmas craziness of credit card debt that we still need to contend with.

However, the recording industry and entitled artists are so out of touch that they don’t understand that society in general feels a lot of pain when it comes to money.

We also have a lot of other outlets when it comes to entertainment and events. The more that the recording industry bitches about piracy and lobbies so that ISP’s send copyright notices and track our online behaviour, the more the fans of music just give their money elsewhere.

Normally this time each year, I am purchasing tickets to Soundwave Side shows. That has been the norm every year for the last 5 years. I don’t go to a festival because I see it as a waste of time and a real uncomfortable experience to watch only a few bands that I might like.

However, this year, I don’t really like any of the bands that much to go and watch them. So that money that I used for the music industry is instead going to football.

One last thing about all of the arguments about free music and competing with free.

Water is a natural product and it ends up coming out of our sinks for next to no cost at all. However, the water companies like Mt Franklin have found a way to make us pay a premium for bottled water.

One day an artists with a progressive thinking record label will find their own unique way to make the same happen for music.

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