Sometimes a band comes across your ears that you just like.
Digital Summer is one such band. They fuse a combination of other styles, but it’s delivered in a way, which is easily assessable and executed with a high degree of technicality.
It was the “Counting The Hours” release in 2010 that got me interested. And I was on board for the fan funding campaign on the “Breaking Point” album and the reason why I got their CDs and other gear all signed.
They are from Phoenix, Arizona, formed in 2006. Up until this day, they have remained independent and unsigned, while still getting radio airplay and building a fan base. They are a great story to read about.
“Cause And Effect” came out in 2007 and the band for the album is Kyle Winterstein on vocals, Ian Winterstein and Johnmark Cenfield on Guitar, Anthony Hernandez on Bass and Chris Carlson on Drums.
I’ve seen em labeled as Post Grunge, Hard Rock, Alternative Metal, Post Rock, Nu-Metal, Modern Rock and Alternative Rock.
To me it’s all Rock And Metal.
A Nu Metal like intro (think Godsmack) gives way to a heavy and melodic verse (think Staind) and an AOR Chorus (think Fuel). And I love it.
There must be a way to cut the cord.
So much harder to do these days as we live in a society which thrives on connection.
I reject this reality
Social media is a one size fits all approach. You either comply with the regulations the providers have or you get booted from the service or your smart enough to have never joined in the first place.
This one reminds me so much of Staind and I like it.
Press play on this for the Chorus.
When life crashes down around you
What do we do next?
Pick ourselves up and start again or find someone to blame and go one like nothing happened.
Press play for the mood and feeling in the verse.
The Chorus feels like a Seether Chorus with Fuel added in for spice.
What would you do with the whole world / Rolled in your hands? / I’d like to watch it burn
The best way to sum up the darkness when your feeling down and depressed.
Now Or Never
If you like Three Days Grace and Seether, then you’ll like this.
Vocally in the verses, Kyle Winterstein comes across like Aaron Lewis.
Lyrically it’s got that 80s attitude of don’t look back to the past because if you want to change your life, the door is open but you’ll need to act fast as opportunities don’t last forever.
So don’t hesitate because it’s now or never.
Arpeggios start the song and then distorted guitars kick in.
Its aggressive and Three Days Grace/Fuel definitely cones to mind.
So break my wings and watch me fall / Cause I’m broken
A true way to describe a feeling post relationship break up.
One More Day
A clean tone strummed riff that reminds me of Incubus starts everything off.
But press play for the Chorus and allow the emotion and the mood take you away.
Just tryin to make it one more day
You can tattoo this as a slogan.
Like how Art Of Dying had the Chorus hook of “if I can get through this, I can get through anything”.
That’s life in a nutshell. Trying to make it one more day.
Press play for the Chorus which brings memories of Hoobastank’s debut album which I’m a big fan of.
I cut myself / Made a brand new scar today
The scar is a reminder of a time and a place so you don’t make the same mistakes again.
It feels like a Heavy Rock cut with a bit of Tool like grooves in the Intro.
And check out the super melodic Chorus which Staind would be proud off.
YOU! / Everything you do / MAKES ME SO SICK INSIDE
A lot of rage as the writer wishes they never met their partner.
A piano melody plays briefly before the guitars crash in. This song is a favorite as well as it reminds me of Breaking Benjamin.
I don’t care what it takes this time / I’ll do anything to make things right / The hardest day of my whole damn life / Was the day that I said goodbye
From the rage in the previous song to the emotion of loss in this one.
Whatever It Takes
It sounds like a Bush cut and I like it.
And this one is back to theme of doing whatever it takes to get someone out of their life.
Love And Tragedy
The song begins with a feed backing guitar with the use of an eBow to keep the notes sustaining.
Then a digital delay The Edge like progression kicks in and I’m all in.
Press play on this especially for the Chorus.
Violent cries of love and tragedy
There is a target to Kyle’s anger and you hear it.
The album closer is like a soundtrack song, with a haunting piano, sampled voices and drums and a vocal line processed through a tremolo effect.
Throughout it, you hear guitars feed backing.
And then a vocal melody kicks in without any effects, repeating “just to suffocate with me”.
If you haven’t heard em, get cranking.