On Thursday, 23 July 2026, I stood inside the Hordern Pavilion waiting for Karnivool, but if I’m being honest, I was just as excited to finally experience Tesseract live.

I’d heard plenty about them. I’d spent years with “Altered State”. But there are albums that belong in headphones, and there are songs that only reveal themselves when several thousand people are breathing in time with them.

They opened with “Natural Disaster”, and within minutes the room belonged to them. Then the unmistakable opening of “Nocturne” arrived, and everything changed.

For me, it isn’t just one of Tesseract’s finest songs.

It’s one of progressive metal’s defining moments of the last decade.

Because beneath all of that complexity sits a question so uncomfortable that it refuses to let go.

Can we save us from ourselves?

That’s the genius of “Nocturne”.

Most songs give you a villain. Someone to blame. A government. A relationship. A broken society. An enemy lurking somewhere over the horizon.

Tesseract turns the mirror around.

What if the plague isn’t outside?

What if it’s us?

Spend five minutes reading the comments on YouTube or Reddit discussions and you’ll notice something fascinating. Nobody seems to agree on exactly what the song is about, yet almost everyone walks away feeling the same thing.

Some hear climate anxiety. Others hear depression. Some hear a civilisation slowly collapsing under the weight of its own denial. Others hear a deeply personal battle with fear, addiction or grief.

The beauty is that every interpretation works because they’re all connected by one simple truth.

Human beings have an incredible ability to see disaster approaching while convincing ourselves we’ll somehow be the exception.

We postpone difficult conversations. We ignore obvious warning signs.We mistake optimism for action. We call it hope when, sometimes, it’s simply denial wearing better clothes.

“Denial’s an impairment of your fear.”

Most writers would tell you fear creates denial. Tesseract flips the equation.

Denial doesn’t remove fear. It weakens our ability to confront it.

The longer we pretend something isn’t happening, the more power we quietly hand over to it.

“False hope sells lies. I won’t buy.”

Every day we’re offered comforting stories. Everything will be okay. Someone else will fix it. Tomorrow will be different. No changes required.

The easiest thing in the world is to purchase another comforting narrative.

The hardest thing is accepting reality exactly as it is. Because reality is where change begins.

“Only on the brink can we see so clearly.”

History is full of examples. Businesses don’t reinvent themselves when they’re thriving. Remember Kodak, BlackBerry and the recording industry post Napster.

People don’t usually change while life is comfortable. Relationships aren’t repaired until they’re almost over. Perspective has an unfortunate habit of arriving late.

Sometimes we need to stand on the edge before we finally recognise where we’ve been walking all along.

And then there’s the ending.

Four simple words repeated over and over.

“Wake me up.”

By the final repetition it doesn’t even sound like singing anymore.

It sounds like surrender.

Maybe that’s why “Nocturne” has aged so well.

It doesn’t belong to 2013.

It belongs to every generation that believes tomorrow will somehow arrive without requiring anything from today.

Walking out of the Hordern Pavilion, I wasn’t thinking about odd time signatures, guitar tones or vocal ranges.

I was thinking about a single question that had been echoing through the room all night.

Can we save us from ourselves?

The unsettling part is that thirteen years later, it still feels like the most important question anyone is asking.