Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Release Day Friday

What a release day October 20 2017 is turning out be. Apart from the normal 2 hour release radar playlist, these albums also dropped in their entirety.

Trivium – The Sin and the Sentence

This was the first cab of the rank on Spotify and on the few listens I gave it before I moved on to Europe, the 7min “The Revanchist” is my clear favourite, especially the section from 4.38, that reminds of the Maiden “Somewhere” and “Seventh Son” albums. “Betrayer” also has a very Maiden sounding Chorus and a sing along guitar harmony. “Other Worlds” has the same commercial feel from “Until the World Goes Cold”.

The one thing that stood out for me on tracks like “Beyond Oblivion” and “The Sin and The Sentence” is the T-1000 drummer. The amount of drummers Trivium have gone through is going onto Spinal Tap proportions but with Alex Bent pounding the skins, maybe they’ve found their guy.

But in the end, there is a lot of Maiden like passages and feel throughout the songs and I dig. \::/

Europe – Walk the Earth

Europe is always at its creative best when they are left to their own devices to write what they want. That’s what got them signed in the first place and that’s what gave them their first number one album. But like everything that becomes popular, record label honcho’s believe they know better and start to hijack the creative process which culminated in a 12 month song writing process for the “Prisoners in Paradise” album which more or less ended the band.

But they returned in the early 2000’s, on their own terms and in charge of their own career and copyrights.

And 15 years later, they are still continuing on, releasing new music along the way. “Walk The Earth” continues to show their 70’s roots. All the songs sound epic and exotic. If you are looking for another anthem like “Rock the Night”, “Superstitious” or “The Final Countdown”, you will not find it on this album. If you want to hear a band jamming on all cylinders and having fun, then you will enjoy this album.

Sons of Apollo – Psychotic SymphonyThis is pretty good and no matter how proggy it gets, Jeff Scott Soto’s voice brings it back to reality with his Dio/hard rock style phrasing. In the end each song has this epic 70’s vibe.

“Coming Home” was already well known to me as I played it to death. “God of the Sun” is classic prog and a great album opener. “Alive” is one of those slower tempo songs that connects lyrically and when it ends I feel the need to press repeat. And then you have “Labyrinth”.

What can I say?

You need to listen to it and enjoy the combination of Portnoy, Sheehan, Bumblefoot, Sherinian and Soto. It works well and it rocks hard. \::/

Revolution Saints – Light In The Dark

It’s a fucking good album. A real good melodic rock album. The song “Freedom” is just one of those tracks you will press repeat over and over again. 

Advertisements
Standard
Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Review in 40 Words, Unsung Heroes

80’s Forgotten Playlist

Spotify Playlist

A lot of good music came out in the 80’s that is more or less lost or forgotten or known as semi-obscure. Hell, there is no way the Spotify algorithm will be able to find it and pick it up.

Blame MTV. The show became popular because it had “hit video clips”. In order to get onto the show, bands needed a hit single. So even though bands went away and recorded a very solid album without any hit singles, the most commercial sounding song and sometimes with the most clichéd lyrics would end up as the single. And if the song resonated, people would highly likely go and check out the album or the back catalogue. This was good for sales and the record labels made a lot of money.

However, the MTV rules still apply today. We’ve come full circle. If you have a hit single today, you will rack up a billion streams on Spotify, which might get people interested into checking out the whole album or the back catalogue. But in most cases, people will be happy with the “hit” single and a lot of music is not heard. Remember a few years ago when Spotify did a check on their data and found over 20 million songs that haven’t even been heard. Think about the number. 20 million songs not even heard. That’s the competition for any new band. With so many bands/artists creating music, how do you rise above the 20 plus million songs that no one has even heard?

Does your latest release just add to the 20 million never heard pile or does it rise above?

And you need people to push it, talk about it and promote it.

Secret Loser
Killer Of Giants

Both tracks are from Ozzy Osbourne’s forgotten “Ultimate Sin” album released in 1986.

“Shot In the Dark” got the glory as the lead single and is probably the reason why the album is not available on CD anymore depending on who you believe. Overland brothers vs Osbourne, or Soussan vs Osbourne, or Overland vs Soussan.

At one stage in the late 90’s, this album was deleted and you couldn’t get any new copies. One of the Australian mags mentioned it’s because of Sharon Osbourne’s contract disputes with Bob Daisley and Jake E.Lee. Maybe it was the authorship issue of “Shot In The Dark”.

Who remembers the movie “The Wraith”?

Charlie Sheen stars in it, as a person who comes back to life to avenge his death at the hands of a car gang (who got away with the murder). He kills his murderers by racing each gang member to death. Well, “Secret Loser” appears during one such car race and it connected right away with me.

How good is the riff?

Trapped in a lonely body
I’m losing control
Can’t show my emotions
And I’m losing my soul
Could it be that I’m obsessed with feeding my disease
I couldn’t make it known the hidden things no one sees

Daisley was pretty good at writing autobiographical stories of Ozzy. I think this one is no different, especially the line about how Ozzy is obsessed with feeding the disease and in this case, the disease is the persona of Ozzy being constantly intoxicated, drugged out and doing something publicly embarrassing.

I can understand that what you see
You think is real
But underneath the surface is a wound
That cannot heal

It’s almost like being a fly on a wall in a shrink therapy session. Just imagine the big bad rock star with an image of decadence and debauchery breaking down within the confines of four walls and a chair.

“Killer Of Giants” is as good and as classic as “Diary of A Madman” in my view. Musically, it’s excellent. It’s got that acoustic introduction, social and political lyrics courtesy of Bob Daisley, a great chorus and excellent guitar playing from Jake E. Lee

If none of us believe in war
The can you tell me what the weapon’s for
Listen to me everyone
If the button is pushed
There’ll be nowhere left to run

Daisley, grew up with the threat of the button being pushed. For the generation of today, the threat of nuclear war is in the past, forgotten. Then again, my kids asked me recently, what would happen if we go to war with North Korea?

Killer of giants threatens us all
Mountains of madness standing so tall
Rising so proudly it has nowhere to fall
This killer of giants

At the moment our leaders are having a war of words with “rogue nations”. While sticks and stones hurt, a barrage of words can undo all truth. Especially words tainted with lies. Sometimes, people never recover. Say the right words, make a difference and doors can open. Say the wrong words and watch doors shut and a very darker difference will be seen.

Jake E. Lee got really shafted with his time in Ozzy. He has no song writing credits for the “Bark At The Moon” album, which he should. And for “The Ultimate Sin” he has the credits, however the Osbourne camp are doing their best to kill off the album and hide it.

Little Fighter
Cry For Freedom

What can I say about White Lion that I haven’t said before?

With Vito Bratta, the band had one of the best guitarists ever. He knew how to decorate a song and his leads are little masterpieces themselves. The other key ingredient to me was when Mike Tramp wrote lyrics about society, the injustices in society and how if we don’t do something right now to protect our world, there will not be a world to protect.

And maybe these serious themes proved to be the downfall of White Lion. I remember Vito Bratta saying in an interview when White Lion played Castle Donnington. They came on after Skid Row and before AC/DC and while the crowd got into the party lifestyle lyrics of Skid Row and Acca, they just didn’t resonate when White Lion sang about Greenpeace or apartheid in South Africa.

Rise again little fighter
And let the world know the reason why
Shine again little fighter
And don’t let ’em end the things you do

The lyrics are written in a way that it can be about many different situations. It could be an inspirational message to a person who is down on their luck. It could be the words in the head of a boxer after he/she have been knocked to the canvas or words to a child who didn’t make the elite team.

The fire is burning
We lay our weapons down to rest
This war ain’t over
‘Till all the people will be free

“Cry For Freedom” is very Dylan’esque in it’s lyrics. South Africa and it’s apartheid policies always made the news in Australia. And when people have nothing else left except to fight for freedom and equality, then there is a high chance they would do so. The truth is, we are never free. Speak to anyone in debt and ask them if they feel free. Our lives are at the mercy of the banking system. In South Africa, racism was used to imprison people.

Our brothers in prison
But no crime was ever done
I call it racism
Ashamed I face my fellow man

Even in our democratic countries people are jailed for no crimes and unfortunately racism will not go away.

Musically, Vito Bratta kills it. All of those people calling him an EVH clone got no idea. It’s like calling LeBron James the next Jordan. Both can shoot threes, slam dunks and do all of the wonderful things players do. But both are different. Same deal with EVH and Bratta. EVH was technical but more aggressive in his style. Hearing EVH play sometimes, I used to get an image of him punching his guitar. The sense of melody that Bratta exhibits is fluent and theoretical. He worked within the modes most of the time, like Rhoads did which made it very melodic.

Bang Go The Bells
Desperate

Babylon A.D is one of those bands that fall into the “should have made it” category. They even caught the attention of Arista Records president and industry music mogul Clive Davis, who signed them at a live showcase in Los Angeles. Hell, their lyrics suited the era to a tee and the musicianship was/is top-notch. The problem (and not really their fault) is too many bands sounded the same and the music consumers/the fans started to get burned on the scene. “Bang Go The Bells” and “Desperate” are from the debut album, released in 1989.

Here we sit in this smoky bar
Two souls drifting through the world alone
Here we talk about life and love

Loneliness is humanities greatest disease. If someone is there, we wouldn’t be lost in the dangers of our own thoughts.

When your dreams seem far away
Take a moment to look over your shoulder
‘Cause, honey, you know I’m desperate too
Everybody’s desperate just like you

It’s not a sign of weakness to say we don’t want to be alone.

“Bang Go the Bells” is written by vocalist Derek Davis, guitarist Ron Freschi and bassist Robb Reid. “Desperate” is written by Derek Davis and songwriter Jack Ponti. Yes, the same Jack Ponti who co-wrote “Shot Through The Heart” with Jon Bon Jovi and went on to co-write the majority of the “Hey Stoopid” album with Alice Cooper and Vic Pepe.

From a guitar point of view, Dan De La Rosa and Ron Freschi bring all of the hard rock flavourings to both songs.

Speak For Yourself
Blood Of Emeralds

From Gary Moore. The songs are from “After The War” released in 1989. “Speak For Yourself” is written by Neil Carter and Gary Moore.

How good is the riff?

It’s a speed rock song and it’s lyrics are still relevant today.

Look around across the nation
Another league of morons marching,
Banners in hand.
Looking for another scapegoat,
Try to take away the things they don’t understand.

The older I get, the more I realize, I’ve got no idea where it’s all going and neither do the people we vote in, who are all beholden to the corporation which pays the most.

Somewhere in the darkness,
There’s a voice that’s crying to be heard.
You feel it deep inside you,
A voice that just won’t be denied.

Speak for yourself.
Someone will hear you,
Someone will listen.
Speak for yourself.
Who knows, you might change your world.

So true and so relevant today. People have exercised their voices with votes, but our leaders are not the problem. It’s the rich corporations in the background that are the problem. Then again when you get leaders who came from rich corporations, mmm, what does that say about the state of the world?

But in all seriousness, people power stopped bad legislation in SOPA and PIPA. People power started to ramp up to stop the Trans Pacific Agreement legislation because it was negotiated in secret and with the corporations present and then Trumpy came into power and killed it dead. Only to replace it with something worse, which we don’t know about yet.

They try to take away your freedom.
They try to tell you what you can
Or what you can’t hear.
Don’t let this moral suffocation
Make you turn out just like them,
Is that what they fear?

The internet has given people a voice. In the process a new on-demand culture was created. People are connected socially over vast distances instantly. And we love it. But corporations who have business models based on control don’t like it and they go straight to their lobby groups to get laws written to benefit their business models. They use laws promoted to benefit the people to take away the freedoms of the people.

For example, in Australia, the large retailers lobby group didn’t like Australians purchasing products from overseas at a cheaper price, so they lobbied hard to get a tax added to overseas purchases. In the end, this tax just made the overseas companies set up a presence in Australia as a big FU.

Copyright is morphing into a censorship law. Videos and posts get taken down due to copyright complaints, however when it’s investigated why the video or the post got taken down, it’s found that the person complaining didn’t like what was being said so they used copyright as a censorship tool.

“Blood Of Emeralds” is written by Carter and Moore again and its more or less an autobiographical song about his time with Phil Lynott.

I was down and out on Skid Row,
But I held on to my pride.
The darkest son of Ireland,
He was standin’ by my side.
We would sail the stormy seas.
Never looking back,
We were afraid of what we’d see.
Through the thunder and the rain,
The deepest blood of emeralds
Was running through our veins.

He covers his time in “Skid Row” (not the U.S band), moving on to Thin Lizzy with Phil Lynott, the darkest son of Ireland and how they would cross into the U.S.

I was angry, I was sad,
Just thinking about the times we had.
I felt so lost and lonely too,
What could I say, what could I do?
And after all, the time goes by.
No one knows the reasons why.
You lived each day like there was no tomorrow.
You spent those years living on time you borrowed.
And in your eyes, all I could see was sorrow.

Phil’s passing and how it affected him.

Gary Moore in the 90’s went all blues and in interviews after the success of “Still Got The Blues”, he was very hateful to his original (he spoke highly of his covers) 80’s hard rock output. Regardless, Gary Moore (along with John Sykes, Randy Rhoads, George Lynch and Vito Bratta) are big influences to me. My guitar style is basically an amalgamation of those 5 guitarists.

With Spotify these days, I have no idea who plays on the songs, like I did in the past. On this album, Gary Moore had Neil Carter on keyboards, Bob Daisley on bass, Cozy Powell on drums, but Cozy didn’t drum on the two songs mentioned above. That was Simon Phillips, who would do also do work with AC/DC during the “Blow Up Your Video” era and Dio during the “Lock Up The Wolves era plus a tonne of sessions for other artists. Don Airey is also on keys for three songs. Hell, what a supergroup.

I Walk Alone
Badboy Breakout

I must admit I am a sucker for polished hair metal as it became known. “Tear the House Down” was the debut and only release from Hericane Alice and released in 1990 I believe, so I cheated on putting this one in this list. Anyway the band is one of many that got a major label deal late in the 80’s and were largely ignored by the record buying public.

The band was formed in Minneapolis in 1984 and after relocating to LA in 88, they got a deal with Atlantic Records in 1989. After the debut, the band recorded some demos with producer Neal Kernon for album number 2, however the shift in music happened and Atlantic passed on the option.

Sometimes your dreams can come true
You’re in heaven, for so long
Nightmares could happen to you
Just remember, life is long

The above is from “I Walk Alone”.

The career trajectory of Hericane Alice was like a dream come true, getting signed and recording an album with major label backing. However, the heaven of a major label turned into a nightmare.

No one can make it alone. We all need someone to listen to us, someone to speak to when we are down and out. Life is scary. Just google all the studies after studies that talk about suicides. People are killing themselves because they’ve lost all hope.

Meanwhile “Badboy Breakout” while great musically has lyrics about a load that’s ready to explode. Still, I am a fan of hair metal. (what a stupid name for music that’s more or less rock).

Ready Or Not
Sign Of The Times

“Out Of This World” was the follow-up to “The Final Countdown” and Europe needed hits to keep the momentum going.

Released in 1988, “Superstitious” took all the glory right off the bat, while a re-recording of “Open Your heart” failed to inspire the record buying public, except me, who has a 7 inch single of it, along with “Superstitious”. Other singles, “Let The Good Times Rock” and “More Than Meets The Eye” also failed to connect and the album didn’t do as well commercially as the previous album.

But to me, “Ready Or Not” and “Sign Of The Times” are the stand out tracks. But you had to be a fan to hear them as they only appeared on the album.

Rock me till I hit that floor
Rock me till I take no more
Rock this hungry heart of mine
Rock me down right to the ground
Rock me like you never done before
Then rock me just a little more

It more or less sums up the rock and roll show.

“Sign Of The Times” also has a signature keyboard lick that should have been as popular as “The Final Countdown” riff.

It’s the way that we make things right
It’s the way that we hold on tight
I know, it’s the sign of the times
It’s the way that we make things turn
It’s the way that we live and learn
I know, it’s the sign of the times

The sign of the times to me is when all our hope’s run out we just need to love one another to get through the day. It’s the way we live and learn. I guess we need a lot more of it these days.

The World Of You and I

It’s from “In God We Trust” released in 1988. The title track, “Always There For You” and “I Believe In You” might have had the attention and the MTV dial a song codes, but this song is a little melodic rock gem hidden on Side 2. And Stryper didn’t need auto tune to sound so in tune. It was all natural and kudos to Michael Sweet for penning such a gem.

You’re out there all alone
Searching endlessly for a home

There’s nothing like been away from home to actually miss what you have.

We Are Strong

Hurricane had some big name pedigree in it’s ranks. The brothers of Rudy Sarzo (Robert Sarzo) and Carlos Cavazo (Tony Cavazo) took the guitar and bass positions in a role reversal to what their older brothers played. If Rudy played bass, Robert played guitar and if Carlos played guitar, Tony played bass.

“We Are Strong” has got that “You Give Love A Bad Name” vibe and it’s a great piece of melodic arena rock.

Facing hard times
Hold on
Time’s still on our side

It’s easy to walk away and destroy what’s been built. So many walk away for reasons that are important to them and some need to do it to escape a hostile situation.

We’ve got to stick it out

Some might be saying for what. Sometimes people are stronger when they go their own ways, reset and restart.

Cry In Shame

It’s from Johnny Diesel And The Injectors, an Australian guitarist/singer who has this bluesy soul rock vibe that just works. And the problem with Australian artists breaking big in the U.S is the deals they sign with Australian labels, who then make it hard for the U.S labels to get a bigger piece of the contract.

Pickin’ up the pieces
Up off the floor
How was I to know
There was gonna be a war
Words of sorrow
Words of spite
Ringin’ in my head
Right through the night

Who hasn’t been in this situation? For me, it was more in the earlier days. As I get older, certain things that used to bother me don’t even get a blip on my radar.

Up all night
With a conscience fight
Just can’t sleep
So I put on the light

It’s so true after an argument. You can’t sleep as you replay it in your head and you get angry at the missed opportunity to say your piece properly when it mattered.

Time To Surrender

Poor, Kip Winger. His face was on a dart board as Lars Ulrich threw darts at him while Beavis and Butthead created a whole show around him. But man, the dude could sing and along with Reb Beach, they became a pretty good songwriting team, crafting some brilliant AOR/Rock gems. But this song is more in the vein of the hair metal vibe and it works.

The lyrics deal with leaving and someone needing to surrender to keep the relationship going, which at the start it looks like Kip is asking the woman to surrender, but by the end of the song, it’s Kip who has surrendered.

Regardless of the lyrics, the melodies and the music work and it’s a good hidden Winger gem from a pretty excellent debut album.

Rock Me

From Great White’s 1987 album “Once Bitten”.

We’d be so good together if we had the time
‘Cause being alone is a nowhere state of mind

Relationships need time investment. If you are not committed to invest, it normally ends.

I search the world for someone I’ll never find
Someone who ain’t the hurting kind

People get hurt all the time. Physical injuries heal, but our thoughts and feelings also get injured. These hidden injuries never really heal. The anxiety and doubt our thoughts and feelings put forth, amplify if they are not checked.

Rock me, rock me, roll me through the night

When the big chorus comes in, it works to a tee.

Great White in the 80’s and 90’s produced some good output even when the musical climate shifted to Seattle.

Today two versions exist, Jack Russell’s Great White and Mark Kendall’s version of Great White. And unfortunately, they are more remembered recently for the Station nightclub fire in 2003 that killed a lot of their fans when pyrotechnics set off by the tour manager ignited plastic foam used as sound insulation in the walls and ceilings surrounding the stage.

Run To Paradise

Choirboys are from Australia. This is from their 1987 album “Big Bad Noise”. The song is a classic in Australia, however in other parts of the world it’s unknown or it doesn’t exist. But it should. The song more or less sums up life for a lot of people. It has the partner you liked and how they sort of liked you, the friend who has an addiction problem, the parent who is losing control of their child as they get older and the other friend who drifts away as they get older.

And Paradise can be a city, a town or a place in time in the past that was just perfect, before the big bad world got in the way.

Baby, you were always gonna be the one
You only ever did it just for fun
But you run to paradise

The immortal opening lines of the song. The chord progression is similar to “Crazy Train” moving from the A to the E to the D.

Jenny, I’ll meet you at the grocery store
You don’t need a friend when you can score
You run to paradise

About the friend who isn’t a friend when they are high.

Jesus say’s it’s gonna be all right
He’s gonna pat my back so I can walk in the light
But it’s not alright sometimes.

The Morning After
Closer To My Heart
Looking For Love

“The Morning After” is from the 3x U.S platinum “Out Of The Cellar” released in 1984. “Closer To My Heart” is from the 2x U.S platinum “Invasion Of Your Privacy” album released in 1985 and “Looking For Love” is from the 1x U.S platinum “Dancing Undercover”.

Let’s start off with “The Morning After”.

How good is that intro riff?

The song is credited to Crosby, DeMartini and Pearcy so I have no idea who wrote the intro riff but as a betting man and after reading Pearcy’s biography, I’ll put money on Crosby as Pearcy described him as the Ratt and Roller Riff Meister.

Also that little harmony lead at the end of the solo is brilliant.

Lyrically, Pearcy talks about going home with someone, lifting skirts and then leaving the morning after, when it’s time.

“Closer To My Heart” is written by Crosby and Pearcy and while it may be classed as a ballad today, it was never viewed as a ballad back in the day.

I listen to you, are you listening to me
The way that you are, it’s easy to see
Feelings for you, now I feel free
I’m lost in time

Love is a two-way street. Both sides have a chance to speak and both sides are meant to listen. In the Ballad of Stephen Pearcy, his partner is not listening to him anymore and he’s fallen out of love.

Indecision, it’s all been heard
No more confusion, the page has turned

Moving on is the hardest thing to do in relationships. Friends pick sides and a sense of familiarity is replaced with the unfamiliar.

“Looking For Love” is written by Crosby, Pearcy and bassist Juan Croucier.

I’m lookin’ for you
You’re lookin’ for me
It’s nothing new
You’re only looking for love
I know it’s true
You know it’s me
I know it’s you
You’re only looking for love

It’s a pop chorus full of clichés and overused rhymes and as good as any pop chorus today. Croucier was also an underrated songwriter within the band, producing a lot of songs and due to whatever politics those songs wouldn’t get considered. So while the singles from the album took all the thunder, the above three tracks should not be seen as poor cousins.

Makin Magic
Flight To Nowhere

Tesla. A massive favourite of mine. Their hard rock vibe mixed with southern rock mixed with Randy Rhoads/Michael Schenker/Angus Young/Eric Clapton guitar playing was huge on my song writing. Hell, I even re-wrote “The Great Radio Controversy” in my own way, meaning I wrote songs similar to all of the songs on this album. And man didn’t this album have some big tunes in “Love Song”, “The Way It Is”, “Heavens Trail”, “Paradise” and “Hang Tough”. But these two songs “Makin Magic” and “Flight To Nowhere” have enough metal in em, to break some teeth and they need more love.

Musically, “Makin Magic” and “Flight To Nowhere” have no filler and are chock full of riffs and great leads and great harmonies. Especially the arpeggiated pull off lick in the “Making Magic” chorus.

Now, I don’t wanna waste your time
I only want to satisfy
So wind me up and watch me go
I’m gettin’ crazy as the night unfolds

Men don’t need much winding up to get going.

I got you, now you got me
Feels so good to be
Makin’ magic, makin’ magic
It ain’t no mystery, come on

Bring on the clichés with heaps of melody. Love it. Moving on to “Flight To Nowhere” .

Look at me, I’m young and bold
Even though I may be growin’ old
I’m never slowin’ down

Life is fleeting. Enjoy it, as you are a long time gone.

Opinion is a piece of mind
Some are good, some are just like
Where the sun don’t shine

So true. Unfortunately, people allow opinions to get the better of them. Treat opinions as just that, opinions, not truth.

Now there’s one more thing I would like to say
This is everybody’s world
And everybody’s gonna live it their own way
No matter what we say, yeah

Be tolerant of all, it’s much better. The sad part is money rules the day and as long as people care more about money, hate will thrive and indifference will not be tolerated.

Troubled minds are full of hate
Willin’ to destroy the human race

The world has vehicles being driven into crowds and bombs going off in crowded market places. What’s next, back to public executions?

(Goin’ down) On a flight to nowhere

Are we too far gone to save ourselves? I don’t believe so.

Midnight/Tornado

From Skid Row’s debut album. After a lot of false starts trying to find the right lead singer that was MTV friendly, Skid Row finally got it going with Sebastian Bach and the recording contract was enacted. But to be honest, I prefer the Brain Fallon demo version found on YouTube. The rawness in Fallon’s voice gave the song what it needed.

Musically and melodically the song is brilliant. Lyrically it talks about a person prowling the streets and coming alive after midnight. Can’t say I am a fan of the words and I would love to hear this song with better lyrics.

Hard As Iron

From the much maligned “Ram It Down” album released in 1988.

I’m blazing on to glory
There’s thunder in my veins
And nothing stands before me
Forever I’ll remain
Hard as iron
Sharp as steel
Stop for no man
You better beg and kneel

Is Halford singing about the metal movement or some mysterious being that’s hard as iron and sharp as steel?

Who cares right?

The song is a five-star speed metal ditty that has all the things in it, people in the 90’s came to hate.

Set The World Afire

From Megadeth’s “So Far, So Good, So What” album released in 1988.

Red flesh cloud’s choking out the morning sky
They said it’d never come, we knew it was a lie

Once upon a time nuclear war was the threat in people’s minds. That 80’s TV movie about a nuclear bomb being dropped on a normal U.S town didn’t help either. Today, global warming is a threat. People either don’t care about it or they do, but they shouldn’t ignore it.

Distorted figures walk the street, it’s 1989
Weeds once underneath your feet have grown to vines

It makes me think of the Will Smith movie “I Am Legend”.

Dig deep piles of rubble and ruins
Towering overhead both far and wide
Einstein said ‘ We’ll use rocks on the other side ‘
No survivors set the world afire

For all of the drugs and alcohol Mustaine consumed, you would think he would be a vegetable. But he isn’t and his lyrics are evidence of a person who has read far and wide and digested information.

The Transformers Theme

From the 1986 “Transformers” cartoon movie. The movie started off with all of the Autobots fans knew getting killed off in the first 15 minutes. And it’s got a wicked soundtrack, along with Stan Bush’s “The Touch”, this remake of the cartoon theme into a hair metal track also works.

Lion was formed when two UK artists, vocalist Kal Swann and guitarist Tony Smith located to the U.S and teamed up with bassist Alex Campbell and drummer Mark Edwards from Steeler. After the demo was recorded, Doug Aldrich (yes the same Doug Aldrich that went on to join Dio, Whitesnake and now plays with Revolution Saints) was recruited to replace Smith on guitar and basses Jerry Best replaced Campbell.

Now check out the connections between Lion and some of the bands above.

Aldrich would replace Robert Sarzo in Hurricane for one album, “Slave To The Thrill”. Swan and Aldrich would get together with former Hericane Alice members Jackie Ramos and Ian Mayo to form Bad Moon Rising. Jerry Best would later re-appear in Freak of Nature, featuring former White Lion vocalist Mike Tramp.

Lioooooon, more than meets the eye…

Hearts On Fire – John Cafferty
No Easy Way Out – Robert Tepper
The Sweetest Victory – Touch

The above three tracks are from the unbelievable and super melodic rock “Rocky IV” soundtrack. Stallone sure knew how to pick a song for his movies. From memory, I believe the movie and soundtrack came out in 1985. I still have the cassette to it and in the 90’s I found the LP in a second-hand record shop. Hell, the Rocky IV soundtrack kick started the melodic rock revolution, especially in Europe.

John Cafferty is the cheaper version of Bruce Springsteen and Bryan Adams. If a movie needed a song that sounded like a Springsteen or Adams song, Cafferty was your man. I first came across his music with the “Eddie and The Cruisers” movie and what a soundtrack he wrote for it. “On The Dark Side”, “Season In Hell” and “Tender Years” are as good as all of the hits from the 80’s.

“Hearts On Fire” is not written by Cafferty. In this case he’s just the performer. Actual songwriters are Vince DiCola, Ed Fruge and Joe Esposito. Vince DiCola is the person responsible for the excellent training montage and the end fight music between Rocky and Drago.

Silent darkness creeps into your soul
And removes the light of self-control
The cave that holds you captive has no doors
Burnin’ with determination to even up the score

Doubt leads us to the cave with no doors and even though the cave has no doors, we still cannot escape the darkness of it. Because of doubt and how we let our thoughts control our actions.

How many of our heroes took their own lives?

How many of our friends have taken their own lives?

How many people turn to narcotics to deals with situations?

Dealing with doubt, fear, loneliness, anger and shame is part of life. Those same emotions drive us and they separate us.

And things that give deep passions are your sword
Rules and regulations have no meaning anymore
Let the disappointment lead to inspiration.

Another find from Stallone was Robert Tepper who ended up contributing “No Easy Way Out” to “Rocky IV” and “Angel Of The City” to the “Cobra” movie.

There’s no easy way out there’s no shortcut home
There’s no easy way out givin’ in can’t be wrong

I know the song is about a relationship, however the way Stallone used it in Rocky IV is brilliant. This is the part as he is driving his car. Apollo was killed in the ring by Ivan Drago and Rocky just agreed to fight him in Russia. He gets home and Adrianne confronts him, not happy about that he decided to fight Ivan Drago. So he jumps in his car to clear his head, the music comes on and all these flashbacks start coming back.

And the message the song conveys is that to avenge Apollo’s death, there is no easy way out. Rocky must fight and beat Ivan Drago, which at the point in time in the film looked super impossible.

“The Sweetest Victory” from Touch is another melodic rock gem. I have no other music from this band, except for this one song on the soundtrack. The song has an iconic keyboard riff and a vocal melody that hits the mark.

What Does It Take

By Honeymoon Suite and their “Big Prize” album released in 1986.

If I could grow wings I would do anything
Just to keep you with me
Can’t you see
If I could fly high I would give you the sky
Don’t you make that mistake
It’s your love that I need
What does it take

What a Chorus. Big. Anthemic. Melodic. Tick x 3.

And I just realised that each song I have selected above has some very good guitar playing. Guess I’m a biased listener.

Enjoy.

More parts will follow.

I’m having a shitload of fun living in the 80’s.

Standard
A to Z of Making It, Music, My Stories, Unsung Heroes

Score Card Inc V2.0

Bon Jovi/Richie Sambora
“Aftermath of the Lowdown” is way better than any Bon Jovi music released from 2007 onwards. It’s deep and personal and there was no way that Jon Bon Jovi would have put his vocals to those songs, so they ended up being Richie Sambora songs. But it did nothing commercially and Sambora is from the cloth of sales and charts. So he went back to the comfort zone of Bon Jovi, but he wasn’t feeling it, so he went solo again,which has morphed into a duo called RSO.

Meanwhile, Bon Jovi continued on as business as usual, making huge profits at the box office. However, all was not well with the label and “Burning Bridges” was meant to be the goodbye letter, but money talks. And Jovi is back in league with the label they hated and a new album called “This House Is Not For Sale” is out. Suddenly the press is going gaga over its number 1 charting and since the legacy labels still control the news cycle. But the album is a flop. It’s second week was a disaster and nothing has been mentioned about its third or fourth week. But, the ones that control news cycle are doing their best to rewrite history, seizing on a few words that Jovi said “down playing Richie’s role in the song writing”. Suddenly, Richie wasn’t involved as much.

The truth is they are better together than apart.

But then again, all of the good bands had a high creative span of about 10 years before they split or went on hiatus. The Beatles, The Eagles, Rolling Stones, Led Zeppelin, Black Sabbath, Deep Purple, Kiss and Aerosmith all had close to 10 years of mega creativity in the 70’s.

Metallica, Motley Crue, Bon Jovi, Aerosmith (again), Slayer, Megadeth, Skid Row, Van Halen and many others had a good run from 1980 to 1992.

But the MTV era gave bands a longer shelf life and what we have in the modern age is sub-standard music.

But past success is no guarantee of future success. Our lives and society in general is more fluid, especially when it comes to new music. And Jovi is selling c grade re-writes of past hit songs, and using his brand to do it. There are just not enough new things there to convince people to listen and there’s not enough new things there to convince people who weren’t paying attention before to pay attention now. And Jovi along with Universal are hoping that people pay attention to the marketing and not to what’s inside the album. And the media is out of touch with consumers and the people in general. In all democratic countries, the media is consistently getting it wrong. Hell, they couldn’t even get Brexit and Trump correct because they fail to understand that success or failure is in the hands of the people and not the celebrities. And why haven’t all of the celebrities left UK or the US when Brexit and Trump happened.

What Jovi needed was a hit single. Instead we got 17 songs (that is if you got the deluxe edition) requiring too much of our time. Only diehard super fans will have the time, however, even those fans will have competing priorities these days. U2 is in the same boat and let’s not talk about the mess that was Aerosmith’s last album.

Because bands shouldn’t forget, that their newest release is competing with the history of recorded music and their old hits. I can easily switch from Metallica to Led Zeppelin to Dream Theater to Motley Crue to Ratt to Kiss to Machine Head to Dokken, etc.

Europe
Europe broke through to the mainstream about the same time Bon Jovi did in 1986 and that is where the similarity ends. While Jovi had commercially successful albums in “New Jersey” and “Keep The Faith”, Europe had modest success with “Out of This World” and “Prisoners of Paradise”. Europe then went on hiatus and lost their record deal with Epic in the process, while Jovi went on to more albums and eventually a comeback hit with “It’s My Life”.

But when Europe got their act together in 2003 and got control over their music catalogue, a funny thing happened. They started to make more money then what they did at the peak of their commercial success.

And Europe in 2016, is a better creative entity than Bon Jovi is.

Since 2003, the band has released five albums. The very modern and down tuned “Start from the Dark” album came out in 2004. Then in 2006, the very modern and melodic “Secret Society” album came out. The very modern but retro sounding “Last Look At Eden” album came out in 2009, followed by their jam record in “Bag Of Bones” in 2012. Then in 2015, their classic rock album “War Of Kings” came out.

And suddenly, Europe is getting traction again in the U.S and Australia, but this time it’s on their own terms and their own control. By doing what they do best. Be musicians first and create. They didn’t try and be tech entrepreneur, football club owners, gadget makers and so forth.

Digital Summer
One of the best DIY bands out there. In 2013, they were riding the wave of their fan funded “Breaking Point” album, released in 2012. 2013 also gave us “After Hours: Unplugged & Rewired”, which was followed by a stand-alone single called “50 Shades” in 2015. In between keeping a band going, the guys still hold down full time jobs.

Meanwhile, a new hashtag #DSAquarius has been doing the rounds on their Facebook page while new family additions in the DS world has led to a halt of the songwriting process for the follow up album. That’s how DIY Indie bands roll.

Don Dokken/George Lynch/Jeff Pilson/Mick Brown
In 2013 there was talk of a Dokken reunion but it never happened. Then finally in 2016 it happened and they all got paid well.

Since 2013, George Lynch has been the most creative of the four even though Don Dokken keeps on telling everyone that these projects didn’t do well commercially. Surely an artist should create because of a need to create, not because of a need to make millions.
• 2013 – Lynch Mob – Unplugged: Live from Sugarhill Studios
• 2014 – Lynch Mob – Sun Red Sun
• 2014 – KXM (featuring Doug Pinnick from King’s X and Ray Luzier from Korn)
• 2015 – Lynch Mob – Rebel
• 2015 – George Lynch – Shadow Train
• 2015 – Sweet & Lynch – Only to Rise
And Lynch has new releases coming out for Project N Fidelikah, Lynch Mob and KXM in 2016 and 2017 and it looks like Sweet and Lynch will have another album coming out as well.

Dokken on the other hand, released Broken Bones in 2012 and a rumoured project with Michael Schenker is still being talked about. Meanwhile, Jeff Pilson and Mick Brown have become touring go to guys for Foreigner and Ted Nugent.

Black Veil Brides
So in January 2013, the Black Veil Brides told us “The Story Of The Wild Ones”, their concept rock opera about standing up against the army of F.E.A.R., which was also adapted into a film called “Legion of the Black”. The lead single, “In the End” became a streaming behemoth for the band with 32,301,515 streams and still counting.

Then in October 2014, they released their self-titled album, otherwise known as “Black Veil Brides IV” with Bob Rock as the producer. It gave birth to a favourite of mine in “Goodbye Agony” and on Spotify it has racked up 7,105,442 streams. Sonically it’s one of their best recordings. Since then Andy Biersack issued a solo release and we wait for new music from BVB. Like a lot of other bands in music, having new music out on a yearly basis is the new thing, like how it was in the seventies and eighties.

Zakk Wylde/Black Label Society
In 2013, Zakk dropped “Unblackened” a live acoustic album, which was forgettable, but no one can forget “Angel Of Mercy” (currently it has over 1.5 million streams) and that unbelievable lead section from Zakk.

“Angel Of Mercy” appeared on the “Catacombs of the Black Vatican” album released in 2014. Then in 2016, we got another acoustic album in “Book Of Shadows II”, but what we want is another groove metal Black Label Society album.

Dynazty
Matt Heafy from Trivium tweeted once that he has found his new favourite band. And I don’t disagree with him at all. Sweden has a healthy hard rock and metal scene and Dynazty is another to add to that list. Hailing from Stockholm, Sweden, the band was formed in 2007 and it wasn’t until 2008 that they found a lead singer. Fast forward 8 years later and I am hearing the band for the first time in 2016.

And they sum up what it means to be involved in the music business. You exist today completely off the radar screen. And eventually, people will notice. But it takes time.

It makes me want to scream “Fire, Flames, Fury”.

Black Stone Cherry
It’s the era of the bands with Black in their band name. Black Sabbath, Black Veil Brides, Black Label Society and Black Stone Cherry just to name a few. Vocalist Chris Robertson on the earlier recordings sounded better than Chris Cornell ever did. In 2013, the band was recording “Magic Mountain” and it came out in 2014. While 2016 gave us the “Kentucky” album (the band’s 5th album) and the ten year anniversary of their debut album.

Standard
Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories

1983 – Volume 3 –Pyromania and Metal Health Are Breaking The Chains In Europe.

Being different was a uniqueness when I was growing up and it was the space heavy metal and rock musicians occupied. It was us vs. them mentality. The “them” was always a moving target. It could have been teachers, parents, police officers, neighbours or anyone else that did the wrong thing.

I grew up in a time where heavy metal music and long hair was frowned upon, where a person with a sleeve of tattoos was considered to be a freak in a circus show. Society bullied us. You couldn’t get a “real” job if you had piercings.

Music is best when it’s created and led by the outcasts, those artists that sit on the fringes. Record Labels and suits believe they know best, because all they care about is profits. When Quiet Riot exploded with Metal Health in 1983, it took everyone by surprise, but not the metal fans. Suddenly, our favourite form of music was becoming a mainstream commercial behemoth.

As soon as the bands started to find an audience that connected with their message, money started to roll in from large record label advances and tour revenue. Suddenly, everyone’s afraid to lose friends. Our favourite bands suddenly tried to have a career instead of destroying their career. All of those rough edges that made our heroes unique got polished off. And by the end of the Eighties, we had every band sounding the same, trying to cash in on the MTV Bon Jovi/Motley Crue/Def Leppard/Whitesnake/Guns’N’Roses formula.

But we still have 1983, when a lot of the bands recorded albums to build careers on. We still have 1983, when the record store section had one section called METAL and all of the bands fitted in.

Welcome to Part 3 of my 1983 saga.

It’s a few months late and if you want to revisit Part 1, click here.

If you want to revisit Part 2, click here.

Quiet Riot – Metal Health
“Metal Health” holds a special place in the canon of 80’s metal and hard rock and so it should for it’s the first album of that sound and culture to hit No. 1 on the Billboard 200 chart. In doing so, a band that got rejected a hundred times in the late seventies, pushed The Police from the top spot.

I never owned any Quiet Riot music until the mid-nineties, when I picked up their 80’s albums, along with the Randy Rhoads era at second-hand record stores and record fairs. So the only music I had from Quiet Riot in the 80’s was the video clips, that I recorded onto a VHS cassette tape staying up late at night. “Cum On Feel The Noize”, “Bang Your Head”, “Mama Were All Crazee Now” and “The Wild And The Young”. That was it.

And it was two songs in constant rotation on music television that sold this album. “Cum On Feel The Noize” and “Bang Your Head”.

Metal Health (Bang Your Head)
The opener and the united metal head soundtrack, when we all believed in the same form music and didn’t segregate into little factions that the record labels like to call “Genres”.

“Bang your head, metal health will drive you mad”

Enough said.

The whole musical structure is tasty but that chorus riff has enough power to crush the power chords from Malcolm Young.

I’m like a laser 6-streamin’ razor
I got a mouth like an alligator
I want it louder
More power
I’m gonna rock ya till it strikes the hour

It’s clichéd and a thousand bands had similar themes. You were either a long-haired rocker or a black t-shirt metal head standing up against the establishments so you could listen to the music you love. And we congregated to the churches of the record stores and the arena’s, to show our love and appreciation to this godly music.

Cum On Feel The Noize
A lot of the metal fans had no idea this was a cover. Hell, I didn’t when I first heard it. We didn’t own a lot of music back then. Only the credits on the album (if you owned it) would have told you it was a cover, or the reviewer of the album would mention it.

So you think my singin’s out of time
It makes me money
I don’t know why

A lot of the bands in the 80’s didn’t have the most technically gifted singers. It was more of a lifestyle than a job. DuBrow was not the best singer on the planet, yet he became he star.

So cum on feel the noize
Girls rock your boys
We’ll get wild, wild, wild

All the boys wanted to rock and roll with the girls.

Don’t Wanna Let You Go
It’s got potential musically, but lyrically, DuBrow serves up crap.

Breathless
Musically it’s good, but the lyrics let it down.

Run For Cover
It’s a speed metal song and musically I love it.

How good is the whole solo section?

It starts off with the frantic drums, then the lead guitar kicks in, then the whole band joins.

Let’s Get Crazy
What came first, “Fight For Your Right” from the Beastie Boys or “Let’s Get Crazy” from Quiet Riot?

While “(You Gotta) Fight for Your Right (to Party!)” reached no. 7 on the Billboard Hot 100 and was named one of The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll, Quiet Riot’s “Let’s Get Crazy” is virtually unknown.

The riffs are identical and the vocal melodies are more or less pretty close.

Lookin’ for some action, want a mean machine
Gettin’ hot ‘n’ nasty, climbin’ in-between

Both songs are great and a perfect indication of how music is the sum of our influences. But in today’s world, these songs are perfect for a plagiarism claim.

I’m-a rockin’ in the mornin’ and in the night
I’m gonna find a mama makes me feel right

For the other songs, I preferred the Randy Rhoads version of “Slick Black Cadillac” and while “Thunderbird” is mentioned as a tribute to Randy Rhoads, I believe it wasn’t really written to honour Randy. I believe the song was written before Randy’s death and it was just a cash grab from DuBrow or the label to capitalise on it. Seriously, DuBrow has the lyrics, “leave your nest baby” in the song.

Every album after, got worse and eventually DuBrow left Quiet Riot and Paul Shortino was in. But the debut of the 80’s version of the band stands as a testament to paying your dues.

Def Leppard – Pyromania
Def Leppard doesn’t exist in the world of iTunes and Spotify except for a few re-cut versions of some of the classics.

The reason is money.

The record label wants to pay Def Leppard a royalty based on vinyl sales for streaming, however Def Leppard believe they should be paid at the higher licensing rate. And the labels are paid a monza to license the music they hold the copyrights on but then pay the band a royalty on sales and listens. Def Leppard said FU to the offer and because of it, we have no classic Lep on Spotify.

In 1983, there was “Pyromania” and everything else. The Lep’s wanted to be on top of the pop charts. That was their mission. The rise was slow but gradual. If you like rock and metal music, you would like this album. If you liked pop and other forms of music, you would still like this album. And the people responded in the millions, with sales breaking through the million barrier all over the world.

There is a great write-up over at the teamrock.com website which I have taken some sections from.

The “Pyromania” story begins with “High’N’Dry”. The album and the tour didn’t do anything spectacular in the sales department.

“That album didn’t do what we all hoped it would. And touring the UK was a complete waste of time. We were pulling in 400-500 people in 2000-seat theatres.”
Joe Elliot

Def Leppard was then given a supporting slot on the European Leg “Point Of Entry” tour by Judas Priest. But they never had a chance to make an impact, coming on second after Accept and their “Balls To The Wall”. The tour finished in December, 1981 and by February 1982, the band had most of the songs written for their third album.

As the article over at teamrock.com states;

Some of the songs were brand new, built from a stockpile of riffs the band had worked through after the “High ‘N’ Dry” tour. But they also remodelled a couple of older songs that hadn’t made the cut for “High ‘N’ Dry”: “Medicine Man” was beefed up and renamed “Rock Rock (Till You Drop)”, and a previously unfinished track, described by Joe as “a dual-guitar pop song”, was finally completed, and titled “Photograph”. Aside from drummer Rick Allen, every band member contributed to the writing, as did Mutt Lange, who co-wrote all of the album’s 10 tracks. Guitarist Pete Willis wrote the riff to “Rock Rock (Till You Drop)”. Their other guitarist, Steve Clark, a Jimmy Page fan, created the Zeppelin-styled epic “Billy’s Got A Gun”. Rick Savage came up with the express-train rocker “Stagefright”.

Recording began in March, and money was tight. The band was in debt to their record company to the tune of £700,000, and each band member was on wages of £40 a week.

A cold hard fact on the realities of the recording business and their creative accounting is the debts bands incur. It was this “money is tight” situation that led to Pete Willis getting the boot from the band and Phil Collen joined. However, as the article states;

Elliott is keen to stress the importance of Pete Willis’s contribution to Pyromania. The guitarist co-wrote four of the album’s 10 tracks, including Photograph, the key hit single. And despite his run-ins with Mutt Lange, Willis also played the rhythm guitar parts on every track. Phil Collen joined the band for the final stages of recording, when they returned to London for overdubbing and mixing at Battery Studios. Collen played solos on five of the tracks, with Steve Clark taking the other five.

The album finally hit the streets in January 1983. But.

In the UK Pyromania was still selling slow. It peaked at No.18. And after a showcase gig at London’s Marquee club on February 9 the band’s British theatre tour drew disappointingly small audiences. Joe called it “The Nobody Cares Tour”. In America, however, it was a different story.

MTV put the songs “Photograph,” “Foolin’” and “Rock of Ages” on constant rotation. So did the other video shows. And in all honesty they looked geeky compared to the American bands but with the help of Mutt Lange, they blew up the rock/metal paradigm. Suddenly rock and metal bands changed the way they recorded. NWOBHM bands started to sing more melodically and with backing vocals. They had too, if they wanted to survive in the new world.

“Pyromania” takes its pop rock cues from Journey’s “Escape”, Loverboy’s self-titled debut, Foreigners “4”, Reo Speedwagon’s “Hi Infidelity”, .38 Special’s “Special Forces” and Boston’s larger than life Chorus’s from their self-titled debut released in 1976 and the follow-up “Don’t Look Back” released in 1978. The rock and swagger comes from AC/DC’s “Back In Black”, Queen’s and Led Zeppelin’s 70’s output.

More pop rock influences came from Slade, The Sweet, Mott The Hoople, T-Rex and David Bowie. The metal overtones come from Deep Purple, Judas Priest and Scorpions.

Joe Elliot once said that he wanted the power of AC/DC mixed with the variety of Queen for Def Leppard.

Rock Rock (Till You Drop)
Mutt Lange is digging in to his AC/DC “Back In Black”/“For Those About To Rock” and Foreigner “4” experiences with “Rock Rock (Till You Drop). It’s a sound and groove that Cinderella and Kix and many other wannabe acts would put to good use to build careers’ on.

Hold on to your hat, hold on to your heart
Ready, get set to tear this place apart
Don’t need a ticket, only place in town
That’ll take you up the heaven and never bring you down

Anything goes
Anything goes

Are they singing about the rock and roll show or the real meaning of what rock and roll meant back in the 30’s to the Black Blues artists of that era.

Women to the left, women to the right
There to entertain and take you through the night
So grab a little heat and come along with me
Cause you mama don’t mind, what you mama don’t see

Anything goes
Anything goes

It looks like the “rock” in this song is not the musical “rock” at all.

Photograph
There is no denying the riff. It’s as good as any of the classic riffs that guitarists play in guitar shops and so forth. Structurally, the song goes all AC/DC style riffing in the verses and pop rock like in the Chorus.

I see your face every time I dream
On every page, every magazine
So wild and free, so far from me
You’re all I want, my fantasy

This is Def Leppard trying to bottle the magic of the song “Centrefold” in a rock/metal context or it could be just a stalk like anthem of someone Joe had seen in a magazine.

Stagefright
It’s got this Sweet “Action” vibe merged with metal riffage in the verses with a pop chorus.

You’re going for my head, you’re going down
Gettin’ good at being bad, you’re hangin’ ’round
A fun inspired asylum, toys for the boys
Love on the rocks, forget-me-nots, you got no choice

Is it about groupies?

Too Late For Love
As soon as this song starts off, I swear I’ve heard it somewhere else. The Em – C – D, G – D, C – Em is instantly recognisable.

Somewhere in the distance I hear the bells ring
Darkness settles on the town as the children start to sing
And the lady ‘cross the street she shuts out the night
There’s a cast of thousands waiting as she turns out the light

The lyrics are interesting to say the least as they set up different scenes with each verse.

Die Hard The Hunter
Let’s welcome home the soldier boy (far away, far away)
No angel of mercy, just a need to destroy (fire away, fire away)
Let’s toast the hero with blood in his eyes
The scars on his mind took so many lives

You feel sad as soon as the Emadd9 clean tone arpeggios kick in and it gets even sadder when Joe starts singing “Let’s toast”. Then it goes into a riff that Queensryche used when they wrote “Revolution Calling”.

That section from 4.05 to 5.05 always gets me to stop what I’m doing and start paying attention.

Foolin
The opener to Side 2, with that majestic guitar part.

“Foolin” was not my favourite song on the album, but hearing it almost 20 years, I realised the magic was in the arpeggiated intro and the eventual build up with the layered backing vocals singing “Is anybody out there?”. And I now dig it. It stands the test of time.

Lady Luck never smiles
So lend your love to me awhile
Do with me what you will
Break the spell, take your fill
On and on we rode the storm
The flame has died and the fire has gone
Oh, this empty bed is a night alone
I realized that-ah long ago

The music and the vocal melody are top-notch in this intro section.

Is anybody out there?
Anybody there?
Does anybody wonder?
Anybody care?

The backing vocals in this section are brilliant. We spend so much of our life looking into the past that we don’t see what’s right in front of us.

The lead break begins with a call and response. It reminds me of “Over The Mountain” from Randy Rhoads and Ozzy.

Rock Of Ages
The first time I heard em. My cousin Trajko had a lot of VHS tapes full of metal and rock music videos he taped from the TV stations or from friends. On a visit to his place, he dubbed me three of them. For those who grew up in the 80’s, we dubbed videos by connecting two videos together, so while one video played the image on the TV, the other video was recording it.

Yeah, it’s better to burn out
Yeah, than fade away

A rock and rollers creed.

Rise up, gather ’round
Rock this place to the ground
Burn it up, let’s go for broke
Watch the night go up in smoke

Rock on (rock on)
Drive me crazier
No serenade, no fire brigade
Just the pyromania, come on

This is the embryo of “Pour Some Sugar On Me” and they take inspiration from Queen, by using songs like “We Will Rock You” and “Another One Bites The Dust” as influences for the verse delivery/structure.

When the Chorus comes in after two verses, it’s well worth the wait. “Don’t Stop Believin’” from Journey also used this kind of song structure.

Rock of ages, rock of ages
Still rollin’, keep a-rollin’
Rock of ages, rock of ages
Still rollin’, rock ‘n’ rollin’

You won’t be able to stop yourself from singing along with the chorus.

Comin Under Fire
This song is a must for any wannabe guitarist. It merges 70’s classic rock, with NWOBHM with Scorpions Euro Metal.

The intro alone has it all. Arpeggiated guitar lines hook you in and then the pedal point riff blasts through the speakers. When the verses come in, we are greeted with volume swells that outline the different chords.

Is it any wonder?
You got me comin’ under fire
Comin’ like thunder
You know you make me walk the wire

Like the pre-chorus of “Foolin”, the chorus of “Comin Under Fire” has excellent layered backing vocals. Lyrically, it’s not the best, but musically, it rules.

Billy’s Got A Gun
Never underestimate the ability of a song to paint a picture.

This is my favourite Def Leppard cut and it has so many good bits.

The verse bass riff reminds me of “Heaven and Hell”. The backing vocals are so layered, melodic and operatic. The overall drum groove reminds of “Kashmir”. And I guarantee you that Chris DeGarmo, Geoff Tate and Michael Wilton all had this album and paid particular attention to this song as the “Operation Mindcrime” album is very influenced by “Billy’s Got A Gun”.

Billy’s got a gun, he’s on the run
Confusion in his mind, the blind leads the blind
Yeah, Billy’s got a gun, he’s gonna shoot ya down
He’s got evil in his eyes, got a reason to despise
There’s danger in the air

It sets the scene of what Billy is about to do as he is hell-bent on revenge for doing time, for a crime, he didn’t commit.

In a world of black and white, they were wrong and he was right

A powerful lyric.

And you get an unbelievable solo and an ending that makes you press play again, so you hear the album over and over and over again.

As time marches forward, the greatness and power of this song is being forgotten. Not on my watch.

Europe – Europe
When Europe broke through into the mainstream in 86’ with “The Final Countdown”, the triumph seemed like it happened overnight. But the reality is so much different. And once word started to spread, people took notice and the band would never be the same.

But before “The Final Countdown”, there are two albums. The self-titled debut released in 1983 (and it’s not on Spotify) and 1984’s “Wings Of Tomorrow” (also not on Spotify).

There is always something unique and interesting to hear a bands early music. To me, it always captures a point in time when a band is free to write what they want and develop their style away from the mainstream and record label know it all’s.

The debut doesn’t have the sale numbers as “The Final Countdown” or “Out of This World”, but that doesn’t mean it doesn’t rock as hard. Hell, it was finally released in Australia in the 90’s, which I picked up as a cassette.

To me, the album captures a form of classical inspired metal, drawing influences from U.F.O, Randy Rhoads era Ozzy, Scorpions, Accept, Rainbow and Deep Purple.

In the Future to Come
John Norum goes to town on this song. It’s guitar heavy and it’s littered with so many good things.

  • A classical inspired intro that ends with double stop bends.
  • Power chords over a galloping pedal tone.
  • A shred like lead break.

Drummer on this album is Tony Reno, not Ian Haugland. And there is no Mic Michaeli on keys either.

So many years ago the people on this earth, they were laughing
They didn’t think of anything else than love and peace
But generations failed to see that they were causing trouble for the future
They didn’t know that one single war would continue to increase

For a young band, these are very social conscience lyrics.

Oh lord, where will it end
When tomorrow is gone
Oh lord, can we stop to pretend
That we can survive in the future to come

How much freedom do we really have when our governments are spying on us and we are so busy working we haven’t got time to think or care about the loss of our liberties?

Seven Doors Hotel
A piano riff rooted in classical music kicks the song off. It’s the calm before the storm. It’s a great riff that kicks in.

Seven Doors Hotel
One of seven gates to Hell

The seven seals to open before a judgement is released or the apocalypse begins.

Do always watch out for things
That you see but don’t understand
The Devil is there always somewhere
Ready to command

In Australia and the U.S, the use of the “devil” in lyrics would have caused some controversy. However, in Europe and it’s million churches, it looked like it was accepted.

The King Will Return
Another song with roots in classical music and the Phrygian Dominant scale.

The king will return with gold in his hands

But he didn’t return alive.

Children of This Time
It’s got the gallop that Iron Maiden put to good use in “The Trooper”. Again, the overall roots of the song is inspired by classical music and the Phrygian Dominant scale.

You are the children of this time
You are the bread and the wine
You are companions ’till the end
You’ve got yourselves to defend

Another song with social conscience lyrics, that has Joey Tempest asking people to be there for each other and support each other until the end. I really dig the lead break from Norum.

There is a pretty cool review of the album over at mikeladano.com

Dokken – Breaking The Chains
I didn’t get this album in 1983. I got it in the 90’s. Dokken was another band introduced to me in 1986 via a dubbed VHS copy of their “Unchain the Night” video and to be honest it was a great introduction.

“Into the Fire”, “Alone Again” and “Just Got Lucky” from “Tooth and Nail”, “Breaking the Chains” and “The Hunter”, “In My Dreams” and “It’s Not Love” from “Under Lock and Key” all appeared on it.

I was an instant fan and I started to notice George Lynch appearing in the guitar magazines I was buying at the time. Also that year, a badly dubbed copy of “Heavy Metal Parking Lot” came my way and it interviewed people before a Dokken and Judas Priest concert.

Then “Dream Warriors” came out via the “Nightmare on Elm Street 3” movie and suddenly Dokken was on my radar of bands I needed to purchase. So my first actual purchase was the “Back For The Attack” album.

Even back in the 80’s we didn’t have any time. Lifestyles were different and we went out more than what we do today. Our music wasn’t really portable, so we didn’t take it with is. But when something great starts spreading by word of mouth, we find time. You can see how an accumulation of events via word of mouth and pirated video tapes led me to Dokken fandom. If there’s no word of mouth about your act, then it’s time to go back to the drawing board.

Breaking The Chains
The riff is excellent and far removed from the L.A sound that was happening at the time. But what I remember most about this song is the tacky camera angles on the chain like strings on Lynch’s guitar, plus Don’s terrible lyrics.

“Breaking The Chains” had the title for another teen angst anthem however Don delivered very confused lyrics loosely based on heartbreak.

How can you take these lines seriously!!

Got this letter
Came today
From my baby
Who left me yesterday
Said she loves me
She’ll come back
She wants to try

But it was the 80’s and it was cool to be this tacky once upon a time.

In The Middle
This is more in the vein of the L.A sound.

In the middle
Of love

I dig the music, the vocal melodies, but not the choice of words.

Live To Rock (Rock To Live)
Another speed metal song. This one is written by Lynch, Croucier and Dokken.

Run out of breath
And I feel I’m moving too slow
Backwards and forwards
I don’t know which way I should go

You know the feeling. You worked hard all week and you spent so much time away from loved ones and things that you like. You get paid and nothings really paid off. Outstanding bills still remain and to top it off, your car broke down. And you ask yourself the question, “Did you live up to your promise?”

Live to rock
Rock to live
It’s all you got when
You’re down on the skids
Live to rock
Rock to live
One way or another
Survive until the end

Pop music, written by a committee of writers, rules the mainstream. But we live in a world of chaos. We have so much music on hand, we don’t where to start. Hell, we don’t even know what is out there most of the time. I dig this modern era, but in the 80’s it wasn’t like that. We had gatekeepers, self-appointed people who would act as filters. And the youth just wanted to rock. So we looked for artists who would inspire those passions.

“Live to Rock” is one of many songs that capture’s this feeling. It was an innocent era, with great ideals, before our heroes became busy chasing the dollars.

There is a reason why the 80’s produced acts who are still going strong and it’s called scarcity.

When we purchased an album, we stayed up all night listening to it. Even though it had one good song on it. Our view was, if we gave our money, we had to get a return on our investment because we knew we didn’t have any more funds to purchase new music for at least another fortnight (if we were lucky), so we had to listen to it.

Feeling it flow through my veins
Rock will never get old

Damn right. It’s always been there in the undertow. And in some era’s it’s the raging river.

Nightrider
Musically it’s excellent, but the lyrics are stupid.

In the car, slam the door, turn the key and I’ll be free
On that highway tonight

See what I mean.

Paris Is Burning
The original studio version didn’t cut it, so a “live version” was used instead. Live is not really live, as all of the tracks get re-recorded in a studio, along with the vocals. So after some doodling by Lynch that made me want to go back in time and unplug his guitar cable, good ol’ Mick Brown blasts the song off.

I don’t get the lyrics but I love the music and the vocal melodies. I just wished they used better words for the melodies.

The first two lines in the opening verse deal with getting out of his town, sort of like “We Gotta Get Out Of This Place” and then the verse finishes off with two lines about a woman who became so hard and cold. Check it out for yourself.

This town I’m in can’t take no more
Decadence and sin
You were my woman
Why’d you have to be so hard and cold

And then we are into a Chorus that again doesn’t make sense or have any logical flow.

Paris is burning
Want to see it from afar
Paris is burning
Want to get to where you are

But that was the 80’s and it was allowed.

Stay tuned for Part 4.

Standard
A to Z of Making It, Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

1991 Goodies Lost In The Noise

1991 was a monumental year for music. Shifts in musical tastes aside, career defining albums by Nirvana with “Nevermind”, Metallica with their self-titled “Black” album and Pearl Jam with “Ten” came out.

Guns N Roses released “Use Your Illusion 1 and 2”, the long-awaited follow-up to “Appetite For Destruction” and Ozzy Osbourne resurrected his solo career with “No More Tears”.

U2 had “Achtung Baby”, Van Halen went back to heavy guitars with “For Unlawful Carnal Knowledge” and Red Hot Chilli Peppers came out with “Blood Sugar Sex Magik”.

Competing against these mega selling albums with massive marketing budgets to scorch the Earth, was the rest of the music industry. And while I am on my European holiday, I have been listening to hard rock music released in 1991. And man, there are some goodies in the list.

Rock and Roll Nights – Roxus
A band like Roxus from Australia, never had a chance to break through on the international melodic rock scene in 1991. A lot of hard work went into building the band, from standalone singles to an EP to the debut album; the whole journey took 4 plus years.

And they started getting some traction in 1991 but they came up against some stiff opposition for the attention of listeners. With all of that against them, Roxus did chart well in Australia.

But they had to compete against the changing of the guard. When U.S record labels started signing up Seattle acts, it was no surprise when the Aussie labels started to sign up Australian bands that suddenly started to sound like Seattle bands. To my amazement, hard rock, thrash metal and glam rock bands on the scene down tuned, stop playing solos, changed their look and their sound. All in the quest for a recording contract.

A chance is all that we’ve got
Without a moment to choose
We’ve got to take it
Young hearts in the night
With nothing to lose
We can make it

It’s nothing original but the message was the same throughout the decade. Chances are far and few, so when opportunity presents itself, we’ve got to take the chance. Like Tommy and Gina. Like the small town kid in Detroit.

I’m glad to be around in Rock ‘n’ Roll nights
You and me

It was a moment in time, a period of almost 10 years when the 80’s version of Rock and Roll became a commercial force.

Stand Back – Roxus

The synth intro is addictive and once the guitars kick in from Dragan Stanic, it’s all systems go. “Stand Back” came out as a standalone single in July 1989 and it was also on their debut album “Nightstreet”, which came out in September 1991.

Taking a chance on a night flight
Knowing just where we ought to be

A lot of times in my youth I knew where I should be, but I couldn’t take that chance to get there. That midnight train out of my hometown was missed. That night flight never happened.

I’ve been on this road now for so long
It’s making me harder now

Living and getting older either hardens you or breaks you.

Stand back, human racing
There’s no change, we’re all facing
Stand back, time is racing now

And that is all we seem to do. Just standing back and watching the world go by.

Pretty Maids – Savage Heart

It’s from the “Jump the Gun” album released in 1990. Actually in the U.S it was released as “Lethal Heroes”. Produced by Roger Glover from Deep Purple, it was told that the album was one of the most expensive albums in Danish history. And after it failed commercially, three fifths of the band would leave.

But it wasn’t the music which let the band down. It was the band name. Many times I avoided purchasing this album because of the band name. One time it was down to Bonfire and Pretty Maids and my money went on Bonfire.

The song reminds me of “Is This Love” from Whitesnake.

Whenever we lose someone
Whenever we say goodbye
And after the fire’s gone
When every flame has died
There will beat a savage heart

After so many loses and failures, a savage heart is all that is left.

Another soldier falls
Dies for God and country
When there’s no time for talking
It’s time for the guns

A symptom of our society is the use of guns. If talking cannot prevent it, our leaders believe violence and force is the next solution.

 

And that massive ending, with the gospel backing vocals is excellent. 

AC/DC – The Razors Edge

The title track written by Malcolm and Angus Young got lost behind the behemoth known as “Thunderstruck”. It’s a killer track. One of their best.

How good is that open string riff that drives the song? It’s a simple A to B to C on the G-string progression with the open strings of B and E just droning along. Angus pulls of this lick while Malcolm just thunders along with the E5 power chord.

There’s fighting on the left
And marching on the right
Don’t look up in the sky
You’re gonna die of fright
Here comes the razors edge

AC/DC have never been known to be a political/social conscience band, however if you look at a lot of the lyrics that Bon Scott wrote in the 70’s, you will see a certain social awareness. You will notice that quiet a few of the songs mentioned in this list talk about war.

Harem Scarem – Hard To Love and Slowly Slipping Away

Both tracks are from the self-titled debut album, the music in both songs rocks.

It wasn’t until well into the 2000’s that I got a hold of some music from Harem Scarem. While the first album is very AOR, the second album “Mood Swings” packs some serious metal overtones and some wicked guitar playing.

The band name doesn’t do the music and the songs justice. Like Pretty Maids I bypassed this album because of the band name.

Badlands – The Last Time

Jake E Lee revs it up again for the follow-up “Voodoo Highway” album to the self-titled debut. And what an opening track, where Lee weaves blues based riffs with his metal pedigree to come up with this heavy boogie riff to kick off the track. Rooted in the key of A minor, the track rocks from the outset.

Lyrically the song is about a broken heart (nothing really earth shattering) however the vocal performance by Ray Gillen is also top-notch. Not long after, the band splintered and “The Last Time” is forgotten in the history of times. The song was resurrected by the Red Dragon Cartel, however Lee is not having much luck with his singers.

Stryper – All For One

From the commercially disappointing “Against The Law” that was released on Enigma Records, a label going thru merger talks.

But there is no denying the song, written by Michael Sweet and produced by Tom Werman.

United we will stand up tall
United we will never fall
If it’s all for one and one for all

The chorus is huge and the message is strong.

United we will never fall. Even Dee Snider mentioned recently that metal heads need to unite again, in the same way we did between the years of 1982 to 1987. We made hard rock and heavy metal a commercial force. After that we fragmented into so many different metal genres, it was ridiculous.

Ratt – Shame, Shame, Shame

The opening riff from Warren DeMartini is speed boogie metal. It’s full on Ratt and Roll and DeMartini even drops the E string down to D, something he did to great effect in “Lay It Down”.

But terrible lyrics again let the song down and the overall power of the music is lost. But this song is all about the music to me and it gets constant spins because of it.

Asphalt Ballet – Soul Survive

It’s written by guitarist Danny Clarke, from their 1991 debut album released on Virgin Records who at the time had no interest in marketing bands as they were in negotiation talks with EMI. That merger happened in June 1992 and a lot of bands lost their deals because of it.

I’ve seen the system fall apart from the rules
And all our Presidents lie
I’ve seen the needle and the damage it’s done
The wreckage left behind

These are social conscience lyrics that a lot of rock bands just didn’t do at the turn of the century. Or if they did do songs like this, the record label wouldn’t release them as singles. How good is that verse riff?

My soul survives
Forever doing time on a dead-end street
My soul survives
Blood like wine running down to my feet, yeah-yeah, yeah!

And for the majority of us, that is how we live our days, doing time in the same old place with the same old faces.

Skid Row – Quicksand Jesus

Written by Rachel Bolan and Dave Sabo, it’s from the gigantic “Slave To The Grind” album, but for some reason this song went under the radar but it’s a masterpiece.

Quicksand Jesus I need you
Quicksand Jesus I believe you
Quicksand I’m so far away

The song is about trying not to lose faith in God with all the crap that goes on in the world. The music is brilliant and Sebastian’s vocals from the “Where do we go” section are sublime.

Richie Sambora – Stranger In This Town

Written by Richie Sambora and his Bon Jovi cohort Dave Bryan, you cannot escape this addictive track that is heavily influenced by “With A Little Help From My Friends”.

Everybody loves a winner
Till the winners lose
And then it’s front page news
Nobody loves a loser
When you’re down and out
You know there ain’t no doubt

This is Richie, unsure of his future. He just finished two gruelling album and world tour cycles with Bon Jovi. He was a winner. Then, the uncertainty came as the band went on a break. He had no record deal, no management, nothing.

“Song And Emotion” from Tesla has a similar message. Where are all the “friends” when you are down and out? Dee Snider’s bio tells a similar story. When he had nothing, he had no one except his family.

Tesla – Song and Emotion
Tesla – Freedom Slaves
Tesla – Had Enough

Even though the “Psychotic Supper” album was eventually certified platinum, on release it didn’t have a chance to break through to the masses. Within 30 days of its release it had to contend with “Ten” from Pearl Jam, “Nevermind” from Nirvana, “Use Your Illusion 1 and 2” from Guns N Roses and the self-titled “Black” album from Metallica.

Tesla is a legendary band in my book. Each album has songs that have remained with me to this day. “Psychotic Supper” gave me these three beauties. All of them are so different, yet so infectious.

“Song and Emotion” is killer. It’s written by Frank Hannon, Jeff Keith, Michael Barbiero (producer) and Tom Skeoch.

All alone on his way to the top
Somehow, somewhere, something was lost
Through it all he knew his only friend was
Song and emotion
Know he’s got to his dying day

Read all of the bios of the artists you like and there is a common theme of loneliness. They turn to drugs, booze and other vices to cope with the loneliness especially when they are on the road for long periods of time.

Where are they now?
Where are those people who promised him his dreams?
Where are they now for this lonely creature on the streets?
Broken, humbled by the cold reality?

The song is dedicated to Steve Clark from Def Leppard. The bigger Def Leppard got, the more isolated their lives became. The price of stardom meant they couldn’t leave their house without an entourage.

Life at the top ain’t always what it seems

It’s a common critique of artists when they’ve made it.

“Freedom Slaves” is a foot stomper with another killer mid-section and solo. It’s written by Frank Hannon, Tommy Skeoch and Brian Wheat.

I pledge no allegiance to your flag
I feel I got me some damn good reasons for feelin’ bad
If you want freedom now, it’s got to be won
It’s only bullets. It’s just a gun

1991 had songs about war, especially with the Gulf War looming over our heads.

Can’t ya see that we’re all freedom slaves?

Freedom comes at a human cost, but then when our freedoms are hijacked by corporations and leaders in the pocket of lobbyists, we become capitalist slaves.

Welcome to freedom. Now, there’s work to be done.

There is work for the ones that have no alternative. They don’t have the degrees, the fortune 500 jobs or some other helping hand.

I don’t know what next they’ll be killin’,
Rapin’ the land with pollution and spillin’.
Here’s to the tired, to the hungry, to the helpless and the poor.
Is there no glory for blisters and sores?

The world was in GFC turmoil, six years ago. The perpetrators got out without any losses, while the working class, lost houses and their jobs. As the lyric states, there is no glory in blisters and sores.

“Had Enough” opens up with a beer can opening and then the riff kicks in. It’s a head banger about downing a few and smoking some weed.  It’s written by Jeff Keith and Tommy Skeoch.

Me and the boys are gonna rock tonite.
Drinkin’ double shots, feelin fine. Mmmm, I like it!
I like the way, the way it makes me feel.
Now, I’m in love witcha, Lady Mary Jane.
You put my mind at ease, make me feel no pain.
Keep takin’ me; keep takin’ me higher, well, and higher.
Light my fire!

The song is all about the high at the start and by the end the character in the song has passed the point of no return and is now addicted.

Have I reached the point, the point of no return?
When will I learn?

White Lion – Warsong
White Lion – It’s Over

Almost five months after “Mane Attraction” came out, White Lion split up and one of the most melodic and expressive guitarists was lost to us.

Mike Tramp wrote good social consciousness lyrics but his take on clichéd rock and roll themes fell short and failed to compliment the outstanding musicianship of Vito Bratta.

In all of this craziness, two songs stand out to this day.

“Warsong” shows the metal side of Bratta, while “It’s Over” shows the classic blues rock side of Bratta.

What are we fighting for?
When the price we pay is endless war
What are we fighting for?
When all we need is peace

When you look at the wars our homelands have been in and for what purpose, you start to question, why.

I know that I was wrong to treat you like I did
But don’t you think our love deserves a second chance 

The above is from “It’s Over”. The blues 12/8 boogie lays the foundations for Bratta to showcase his prowess.

Once the mirror breaks it’s never the same. Same deal with a relationship. Once you break apart once, it’s over. White Lion fragmented without even arguing. It was just time to say “It’s Over”.

Europe – Seventh Sign

“Prisoners In Paradise” album cycle was a lesson in record label politics. Europe wrote 20 songs and the record label rejected a lot of them. Outside writers got the call and Europe kept on writing songs. Eventually after 12 months, the album was done.

It cost a lot and once it was released it was left to fend on its own, without any record label support.

We could all come together
And gather all around
What good is war when we
All go down

Another song with a reference to war.

Savatage – If I Go Away

The whole rock opera from Savatage was an ode to making it, the vices that come with success and the loneliness once the crowds are gone.

Somewhere on that long lonely road
We all stand alone
Looking for clues
From our different views

That’s why we turn to music and the messages in our favourite songs. We are looking for clues from our artists. Maybe they’ve experienced the same.

If I go away
What would still remain of me?

What memories will people carry forward if they go away?

Screaming Jets – Better
Screaming Jets – Fat Rich Cunt

Screaming Jets is an Australian band that basically has legendary pub status within our shores.

They said you’d never get anywhere,
Well they don’t care and it’s just not fair
That you know, and I know better.

“Better” became like a national anthem in Australia. The whole groove of the song is infectious.

Fat Rich Cunt

It’s one of my favourites on the album. The message in the song, is even more relevant in 2016.

You drive your fast car,
All over the town,
You got your offices up 50 floors from the ground.
You hire your slaves to bid for you,
You’ve got a couple of wives and a mistress or two.
And I can’t wait to see you tumble and fall.

When I worked as an insurance broker, all of the people around me had second or third marriages, mistresses on the side and a cocaine habit to match.

You fat, fat, fat rich cunts.

The war cry.

Standard
Music, My Stories, Unsung Heroes

2015 – Part IV: My Horns To The Sky

NUMBER 13:
Halestorm – Into The Wild Life
Adele might get all the press, but Lzzy Hale is the one that will outlast them all. This is a pretty solid album and each week it’s still selling units and it’s being streamed. Spotify tells me that 3 million unique listeners streamed 330 years worth of Halestorm music. As an artist, that is all you can ask for.

“All you doubters and haters, actors, and fakers, I don’t have time for you” ….. from “Scream”

The truth is; we do have time for the doubters, haters and fakers. Initially, their spite; upsets us. In time, we harden up and are able to shrug it off.

“’Cause I’m a sick individual and I’m doing this thing called whatever the fuck I want” ….. from “Sick Individual”

It’s a brilliant play on words.

“And just like old school Sabbath, Zeppelin, and Lemmy
I need to drop it down low and make it heavy” ….. from “I Like It Heavy”

“Since I was 13 years old, I’ve had my horns to the sky” ….. from “I Like It Heavy”

I dig the reference to Lemmy instead of Motorhead. His legend is bigger than that of his band.

NUMBER 14:
Europe – War Of Kings
Europe had massive success back in the 80’s. You could tell that while they had fun, they just weren’t comfortable being in a pop world. You could hear in their music that they wanted to explore more territory creatively. And they did just that with their reunion in 2004. Five albums later they are making more money now than what they did in the Eighties. They have their own company, own their music and license it to people who want to work with the band. They plan their tours and merchandise. They work really hard on social media.

Spotify tells me that 6 million listeners played 240 years worth of Europe music in 2015.

I’m a big fan of Europe’s return to mysticism in the lyrics and personal reflection. They have re-invented themselves. And for lovers of the seventies Euro Rock influences, then “War Of Kings” is the album. Dave Cobb who produced “Rival Sons” is on hand to produce.

“Hit” songs on this album are “Days Of Rock N Roll” (how good is that riff), “War Of Kings”, “Children Of The Mind” (what a groove), “Angels (With Broken Hearts) and “Rainbow Bridge” (for the exoticism groove).

“Somebody told me, it’s all the same now
Somebody told me, we’ve had our turn
Gotta believe that times still ours” ….. from “Days Of Rock ‘n’ Roll”

I remember reading interviews with Europe during the writing and recording of “Prisoners Of Paradise” and how the record company asked them for “hits”. Eventually the album comes out; in a marketplace that was changing and morphing into an anti-rock movement. You can just imagine the record heads then telling Europe, “your career is over, your style of music is finished and there is a new style replacing the old style”. Sort of like “Ten Thousand Fists” from Disturbed.

“Nothing can touch the living hope the human spirit owns” ….. from “Rainbow Bridge”
“We build our lives, hopefully the one that we choose” ….. from “Angels (With Broken Hearts) Lyrics”

A decision was forthcoming for one of my kids, that as a parent I had to make for him. The road he will be on next year is a decision that was made solely by me, as a parent. Based on the information at hand right now, it feels like the right decision. Years into the future, hindsight might prove otherwise. And that is life in a nutshell. Born into this world, the main decisions are made by our parents. They set a course for our lives and hopefully it is not too far detached from the life we want to live when we get older.

NUMBER 15:
Periphery – Alpha / Omega
I saw Periphery at a small pub in Sydney called the Annandale Hotel. Impressive was the fact that six of them fitted onto that tiny stage that my three piece band once upon a time couldn’t fit on. It was a sold out show and Periphery didn’t disappoint.

I must say that I am a fan of their songs when they have more clean tone and melodic vocals instead of the screaming/growling vocals. In saying that some of their songs like “Ragnarok” have a mixture of both and a song like that needs that style.

I have seen some websites call them the modern face of metal. Periphery is a band that is technical. Nowadays, the odds are stacked against most bands that deviate from the basic verse-chorus formula. In my view, bands like Periphery and TesseracT always need to innovate with each release. Their style is such that they can borrow/be influenced from any musical style, culture/genre and fans expect that innovation.

And they are a band that is from the people, being formed via forums, blogs and other social media websites. Fans of the band ended up in the band. And they are realistic in their goals. They know they will not be as big as Metallica. So they play to their core and their core sustains them.

Spotify tells me that Periphery have 694,000 listeners, who have streamed 130 years worth of Periphery music in 2015. But if you look at their sales record, it is anemic compared to their streams.

Which brings me to the double album; Alpha and Omega. A concept story, albeit a pretty scary one if you read the lyrics. Check it out.

“What’s yours, is ours for the taking
Take this bruise as a sign that we own you now and forevermore” ….. from “MK Ultra”

“It’s never greener inside the mess we’re in
Wanting what you never have
The less we are content the more we throw away what little time we have left to grow” ….. from “Alpha”

“Staring at the hourglass, my life it feels like a machine running with no direction” ….. from “22 Faces”

“Hold your breath
We’re sinking down for miles in an ocean full of mortal mistake, where the light is much clearer
Is it time to purge our lungs amongst the shipwreck?” ….. from “Rainbow Gravity”

“Now I am a product of a mind that wasn’t ever mine and now it says “Kill them slow”” ….. from “Psychosphere”

“Suffocating in a world of human filth
Yes pull me under
Stop treading in a pool of your own blood
Accept demise” ….. from “Graveless”

“Can we show the ones who are blind?
Show them that we’re not blind” ….. from “Omega”

Standard
Copyright, Music, My Stories, Piracy

P.S.T (Piracy, Streaming and Touring)

All the talk in the media from the old gatekeepers is that piracy is bad for the artists or that Spotify’s free music-tier is bad for artists.

So can someone tell me how Motley Crue is playing in Abu Dhabi?

If we lived in the world of the old gatekeepers, the record labels would be in control and Motley Crue would have sold hundreds of thousands of albums (on a consistent basis) in the UAE before it was even considered to tour there.

However, in the internet age, it is a much different world.

Motley Crue suddenly has an audience in the UAE.

Is this audience courtesy of piracy or legit sales or legit streams?

There is a strong indication that Motley Crue’s UAE audience is due to piracy.

Do you know the Middle East is a huge region when it comes to illegal P2P downloading?

The following statement found in the book “Introduction to Private Security” by John Dempsey sums it up perfectly;

In Europe, Middle East, and Australia, P2P traffic consumes anywhere between 49 percent and 89 percent of all Internet traffic in the day. At night, it can spike up to an astonishing 95 percent.

You can do some further reading on countries where P2P piracy is very high at the following link.

Even though it is from 2011, the data tells us a few things.

Eastern/Central Europe, South America, Asia, Australia and the Middle East have high rates of P2P piracy as regions.

When you break it up to countries, China, Colombia, India, Russia, Malaysia, Turkey, Taiwan, Brazil, Saudi Arabia and Italy lead the way.

So let’s look at some of the recent tours bands have undertaken.

Metallica in 2011 did the “2011 Vacation Tour” that focused on Europe, South America, Asia and for the first time ever, they took in India.

In 2012, Metallica undertook the “European Black Album Tour” that focused solely on Europe.

In 2013, Metallica undertook the “Summer Tour 2013” which took in again Asia, Europe, South America along with North America.

In 2014, Metallica did the “Metallica by Request” tour which again took in Europe and South America.

Is it coincidence or shrewd planning that Metallica has taken in those markets. Hell, India is known as a nation of P2P downloaders, however it hasn’t stopped Metallica or Iron Maiden touring there.

Iron Maiden’s “The Final Frontier” tour (2010/11)  took in Eastern Europe, along with Singapore, Indonesia, Australia, South Korea, Japan, Mexico, Colombia, Peru, Brazil, Argentina, Chile and Puerto Rico.

The “Maiden England World Tour” (2013), took in Mexico, Brazil, Argentina, Paraguay, Chile and Eastern Europe again.

The “Somewhere Back In Time” tour  (2008/09) took in (apart from the North American and European markets) India, Australia, Japan, Mexico, Costa Rica, Colombia, Brazil, Argentina, Chile and Puerto Rico. Then on the second leg it took in Dubai (UAE), New Zealand, India (again), Mexico (again), Costa Rica (again), Venezuela, Colombia (again), Ecuador, Brazil (again), Chile (again), Peru, Argentina (again).

The Bon Jovi “Because We Can” tour from 2013 took in Brazil, Chile, Argentina, South Africa, Mexico, Japan, Australia, China, Malaysia, Singapore, China (again), Abu Dhabi (UAE) and Israel.

This was on top of the normal European and North American markets.

The “Bon Jovi Live” tour set to kick off in September 2015, takes in China, Malaysia, Singapore, Macau, Abu Dhabi (UAE) and Israel.

Five Finger Death Punch haven’t been around as long as Metallica, Iron Maiden or Bon Jovi, however it still hasn’t stopped them from hitting Japan, Singapore, Australia and New Zealand on their recent “Wrong Side Of Heaven” tour.

Avenged Sevenfold’s “Far and Middle East Tour” from 2012, took in Japan, Taiwan, Thailand, Singapore, Philippines, Malaysia and UAE.

Their “Hail To The King” from 2014 took in Brazil, Australia, Mexico, Chile and Argentina on top of the normal European and North American markets.

Their “Asian Tour 2015” will cover China, Taiwan, Thailand, Singapore, Malaysia, South Korea, Indonesia and Hong Kong.

Again the question must be asked, is it coincidence or shrewd planning. Streaming services can tell the bands which countries or even cities are streaming their songs and at what rates. Other firms out there like Music Metrics can tell bands, which countries or even cities are illegally downloading their music.

All of this data, once in the hands of a person that knows what to do with it, is a marketers dream.

Articles always point out that “pirates” are the biggest spenders and after seeing large bands hit markets with high piracy rates and still sell out shows, I would agree with that assertion.

Piracy, Streaming and Touring go hand in hand.

Standard