Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

Australian Method Series – Baby Animals

Well, the Australian Summer is over as we move into Autumn. The first day of Autumn was a 33 degree Celsius scorcher and the good folk that is Thunder Bay decided to pack up and leave our shores, taking with em the Australia variant. But the series focusing on Australian artists will not stop. It will continue each week as the Australian Method Series.

The debut Baby Animals album was everywhere in Australia.

Being added to The Angels live show in 1990, when The Angels were the hottest band in Australia, helped build the momentum needed for when the album dropped.

Released in September 1991, the album debuted at number six on the ARIA Album Charts and spent six weeks at number one, eventually going eight times platinum and becoming the highest-selling debut Australian rock album of all time (until the release of Jet’s album, “Get Born” 12 years later).

I saw em live at the Revesby Workers Club on the tour. An up and coming band called Judge Mercy was opening for them, who unfortunately disappeared when the labels started dropping metal and rock acts in a years’ time.

In relation to the live show, the Baby Animals rocked. Drummer Frank Celenza was huge and along with bassist Eddie Parise, they laid a solid foundation for Dave Leslie on guitar and Suze DeMarchi on guitar to shine. Then you had a the bluesy, soulful tones of DeMarchi on vocals.

The album was produced by task master Mike Chapman and engineered by Kevin Shirley, so you know its gonna sound massive.

And my favourite track is “Working For The Enemy”, that whole break down section, lead break and build up is excellent. My second favourite is the metal like “Waste Of Time” with its energetic double kick intro and heavy blues boogie rock riffs.

“One Too Many” is “Rock N Roll Noise Pollution” in spirit and influence, while “Aint Gonna Get” is AC/DC on steroids and highway speed tempos with a Chorus that reminds me of “I Love Rock And Roll”.

And I haven’t even gotten into the singles yet.

How good is the intro to “One Word”?

But DeMarchi didn’t like the song after it was finished and asked the label to keep it off the album. The song went through a transformation, from a country-ish rock feel in the demo (which can be heard on the 25th Anniversary Edition) to the melodic rock beast it became, as Chapman kept asking them to work on it.

Guitarist Dave Leslie is underrated, paying his dues in a Cold Chisel covers band called Swingshift, playing Australian pub rock classics on a nightly basis and he knew what worked with audiences. His chicken finger picked intro to “One Word” is guitar hero worthy.

“Rush You” is the opener as the power chord crashes down and the cymbals ring before it goes into a double time beat and some series riffage and how cool is that “Back in Black” walking chromatic riff just before the verse.

“Early Warning” begins with the drums while a slide guitar plays a rock riff and the music then stops while DeMarchi sings, “Too Young To Know and Too Old To Listen”.

The band kicks in again. Then the verses come and it’s like a Jimi Hendrix song, before it moves into the power of the Chorus.

“Painless” has this funk blues boogie which I like.

If you haven’t heard it, today is a great day for it.

Standard