A to Z of Making It, Music, My Stories, Unsung Heroes

Score Card Inc V2.0

Bon Jovi/Richie Sambora
“Aftermath of the Lowdown” is way better than any Bon Jovi music released from 2007 onwards. It’s deep and personal and there was no way that Jon Bon Jovi would have put his vocals to those songs, so they ended up being Richie Sambora songs. But it did nothing commercially and Sambora is from the cloth of sales and charts. So he went back to the comfort zone of Bon Jovi, but he wasn’t feeling it, so he went solo again,which has morphed into a duo called RSO.

Meanwhile, Bon Jovi continued on as business as usual, making huge profits at the box office. However, all was not well with the label and “Burning Bridges” was meant to be the goodbye letter, but money talks. And Jovi is back in league with the label they hated and a new album called “This House Is Not For Sale” is out. Suddenly the press is going gaga over its number 1 charting and since the legacy labels still control the news cycle. But the album is a flop. It’s second week was a disaster and nothing has been mentioned about its third or fourth week. But, the ones that control news cycle are doing their best to rewrite history, seizing on a few words that Jovi said “down playing Richie’s role in the song writing”. Suddenly, Richie wasn’t involved as much.

The truth is they are better together than apart.

But then again, all of the good bands had a high creative span of about 10 years before they split or went on hiatus. The Beatles, The Eagles, Rolling Stones, Led Zeppelin, Black Sabbath, Deep Purple, Kiss and Aerosmith all had close to 10 years of mega creativity in the 70’s.

Metallica, Motley Crue, Bon Jovi, Aerosmith (again), Slayer, Megadeth, Skid Row, Van Halen and many others had a good run from 1980 to 1992.

But the MTV era gave bands a longer shelf life and what we have in the modern age is sub-standard music.

But past success is no guarantee of future success. Our lives and society in general is more fluid, especially when it comes to new music. And Jovi is selling c grade re-writes of past hit songs, and using his brand to do it. There are just not enough new things there to convince people to listen and there’s not enough new things there to convince people who weren’t paying attention before to pay attention now. And Jovi along with Universal are hoping that people pay attention to the marketing and not to what’s inside the album. And the media is out of touch with consumers and the people in general. In all democratic countries, the media is consistently getting it wrong. Hell, they couldn’t even get Brexit and Trump correct because they fail to understand that success or failure is in the hands of the people and not the celebrities. And why haven’t all of the celebrities left UK or the US when Brexit and Trump happened.

What Jovi needed was a hit single. Instead we got 17 songs (that is if you got the deluxe edition) requiring too much of our time. Only diehard super fans will have the time, however, even those fans will have competing priorities these days. U2 is in the same boat and let’s not talk about the mess that was Aerosmith’s last album.

Because bands shouldn’t forget, that their newest release is competing with the history of recorded music and their old hits. I can easily switch from Metallica to Led Zeppelin to Dream Theater to Motley Crue to Ratt to Kiss to Machine Head to Dokken, etc.

Europe
Europe broke through to the mainstream about the same time Bon Jovi did in 1986 and that is where the similarity ends. While Jovi had commercially successful albums in “New Jersey” and “Keep The Faith”, Europe had modest success with “Out of This World” and “Prisoners of Paradise”. Europe then went on hiatus and lost their record deal with Epic in the process, while Jovi went on to more albums and eventually a comeback hit with “It’s My Life”.

But when Europe got their act together in 2003 and got control over their music catalogue, a funny thing happened. They started to make more money then what they did at the peak of their commercial success.

And Europe in 2016, is a better creative entity than Bon Jovi is.

Since 2003, the band has released five albums. The very modern and down tuned “Start from the Dark” album came out in 2004. Then in 2006, the very modern and melodic “Secret Society” album came out. The very modern but retro sounding “Last Look At Eden” album came out in 2009, followed by their jam record in “Bag Of Bones” in 2012. Then in 2015, their classic rock album “War Of Kings” came out.

And suddenly, Europe is getting traction again in the U.S and Australia, but this time it’s on their own terms and their own control. By doing what they do best. Be musicians first and create. They didn’t try and be tech entrepreneur, football club owners, gadget makers and so forth.

Digital Summer
One of the best DIY bands out there. In 2013, they were riding the wave of their fan funded “Breaking Point” album, released in 2012. 2013 also gave us “After Hours: Unplugged & Rewired”, which was followed by a stand-alone single called “50 Shades” in 2015. In between keeping a band going, the guys still hold down full time jobs.

Meanwhile, a new hashtag #DSAquarius has been doing the rounds on their Facebook page while new family additions in the DS world has led to a halt of the songwriting process for the follow up album. That’s how DIY Indie bands roll.

Don Dokken/George Lynch/Jeff Pilson/Mick Brown
In 2013 there was talk of a Dokken reunion but it never happened. Then finally in 2016 it happened and they all got paid well.

Since 2013, George Lynch has been the most creative of the four even though Don Dokken keeps on telling everyone that these projects didn’t do well commercially. Surely an artist should create because of a need to create, not because of a need to make millions.
• 2013 – Lynch Mob – Unplugged: Live from Sugarhill Studios
• 2014 – Lynch Mob – Sun Red Sun
• 2014 – KXM (featuring Doug Pinnick from King’s X and Ray Luzier from Korn)
• 2015 – Lynch Mob – Rebel
• 2015 – George Lynch – Shadow Train
• 2015 – Sweet & Lynch – Only to Rise
And Lynch has new releases coming out for Project N Fidelikah, Lynch Mob and KXM in 2016 and 2017 and it looks like Sweet and Lynch will have another album coming out as well.

Dokken on the other hand, released Broken Bones in 2012 and a rumoured project with Michael Schenker is still being talked about. Meanwhile, Jeff Pilson and Mick Brown have become touring go to guys for Foreigner and Ted Nugent.

Black Veil Brides
So in January 2013, the Black Veil Brides told us “The Story Of The Wild Ones”, their concept rock opera about standing up against the army of F.E.A.R., which was also adapted into a film called “Legion of the Black”. The lead single, “In the End” became a streaming behemoth for the band with 32,301,515 streams and still counting.

Then in October 2014, they released their self-titled album, otherwise known as “Black Veil Brides IV” with Bob Rock as the producer. It gave birth to a favourite of mine in “Goodbye Agony” and on Spotify it has racked up 7,105,442 streams. Sonically it’s one of their best recordings. Since then Andy Biersack issued a solo release and we wait for new music from BVB. Like a lot of other bands in music, having new music out on a yearly basis is the new thing, like how it was in the seventies and eighties.

Zakk Wylde/Black Label Society
In 2013, Zakk dropped “Unblackened” a live acoustic album, which was forgettable, but no one can forget “Angel Of Mercy” (currently it has over 1.5 million streams) and that unbelievable lead section from Zakk.

“Angel Of Mercy” appeared on the “Catacombs of the Black Vatican” album released in 2014. Then in 2016, we got another acoustic album in “Book Of Shadows II”, but what we want is another groove metal Black Label Society album.

Dynazty
Matt Heafy from Trivium tweeted once that he has found his new favourite band. And I don’t disagree with him at all. Sweden has a healthy hard rock and metal scene and Dynazty is another to add to that list. Hailing from Stockholm, Sweden, the band was formed in 2007 and it wasn’t until 2008 that they found a lead singer. Fast forward 8 years later and I am hearing the band for the first time in 2016.

And they sum up what it means to be involved in the music business. You exist today completely off the radar screen. And eventually, people will notice. But it takes time.

It makes me want to scream “Fire, Flames, Fury”.

Black Stone Cherry
It’s the era of the bands with Black in their band name. Black Sabbath, Black Veil Brides, Black Label Society and Black Stone Cherry just to name a few. Vocalist Chris Robertson on the earlier recordings sounded better than Chris Cornell ever did. In 2013, the band was recording “Magic Mountain” and it came out in 2014. While 2016 gave us the “Kentucky” album (the band’s 5th album) and the ten year anniversary of their debut album.

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A to Z of Making It, Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

Digital Summer Compendium

Digital Summer

Who?

It’s criminal that a lot more people don’t know of them however there is a certain part of the U.S that does. And that seems to be growing a little bit at a time. The original three from 2006 are Kyle Winterstein on vocals, Ian Winterstein on guitar and Anthony Hernandez on bass.

It actually all starts with Kyle Winterstein. One of his bands “Shaded Grey” fell apart due to pregnancies, coke addictions and alcoholism which led to Kyle getting a real job with the fire department as an EMT (Emergency Medical Technician). But, he never stopped writing. And then fate would have it that his brother’s band “ADL” would also fall apart, which offered Kyle a guitarist and a bassist and with the addition of Kyle’s old guitar player, Digital Summer was born.

Forget You

Start here. It’s the opening track from the fan funded “Breaking Point” album released in 2012. The “Kickstarter” goal was $25,000 and the band ended up raising over $50,000.

The track features Clint Lowery from Sevendust. From a rock perspective, the song is heavy, angry, to the point and very catchy. The intro is like a car crash and it is the perfect energy for the live arena.

“Shut your mouth
I’m done listening to you”
It’s over, it’s over
I’ve had enough were through
I’m taking back
The person that I used to be
Before these scars
Before your lies
“So fuck you, forget you, goodbye”

The last line seals the deal. It is simple and it makes the point pretty clear. The end result is that “Forget You” is burned into my DNA. I have played it over and over and over again.

Counting The Hours
It is the title track from their 2010, album. This song is more rooted in the alternative metal sound. While “Forget You” is more frantic, “Counting The Hours” is slower and groovier. You can hear the Sevendust influence.

“There’s nothing like an apocalypse to open your eyes”

What a great protest lyric!

Just Run
Another up-tempo, frantic and angry track. Even though it is from the “Counting The Hours” album released in 2010, it’s lyrical theme is very similar to “Forget You” from the 2012 “Breaking Point” album.

Keep on talking we’ll find out
What you’re made of

Did you know that angry music can actually make you feel better? It brings out the emotions necessary to cope with a negative situation. And when you hear someone else tearing into a person that wronged them, you know that you are not alone in the world. You know that others feel the same pain that you feel.

Wanted To Love You
The foot is off the accelerator. It is a ballad from the 2012, “Breaking Point” album and in my opinion it is one of their best ballads. It’s about the feel, the plaintive vocal that showcases Kyle’s voice, the sampled music echoes and the digital delayed guitar lines in the chorus.

These city streets reflect my thoughts and moments that should have been with you

You feel consoled when you hear it. It’s a haunting song that made an undeniable impression upon me.

I’ve wanted to love you for so long
I just need to
It’s the only thing left
That this empty heart can do

Suffocate
It is from their 2007 debut album, “Cause And Effect”.

Another day, another sunrise
Calls to me
Saying get out of this place

The place can be a relationship, the town, your occupation or just a real shitty situation. With each new day, there is a new hope. Carpe Diem, I say.

Disconnect
The opening track from “Cause And Effect”. Everyone can relate. We’d experienced love and the disconnection therefrom

Disconnect me
From this awful dream
This world is not designed for me
I reject this reality

We are constantly connected today in our lives. That is where the world is at right now. That is why this song connects. We have all wanted to disconnect for a while when things go to shit.

Breaking Point
The title track from their 2012 album because the breaking point is where everyone was at. They either had to band together  or it was just going to fall apart.

I’m on a downward spiral
Past the breaking point

We’ve all been there at some point in life. I feel the lyric, the message. In my case, the breaking point led to the band falling apart. The drummer had two kids from a previous relationship. His current partner had one kid from a previous relationship. Then his ex had two kids with her current partner and the drummers current partner wanted to have a kid with him. He was bringing his shit into my life and I didn’t like it.

To top it off, the bass player just had a baby with his current girlfriend. He also has a kid from a previous relationship. The bass players current girlfriend also has three kids with two different dudes and due to her drug addiction, had those kids taken by the Department Of Community Services.

To top it off even more the vocalist was torn by what his parents wanted, which was a degree and a well-paying job versus his desire to be a musician. So his focus shifted from the music to “why aren’t we making millions”. I was at the breaking point alright.

So Beautiful, So Evil
Another track from the “Counting The Hours” album.

She’s so beautiful, so evil

It is lost deep within the 16 song album however it is a great track with excellent dynamics. Love that guitar melody line in the Chorus.

Use Me
Another track from the “Counting The Hours” album. Morgan Rose from Sevendust makes an appearance on drums.

Put our problems behind us and just for this moment pretend everything is alright
Let me use you…. And I’ll let you use me
Let me use you…. To forget these memories

We all have this incredible urge to connect with a soul mate because no one wants to be lonely. Life is about the yin and the yang. You can’t be happy without being sad.

Sick Inside
It is from their 2007 debut album, “Cause And Effect”.

I can see right through,
Your distorted views
I know whats underneath
Its nothing real

Relationships that go bad are like a locust swarm on green fields. The person that leaves the relationship, leaves you stripped of resources both financially and mentally. We always take a while to see through the masquerade because we don’t want to be lonely.

Love And Tragedy

It is also from their 2007 debut album, “Cause And Effect”. It’s got movements and breaks. It’s atmospheric and it’s progressive. It’s catchy and groovy and listen to that guitar sound!

The waves crash down all around me
And consume all the air I breathe
The sirens sing to me in my sleep
A familiar song of love and tragedy
But the sun wont shine were the shadow grows
Yet my heart beats still, so tell me is this real
Tell me is it real

It’s all about the flood, washing away our sins. As I mentioned before, the yin and the yang. How can you know what love is if you haven’t experienced loss and tragedy.

While The City Sleeps
Another track from the “Counting The Hours” album. The song is a modern-day take on a clichéd theme from the Eighties. Bruce Springsteen said it in “Born To Run”, The Animals said it first with “We Gotta Get Out Of This Place” while Journey told everyone to “Don’t Stop Believin”. The song is honest, sincere and inspiring.

While the city sleeps
We’ll make our way thru the night
Taking nothing to remind us
While the city sleeps
We’ll leave this world behind
Hoping they never find us.

No one has to know
We’ll just get up and go
Only guided by the night the stars and the road
With the destination nowhere
We don’t care
As long as it’s
Anywhere but here

They went out and set up their own label in Victim Entertainment which gives them a power to control their destiny. It’s a more difficult road. From a business perspective they would make more money as independent artists than they would on a major for a band of their size and stature. They turned down every record deal because they didn’t like the terms offered. They didn’t have the luxury to buy themselves onto a tour, which is known as a “buy on”.

But they had a work ethic and a business plan.

For Digital Summer another breakthrough came via Sevendust when Kyle became friends with Morgan Rose. The tour they did with Sevendust after that was a turning point. A management deal with “In De Goot” followed. SiriusXM Octane was willing to take a chance on an unsigned band.

The music industry is a brutal industry and the odds are stacked against the artist. Even if you’re the greatest musician, it doesn’t mean that people will hear you or care. And at the moment there is no shortage of bands trying to make it, with zero business minds.

This is not the ’80s. The industry has changed so much, it’s a different game right now.

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A to Z of Making It, Music, My Stories, Unsung Heroes

Music Is All About Change

The new music industry is all about change.

Do you think that if you pull your music from Spotify that it is not available on YouTube with ad support (which means income) and with no ad support (which means no income).

The new music industry is about exploring different business models and seeing which one works for you.

Black Veil Brides had a Pre-Order pledge campaign for their new album and the perks on offer just kept on getting sold out. First week U.S sales are anaemic at 29,925 however does that mean that the album is not popular or that it is not a success. Go on YouTube. The BVBArmyVEVO account shows 2,206,786 views for the “Heart Of Fire” video, 1,208,958 for the “Faithless” audio and recently a clip went up for the ballad “Goodbye Agony” and that has already accumulated 464,059 views. Compared to their big song “In The End” with 36,560,728 views, you can see that the fan base is experiencing the band in many different ways. In this case, the band and their team (record labels, managers, accountants, lawyers and publishers) are making money from the Pledge Campaign, YouTube views, streams on other services, physical sales, mp3 sales and radio plays.

Coheed and Cambria had a vinyl remastered re-issue of “In Keeping Secrets Of Silent Earth” which sold out its first pressing and then they went on a sold out commemoration tour of the album. They are remaining relevant even though their last album came out in February 2013. For them, 2014 was all about touring, vinyl sales, special edition live box sets and merchandise.

Basically new business models from bands are reshaping the way music is marketed and distributed. There are countless new artists emerging and there are countless new ways for fans to listen to those artists.

The music industry of the past consisted of great control. Distribution in those days consisted of record stores. Technology has made way for new opportunities, thus creating new models. The internet has eliminated a lot of past costs within the music industry; this goes for the way music is recorded, the format of music, the marketing, and especially the distribution outlets. New models have taken away the control aspect.

Digital Summer recently asked a Facebook question to their followers about how does everyone find new music. They wanted to know how their fans had heard of them and where they usually hear new music they like? I went through the comments and grouped them into categories.

Radio like Sirius XM Octane, local terrestrial stations, Pandora, Slacker Radio, iHeart, etc got 137 votes for 26%. At this point in time radio is still the best way to get your music out there. However it is the Live show that seals the deal for the band.

Live Shows especially comments around the opening slot that they had on the current Volbeat tour got 121 votes for 23%. It looks like the band really delivers on stage. Also the comments kept on saying that the band members took time out to meet newly converted fans and showed them where they can get free downloads of the band’s music. It’s all about connecting with fans folks.

Word of mouth from fans or band members got 63 votes for 12%. With the internet connecting everyone, I expect this to be more relevant.

YouTube via the algorithm suggestions got 57 votes for 11%. The tech industry is fragmented. When you combine the platforms like YouTube, Spotify, iTunes, Twitter, Facebook, Instagram, MySpace, Online publications, other online platforms and Amazon, you get a 37% reach from the Techies.

Spotify via the similar artists feature got 30 votes for 6%

Twitter via the band members following someone and that someone goes on to check the band out got 25 votes for 5%.

iTunes via the Genius or suggestions based on previous purchases got 25 votes for 5%.

Promotions like having cool looking merchandise, flyers, giving away free demo CD’s, having their stickers plastered all over town, endorsement companies, music stores got 16 votes for 3%.

Other Online Platforms like Reverbnation, Soundcloud, Google Play, XBOX Music, Last.fm, Gaming Music Videos got a combined 13 votes which also equates to 2%.

Instagram via the band members liking photos posted by users or following users got 10 votes for 2%. This was a surprise, however the work that the band members have done on this site is astounding. One fan commented that they are a Gemini Syndrome fan and when they posted a photo of Gemini Syndrome on Instagram, one of the Winterstein brothers liked the photo. The soon to be fan, clicked on his account, saw they had a band, checked out the band and then became a fan.

Facebook and MySpace got 10 votes each for 2%. Goes to show that while Facebook is a good tool for connecting with fans once you have them, it is not a good tool for finding new fans.

Online publications like Stereogum, Loudwire, Jango, Revolver, Ultimate-Guitar got 6 votes for 1%. This is another fragmented industry. The online publications offer no substance, no personal opinion. It’s just all thumbs up, pat my back and I will pat yours style of reporting.

The Pirate Bay/Torrents got 4 votes for 1%. Looks like copyright infringement is not such a big issue.

Amazon got 3 votes for 1%. This is how I found out about the band. Their “Counting The Hours” album came up with bands I might like based on my purchases.

So what does tell any new artist trying to build a career in music.

Be ready to change on the whim and be ready to try different ways of promoting, connecting and marketing your music.

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A to Z of Making It, Music, My Stories, Piracy

How Do You Know If An Album Is Successful?

You are an artist performing solo or within a band.

You decide to record an album.

You spend time and effort writing, recording, producing, mixing and mastering your latest opus.

You do some promo and release it.

Then what do you do.

It doesn’t sell what you expected. Once upon a time, the definition of a successful act was based on how many records they sold.

Sebastian Bach still can’t get his head around why he has 800,000 Facebook Followers and only 6000 people in the U.S purchased his new album “Give Em Hell” in the opening week. For the record, it is a great album. I have heard the album, but I didn’t purchase it. I went to Spotify and streamed it.

So if it doesn’t sell as expected, it doesn’t that mean the album didn’t do well. What it means is that fans of music have consumed it in many different ways. I actually liked it enough to go onto Amazon and add it to my shopping cart. I haven’t purchased it yet. I will wait until the price drops below $10 before I do. And then it will go on the shelve in its wrapper.

In this day and age sales can never be used a metric for success. However, if there are songs there that are undeniable and an audience starts to resonate with those songs, then expect to sell.

Five Finger Death Punch came out in the piracy era. In the same era that has greedy corporations telling politicians that piracy is decimating the music industry.

Well, this piracy era hasn’t stopped Five Finger Death Punch from moving over 500,000 units in the U.S alone for each album. Yep that’s right, Five Finger Death Punch have been selling records since their debut album came out in 2007. Even the recent “Wrong Side of Heaven” Volumes 1 and 2 are moving close to the 500,000 mark for each of them. Combined these two albums have moved over 700,000 units.

So I am really over bands or artists who lament that no one buys their music. People do buy music. People do stream music. People do download music without paying for it.

And all of those people who access an artists music both legally and illegal will also invest in concert tickets and merchandise. They will even invest in REAL limited/deluxe edition perks. Not the kind of perks that just come with a DVD or a T Shirt.

Artists should take a leaf out of RatPak Records. They have various packages available with each release and at a price that isn’t extortion.

In my opinion, an album can be defined as a success if people are coming to the shows and singing the songs of the album.

WASP released “The Crimson Idol” in the early nineties. Commercially it didn’t do anything however if you talk to any WASP fan and I bet you they can sing the songs from that album. In 2014, it is seen as Blackie Lawless’s finest achievement.

Machine Head released “The Blackening” in 2007. It didn’t sell in the millions, however it allowed Machine Head to go on a three-year victory lap on the back of it, touring the world over and over and over again. It was hailed by Metal Hammer as the album of the decade. It is also seen as Machine Head’s definitive masterpiece.

One of my favourite independent bands “Digital Summer” have been managing their own career and their own releases with great success. Recently they just had a run of dates with Volbeat and Trivium. Prior to that, they have done tours with Shinedown, Three Days Grace, Three Doors Down and many other acts. They have done shows on their own. And they manage themselves. They finance their own recordings. They ask their fans to help out via fan funding campaigns. So big deal if their albums haven’t sold in the millions. They are over 10 years deep and still rocking.

So how do you know if an album is successful in 2014?

If people are listening to it, coming out to the shows and singing the songs.

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Music

Albums From 2012 That Need To Be Heard

The Night Flight Orchestra
Internal Affairs

If you never experienced the Seventies, then this album from a super group of melodic death metal bands recaptures it all. From the “Immigrant Song/Achilles Last Stand” references in “Siberian Queen” to the “I Was Made For Loving You” references in “West Ruth Avenue” or the “Play That Funky Music/ Stevie Wonder’s Superstititious in “Internal Affairs”.

It captures it all and more.

Fen
Of Losing Interest

I didn’t know what to expect hearing this. It’s like Rush on Thrash Metal. Then its Rush on Hard Rock. Then its Rush meets Tool. Then it’s Rush on Groove Metal. Then it’s a cross between Rush and Alice In Chains and Pearl Jam. Being from Canada, the Rush influences are real strong.

Progressive music doesn’t have to be all time changes and technical playing ability. It can be Fen. Just doing something that blends so many different styles together and making it sound infectious.

Check out “Riddled”, it starts off with a thrash metal riff, then it goes into a verse that is Tool like merged with Kansas.

Adrenaline Mob
Omerta

It is balls to the wall metal classic in the style of Accept, Scorpions, Dio merged with the metal stylings of Disturbed and Godsmack. “Undaunted”, “All On The Line”, “Angel Sky”, “Indifferent” and “Hit The Wall” are worthy additions to any metal bands setlist.

The cover of Duran Duran’s “Come Undone” is also a fitting metal tribute to a pop number one hit.

So put aside all of your views on the members that make up the band and from what bands they come from and embrace a great balls to the wall metal project.

Digital Summer
Breaking Point

DIY band from Phonenix, Arizona, getting stronger with each release. “Breaking Point” was a Kickstarter funded project and it didn’t disappoint. The lead single “Forget You” has racked up 1,027,533 views on YouTube. They are great numbers for an independent band, that also manage themselves, record and release their own music and hold down day jobs.

If you like modern rock, then you will like this band.

Richie Sambora
Aftermath Of The Lowdown

The good old Richie Sambora released a great modern rock album that didn’t get the recognition it deserved because at that point in time he was still in Bon Jovi and Bon Jovi (the band) needed him to start the promotional interviews for the “What About Now” album.

Check out “Seven Years Gone”, “Nowadays”, “Every Road Leads Home To You”. Hell, the whole album is good. Give it your time.

Lizzard
Out Of Reach

This band is definitely under the radar for what they do. Think of Earshot meets Tool meets 10 Years meets modern rock. Vocalist, Mathieu Ricou has a voice that crosses between Chad Kroeger, Aaron Lews and Maynard James Keenan.

There is a feel of Progressive Metal, TOOL, Hard Rock, Trance & hypnotic music, DEFTONES, YES and PINK FLOYD. It’s a potent mix.

Vaudeville
Vendetta

Vaudeville is one band that deserves more recognition for what they do. They merge the styles of Muse and Radiohead with Hard Rock. It sounds beautiful and original.

Check out the song “Restless Souls”.

Will you stand up
And fight against their wrath
Or will you run
Until there’s nothing left

Hell Or Highwater
Begin Again

The new band from Atreyu drummer Brandon Saller. Hell or Highwater finds Saller stepping away from his drum kit and taking the mic to be the band’s lead vocalist. It’s hard rock people and it rocks real good and it doesn’t sound generic.

Burnside
Evolution

One of many great bands from Australia. It’s modern rock done really well. Check out “Remember When”, “Lost The Will”, “The Last Time” and “What You’ve Become”.

One Less Reason
A Blueprint For Writhing

This EP was my first introduction to One Less Reason. I knew nothing about them and when I heard “All Beauty Fades”, I was left speechless when the rest of the music and melody kicked in. And they are another DIY band.

It’s a six song EP and there is no filler. A very smart decision to release the best.

Corroded
State Of Disgrace

Corroded have a decent following in their own country of Sweden.

They are a skillful band that create groove based hard rock. Stand out songs are “Let them Hate As Long As They Fear”, “I Will Not”, and “Believe In Me”.

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A to Z of Making It, Alternate Reality, Copyright, Music, My Stories, Piracy, Stupidity, Treating Fans Like Shit

Chaos + Disruption = The Music Business

It’s a chaotic and disruptive time in the music business and with chaos comes opportunity.

On one side you have COPYRIGHT. And that can be broken down into a lot of other little chaotic categories like infringement, the length of copyright terms, copyright monopolies, the lack of works entering the public domain and so on.

The public domain is culture. Keith Richards once said, ‘you can’t copyright the blues.’

Culture is built and expanded by sharing stories and building on the works of others. Led Zeppelin, The Beatles, The Rolling Stones and all of the sixties greats like Hendrix, Clapton and Beck used this concept. They built off the blues.

However copyright law and its real purpose got hijacked by corporations and everything changed. Instead of culture being built up in the works that the public creates and shares, the public is now faced with copyright corporations locking away works that should be in the public domain by now. These works that should be in the public domain do not benefit the original creators in any way, however they are beneficial for the few copyright monopoly gatekeepers.

For culture to thrive once again, it is important to respect the public domain.

Then on another side of the music business you have the RIAA who continually push lies out into the world, so that technology companies can do something to protect crap business models. Did you know that the global music industry sent it’s 100 million takedown notice to Google, to remove search links to certain sites. It looks like the RIAA doesn’t get it.

So if a person types in “free mp3” in Google Search what should Google return?

Sites that have free mp3’s or sites that the RIAA want Google to point to when that term is typed in. Maybe when that person types in free mp3, they want a free mp3 and have no interest in paying.

Then you have the ISP’s on another side that are caught up in the middle of all this as they offer the service that provides internet access to users. According to the RIAA and the record labels, the ISP’s allow “copyright infringement” to happen, therefore, they need to do something about it to help out the music industry. In Australia, this is heavily disputed, however in other parts of the world gradual response schemes are in place.

Then you have the technology companies trying to offer low cost services to fans of music. However, low cost to a fan means high costs to the RIAA and the record labels in licensing fees. This is before the new service is even allowed to trade. If the new service starts to trade without licensing in place, expect them to be litigated into submission.

Have you noticed that artists have not been mentioned anywhere as yet. That is how far the music business has come, where the actual music is only a small part of it, however it should be the major part of it. For the business to thrive, you need great music.

I was looking back to some of the releases in 2013 that I liked. Two of my favourites are “Protest The Hero” and “Coheed and Cambria”.

“Protest The Hero” and “Coheed and Cambria” are working to the “Keep your fan base close” mantra. Both of the bands moved from major labels into a DIY independent mindset, realising that their fans are king.

Exceptional fan service is the key driving force behind a bands success. I expect “Coheed and Cambria” will get a lot more fans purchasing the next super deluxe package for the new album because they did such a great job with “The Afterman” releases.

“Protest The Hero” on the other hand have fallen into the fan funded conundrum where the perks always arrive later than expected for international fans. I live in Australia and I am still waiting for the perks to arrive. The band have been clear with their information, advising that it will take 6 to 8 weeks.

It’s good old business 101, “treat your customers right and they’ll stay with you forever”.

Then you have bands like Five Finger Death Punch, Avenged Sevenfold, Dream Theater, Stone Sour, Killswitch Engage, Trivium, Volbeat, Alter Bridge and TesserAct that have label deals.

Should those bands go independent like Protest The Hero or Coheed and Cambria. It all depends on a person’s definition of success and hard work. Going independent means that you need to build a team around you like any business start-up.

What are the benefits of going independent?

The lesson is simple. Selling your artistic freedom and independence as a “success” strategy can bring lucrative rewards. But it’s not always the best move for your career, as you are also selling off important data to the record label. The record label doesn’t want to know your fans or connect with them. They want you to do it, so that the label can make money of that relationship and then pay you a percentage of it.

Coheed and Cambria moved over 100,000 units of their deluxe “Afterman” editions. At $60 (I think it was $68, however I will use $60 for the example) an edition, that comes to $6 million in revenue. If the band was on the label model, what percentage would the band see from that $6 million.

The music market/business is filled with acts trying to make it. It is going to take a huge effort to stand out amongst the rest. Music is a lifer game. It is a slow and steady approach that builds careers.

Artists should be looking at development. With each song release, artists should never be afraid to try things out. Even try out new technologies that make it very easy for their fans to interact with them and their music. In a company, this is called research and development. Investing in your career is never a mistake.

The artists have the power to make the record labels redundant, purely to be used as a distribution arm if needed, however with the rise of streaming technologies, even this arm can be in danger of disappearing. Bands like Coheed and Cambria, Protest The Hero and Digital Summer have seen the recorded business side of things and have decided, hey we can do it better. That’s what great businesses are made of.

So in all of this chaos, who will rise and who will fall? Time will tell, however if you compare music to technology, you will see only a select few rise to the top. Smartphones and tablets is all Apple and Samsung. Amazon has online shopping cornered. Google is the king of search. Spotify will win the streaming war. Facebook rules social media. iTunes rules the mp3 and app market. Will the same fate happen in the music business?

2019 Crystal ball predictions;

Coheed and Cambria – will get bigger and bigger. Their style is unique, so expect them to keep to that style, sort of like how AC/DC releases music in the same style or Iron Maiden.

Protest The Hero – proved to themselves that they still matter. Will get bigger and more crazier. The future of progressive metal.

Machine Head – will still be bigger then what they are. Robb Flynn understands the internet and understands the change that is coming. He will make sure that Machine Head rides the wave all the way to the shoreline, while Adam Duce circles in the undercurrent, ready to litigate the band into submission.

TesseracT – will become the next Pink Floyd.

Digital Summer – are one of the hardest working rock bands around like Twisted Sister and Dream Theater. They will get bigger as they are lifers.

Avenged Sevenfold – will become the new Metallica.

Five Finger Death Punch – I have a feeling that they will break up after one more album.

Shinedown – will be bigger than what Aerosmith ever was.

Volbeat – will remain relevant in their niche genre.

Metallica – will still be relevant in the same way the Seventies act remained relevant.

Dream Theater – will still tour and do a lot of side projects, however they will be replaced by TesseracT and Protest The Hero.

Black Veil Brides – will take over the void left by Motley Crue and Guns N Roses.

Trivium – will deliver an astounding progressive technical metal album.

Killswitch Engage – will remain relevant in their niche genre.

Alter Bridge – The world needs Led Zeppelin to continue. Expect Alter Bridge to fill this void. They have one of the best vocalists of the modern era in Myles Kennedy. Marc Tremonti is a prolific writer. Call his Creed project, “The Yardbirds” and Alter Bridge as “Led Zeppelin.”

Bullet For My Valentine – will deliver their own version of “Master Of Puppets” and “The Blackening”.

Lets see how it pans out.

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Music

Double Threats

There is an article doing the rounds at Noisecreep about rockers who branch out into some other venture (like another successful band) or something that is beyond the musical medium.

So of course the lists focuses on the “SuperStar”. First here is the list from Noisecreep.

10. Mike Shinoda from Linkin Park / Fort Minor

9. Chris Jericho from Fozzy and Professional Wrestling

8. Henry Rollins from Black Flag / Rollins Band (I am adding acting to this)

7. Marilyn Manson

6. Maynard James Keenan from Tool / A Perfect Circle / Puscifer

5. Jared Leto from Thirty Seconds to Mars and acting

4. Dave Grohl from Foo Fighters / Them Crooked Vultures / Nirvana / Scream

3. Corey Taylor from Slipknot / Stone Sour / Author

2. Rob Zombie from Rob Zombie / White Zombie / Directing

1. Nikki Sixx from Motley Crue / Sixx: A.M. + Radio DJ, Book Author and Photographer

What about the artists that are not superstars?

The artists below are doing an unbelievable job or have done an unbelievable job to remain a double threat in the music business.

1. Claudio Sanchez from Coheed and Cambra / Prized Fighter Inferno + Comic / Book Author

2. Adam Dutkiewicz from Killswitch Engage / Times of Grace + Producing

3. Digital Summer (the whole band) – They hold down normal day jobs and they are also a successful modern rock band.

4. Randy Blythe from Lamb of God + successful photographer

5. Robb Flynn from Machine Head + successful blogger

6. John Sykes from Whitesnake / Blue Murder / Solo Artist / Thin Lizzy tribute

7. Joe Satriani – Solo Artist / Chickenfoot / guitar teacher

8. Slash from Guns N Roses / Slash’s Snakepit / Velvet Revolver / Solo Artist + Motion Pictures

9. Doug Aldrich at one stage was playing guitar for Whitesnake and Dio at the same time. Also involved with Burning Rain.

10. David Draiman from Disturbed / Device + Producer

11. Protest The Hero (the band) – successful fan funded band and campaigners.

12. Kevin Churko – Successful Producer / Songwriter and Studio Owner

Original Noisecreep Article: http://noisecreep.com/best-double-threat-rockers/

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