Sepultura means grave in Portuguese. It all came to Max Cavalera when he was translating the lyrics from the song “Dancing On Your Grave” by Motorhead. It doesn’t matter where you look, Lemmy’s influence is everywhere.
I met the brothers, Max and Igor Cavalera at a Utopia Record Store Signing in Sydney. My cousin Mega is a huge fan. Mega turned up with his bashed in snare skin which the guys gladly signed and Mega also gave me a poster which they signed for me and I then gave the poster back to Mega.
Sepultura built up to this moment with their three previous releases in “Beneath The Remains” released in 1989, “Arise” released in 1991 and “Chaos A.D” released in 1993.
“Roots” is their sixth studio album released at the start of 1996. It’s also their biggest. The line-up is the classic line up as I know it. Max Cavalera is on lead vocals and he plays a 4 and 6-string guitar. Andreas Kisser is on lead guitar. Paulo Jr. is on bass guitar and Igor Cavalera is on drums and all things percussion related.
Produced by Ross Robinson, so don’t expect to hear any guitar leads as Robinson has openly stated how much he hates guitar leads.
Roots Bloody Roots
The groove metal riff is so much fun to play. There is this dissonance section in the middle which is chaotic and unsettling before the groove riff kicks in.
It carries the message to believe in yourself, be proud of your heritage and be proud of where you come from.
There is a syncopated riff in the intro which is cool. The rest is run of the mill, Pantera like groove riffs.
The lyrics to “Attitude” were co-written by Dana Wells, Max Cavalera’s stepson, whose death (in part) led to the events which caused Max to leave the band.
“Cut Throat” is about Epic Records who gave the band no love during their previous album “Chaos A.D.” The last words in the song are “Enslavement, Pathetic, Ignorant, Corporations”.
It features David Silveria on drums and Carlinhos Brown on vocals, percussion and a lot of other unique native Brazilian instruments.
The song is a celebration of life in Brazil’s favela slums, which tells the stories of people like Coffin Joe and Lampiao, the leader of an early 1900s outlaw gang from north Brazil, whose head was put on public display after he was captured.
Written by Andreas Kisser and Max Cavalera, it starts off with a military like snare which morphs into a Tool like breakdown before Tool was known to do these kind of breakdowns.
I have no idea what Max is singing, but I don’t really care as the music gets me interested to pick up the guitar.
There is no way you can’t listen to the start and say that doesn’t sound like Tool on the “Aenima” album, which came after.
I also hear a lot of the Nu-Metal like riffs from acts like Slipknot, Spineshank and Mudvayne on this album. Then again Korn was doing something similar as well.
The riff has a hard rock like swagger, something that bands like Buckcherry and Orgy would do in a few years’ time.
It features guest appearances by Korn vocalist Jonathan Davis, then-Korn drummer David Silveria, House of Pain/Limp Bizkit turntablist DJ Lethal, and Faith No More/Mr. Bungle vocalist Mike Patton. The track alone could appear on a Korn or Mr Bungle album. It’s chaotic.
Written solely by Andreas Kisser, it’s more of that Korn and Deftones vibe.
It’s got this industrial like vibe. Like all the songs, I have no idea what Max is singing.
It features an Xavante Tribe chant which also appears on the song “Itsari”.
An instrumental by Andreas Kisser which feels like a tribute to someone.
An instrumental with the Xavante Tribe chants and an acoustic guitar riff that reminds me of Led Zeppelin’s “III” album.
I like the intro on this. It reminds me of stuff that Machine Head would do. It’s “a tribute to murdered South American rain-forest activist Chico Mendes”.
It addresses environmental destruction. Musically it is brutal.
It’s about the 1964 Brazilian coup d’état. It’s fast, punk like and angry.
I would say that “People = Shit” from Slipknot is similar.
A hidden track on the album. It’s a 14 minute native drum instrumental.
The album was massive in Australia, reaching number 3 on our ARIA charts and a Gold certification to go. In Austria it reached number and a Gold certification. Gold certifications followed in Canada, France, Netherlands, the U.K and the U.S.
On top of that it charted in the Top 10 in Belgium, Finland, Germany, New Zealand, Norway and Sweden.
The small subtle change from fast speed metal to groove nu-metal worked. It is the bands biggest album and the last studio album to feature founding member, main songwriter and vocalist/rhythm guitarist Max Cavalera. The offers rolled in for Max to do something on his own. Soulfly would be the answer.