A to Z of Making It, Music, My Stories

Critical Mass

There are always different kinds of audiences. You have the early adopters, the first to hear about an artist. These early adopters are looking and wanting a different experience than the people who identify as the critical mass market. Early adopters want something fresh, exciting, new and interesting. The critical mass market doesn’t. They want something that that’s familiar.

Metallica when they started had an audience that adopted them early. Some of those fans stood by them all the way, even when they broke through to the mass market in the 90’s and some of those fans just moved on to something new and different.

Motley Crue had an early start in the Sunset Strip look and sound, so the early adopters saw them as the innovators. Meanwhile bands like Ratt and Dokken appeared when metal and rock music reached critical mass.

Sometimes a person in the mass market becomes an early adopter and sometimes the early adopter becomes part of the mass market. It’s all by choice.

And artists are in it for the art first. And if they get an audience, money might start to come in. And money makes it complicated, because money promises a shortcut. A bigger recording budget, a fancy video clip, a big name producer or better marketing budgets or hire session musicians. We use money to hurry up, but it distracts us from what we actually seek to build. Great art. Without the art, the artist has nothing.

And who should the artist please, the early adopters of their music or the mass market?

Does the artist start creating art for profit?

Profits are fine as they allow the artist to invest back into their art. But if profit becomes the main aim, well, nothing and no one benefits if profits are the only thing the artist seeks.

If you want to be as big as the MTV stars of the 80’s and early 90’s you’ll need to hit critical mass. MTV was the critical mass vessel that spread music to the masses. It allowed metal and rock music to go viral before going viral was a thing. In physics, critical mass has a negative meaning as it describes the amount of plutonium you need in a certain amount of space before a reaction goes out of control, leading to a meltdown or explosion. But when you talk about critical mass in a circle of artists, it’s a positive thing.

There is a belief out there that once enough people who know enough people start talking about your music, your fan base will multiply and growth kicks in.

And that is true from a certain point of view. Like “Game of Thrones”, when it hit the right number of conversations, the buzz creates its own buzz and popularity, which in turn creates more buzz and even more popularity. But “Game of Thrones” didn’t start off with critical mass at the start, even though it was marketed heavily. It was people who spread the word. And it was in full swing by Season 3. Same deal with “The Walking Dead”.

Twisted Sister had this buzz with “Under the Blade”, “You Can’t Stop Rock’N’Roll” and reached critical mass with “Stay Hungry”. “Come Out And Play” should have continued the rollercoaster ride, however poor decisions over what songs to release as singles, over exposure of the band (mainly Dee Snider) in the press, competing against album releases of other artists and an MTV ban on the video clip of “Be Cruel To Your School” hurt the band.

Facebook reached 100 users in a Harvard social circle. It was enough people for it to gain traction and it started spreading all over the campus, the town, the state, the country and then, eventually, the world.

And yes, there are routes to popularity which are random or accidental or luck or being in the right place at the right time.

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Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

Daily Mix

My Spotify daily mix was full of niceties today. It started me off in 1994 (Motley Crue), went back to 1986 (Van Halen), then to 1987 (Whitesnake), then back to 1986 (Tesla), then back to 1988 (Europe), then back to 1987 (Dio and Twisted Sister), 1991 (Skid Row) and back to 1987 (Great White)

Power To The Music

The Motley Corabi line up kicks off my day. Tommy Lee kills it behind the kit as he grooves this song to perfection. The self-titled album is the forgotten album in the Motley Crue revisionist history. It’s like 1993 to 1996 never happened.

Power To The Music
Who said the music’s dead in the streets?
Don’t know what they talk about.
They gotta put a bullet in my head if they want to keep me down

When I first heard this song, the message was load and clear. The record labels might have put their support behind new musical movements, but rock music was far from dead.

Good Enough

“Hello baby”, screams Sammy, before the Van Halen brothers and Michael Anthony thunder in and Sammy starts singing about how a fine woman is like U.S prime grade beef. Totally 80’s and totally male.

Wow, U.S. Prime, grade A stamped guaranteed
Grease it up and turn on the heat
You gotta throw it down and roll it over once, maybe twice
Then chow down, down, down, down

Don’t Turn Away

It’s a forgotten song from the mega selling 1987 album. I love it because of the up tempo ending. It reminds me of the ending of “Still Of The Night” and you don’t want it to end.

Rock Me To The Top

Tesla’s music to me is timeless. It doesn’t sound dated or tied to a particular era. Yeah, I know they got lumped in with the Sunset Strip bands, but Tesla was so much more. And they proved it in the 90’s, when all of the Sunset Strip bands got dropped, Tesla continued to make records and tour to great success. They took risks and backed themselves to deliver acoustically. Not a lot of bands could have done that to the quality Tesla did.

“Rock Me To The Top” is written by vocalist Jeff Keith and estranged guitarist Tommy Skeoch. The riff is foot stomping hard rock to a tee.

I’ll take command, take control
Now I see you comin’ back for more
I see you like it, but you don’t need it
Ooh you wanna feel it

Yep, I’m pretty sure Jeff Keith is singing about driving a car.

Sign Of The Times

That keyboard riff is as iconic as “The Final Countdown” riff. It’s a tragedy the song is not well known.

All The Fools Sailed Away

What a voice? Rest in peace Ronnie James Dio, you’ll be forever missed.

The drumming is epic, great vocal melodies, great movements between loud and soft and when the chorus comes in with the backing vocals; it’s time to sing along.

We are the innocent
We are the damned
We were caught in the middle of the madness
Hunted by the lion and the lamb

Society is founded on the persecution of races. And as we get more advanced, persecution exists between the have and the have nots.

And all the fools sailed away
All the fools sailed away
Sailed away

People need to move and find new lands/cities to thrive and survive.

Wake Up (The Sleeping Giant)

It’s another anthem for the SMF’s, the black sheep and the down trodden to wake up and stand together against corruption and oppression.

Who the hell are they to say?
What we can do and how we can play
We got the numbers, yeah,
We got the might
We got the strength and
We got the right
We got the reason, yeah,
We got the night
So wake up the sleeping giant

It’s the war cry against censorship. Freedom comes with a choice and sometimes, we sign away our freedom because we like to create an enemy, someone to blame when it all goes to hell.

It’s our rights they’re abusing,
It’s our right to fight back
So rally the troops and
Let’s start the attack

Around the world, our internet is under attack from governments and corporations. They want to control it, regulate it and charge a premium for it. The Net Neutrality war is real and it’s happening and only a handful of people are speaking up against it. The rest are ignorant.

Slave To The Grind

It’s the thrash metal title track from album number 2, which went straight to number 1 on release. Skid Row could do no wrong musically, even though the internal politics and bickering between Bach and Bolan/Sabo had reached Don Dokken/George Lynch volume levels.

Rock Me

After a few verses, I was thinking what’s next and then the Chorus kicked in. I became a fan instantly.

Rock me, rock me, roll me through the night

Today two versions exist, Jack Russell’s Great White and Mark Kendall’s version of Great White. And unfortunately, they are more remembered recently for the Station nightclub fire in 2003 that killed a lot of their fans when pyrotechnics set off by the tour manager ignited plastic foam used as sound insulation in the walls and ceilings surrounding the stage.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories

Nov 9, 1985

I follow Circus Magazine on Twitter. Every day they mention hard rock or metal albums that came out on the same day. And back on Nov 9, 1985, the following albums came out;

  • Y&T – Down For The Count
  • Dokken – Under Lock and Key
  • Twisted Sister – Come Out And Play
  • W.A.S.P – The Last Command

In Australia, we had to wait. A geographical windowed release is the business name for it. And it’s funny how the labels still want to revert to these kinds of releases for music in the digital world. They don’t like world-wide releases. Hell, one of the main drivers of piracy was windowed releases. Fans of music in other parts of the world, wanted access to new music on the same day, U.S fans had access to it.

One thing that is common across all four albums is the sequencing and how the albums flow.

TRACK 1 – The Killer Opening Track

“In The Name Of Rock” has a great riff to kick off the album about a kid who heard a guitar scream and he knew he wouldn’t be the same.

“Unchain The Night” musically is unbelievable, but Don Dokken’s lyrics of running around in circles and never crossing some line and then not wanting to touch someone and then never wanting to unchain the night.

Seriously, how much blow was Don doing?

And how can you chain the night up to then not wanting to unchain it.

“Come Out And Play” starts off with an ode to “The Warriors” movie before Dee starts telling people to not be afraid of the night as it builds into an anthem for the SMF’s to join the Twisted Sister cavalcade and enter the world TS made. It’s basically a speed metal song.

“Wild Child” is a classic. It’s a simple riff, it sounds massive and it builds nicely under the Em, D, C chord progression. And Blackie had a certain lyrical style that worked about riding winds that bring rain because he’s a wild child who needs to be loved.

The winner here is “Wild Child”.

TRACK 2 – The Relaxed Track

“All American Boy” is cool musically and lyrically it might have worked in the U.S but it didn’t really work in Australia. Then again, Bruce Springsteen sold 10 million plus by telling everyone he’s born in the U.S.A. So there goes that theory.

“The Hunter” is a cool track musically and lyrically.

“Leader of the Pack”. Next.

“Ballcrusher” is just one of those songs that’s a blast lyrically about a vicious voodoo woman who crushes balls and manages to skull all of his JD. Hell, Steel Panther has made a career of using lyrics like these.

The winner here is “The Hunter”

TRACK 3 – Meant To Be the Big Hit

“Anytime At All” is a cool melodic arena rock song about a woman who can call Dave anytime at all.

“In My Dreams” is also a cool melodic arena rock song about a relationship that still works in Don’s dreams but not in real life. I believe Jeff Pilson wrote the lyrics to this song, so they make way more sense than Don’s lyrics.

And that solo from Lynch, it’s like he knew this song was going to be a single so let’s put every melodic idea and technique into it. And it works.

“You Want What We Got” is a cool sing along arena rock song about a person called you, who wants something that Twisted Sister has got and because that person called “you” can’t have it, the person called “you” constantly puts them down.

“Fistful of Diamonds” musically sounds like it’s from The Rocky Horror Show. And how relevant are the lyrics about money and how people go crazy for it because they want it all.

The winner here is “In My Dreams”.

TRACK 4 – The Ballad Song or Experimental Song or We Don’t Know What to Do With Song

“Anything for Money” is good musically and let down by crap lyrics.

“Slippin’ Away” just doesn’t work for me.

“I Believe In Rock N Roll” is a great song, musically and lyrically. Hell, one of my first band names “Iron Fist” came from the lyrics. The best line is pledging allegiance to the United States of Rock. The pre-chorus sums up life about working hard and constantly being told what to do.

“Jack Action” musically is like “You Got Another Thing Comin”. Lyrically it’s a mess.

The winner here is “I Believe In Rock N Roll”.

TRACK 5 – The Killer Side 1 Closer

“Face Like An Angel” has a cool musical groove and a top notch lead break. Even the vocal melodies are good, but those lyrics “she’s got a face like an angel but the devils inside her again.” Seriously. What the?

“Lighthin’ Strikes Again” has awesome riffage, so musically it’s pretty strong and the vocal melodies are spot on as well. Lyrically, is it about lightning striking you for inspiration? I’m not sure, but I think it is. Anyway, the music is perfect.

“The Fire Still Burns” burned so bright that it spawned the extreme black metal scene of Europe. The song is a masterpiece that could rival thrash speed metal tunes. And the lyrics deal with the pain and anger in Dee’s brain to last a whole lifetime and how he can’t have peace of mind because the fire still burns.

I’m a big fan of the “Widowmaker” song. The whole intro sounds epic and when the whole band kicks in, it’s breaking desk time. It’s the only way to kick off a song about some entity that has roamed the desert plains for thousands of years.

The winner here is “The Fire Still Burns”.

TRACK 6 – The Killer Opening Track of Side 2

Track 6 is always the first track on SIDE B. So it had to be a strong one. Kids these days will not understand how sequencing an album was super important back in the day.

“Summertime Girls” I heard in a movie. I can’t remember if it was a Porky’s movie or one of those other 80’s flicks that mimicked the Porky’s formula. Anyway the movie is set in summer, girls are wearing very short shorts and it was perfect for the scene. It’s probably the reason why the song has remained a favourite. Then I heard it on the “Baywatch” TV series. So how can you not forget it?

The video clip to “It’s Not Love” remains with me because it reminded me of ACCA’s “Long Way To The Top”. The riffs grab me again and the lyrics work with the melodies.

“Be Chrool To Your Scuel” just didn’t work for me. And the zombie film clip got banned from MTV for being too violent and gore which didn’t help its cause.

“Blind In Texas” is your basic 12 bar blues drinking song. Blackie is very creative with his lyrics, referencing Texas towns.

The winner here is “Summertime Girls”.

TRACK 7 – The Song That Will Not Be Played Live

“Looks Like Trouble” is excellent musically. But I hate the lyrics about how Dave gave a woman his Ferrari and got no response, because he’s a fool in love who doesn’t know when to give up.

“Jaded Heart” rocks musically. And you know what, even the lyrics work, about a jaded heart that looks and can’t see the beauty of life in front of it.

“I Believe In You” is a ballad that actually has Don Dokken doing some ohhhs and ahhhhs during the Chorus. Lyrically it’s about looking for acceptance.

“Cries In The Night” is actually a pretty cool tune about a person hearing cries in the night that tell no lies.

The winner here is “Cries In The Night”.

TRACK 8 – The “Cover” Song or The “We Are Running Out Of Ideas” Song or The” Melodic Rock Song We Are Not Sure Our Fans Will Like”

I’m not a fan of “Your Mama Don’t Dance”. I didn’t even like Poison’s version. I was like, why would you cover that song. It’s a timestamp of an era and not relevant at all in the 80’s.

“Don’t Lie To Me” is a great melodic song, with a great harmony that mimic’s the vocal line and even the lyrics work.

“Out On The Streets” to me is a pretty cool melodic rock song and one of those TS songs that are forgotten.

For a title track, “The Last Command” is very different for WASP’s 1985 standards as it’s in a major key. Lyrically I believe it’s about the sounding of the seventh trumpet before the end begins.

The winner here is “Out On The Streets”.

TRACK 9 – The “We Ran Out Of Time” Song

Musically, “Don’t Tell Me What To Wear” feels like it’s a carbon copy of “Blackout” from Scorpions. Lyrically, it works for me, about a kid who likes to wear his blacks and is constantly told what to wear.

“Will the Sun Rise” is another classic that doesn’t get enough love. I also don’t mind the lyrics about setting sail to find new wonders and memories.

Musically, “Looking Out For Number 1” is a rewrite of “You Got Another Thing Comin”. Lyrically, Dee is re-using themes of a person doing what they want to do and living a life they want to live.

“Running Wild In The Streets” should be retitled running out of time.

The winner here is “Don’t Tell Me What To Wear”.

TRACK 10 – “The Killer Speed Metal Closer to Side 2” and Album” or “The Killer Epic Power Ballad Closer to Side 2 and Album”

“Hands Of Time” closes the album and that palm muted harmony guitar riff just blows my mind for how massive it sounds and how simple it is to play.

“Till The Livin End” is basically a speed metal song and that is the beauty of Dokken that I liked. They could be metal, hard rock, blues rock, pop rock and speed metal all on one album.

“Kill Or Be Killed” is also a speed metal song about fighting the good fight, throwing punches in the name of rock first and asking questions later.

“Sex Drive” is basically a re-write of “Blind Of Texas” and “Fistful Of Diamonds”. A big miss here to close the album with a killer tune.

The winner here is “Till The Livin End”.

TRACK 11 – The Bonus Track

“King Of The Fools” is probably the best power ballad from Twisted Sister about how stardom, while great, is also pretty lonely and frightful because people are now looking at you to lead them.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Forgotten 80s List Part 3

Here is the playlist.

Forgotten songs from the Eighties are still on my mind. Here is another list of songs that should end up on your playlist one way or another.

The problem with the below songs is they were dwarfed by other “MTV” single songs or just bad promotion from the record label.

Out On The Streets
King Of The Fools

Twisted Sister

Twisted Sister knew which road they needed to take to make it. Now that they made it, what was next? Which road should they take? Bob Ezrin was approached to produce the album and after hearing the demos he didn’t hear a hit, so he passed. Hindsight and the passage of time points to Dee losing his way and anger at the world, but to me, the songs on “Come Out and Play” (except for “Leader” and “Be Cruel”) are as strong as the songs on “Stay Hungry”.

I believe it was poor record label decisions to release “Leader of the Pack” as the opening single. And to be honest “Be Cruel to Your School” is one of the weaker tracks on the album for me and never should have been a single.

“Come Out And Play”, “The Fire Still Burns” and “I Believe In Rock’N’Roll” are favourites of mine from the album and they got played live. “Out On The Streets” and the bonus track “King Of The Fools” do not get any love, hence they are on this list.

I’ve always dug a song that starts off with bass and drums. Then the vocal melody kicks in and then the guitars. “Lost Behind A Wall” from Dokken also comes to mind.

Searching for something in this human zoo
Kaleidoscope of faces, maybe, it might be you

I had to look up “kaleidoscope” in the dictionary. I had no idea what it meant. After I digested the meaning, it made the lyric even better.

Someone listen to my prayers
Can’t help feeling no one cares

The biggest fear is loneliness. We want someone to care for us, even more so for people who reached the top in their chosen field.

You’re out on the streets, living on your own

I’ve always taken this lyric to mean; away from home and the comforts of our loved ones. Look at any lyric from a rocker who spends a lot of time on the road touring and you will see how much it pains them. They turn to drugs as a supplement and sometimes when they are alone in their hotel room, away from everyone, their thoughts get the better of them.

My cousin Mega is a huge Twisted fan. He even tattooed the logo on his shoulder. So Mega had the album upon release, plus the VHS video. So I dubbed the LP on cassette and I also dubbed the VHS video onto a blank video tape until I had enough funds to purchase the original. So a few months after release, I purchased the LP. Many years later, well into the 90’s I came across a CD version of “Come Out And Play” via the second hand record shops. The almost faded sticker of “Bonus Track” was enough incentive. And “King Of the Fools” is that bonus track and man what a track it is.

The harmony guitars to kick it off, remind me of “Bringin On The Heartbreak” by Def Leppard. They sound epic, grand and they set the tone for a monster of a song that for some reason, the guys in the band nor the record label didn’t see fit to put on the normal album release. Sort of like how Bon Jovi left “Edge Of A Broken Heart” off the “Slippery When Wet” album and left “Social Disease” on it.

Look around me all I see
Thousands of faces wanting me
How can I lead?
How can I rule?
When I’m the king of the fools

We strive to make it, to be successful. And when we get there, we suddenly have people waiting to see what our next word will be, our next song and so forth. Suddenly doubt is everywhere. Conflict is everywhere. We turn to addictions to numb the pain. We want to be on the road, we want to be adored, we want to play shows, yet we don’t want to be away from our families.

The outside world can’t understand
Just who we are or what I am
Well, we don’t want their life or rules
I’ll be the king, king of the fools

Again, it’s the us (the SMF’s) vs them (the institutions, the government, the mainstream) mentality. It’s the expectations of society vs the dreams of youth. We have different viewpoints, we have different needs so we are seen as fools by the institutions. If the institutions see us as fools, then our idols are our Kings’.

Fight For Your Rights
Motley Crue

Sometimes it makes you wonder how a band with so many addictive personalities can get it together to churn out an album. “Theater of Pain” and “Girls, Girls, Girls” have a certain reputation as the “more filler” albums in Motley Crue’s 80’s output. It comes as no surprise that these “more filler” albums occurred at the height of the bands addictions.

But putting aside people’s viewpoints, each album has a few cult like gems. On a previous “Forgotten” post, I sang the praises of “Dancin On Glass” from the “Girls” album. On this post, “Fight For Your Rights” from the “Theater” album gets some love.

How good is the intro/verse riff?

Who wrote the Bible?
Who set the laws?
Are we left to history’s flaws?

We live in a world created by the religion institutions’ and the ones who control the wealth. And throughout the ages of times, documents got produced on how people should live. Eventually those documents became important to the detriment of any other document that challenged it.

Fight (fight) for your rights

Dee Snider turned up to the hearings against censorship, others wrote songs about it.

Martin Luther
Brought the truth
The color of our blood’s the same

So true. We all bleed red.

So break the chains
And solve the pains
And we all become one race

It’s easier said than done. These days it’s everybody against everybody. People of the same colour are against people of their own colour as well as people of different races. Then you have people against people because of religious beliefs or relationship preference. Then you have people against people because of social status. In my view, money is a bigger evil today.

Waiting For Darkness
Ozzy Osbourne

Even though Ozzy Osbourne is listed as the only songwriter, it’s well known that Bob Daisley wrote the lyrics and Jake E. Lee along with Daisley wrote the music. The guitar playing is what hooked me onto this song. The palm muted staccato lines in the verses from Jake over a syncopated bass/drum groove is just brilliant. So once I unpacked the riffage, I started listening to the lyrics and the vocal melodies.

Waiting for darkness
Why doesn’t anybody see now?
Deafened by silence
Why doesn’t anybody hear?

It’s easy to place this lyric with the lifestyle of Ozzy. Due to his addictions and constant toxic state, you can imagine many days and nights spent in a drug induced darkness. Deafening silence means a lack of response that reveals something significant, such as disapproval or a lack of enthusiasm from those who surround you or love you. So you have Daisley writing about a darkness to come, and everybody is too busy to care. Sort of like how people don’t care how their private data is gathered and sold by the large internet corporations. Sort of like how people don’t care about net neutrality. Until it’s too late.

We’re hardwired to believe and understand the things we experience, so we experience the internet and we like it. But there is a battle happening over the control of the internet and people just don’t care.

I know what they’ll find
It’s in their mind
It’s what they want to see
Spare me from the light
Here comes the night
And here I’ll stay waiting for darkness

This is all about people who don’t care to see the truth. What they’ve been told from birth and from their tribe is what will remain with them forever.

Promise me rebirth
And then you tear me from the womb
Give me my freedom
And then you lock me in a tomb

The way of the world is more pure in books of fiction. The non-fiction reality version is very different. A lot of the songs I like deal with how “we believe we are free but really are not”. It’s not coincidental. The more I get older, the more I realise how free I’m not. Like how Hetfield sang in “The Unforgiven”, “New blood joins this Earth and quickly he’s subdued”.

That’s The Way I Wanna Rock ‘ N’ Roll
AC/DC

From 1988’s “Blow Up Your Video” album. It was released as a single, however “Heatseeker” was doing a decent job taking all the limelight, this little ditty got ignored.

Party gonna happen at the union hall
Shaking to the rhythm ’til everybody fall
Picking up my woman in my Chevrolet
Glory hallelujah, gonna rock the night away

The scene is set. We have Brian picking up his woman, to take her to a party at Union Hall and rock the night away until they fall.

Told boss man where to go
Turned off my brain control
That’s the way I want my rock and roll

There it is again. The “We’re Not Gonna Take It” call to arms. We will not be used and we will not allow the people in power to control us.

Young Lust
Aerosmith

Like “Permanent Vacation” before it, “Pump” had some monster songs that stole all the glory like “Love In The Elevator”, “Janie’s Got A Gun”, “The Other Side” and “What It Takes”. And when that happens, it’s easy for songs to get lost or become forgotten. But “Young Lust” is the opener. In the minds of Tyler and Perry, it was good enough back then to open the god damn “Pump” album and today it gets no listens. To me, it’s just a pure party rock and roll anthem and Joey Kramer again goes to town on the drums, with his double kick underpinning the groove and tempo of the song.

A little bit o’ nasty
You look a little sleazy
But don’t get any on you

Is that what Bill said to Monica?

Young lust
Once you had it you can never go back

It’s totally wrong this lyric.

Checkin’ out the ladies
Who didn’t bring their boyfriends
Who love to get in trouble
I got to say I’ll see you later, meet me in the elevator

Tyler’s elevator fetish gets a prequel.

Young lust
I’m a-pushin’ and a-shovin’ it

Only Tyler can get away with lyrics like these.

One In A Million
Guns N Roses

This one is from the “Lies” EP released I think in 1989. I can Wikipedia it, but screw it, I’m running on fumes at the moment. I remember reading the stories about the “controversial” lyrics, especially the lines around “Immigrants and faggots” and “police and niggers”. But really, are the lyrics that controversial. There is always someone who gets upset at something. Basically, there is just no way one person/artist can make every single person in the world love them. It’s impossible.

Police and Niggers, that’s right
Get out of my way
Don’t need to buy none of your
Gold chains today

Is Axl a racist?

Maybe.

Is he trying to address some social ills with the verse above about a class divide?

Maybe.

You need to remember, this song came out in 1989 and there is a good chance the lyrics were written sometime in the 80’s. The L.A police during this period made a name for themselves as being pretty heavy when it came to dealing with citizens. And from the stories we kept seeing on the news, the police in L.A didn’t do themselves any favours. NWA wrote a cult classic about doing something with the police in LA. All of this bubbled to the surface when a video was released of the police beating Rodney King with clubs. What happened after that? Riots in L.A. A “Hooligan’s Holiday”. The nigger part is playing to a stereotype and a better word could have been used, but Axl was never about conforming.

You’re one in a million
Yeah, that’s what you are
You’re one in a million, babe
You’re a shooting star
Maybe someday we’ll see you
Before you make us cry
You know we tried to reach you
But you were much too high

The Chorus didn’t make much sense due to the extreme nature of the verses, but many years later it does. It’s basically saying, if you want to be a star, you are one of many in this world. And if you want your 15 minutes of fame, you are in competition with all of the problems of the world for people’s attention.

Immigrants and faggots
They make no sense to me
They come to our country
And think they’ll do as they please
Like start some mini Iran,
Or spread some disease
They talk so many goddamn ways
It’s all Greek to me

What a verse?

Talk about moving a conversation forward. I remember reading how ignorant Axl is and what not because of this verse, but in the end he was speaking a truth that he saw.

Isn’t that the artists credo, to knock down doors and be yourself.

I am sure millions will agree with what Axl meant about “starting a mini Iran”. Each race has a small faction of people who are so far removed from the conversation, their ideology is the only way. The problem is when that race has 100 million people worldwide, 10% is a small faction as a percentage, but in people numbers it’s large. And I always wonder. People come to democratic countries to escape the horrors of their own home and then they try their best to turn the streets of the democratic country that took them in, into the war torn streets of their homeland.

Radicals and Racists
Don’t point your finger at me
I’m a small town white boy
Just tryin’ to make ends meet
Don’t need your religion
Don’t watch that much TV
Just makin’ my livin’, baby
Well that’s enough for me

If we want a better future, it helps to be able to see the world as it is. Watching a news program is seeing the world as the news program wants you to see it. Reading a news article is seeing the world as the writer of the news article wants you to see it. Seeing a Travel video is seeing the world as the people who made the travel video want you to see it. You need to get out and see with your own eyes the world. Just don’t get run over by a mad man in a van.

Mine All Mine
Van Halen

I know it was a single, but in all seriousness, a lot of the singles from “5150” were still on the airwaves along with “When It’s Love” and “Finish What Ya Started” from “OU812”. “Jump” and “Panama” also had traction. So “Mine All Mine” just percolated outside the Van Hagar Halen hit factory.

The drumming is frantic, making a clichéd keyboard riff sound heavy as hell.

Oh, you’ve got Allah in the east
You’ve got Jesus in the west
Christ, what’s a man to do?

The problem with the world summed up in three lines. And it all boils down to a belief system.

Stop lookin’ out, start lookin’ in
Be your own best friend
Stand up and say, “Hey! This is mine!”

There it is in a nutshell. Stop looking out and start looking in. Don’t worry about what the person next door does or what they have. Focus on what you have and focus on what you can control. In the end, if you don’t like the state of the world, with the whole world at your fingertips, you will be able to find other voices to stand up with you when the time comes to raise your voice.

How good is the guitar solo from EVH?

Sometimes he goes all crazy and plays leads with reckless abandonment and sometimes he delivers melodic gems within his own theatrical style.

Standing In The Shadow
Guilty Of Love
Kittens Got Claws
Wings Of The Storm

Whitesnake

Is there a more broken hearted person than David Coverdale?

“Standing In The Shadow” is from 1984’s “Slide It In” album and it’s written by Coverdale.

I’m running away from a feeling
Hiding my face in the sand
I’m scared to love and lose again
I don’t know if I can

It’s that moment in time after a relationship has ended. You are hurting and you feel betrayed. Then you come across someone who rekindles the fire. But you are still hurting and after being burned once, you are fearful to jump in, just in case it leads to another broken heart.

Life is short, so you need to live it. And that means, putting the fear away.

Too many people
Standing in the shadow
Standing in the shadow of love

It’s like sitting on the sidelines and assessing the situation for the right time to re-join the game.

“Guilty Of Love” is from the same album and how cool are the guitar harmonies at the start, which again are written by Coverdale.

I believe my love for you
Is a love that will last forever?
And I’m here to testify
I’m a prisoner of your heart

When you fall in love, your heart becomes a captive to the other half. And when the relationship ends, it hurts.

Baby, don’t you believe when I tell you I love you
That I really mean it
Don’t you walk away?
Don’t you turn your back on me?

I guess we don’t really know what we got until it’s gone.

“Kittens Got Claws” is from “Slip Of The Tongue”, the follow-up to the mega 1987 self-titled album. Coverdale selected Adrian Vandenberg as his co-writer for this album. It would have been interesting to see how the songs would have sounded if Coverdale used Vivian Campbell as well, but it was not to be. Regardless, Vandenberg as co-writer is involved in some epic songs. Let’s not forget the title track “Slip Of The Tongue”, “Judgement Day”, “Sailing Ships”, “Now You’re Gone” and “The Deeper The Love”. But to me “Kittens Got Claws” is just a fun track to listen to and tap your foot to.

Walking down the street
You’re the center of my universe
You got the world in your pocket,
My manhood in your purse
You ain’t a bad girl, honey,
No matter what the neighbours say,
It’s just that you were those skin-tight dresses
With your G-string tuned to “A”

How good is the “G-string tuned to A” line?

Brilliant.

“Wings Of The Storm” is another little gem largely forgotten. It’s heavier and speedier and far removed from the blues based Whitesnake but man it’s a pretty good listen. It’s pedal point heaven for a guitarist.

On an’ on, the road goes on,
An’ it’ll go on forever,
Time will show if you and I
Will walk that road together

Almost 6 years later, Coverdale is still in a spot of bother when it comes to his love life.

It’s unfortunate that Geffen Records became a label that focused more on the results, totally ignoring the community and what customers of their artists could like. David Coverdale built a community around Whitesnake and a trust with the fans. And the labels just abandoned the artists at will. To me community and trust is more important than results, hence the reason why Whitesnake still rolls today.

Rock Me To The Top
Before My Eyes

Tesla

“Rock Me To The Top” is written by vocalist Jeff Keith and estranged guitarist Tommy Skeoch. The riff is foot stomping hard rock to a tee.

I’ll take command, take control
Now I see you comin’ back for more
I see you like it, but you don’t need it
Ooh you wanna feel it

Yep, I’m pretty sure Jeff Keith is singing about the original meaning of rock and roll and not the musical form.

“Before My Eyes” is written by guitarist Frank Hannon, along with Jeff Keith, Tommy Skeoch and drummer Troy Luccketta. To me, it’s the feel of the song that captures my attention more so than the lyrics. It reminds me of Y&T and it feels sad and spacey. Lyrically I’m not a fan, but musically I am all in.

Tomorrow
Naked City
Exciter
I’ve Had Enough
King Of The Mountain
My Way
Silver Spoon

Kiss

Kiss didn’t sell a lot of recorded music product compared to Led Zeppelin, Pink Floyd and other large 70’s acts. But they are still seen as one of rocks biggest groups in the 70’s and maybe the entertainers of that decade. But by the end of 70’s and the start of the 80’s they got eclipsed by Disco, New Wave Pop, the NWOBHM and the L.A scene. Suddenly it looked like the band was in the rear view mirror. Original band members “officially left” even though they really left recording new music with the band a long time again. But with each album they dropped in the 80’s, they continued their evolution. “Lick It Up”, “Creatures Of The Night”, “I Still Love You”, “I Love It Loud”, “Crazy Crazy Nights” and “War Machine” are concert staples.

Here are a few gems a bit outside of Kiss’s comfort zone which had enough rock in em to keep me satisfied.

“Tomorrow” and “Naked City” come from the “Unmasked” album released in 1980. Both tracks merge the current pop trend with the distorted rock they are known for. I was late to the party on this album, hearing it in its entirety in the early 90’s.

“Tomorrow” is written by Paul Stanley and Vince Poncia and Stanley even plays bass guitar. You need any more evidence of dysfunction, here you have it.

I didn’t know just what to say
When you turned and you looked my way
It doesn’t happen to me every day
Can we talk a while?

I used to think that all of the rock stars had all the lines and moves covered when it came to love. In the end, they are all tongue-tied and error prone like all of us when it comes to love.

You didn’t have to say a word
I tried to tell you, but I lost my nerve
You know I wanted just to slip away
For a little while

An opportunity missed. Who hasn’t been there?

“Naked City” is written by a song writing committee of Gene Simmons, Vince Poncia, Bob Kulick and Pepe Castro. This one is an interesting track. It’s got a super heavy bass riff and that riff continues throughout the song. However the guitars set the vibe. In the Chorus its all “Arena Rock” and in the intro/verses it’s a “reggae shuffle”. And when it comes together it all works.

In the naked city (in the city)
There are ten million stories (naked city)

Once upon a time, stories travelled by word of mouth and the press. Now stories travel via a cable all around the world in a matter of seconds. It each city, millions of people live their lives and a new story is created every second.

Lonely people looking’ for someone
Lonely people going’ their way

It sums up life to a tee. We are all lonely people looking for someone to be with us to the end. We are all lonely people trying to find our way in life. Hopefully with someone.

“Exciter” is the opening track to the “Lick It Up” album in 1983. It’s a speed metal song and Vinnie Vincent brings out the metal and the shred and the delay. Actually what a waste of a great talent the Vinnie Vincent story is. His ego burned so many bridges; eventually people just turned away and refused to work with him. Even his record label turned him down and dropped him.

Passion and fire, lust and desire
Exciter
Pleasure and pain, this is my name
Exciter

Enough said. The lyrics are a waste and fail to deliver justice to the riffage.

“I’ve Had Enough” is also the opening track from “Animalise” released in 1984. It’s written by Desmond Child and Paul Stanley. Stanley was always an underrated guitarist who actually churned out some killer riffage in his 40 plus years creating music. Mark St John (RIP) just copied what Stanley wrote and played it on the album. Or maybe Mark just did the leads, while Paul did all the rhythm, sort of like how James Hetfield does all the harmonies and rhythms, while Kirk does all the solos.

How many times have they lied with the truth in their eyes?
Treat you like dirt, wasting the days of our lives
They try and deny it, ain’t gonna buy it, just look around
Before it’s all over, it’s gonna get rough
I’ve had enough

I always assumed the “they” in the song are people who abuse their power, people who put you down, people who make your life hell, people who you trust the most talking crap about you behind your back and so forth.

(Out of the cold, into the fire)
Nothing and no one is stopping me now

Attitude is the most important choice we have to make every single day. We have the choice to be optimistic, the choice to participate, and the choice to challenge the powers that be and find hope when fear and uncertainty is rampant. We select these attitudes. It’s our choice and when we do, nothing can stop us.

Wishing’ and hoping’ won’t get you nothing’
Praying’ and scheming’, no time for dreaming’
I’ve got the power, this is the hour now

You need to take action. If you don’t take action, nothing will transpire. A small change today leads to a large change in the future. Are you ready to make the change?

“King Of The Mountain” is the opening track from “Asylum” released in 1985 and the first album to feature Bruce Kulick. Kulick actually co-wrote the song with Desmond Child and Paul Stanley and the music is very close to “Creatures Of The Night”. It’s funny how a simple guitar riff sounds so heavy because of the drum groove laid down by Eric Carr.

I’m gonna climb the mountain
I’m gonna hit the top
I wanna go where nobody’s ever been
I’m never gonna stop

Isn’t that the spirit of human adventure? Reach the top, go where nobody’s ever been.

I’m the king of the mountain
And the winner takes it all

The bane of any existence is laziness and fear, the belief that we can’t make it so were better off not trying. We can make excuses because we are surrounded winners doing everything. In reality, nothing in our daily lives is a winner takes all competition. Yeah, there always be someone smarter, faster and more popular than you. And you will be smarter, faster and more popular than others. And those others you are far ahead are far ahead of others and so forth. The difference is how high is each individual mountain?

How good is the lead break from Kulick?

Man he shreds tastefully. Still his moment of guitar hero glory came on the much hated, or tolerated or loved album (depending on which side of the fence you sit) “Crazy Nights” which came two years after “Asylum”.

“My Way” is written by Desmond Child, Paul Stanley and Bruce Turgon (he played bass in Warrior, played bass and co-write most of the songs on Lou Gramm’s solo releases plus Shadow King’s 1991 release and Foreigner’s 1994 album) and it comes from the keyboard heavy “Crazy Nights” released in 1987. Depending on your point of view, this album is hated, tolerated or loved. And this song is also hated, tolerated or loved.

Oh the heat is on
And my back’s against the wall
You know it’s tough to be strong
In a world that makes you crawl

Clichéd. Yes. Original. No. Commercial. Yes. Sounds like Kiss. Umm, it sounds like Kiss in the 80’s. The lyrical message has been done to death about being strong and being yourself in a world that’s controlled by institutions who want you to be something else.

I’m gonna talk like I talk
Walk like I walk my way
I’m gonna go where I go
Ain’t takin’ no, my way

It’s easy to silence your voice. We’ve been battered by all the noise, problems and hassle that come with raising our voice. So sometimes we just sit back because it’s easier. Eventually, we find our voice again and as the Chorus goes, we will talk like we talk and walk like we walk and we will do it on our terms and our way.

What about Stanley’s highs in this one. Do you reckon he had someone in the studio squeezing his balls to hit those highs?

“Silver Spoon” comes from 1989’s “Hot In The Shade” and Paul Stanley had come full circle writing with Vince Poncia again. Like “Crazy Nights” this album is hated, tolerated or loved.

In a city where the buildings rise
I was just another face
But mama told me when somebody dies
No one else can take your place

It’s a really cool verse. I don’t know who came up with those lines but they are pretty solid and full of truth. In cities that have millions of people, we are all just bodies and faces in a sea of faces. But each person is unique and they bring their own light to this world. Our thoughts are all different and when we pass, our light goes out and no one can replicate it.

It’s a shame the rest of the song didn’t follow a similar lyrical thread. Instead it went to a girl, with an attitude because she was born with a silver spoon.

Had Enough
Mr Big

It’s the feel of the song. It’s like a ballad but it’s not a ballad. Having super shredders like Gilbert and Sheehan colouring the song with some great rhythms is great to hear.

Ain’t like any other day
Finally comes a time to decide
I won’t spend another day
Stuck here in the same old bind

The first two verses could be about any life situation and then the song devolves into a relationship situation. Missed opportunity to connect much wider.

What’s It Gonna Be
Ratt

It’s from 1988’s “Reach For The Sky” album and it’s written by Robbin Crosby, Juan Croucier, Warren DeMartini, Beau Hill and Stephen Pearcy.

The promises were empty and your blood runs cold
So tell me
What’s it gonna be, sweet Elena
Just give it to me straight, is it him or me?

I can’t remember if Elena was Peacy’s wife, but the question is simple, what’s it gonna be?

Rock And Roll’s Gonna Save The World
Y&T

Y&T is one of those bands that just hook me with their sense of melody and feel. “Rock and Roll’s Gonna Save The World” is from their 1984 album called “In Rock We Trust”.

Kings and queens and presidents
Are tryin’ to take the world in hand
Jokers and freaks and Arab sheiks
Are fightin’ over chunks of sand

The same problems that exist today existed 30 years ago and way before that. Guess they never really went away.

Rock & Roll’s gonna save the world
Don’t you know that’s the way we’re gonna change it?
Rock & Roll’s gonna save the world
Rock & Roll

We believed we could change the world. Then we got jobs and got loans and became exactly what the institutions wanted us to be. Slaves by choice.

Tin soldiers march around the world
No matter what the people say
One man makes all the policies
While the rest of us get blown away

It’s what our leaders are fighting about right now. Who should make the policies? Who should tell others what to do? And democratically elected leaders want to dictate how people should live and then they take up arms against dictators. Ironic isn’t it.

Gutter Ballet
When The Crowds Are Gone
Hounds
Summer’s Rain

Savatage

All the songs are written by the holy trinity of Criss Oliva (RIP), Jon Oliva and Paul O’Neill (RIP).

Another sleepless night
A concrete paradise
Sirens screaming in the heat
Neon cuts the eye
As the jester sighs
At the world beneath his feet

It’s that click track piano that makes it unique as Jon sings about the way of the streets in a circus setting.

Another death to mourn
Another child is born
Another chapter in the play

The cycle of life, a death, a birth and a new story to tell.

How good is the instrumental lead break section in the song?

“When The Crowds Are Gone” is the song that sealed the deal, the song that made me love the album. It’s the vocal outro, the lyrics and Jon Olvia’s vocal delivery. The outro is that good, Savatage used it for other songs on future albums. It’s easy to get caught up in it.

I don’t know where the years have gone
Memories can only last so long
Like faded photographs, forgotten songs

Artists who have been on the road for a long time, miss out on so much from their personal lives. It’s a sacrifice.

Where’s the light, turn then on again
One more night to believe and then
Another note for my requiem
A memory to carry on
The story’s over when the crowds are gone

When the crowds are gone, the career of an artist is over. When the show is over and the crowds are gone, the night is over and the journey begins to a new city and a new show.

All my friends have been crucified
They made life a long suicide true
Guess we never figured out the rules
But I’m still alive and my fingers feel
I’m gonna play on till the final reel’s through
And read the credits from a different view

It’s about a clarinet player who chooses to retire from playing on his own terms. But in the song, his own terms are too late, because as the song goes, the crowds are no longer there.

I never wanted to know
Never wanted to see
I wasted my time till time wasted me
Never wanted to go
Always wanted to stay
Cause the person I am are the parts that I play
So I play and I plan
And hope and I scheme
To the lure of a night
Filled with unfinished dreams
And I’m holding on tight
To a world gone astray

The big ending and it works so well with the music, the vocal melody and the pain in Jon Oliva’s voice as the clarinet player finally understands it’s all over.

In “Hounds”, Criss Oliva becomes a guitar hero with some wicked riffage and wicked shredding.

Do you hear the hounds they call
Scan the dark eyes aglow
Through the bitter rain and cold
They hunt you down
Hunt you down

The word “hounds” is just another word for the predatory people in our lives. And if we are not too careful, eventually they will hunt us down. Of course the song is about hounds, but it’s very easy to interchange the two.

How good is that melody lead under the chorus vocal melody in “Summers Rain”?

Standing alone in a dream
Where nothing is real
But oh how real it feels
There were times I lost my way
I was alone, lost in a haze
Where are you now
I’ll find you somehow

A song about a relationship that doesn’t sound clichéd and lazy.

And do I stand alone
Like a fool out in the rain
Hanging on somehow
To an ancient vow
Where there’s nothing left to gain
And do you know
How it feels inside
To be all alone
A fool and his pride

When you don’t want to let go, even though the other half has already moved on. But life is more about doors closing, not opening. And when doors close and new opens open we are forced to go in a certain direction.

Metal Heart
Accept

It is 1999
The human race has to face it
They are confronted with the truth
It’s secret — mysterious

For Accept the truth is and always will be heavy metal. But in all seriousness, the human race needs to confront the truth and make some changes. Our planet is warming. There is no way people can deny it. The normal winds we get are more destructive and last longer than ever before. The rain that falls is a lot more destructive than ever before.

Downhearted
Reckless – Don’t Be So
The Boys Light Up

Australian Crawl

I left my heart back in the Orient
Down on Bali bays
It’s not the way that I should feel
But it’s the way I’m gonna stay
Downhearted
Broken dreams that never really started

Holiday romances and the feeling of loneliness when you get back home. Back in the 80’s once you left, the connection was lost. Not like in today’s connected world. And Australian’s always go to Bali for a holiday. It’s seen as a cheap overseas holiday.

In “Reckless”, the band maps out the journey into Sydney from Manly via the ferry via the first verse.

Meet me down by the jetty landing
Where the pontoons bump and sway
I see the others reading, standing
As the Manly Ferry cuts its way to Circular Quay

Anyone who has done the ferry journey can relate to the above.

So, throw down your guns
Don’t be so reckless

The iconic chorus lines. Don’t be so reckless to destroy a relationship that took years to build.

Finally, we have the pub rock classic. In steel city Wollongong, we always assumed “The Boys Light Up” meant lighting up a reefer. It wasn’t until I was in my 30’s that I really unpacked the lyrics and found some brilliant lines.

Silently she opens the drawer
Mother’s little helper is coming out for more
Strategically positioned before the midday show
Her back is arched; those lips are parched, repeated blow by blow

Mmm, I wonder what mothers little helper is. Zzzzzzzzz…

Later at the party
All the MPs rave
About the hummers she’s been givin’
And the money that they save
To her it is skin lotion
Him promotion to
That flat in Surfers’ Paradise with the ocean view

For all of the political scandals that made headline news from the late Nineties onwards, the above verse seemed prophetic to say the least. Seriously, what a creative, tongue in cheek verse. And all Australians know Surfers Paradise on the Gold Coast.

The boys light up

I guess the boys lighting up is all about getting hard and coming alive.

Standard
Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Forgotten 2

The Playlist

Wake Up (The Sleeping Giant)
Twisted Sister

How fortunes change for artists?

Twisted Sister was the top band in 1984. Dee Snider was everywhere, on the cover of magazines, newspapers and even hosting a show on MTV that would go on to become “Headbangers Ball”. For a band that toughed it out for a decade, success came and went in half of that.

Who cares if “Love Is For Suckers” was meant to be a solo album?

Who cares if Mark Mendoza and Jay Jay French hate the album?

Who cares if studio musicians contributed to it?

It’s listed as a Twisted Sister album, it sounds like a Twisted Sister album and like all Twisted Sister albums, Dee is still the main songwriter and it should be given its dues as a Twisted Sister album. That means, playing the excellent “Wake Up (The Sleeping Giant)” live.

Who the hell are they to say
What we can do and how we can play
We got the numbers, yeah,
We got the might
We got the strength and
We got the right
We got the reason, yeah,
We got the night
So wake up the sleeping giant

Dee was always good at writing the anthem of the SMF’s vs the world. “Wake Up (The Sleeping Giant)” is no different. The WE in the song is the fans, the black sheep, the ones that everyone was calling devil worshippers in 1984.

It’s our rights they’re abusing,
It’s our right to fight back
So rally the troops and
Let’s start the attack

It’s the war cry against the censorship taking place against heavy metal and hard rock music. Freedom comes with a choice and sometimes, we sign away our freedom because we like to create an enemy, someone to blame when it all goes to hell.

It’s our boss’s fault because we are not making our mortgage repayments. If only we earned more.

It’s our leaders fault because we have our rights taken away a little bit at a time.

We like to have someone else in control.

Around the world, our internet is under attack from governments and corporations. They want to control it, regulate it and charge a premium for it. The Net Neutrality war is real and it’s happening and only a handful of people are speaking up against it. The rest are ignorant.

Snider’s message is good. It’s right, but the SMF misfits had grown older and they had responsibilities. Rising up against the institutions wasn’t their mission anymore. It changed to performing duties and keeping a roof over their head or their own families head.

The more metal inclined fans of Twisted Sister moved their loyalties to the thrash and metal movements and the more pop rock casual fans moved their loyalty to Bon Jovi’s “Slippery When Wet” and Whitesnake’s 1987 release. And in that climate, the album couldn’t compete.

Magic Touch
Aerosmith

With “Dude Looks Like A Lady”, “Rag Doll” and “Angel” taking all the attention, this little classic had no chance. Which is a shame, as the song is up there when it comes to Aerosmith. It’s got the classic bluesy groove the band is well-known for and a wickedly good vocal melody. Plus Joey Kramer sounds louder than hell on the drums.

It’s written by Tyler, Perry and Jim Vallance (yep, that same Jim Vallance who co-wrote “War Machine” with Bryan Adams, plus the majority of Bryan Adams catalogue).

Don’t need no wedding with a shotgun, shotgun

Ahh, the problem with the male species is our basic load control. An innocent moment of explosion and that accidental shotgun wedding might be very real. Then again, that’s how it was in the past. In today’s age not so much.

Dancing On Glass
Motley Crue

Man, that riff from Mick Mars, is sleazy and dangerous. You can safely call “Dancing On Glass” the prequel to “The Heroin Diaries”.

In 1987, Nikki was asking if he is in Persia or just insane. In 2005, Nikki via Sixx A.M was reminiscing about how a girl with golden eyes talks to him in Persian, telling Nikki, she loves him.

There are plenty of other auto biographical lines about Sixx’s drug life.

“Valentines in London, found me in the trash”
“One extra push, last trip to the top”
“Silver Spoon and needle, witchy tombstone smile
“I’m no puppet, I engrave my veins in style”

“Wild Side” and “Girls, Girls, Girls” sold the album but to me, the third track is just as good.

Breakin’ All The Rules
Ozzy Osbourne

I know there was a film clip for it and it was a single, but “Miracle Man” was that strong and Ozzy’s earlier catalogue was still selling well, “Breakin’ All the Rules” was just ignored.

But what a riff to kick it off, under a rumbling Randy Castillo groove.

Nobody thinks the way I do
I guess that nobody dares

I read an article about a computer scientist guy who took all the google searches people make and found that we basically lie when it comes to everything public. The only place we don’t lie is within our Google searches because we believe we are alone and they are private. And Google Searches show what we really think and really like. And guess what, Google sells this data to marketeers.

And I know
That you would love to know the answers
But to you
The truth is just another lie

Some people don’t care about reason or a different point of view. With Ozzy being the whipping boy for all the religious institutions, you can see where Bob Daisley was going with the lyric. Funny how the religious entities classed Ozzy as satanic when his whole house is littered with crucifixes.

Rising Power
AC/DC

It’s a solid album, coming out after the holy trinity of albums, their U.S breakthrough “Highway To Hell” in 1979, the mega selling “Back In Black” from 1980 and it’s 1981 successor “For Those About To Rock”. Some personnel changes happened as well. Simon Wright is in the drummers’ chair, replacing Phil Rudd. The producer of their holy trinity albums, Mutt Lange was also out. Their manager Peter Mensch was also out.

Angus and Malcolm stepped up to give the world a live and raw version of AC/DC and the result is a lot of groove and swagger but no classics.

My body’s blown a fuse
Rising power
We’ll raise the night
Rising power

Rise/Rising = hard on. Blow a fuse = climax. Johnson is rolling out the metaphors.

Rocket Queen
Guns N Roses

The closing track to the epic “Appetite For Destruction” album. It was never a single, but the audience knows the lyrics. It’s just one of those songs on an album full of audience classics.

I’ve got a tongue like a razor
A sweet switchblade knife
And I can do you favors
But then you’ll do whatever I like

Ahh, yes, Axl and his tongue… Guess someone is going down.

Here I am
And you’re a Rocket Queen

The opening lines of the Chorus. Every Gunner’s fan knows it.

I’ve seen everything imaginable
Pass before these eyes
I’ve had everything that’s tangible
Honey you’d be surprised

The rock and roll debauchery and decadence summed up in four lines.

And then that outro. It’s basically another song within a song. First the power chords and then the open E and B string arpeggios over shifting notes on the G string, mapping out the E major scale.

I see you standing
Standing on your own
It’s such a lonely place for you
For you to be
If you need a shoulder
Or if you need a friend
I’ll be here standing
Until the bitter end

You think you have friends and lovers when you’re a star and then when the lights go away, who is left.

Or think I, I mean you harm
Of those that take you
Leave you strung out
Much too far

Law enforcement efforts to stop cocaine and heroin increased the narcotic production ten-fold. The use of narcotics today is high and the war against drugs is 50 plus years old. And it’s the vulnerable/lonely people who turn to it. And the most vulnerable are our heroes, on the road, playing theaters or arenas and surrounded by people who profit from them.

Good Enough
Get Up

Van Halen

Any album (especially a Van Halen album) that kicks off with “Hello Baby”, you know you’re in for a ride. In “Good Enough” Sammy Hagar compares a great looking woman to a premium cut of beef. I’ll have another cut please.

Wow, U.S. Prime, grade A stamped guaranteed
Grease it up and turn on the heat
You gotta throw it down and roll it over once, maybe twice
Then chow down, down, down, down

“Get Up” is basically a speed rock song. And EVH breaks out some excellent riffage in this one as well.

Feel like throwin’ in the towel?
Don’t be a fool
They’re out to knock you out
And put you down for the count

I feel like throwing in the towel a lot of times. Some days feel like a battle against the forces of society. Making people believe that working hard and paying things off will get you freedom is a dream promoted by the banking sector and the 1% that control it.

Ah, there’s still some fight in me
That’s how it’ll always be
Hold your head up high, look ’em in the eye
Never say die

It’s the human spirit. Never say die, never give up. The thing with “5150” is the pop rock songs got so much attention. I’ll be honest, all of the pop songs are excellent, however it was a shame the real heavy rock songs like “Good Enough” and “Get Up” got lost in the noise.

Blindman
Aint Gonna Cry No More
Looking For Love
You’re Gonna Break My Heart Again

Whitesnake

Coming into 1980, Whitesnake was putting out an album a year and touring consistently. Then the Martin Birch produced “Ready an’ Willing” dropped, launching the song “Fool For Your Loving”, a piece written by Bernie Marsden, Micky Moody and David Coverdale.

To me, “Ready an’ Willing” is the album that started Whitesnake’s rise which culminated in the 1987 self-titled album selling millions around the world.

My two favourites are “Blindman” (which is a derivative version of the Coverdale/Blackmore penned “Soldier Of Fortune”) and the very Led Zeppelin sounding, “Aint Gonna Cry No More”. Those songs also nail it lyrically for me. Talk about completely forgotten, no one under forty would know these songs.

“Chasing rainbows that have no end, The road is long without a friend….” from BLINDMAN
“Like a Blindman, I can feel the heat of the sun, But like a Blindman, I don’t know where it’s coming from…” from BLINDMAN

“Aint Gonna Cry No More” is White Led Zep Styx Snake and I swear Tommy Shaw and Jack Blades built Damn Yankees on the backs of songs like these. Influences aside, it’s a track that’s good enough to stand on its own

“Memories of broken dreams, As distant as the sun, Are drifting like an echo in the wind….” from AIN’T GONNA CRY NO MORE

Then fast forward to 1987 and two of the best tracks didn’t end up on the normal world-wide release.

I didn’t hear “Looking For Love” until many years later. It’s better than “Is This Love” however at over 6 minutes long, it wasn’t a commercially viable song. David Coverdale was shocked when he heard that John Kalodner would be cutting the song from the final album release.

The candle is burning, it’s way down low
I just need someone
To show me the way, the way to go
Which way to go

Isn’t life like that. We are always looking for some guidance. That’s why tarot card readers, astrologists, clairvoyants, psychologists have a career.

“You’re Gonna Break My Heart Again”, “Don’t Break My Heart Again”. David Coverdale was the master song title re-user.

How huge is the riff in “You’re Gonna Break My Heart Again”.

Sykes goes to town on this song, a derivative version of “Children Of The Night”. It’s got all of his uniqueness in it, from fast palm muted staccato runs, a shredelicious and melodic lead and to using thirds and minor chord inversions instead of the standard power chords.

Perfect Timing
Knucklebones

David Lee Roth

“Perfect Timing” is written by David Lee Roth and keyboardist Brett Tuggle, so it’s got that melodic rock vibe happening.

I’m thinkin’ this is the right time
I’m hoping you feel the same
‘Cause that light at the end of the tunnel
Is the front of an oncoming train

It had to be David Lee Roth that linked love to standing on the train line in front of an oncoming train. Then again, he always had a way with words.

“Knucklebones” is written by Gregg and Matt Bissonette along with David Lee Roth.

So we’re hittin’ the road
And we’re pumpin’ thunder
Mama look out for down below
Get the show on the road
It’s the feeling we’re under
You can feel it right down to your knucklebones

One of a million songs about the rock and roll show.

One of these dark nights, as the saying goes
There’s some dirty work
To be done down by the crossroads
And I know it’s true

Always love a supernatural tale at the crossroads. There’s some dirty work to be done.

Livin’ For The Minute
Poison

It wasn’t even on the album. A B-side on the “Nothin’ But A Good Time” 7 inch single.

“Open Up and Say…Ahh!” was huge for Poison. “Every Rose Has Its Thorn”, “Nothin’ but a Good Time” and “Fallen Angel” took all the glory. Hell, even a cover of “Your Mama Don’t Dance” charted okay. But “Livin’ For The Minute” is just perfect.

Magazine covers always shootin’ poor Billy’s face
He kept a score of his ladies chalked up on his guitar case
He was a bad-ass rockin’, baby, always rollin’ out the sounds
Like some freight train come and did a six-string strut and just tore the damn place to the ground

It’s a character driven story about a guitar slinger called Billy, who kept a groupie monument in his guitar case and man, he could play. Sort of like Johnny. There is no doubt the song is influenced by “Johnny Be Goode” in the lyrical department. Quick! Call the lawyers.

Slave To Love
Quiet Riot

A great piece of melodic pop rock, however like many other bands that broke through in 1983/84, by 86/87 they became old news. Forgotten.

We made a slave to love
That’s what I’ll always be
A victim of your touch
You stole my soul and now I’m just a slave to love, yeah

DuBrow was never known as a great lyricist and I suppose that became his downfall. There are only so much clichéd and generic rhymes a fan could take. But for some reason AC/DC seemed to get away with it.

All The Fools Sailed Away
Dio

Music is written by Dio and Goldy, while lyrics are all done by Dio.

What can I say about this song that I haven’t said before about classic Dio songs?

The drumming is epic, great vocal melodies, great movements between loud and soft and when the chorus comes in with the backing vocals, it’s time to sing along.

There’s perfect harmony
In the rising and the falling of the sea
And as we sail along
I never fail to be astounded by
The things we’ll do for promises

If our ancestors never set sail to find new lands, who knows what the world would be like. Our sense of adventure is the backbone of the human psyche.

We are the innocent
We are the damned
We were caught in the middle of the madness
Hunted by the lion and the lamb

Society is founded on the persecution of races. And as we get more advanced, persecution exists between the haves and the have-nots. The divide is only getting bigger.

And all the fools sailed away
All the fools sailed away
Sailed away

People need to move and find new lands/cities to thrive and survive.

They say you’re beautiful
And they’ll always let you in
But doors are never open
To the child without a trace of sin

I watched “Split” recently and the James McEvoy split personality character wouldn’t kill a person that was as beautiful as him (which meant scarred from some past abuse). And I suppose sin is what makes us who we are. How can we learn from our mistakes or the mistakes of others if we don’t make them or don’t believe we make them?

Stand Up And Fight
Fantasy

M.A.R.S

Putting this band, supergroup, one-off project together proved to be one of the best decisions ever made by Shrapnel Records supremo Mike Varney.

You have hotshot newcomer Tony MacAlpine on guitars. Rudy Sarzo and Tommy Aldridge are on bass/drums. Another newcomer in Rob Rock is on vocals. The potential is unlimited. The melodic rock is amped up to 11. Yeah, the lyrics are clichéd and some of the melodies and rhymes are overused, however don’t let that get in the way of a good listen.

The big X-factor, star quarterback, star centre forward is Tony MacAlpine. He’s a virtuoso keyboardist and guitarist all rolled into one. He churns out brilliant riff after brilliant riff. Craig Goldy was their original guitarist, but he left to join Dio and I think Tony MacAlpine had a better and more creative musical career than Goldy.

Isn’t it funny how a no-brainer decision in the past, in hindsight maybe didn’t pan out to be such a great decision?

“Stand up and fight for your rights, stand up and be free”

Prisoner
Dokken

From the excellent “Back For The Attack” album and it’s sequenced straight after “Kiss Of Death”. And it works. The basic Am to F to G chords underpin the song, while the double stop bends in the intro lead make it sound unique.

Then it slows down in the verse, only to build it all back up to the arena rock chorus. A great piece of song writing.

“I’m a prisoner chained by love”

Long Cold Winter
Cinderella

Blues music is simple however to make it sound simple is a challenge. In this case, Keifer and Co. show the hard rock MTV world how to play the blues and they make it sound simple.

“A long cold winter without your love”

Winds Of Change
Y&T

1981’s “Earthshaker” started Y&T’s rebirth. “Black Tiger” released in 1982 would enhance and refine their signature sound. The album was recorded in England and produced by Max Norman. At that time, he had just finished working with Randy Rhoads on two career defining albums, so he knew how to work with excellent Californian guitarists.

Winds of change
Blowing strongly

The song has this “Kings and Queens” Aerosmith vibe. I dig it.

Far From Over
Frank Stallone

Sly Stallone’s nepotism to family members is evident here. His brother Frank is singing one of the signature songs from the “Staying Alive” movie, which is the sequel to “Saturday Night Fever”.

I dig this song a lot. It’s written by Frank Stallone and Vince DiCola.

I’m diggin’ in,
I want it more than anything I’ve wanted

How bad do you want it and how far are you prepared to go to sacrifice to get it.

I am down but I am far from over

An unwritten rule of life.

On The Line
Tangier

After doing the Philadelphia scene for 5 plus years, the band finally got a chance to showcase for a few labels. ATCO head, Derek Schulman was successful in getting their signature and he got producer Andy Johns from Led Zeppelin fame on board for “Four Winds.”

“On The Line” has a good feel and groove, but man the lyrics about a stranger waiting in the alley way to take your life just don’t do it for me. Only Dee Snider could get away with lyrics like that.

Free’N’Easy
Devils Toy

The Almighty

Ricky Warwick is known today as the lead singer/guitarist for “Black Star Riders” but back in the 80’s/90’s he had a pretty cool band called “The Almighty”.

They were signed by Polydor in March 1989 and recorded their first album, “Blood, Fire and Love” the same year. These songs are from their second album “Soul Destruction” which was released in March 1991. I know I cheated by chucking these ones in the list.

“Everything is so Free ‘N’ Easy”

The modern-day slogan.

Love, only love,
Love is the devils toy

Yes, something so pleasurable has to be evil.

Driving Wheels
Last Frontier
Too Much Ain’t Enough Love
Walk On

Jimmy Barnes

I bet a lot of Journey fans would have no idea the influence of the Journey songwriters on this album. “Freight Train Heart” is the third studio album by Australian rock singer Jimmy Barnes.

“Driving Wheels” is written by Barnes, Jonathan Cain and David Roberts. Yep, the same David Roberts who wrote songs for Bad English, Lee Aaron, House of Lords, Signal and Starship.

“Too Much Aint Enough Love” is written by Barnes, Cain, Neal Schon, Randy Jackson (bass player and recently known for his work on American Idol) and Tony Brock (drummer for The Babys and Jimmy Barnes).

“Do or Die” and “Last Frontier” are written by Barnes and Cain.

“I Wanna Get Started with You” is written by Barnes, Cain and Schon.

“I’m Still on Your Side” is written by Barnes, Cain and Jim Vallance. Yep the same Jim Vallance from Aerosmith and Bryan Adams fame.

“Lessons in Love” is written by Barnes, Vallance, Cain and Jeff Neill (Canadian guitarist who had success with Shama and Streetheart. He toured with Jimmy Barnes before dedicating his time to song writing and producing.

“Waitin’ for the Heartache” is written by Barnes and Desmond Child. Yep the same Desmond from Kiss, Jovi and Aerosmith fame.

“Walk On” is written by Desmond Child and Joe Lynn Turner. Yep the same Joe Lynn Turner from Rainbow fame. The track also appears on a Sunstorm album from 2009.

“Seven Days” is a track Bob Dylan wrote for Ronnie Wood.

Jonathan Cain was on hand to produce, however due to interference from Geffen Records and Cain’s creative vision being different to Barnsey’s vision, the album production was brought back to Australia, with Mick Stone producing and a supergroup of musicians playing on it.

It’s the rhythm of the highway
As he rolls on down
And city lights as they fade from sight
Drives the man behind the driving wheels

Truckie lifestyle, hell in the modern world it’s the morning two-hour commute to work for a lot of people.

Well he’s thought about settling down
A little diner on the edge of town
But in this world of push and shove
He’s still got freedom in his blood

The corporations, the banking industry and our leaders don’t like people like this. Hard to control and bring into the system.

The below is from “The Last Frontier”.

The lawless and the brave, searching for a dream
When all they found was sand and stone
Where rivers once had been

Australia was populated by the convicts and the ones who had dreams of a better life outside of the UK.

And suffered in a sunburnt land
Down in the last frontier

Australia is known as the sunburnt land.

And they sent them to another land
Into the greatest fear
To fight and die for freedoms cry
And for the last frontier

The U.K goes to war and their front lines are made up of soldiers from their colonies.

You Won’t See Me Cry
Signal

And if my world should end tonight
When you walk out of my life
You won’t see me cry

And that’s the end of another Forgotten playlist from the 80’s with an exception for “The Almighty” who even though the album was released in 91, it feels like it was heard in the 80’s.

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A to Z of Making It, Influenced, Music, My Stories, Unsung Heroes

Dues To Pay

Don Brautigam didn’t get the Metallica “Master Of Puppets” or the Motley Crue “Dr Feelgood” cover design gig because he just graduated from drawing school or he had the digital tools at home to create art. Brautigam had spent 15 years doing book covers, sci-fi art and album covers for over artists. He got recognition for his Stephen King book cover design in 1980. He was paying his dues every single day.

Twisted Sister didn’t just write a multi-platinum album out of the blue. It was a long hard road, with some great live moments and record label rejection. While they had the US Tri-State scene covered, to the rest of the world they were unknown. As far as the person in Australia was concerned, they laboured in obscurity. But they kept on doing the great work for a lot of years before most people heard them.

Dream Theater’s “Images And Words” was seven years in the making from when the band got together in 85. All of those choices made in the past led to this album. And once you add the years of individual practice and listening before Dream Theater formed, you can see that “Images and Words” didn’t just write itself.

John Sykes didn’t just come out of the blue and join Whitesnake and then go on to co-write one of the best albums from 1987. His journey involved local bands in the UK, then Tygers of Pang Tang, Thin Lizzy and finally Whitesnake. David Coverdale started off with local bands in the UK, then Deep Purple and finally Whitesnake. The accumulation of years paying their dues led to a perfect synergy/chemistry which resulted in the 1987 album.

Recently I got into the instrumental music of Andy James. A great melodic guitarist and what a shredder. When you look at his past, you can see a high work ethic, writing, recording, touring, doing transcriptions, magazine work, sessions and what not. I am sure, many nights/months passed labouring in obscurity, but he kept on doing great work, years before most people realised and recognised his work.

Hate em or love em, but Five Finger Death Punch is no accident. They are a good example that it takes years, over a decade to find the right formula that works, to keep on working on the music, the message in the lyrics and taking chances. The band members themselves have roots that go back to the early 90’s.

The past is the forerunner to the future and any success that might follow. That rocket ship to success that MTV sold everyone, no longer exists. No one will ever be as big as they’d dreamed they’d be. If an artist is lucky, they will have established a following that pays their bills.

And today, the past is even more important. We live in an era where people don’t realize how hard it is to rise above the noise and connect with people. We do it socially, but artistically it’s difficult. And our past stories and experiences are there to build connections. The right or wrong choices we made in the past, shape who we are today.

But the world moves so fast.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

1983 – The Holy Roller, The Devil Rocker, The Synchronised Eliminator and The Moon Rebel

From May 29, 1983 up until sometime in 1992, metal/rock ruled and it all started with the US Festival (sponsored and orchestrated by Apple’s Steve Wozniack). For the bands involved it was a pivotal moment. For the movement as a whole, it was massive. For a fledgling TV service called MTV, it showed them a market to tap into.

Quiet Riot’s “Metal Health” was released on March 11, 1983 however it didn’t really do anything. The album then started to take off after the US Festival in May 1983 and after the release of “Cum On Feel The Noize” as a single in August 1983, it exploded. I will talk more about this album in one of the other installments of my 1983 saga.

Motley Crue already had some momentum going with “Too Fast For Love”. The U.S Festival in May, helped cement their status as Sunset Strip favourites and when “Shout At The Devil” hit the streets in September 1983, the momentum became a tidal wave to platinum glory. Motley Crue played the perfect set, including a few of the new songs that would appear on “Shout At The Devil”, so as a concert goer, you heard those songs and you wanted them.

Triumph, Scorpions and Judas Priest already had some serious momentum going.

1981’s “Allied Forces” for Triumph was a success and the follow-up “Never Surrender” released in January 1983 was no slouch either and it was certified Gold on September 30, 1983 by the RIAA. You can easily conclude that the festival had a hand in boosting sales.

Judas Priest had their 1982 “Screaming For Vengeance” album doing the rounds and in April 1983 it was certified Platinum in the U.S.

Scorpions had their 1982 album “Blackout” out in the market and their visibility at the US Festival in May 1983, assisted in “Blackout” reaching Platinum status in March 1984. This success didn’t come instantly either, working since the start of the Seventies.

Van Halen at the time were kings of LA however their last album “Diver Down” didn’t do them any favours. However the visibility from the May 1983 festival along with Eddie Van Halen featuring in Michael Jackson’s “Beat It” song would help their “1984” album released in January 1984 reach the lofty Diamond certification.

Anyway, enough of the U.S. Festival and time for a look at some albums.

Dio – Holy Diver

Ronnie James Dio success came from hard work and a commitment to stay the course. Check out his release schedule.

From when Elf’s self-titled debut album came out in 1972 he was constantly writing, releasing and touring. In 1974, “Carolina Country Ball” came out and in 1975, “Trying To Burn The Sun” came out.

Also in 1975, Ritchie Blackmore’s Rainbow was released. In 1976, “Rising” came out. In 1977, “On Stage” came out. In 1978, “Long Live Rock N Roll” came out.

With Black Sabbath, he was involved with the “Heaven and Hell” release in 1980. In 1981, “Mob Rules” came out. In 1982 “Live At Last” came out.

By 1983, he was about to release his eleventh album in 11 years.

While much of the talk these days is on Dio hiring Vivian Campbell, it was actually Jimmy Bain who had a larger influence on Holy Diver. It was Jimmy Bain that was hired first. It was Jimmy Bain who contributed musically to “Stand Up And Shot” and “Rainbow In The Dark”. It was Jimmy Bain who saw Vivian Campbell play with Sweet Savage.

Actually, if you look at the song writing credits you will see “Holy Diver” was written solely by Dio and “Stand Up And Shout” was written by Dio and bassist Jimmy Bain. Vivian Campbell’s contributions are “Gypsy” (with Dio), “Caught in the Middle” and “Invisible” (with Appice and Dio), “Rainbow in the Dark” and “Shame on the Night” (with Appice, Bain and Dio).

So have a drink for an unsung departed hero in  Jimmy Bain.

Stand Up And Shout
You’ve got the power, stand up and shout

The opening song and it’s a call to arms right off the bat. Written before Vivian Campbell joined the band, the opening riff was used again to great success by Iron Maiden in “2 Minutes To Midnight”. Quick, get the lawyers involved.

Lyrically the song deals with breaking away from conformity.  It was the same theme that Twisted Sister sold millions of albums on.

It’s the same old song
You gotta be somewhere at sometime
And they’ll never let you fly

The mysterious “they” could be your teachers, employers, leaders, mortgage brokers or some other entity/establishment who are holding you back.

You are the driver
You own the road
You are the fire — go on, explode

Damn right, we are our own driver but how many can truly say we made decisions without any influence from others.

Holy Diver
The lead single.

How good is that groove from Appice and Bain under the iconic riff. It’s the selling point of the song. Vocally, Dio is fantastic and the guitar solo from Campbell is shredalicious.

Ride the tiger, you can see his stripes but you know he’s clean

Only Dio knows what those lyrics mean however if you are looking for an explanation then go to SongMeanings. A user called “Nightrain50” posted the following;

“Holy Diver is about Jesus Christ’s descent into Hades after being crucified”.

Once you read the users lyrical breakdown, it sounds plausible.

The “Holy Diver” riff is that good, that the Foo Fighters used it in the pre-chorus of their song “Something From Nothing”.

Between the velvet lies
There’s a truth that’s hard as steel
The vision never dies
Life’s a never-ending wheel

The below is an example of the SongMeanings users break down of the above verse.

“Between the velvet lies” = velvet is gentleness or caution, often concealing strength or determination and a profit or gain beyond what is expected or due. Jesus is the velvet lie. His intentions are not clear. Satan has been fooled, he thought he had won when he had Jesus crucified, in fact he has sealed his own fate. Jesus is here to claim what’s his. All the souls of the fallen that will but believe in him can now be saved from Adam until now. Remember all fell short of the glory of God but one (Jesus), this means that all the prophets of the Old Testament were not reaching heaven. Not yet, but they are now.

“There’s a truth that’s hard as steel” = Truth is the word of God. Steel is the sword of Jesus’s mouth Rev 2:16 Repent of your sin, or I will come to you suddenly and fight against them with the sword of my mouth.

“The vision never dies”= The vision is the law, Proverbs 29:18 Where there is no vision, the people are unrestrained, But happy is he who keeps the law. The law will never die because Jesus has finally fulfilled the law, allowing us to have eternal life with God through him.

“Life’s a never-ending wheel” = Death has been defeated. 1st Corinthians 15:56 “The sting of death is sin; and the strength of sin is the law.” Romans *:2 “For the law of the Spirit of life in Christ Jesus hath made me free from the law of sin and death.”

It’s funny how a biblical interpretation has been made on “Holy Diver” that is pro-Jesus, and the person that wrote the song is known as the creator of the devil horn salute. Metal all the way is what I say.

Rainbow In The Dark
While “Holy Diver” and “Stand Up And Shout” warmed up the fan base it was “Rainbow In The Dark” that mobilised them and sealed the deal.

So depending on who you ask, it is pretty clear that a rainbow cannot exist in the dark, as rainbows require light. So is Dio using the term rainbow as an analogy for a “light” in the dark. Also, think of a rainbow as an entity and it found its way into the night. Is it lost? Is it lonely? Did someone abandon it?

It’s typical Dio, where the meaning can take many paths. Each verse line deals with a certain emotion.

When there’s lightning
You know it always bring me down

It’s about feeling down.

Do your demons,
Do they ever let you go?

It’s about giving in to our vices because they are always there.

We’re a lie
You and I
We’re words without a rhyme

It’s about a relationship going sour.

No sign of the morning

It’s like the light will never return into his life.

“Don’t Talk To Strangers” and “Shame On The Night” musically are fantastic songs, but lyrically they are terrible.

Twisted Sister – You Cant Stop Rock N Roll
Dee Snider wrote the tracks for “You Can’t Stop Rock N Roll” while “Under The Blade” was getting mixed. At that stage, Snider was a 10 year vet in the music business. He didn’t rely on sales of recorded music to provide him with a living. He earned his coin by delivering the goods on stage, night after night.

The band was a consistent crowd puller on the live circuit. You would think that would get them signed, however it didn’t. All the labels rejected them, until an independent label in Europe called “Secret” signed them. This in turn eventually led to Atlantic’s European division signing them for the “You Can’t Stop Rock N Roll” album which in turn led to the U.S arm of Atlantic picking them up, once imported versions of the “You Can’t Stop Rock N Roll” LP started selling in the U.S.

And if you want to hear about record label mistreatment look no further than Dee Snider.

The Kids Are Back
The opening track.

My cousin Mega is a hard-core Twisted Sister fan. He is the one that got me into the band. He even has the TS logo tattooed on his shoulder. This was my first exposure to the band. The sound of the marching feet. It was perfect for the time.

We walk the streets
In tattered armies
We got the lion in our heart
We’re not lookin’ for trouble
Just for some fun
But we’re all ready if you wanna’ start

How can I put in words the trueness of this verse?

We just wanted to have fun, but man, if someone wanted to roll with us, we didn’t take a backward step. You can hear the anger build in Dee’s vocal delivery. It’s raw and it is honest. It is not auto tuned like all the other crap released today. It has a certain life to it.

I Am (I’m Me)
It’s a song that needed to be written, so that Dee could go on and write, “S.M.F”, “I Wanna Rock” and “We’re Not Gonna Take It”. To me, it is like a back story to the main movie. It’s message is one of standing up for yourself.

Who are you to look down
At what I believe?

Notice how most of the lyrics have a certain trend showing. If you don’t believe me, compare the lyrics between these songs;

“Stand Up And Shout”, “The Kids Are Back”, “I Am (I’m Me)”, “Your No Different”, “Rock And Roll Rebel”, “Red Hot” and “Rebel Yell”.

The eighties were a time when the youth didn’t want to follow in the footsteps of what their fathers did. I didn’t want to work in the steel mills. I wanted something different, but I didn’t know what. For too long I had been conditioned to want something else.

We’re Gonna Make It is another song that needed to be written so that Dee could go on to write the classics.

The power of the people
Ain’t been showin’
It’s never what you know
It’s who you’re knowin’
Sure it ain’t right,
But as the saying goes its might
That decides who stays behind
And who’ll be goin’

It’s the A to Z in making it.

You Can’t Stop Rock ‘N’ Roll

Lift up your hands in praise
You can’t stop rock ‘n’ roll

You know, those words are so true because rock just keeps on evolving. Even when hard rock stopped being a dominant commercial force in the Nineties, another form known as Grunge Rock took over with Nirvana and Pearl Jam. Then Alternative Rock took over with Foo Fighters and a renewed Pearl Jam. Then Modern Rock took over with Matchbox Twenty and Tonic. Nu-Metal came and it morphed into Heavy Rock. We had Rap Rock, then Pop Rock and Glam Rock came back again via “The Darkness” and we even had Industrial Rock via “Filter”, “Stabbing Westward” and others of that ilk.

It’s an angry steed,
On a never ending course

Damn right.

Ozzy Osbourne – Bark At The Moon

There is a lot of septic crap around this album especially around the politics of the song writing.

By 1983, Ozzy had lost the momentum that the Blizzard Of Ozz band started. From the original crew, Bob Daisley and Lee Kerslake were fired and Randy Rhoads died tragically and if the tragedy didn’t happen, Rhoads was putting plans in place to leave Ozzy.

Ozzy’s saving grace was the US Festival. After the US Festival, Bob Daisley, along with Jake E. Lee, Tommy Aldridge and Ozzy Osbourne went to New York and started writing. It could have been George Lynch instead of Jake E. Lee. Maybe on Earth 2, there is a version with George Lynch replacing Randy Rhoads.

For Daisley, coming back into the Ozzy camp meant certain conditions. He wanted to be paid for writing the songs and to be paid to play on the album. He wanted bonuses when the sales reached a half a million and then a million and so on. However, as usual, he got screwed again and no bonuses came.

Writing by Daisley and Lee continued in London and recording started at Ridge Farms with Max Norman engineering again. Tommy Aldridge struggled in the studio. Sharon Osbourne was constantly on his case as to why the drum parts took so long to record. Time is money. After Aldridge recorded the album and just before the tour, he got fired.

That is when Carmine Appice entered the fold. If you see the “Bark At The Moon” video, Appice is on drums. He had a contract to do the tour and he got fired as well, because he was sneaking off and doing drum clinics.

Bark At The Moon
What a way for Jake E. Lee to introduce himself to the fans of Ozzy Osbourne. Jake E. Lee came up with the riff, Ozzy with the title and Bob
Daisley wrote the lyrics based on a Hammer Horror film story.

But Lee or Daisley are not credited as songwriters. Only Ozzy is.

With so much talk these days about plagiarism and other people taking credit for something they didn’t do, this is exactly what Sharon orchestrated for Ozzy. As it stands, Ozzy is listed as the sole songwriter and by default taking full credit for someone else’s work.

Bark at the moon
Ha ha ha ha ha…

One of my favourite lyrical lines is;

He finds his heaven
Spewing from the mouth of hell

There are a lot of people like that, who find their happiness by putting others down. Hell, the whole bully system is designed in this way. Internet trolls are exactly like this.

And if there was any doubt to the guitar mastery of Jake E. Lee then just listen to the outro solo.

“You’re No Different”
A lot of hate for this song because;

a) it’s a ballad,
b) it has keyboards,
c) it’s a ballad and
d) it’s a ballad with keyboards.

But man, coming off the stellar opening title track, it was a WTF moment, but it’s still a good song and there is no denying the lyrics from Daisley that deal with how people judged and perceived Ozzy.

Everything that I say and do
In your eyes is always wrong
Tell me where do I belong in a sick society

Where do we belong when everyone has their own thoughts and ideas? And why should our thoughts, ideas and words be so wrong, just because we are lower in the status chain.

Your’re no different, no different to me

Last time I checked, we all have a mortality of about 80 years and we all end up in the same place when it all comes to an end.

Living my life in a way that I choose
You say I should apologize
Is that envy in your eyes reflecting jealousy

I’ve said sorry many times when I never should have. It was purely an attempt to put a situation to rest and move on.

Tell me the truth and I’ll admit to my guilt
If you’ll try and understand
Is that blood that’s on your hand from your democracy?

Is there such a thing as pure truth as what I see from my point of view and my cultural upbringing is different to what another sees.

And again that outro has a lot of cool Jake E. Lee’isms.

“Rock And Roll Rebel”
It needed to be written so Jake could go and write “Lightning Strikes” because the riffs are identical except in different keys.

I’m just a rock ‘n’ roll rebel
I’ll tell you no lies
They say I worship the devil
They must be stupid or blind
I’m just a rock ‘n’ roll rebel

It’s a national anthem for us metal heads. “I’m a rock and roll rebel” was my favourite comeback line to my school teachers.

They live a life of fear and insecurity
And all you do is pay for their prosperity

Damn right, it’s called tax and mortgages. The best way to ensure that the majority still serve rich masters like in ancient empires is to create wages, income tax and credit loans. That way, the rich will get even richer and the rest of us will just pay for their prosperity.

That lead break from Jake again is brilliant. Arpeggios, bluesy pentatonic lines, fast legato lines and anything else he could fit in, he did.

“Waiting for Darkness”
The excellent album closer. It’s how Jake E. Lee decorates the song by palm muting and double-picking each note to create a staccato style effect. It’s very similar to how Andy Summers from The Police decorated songs.

Promise me rebirth
And then you tear me from the womb
Give me my freedom
And then you lock me in a tomb

The way of the world is more pure in books of fiction. The non-fiction reality version is very different. A lot of the songs I like deal with how “we believe we are free but really are not”. It’s not coincidental. The more I get older, the more I realise how I’m not free. Like how Hetfield sang in “The Unforgiven”;

“New blood joins this Earth and quickly he’s subdued”

Motley Crue – Shout At The Devil
Motley Crue is another band that benefited greatly from the U.S Festival. 1983 is when the LA Sunset Strip Scene broke out as a commercial force.

On the backs of Motley Crue and Quiet Riot, suddenly the labels were looking for bands that looked and sounded like Motley Crue and Quiet Riot. Ratt, Dokken WASP, Kix, Krokus and Mamas Boys are a few bands that benefited from Motley Crue breaking out of the L.A Sunset Strip scene.

Other labels that had established bands made their bands look like Motley Crue. Y&T, Accept, Fastway, Whitesnake, Helix, Saxon, Kiss and Tygers of Pan Tang are a few bands that had a look and feel change to their wardrobes. But for the Crue, their changes had a lot to do with what was popular at the time. Metal bands like Judas Priest and Iron Maiden were riding a wave of commercial prosperity. The Crue had the metal look and all they needed was the metal sound.

Enter the pentagram.

The “Shout At The Devil” album was primarily written while the band was still unknown and striving for success. You can hear the angst, rebellious youth and aggression in the music. You can hear the kilos of cocaine and decadent lifestyle in the music.

Tom Werman is on hand to produce. There is no denying the fact that Werman had a certain touch to get the albums sounding radio friendly.

Around this time there was a satanic backlash happen in the U.S. Motley Crue played into the controversy and as Vince Neil once said, they did anything that would get them attention.

Werman advised them that they could record their tracks separately and then fix up any mistakes after. This in turn led to a lot of down time. Down time equals partying. In the end, the Crue managed to get it together to record an album that was a product and snapshot of 1982/83.

“Shout At The Devil”
The funny thing is the band is accused of being satanic however they had the most Christian sounding title in “Shout At The Devil”. It is no different to “To Hell With The Devil” from Stryper. The main riff is a bluesy classic, in the vein of ZZ Top’s if played with a boogie feel.

But in the seasons of wither
We’ll stand and deliver
Be strong and laugh and
Shout-shout-shout
Shout at the devil

Nikki is channelling his love of Aerosmith and his rebellious street punk nature in the lyrics. He is part of the disenfranchised generation.

“Looks That Kill”
The L.A sound is all over this. The opening riff of “Looks That Kill” was copied from somewhere and then all of the LA bands copied each other with different variations. If you don’t believe me, check out Ratt and Dokken. The “Breaking The Chains” album has a song with a very similar riff and so does ”Out Of The Cellar”.

As good as the riff is; it’s the foot stomping beat from Tommy Lee that gets the song going. It’s metronomic and G-string tight.

Now listen up
She’s razor-sharp

Now she’s bulletproof
Keeps her motor clean
If Nikki was channelling Aerosmith in “Shout At The Devil”, well for “Looks That Kill” he was channelling Brian Johnson and “Back In Black”.

“Bastard”

Bastard
Won’t get screwed again

Written about their manager who funded their debut album and then split with the Elektra advance.

“Red Hot”
Tommy Lee is channelling “Overkill” from Motorhead with the drums.

Shout at the devil
We’ve laughed at your wars

The title track appears again in another song. It’s such a strong statement.

“Too Young to Fall in Love”

Again, it’s Tommy’s foot stomping and metronomic drumming that gets the song rolling and grooving.

Run for the hills
We’re both sinners and saints

“Knock Em Dead, Kid”
That intro riff from Mick Mars and the build-up from Tommy Lee is a foot stomper. It’s a call to arms.

In the heat of the night
You went and blackened my eyes
Well now I’m back, I’m back, I’m back
And I’m coming your way”

Lyrics about a fist fight. Nikki took a few hits and now he’s back for retribution. Brilliant

“Ten Seconds To Love”
Touch my gun
But don’t pull my trigger
Let’s make history
In the elevator
Or lock the door
Shine my pistol some more
Here I cum
Just ten seconds more

Sixx is a master at the tongue and cheek bubblegum sexual lyrics.

Bring a girlfriend
Maybe bring two
I got my camera
Make a star outta you

The Crue guys made stars of themselves and others with those camera’s many years later. How prophetic.

“Danger”
This one is one of those gems that is forgotten, telling a story about the bands early days.

“Danger, you’re in danger when the boys are around”

The Motley Crue lifestyle. It was danger. Hotel rooms got destroyed, cars got destroyed, Razzle died, Nikki Sixx died.

Billy Idol – Rebel Yell

“Rebel Yell” is written by Billy Idol and Steve Stevens.

Steve Stevens is merely a footnote in the pages of rock/pop and Digitech whammy noises. Tom Morello is seen as an innovator for doing the same thing that Steve Stevens was doing a decade before. Stevens only crime was big hair and big hair is not in to the people who write pop culture history.

In the midnight hour, she cried more, more, more
With a rebel yell she cried more, more, more, wow!

The Police – Synchronicity

It goes to show how one great song and two good songs could move millions upon millions of albums. Tracks 7, 8 and 9 are the ones.

“Every Breath You Take”
The big one. The songwriting credits state it was all Sting, however the way guitarist Andy Summers plays the stock A – F#m – D – E progression is what defines the song and sets it apart from all of the other pretenders.

“King Of Pain”
Gotye took the feel and chordal structure of this song and made it a hit again almost 30 years later. Quick, call the lawyers, we have plagiarism at its best.

There’s a king on a throne with his eyes torn out
There’s a blind man looking for a shadow of doubt
There’s a rich man sleeping on a golden bed
There’s a skeleton choking on a crust of bread

I’ll always be king of pain

Brilliant lyrics. All of those characters could have been Sting.

“Wrapped Around Your Finger”
Again, Summers takes centre stage with his intricate, melodic and delicious sounding guitar lines.

I can see the destiny you sold
Turned into a shining band of gold
I’ll be wrapped around your finger

ZZ Top – Eliminator

“Gimme All Your Lovin’”
It kicks off the album that turned ZZ Top into superstars. And as all things to do with the Eighties it was on the back of MTV and their stylish videos that all kept the same theme going throughout.

You got to whip it up
And hit me like a ton of lead
If I blow my top
Will you let it go to your head?

Are the lyrics dealing with cumming on her face.

“Got Me Under Pressure”
All the trademarks of classic ZZ Top are here. The riffs, the solos, the jam like structures.

I’m gonna give her a message,
here’s what I’m gonna say:
“It’s all over.”

Man, it’s good the ZZ Top guys don’t take themselves too seriously. Premature ejaculation gets a verse.

“Sharp Dressed Man”
If “Gimme All Your Loving’” and “Got Me Under Pressure” were the combinations, then “Sharp Dressed Man was the knockout.
It’s a technological refined Southern Blues Rock boogie merged with a lot of pop sensibilities.

They come runnin’ just as fast as they can
‘Cause every girl crazy ’bout a sharp dressed man

“Legs”
Six songs would have been enough for this album.

She’s got legs, she knows how to use them

The immortal lyric that everyone knows. But what about this one;

She’s got hair down to her fanny
She’s kinda jet set, try undo her panties

Fanny makes it in a hit song. Brilliant.

And based on the above, here is a sequenced list of songs for a 20 song double album. All killer, no filler.
Side 1
1. Bark At The Moon
2. Stand Up And Shout
3. Looks That Kill
4. Rainbow In The Dark
5. Every Breath You Take
Side 2
1. Rebel Yell
2. Shout At The Devil
3. Legs
4. You Cant Stop Rock And Roll
5. Holy Diver
Side 3
1. Red Hot
2. I Am (I’m Me)
3. Too Young To Fall In Love
4. Gimme All Your Lovin’
5. Waiting For Darkness
Side 4
1. The Kids Are Back
2. Wrapped Around Your Finger
3. Sharp Dressed Man
4. King Of Pain
5. Got Me Under Pressure

Stay tuned for Part II.

In case you didn’t get the title;

  • The Holy Roller is a combination of “Holy Diver” and “You Can’t Stop Rock and Roll”.
  • The Devil Rocker is a combination of “Shout At The Devil” and “You Can’t Stop Rock And Roll”.
  • The Synchronised Eliminator is a combination of “Synchronicity” and “Eliminator”
  • The Moon Rebel is a combination on “Bark At The Moon” and “Rebel Yell”.
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