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80’s Forgotten Playlist

Spotify Playlist

A lot of good music came out in the 80’s that is more or less lost or forgotten or known as semi-obscure. Hell, there is no way the Spotify algorithm will be able to find it and pick it up.

Blame MTV. The show became popular because it had “hit video clips”. In order to get onto the show, bands needed a hit single. So even though bands went away and recorded a very solid album without any hit singles, the most commercial sounding song and sometimes with the most clichéd lyrics would end up as the single. And if the song resonated, people would highly likely go and check out the album or the back catalogue. This was good for sales and the record labels made a lot of money.

However, the MTV rules still apply today. We’ve come full circle. If you have a hit single today, you will rack up a billion streams on Spotify, which might get people interested into checking out the whole album or the back catalogue. But in most cases, people will be happy with the “hit” single and a lot of music is not heard. Remember a few years ago when Spotify did a check on their data and found over 20 million songs that haven’t even been heard. Think about the number. 20 million songs not even heard. That’s the competition for any new band. With so many bands/artists creating music, how do you rise above the 20 plus million songs that no one has even heard?

Does your latest release just add to the 20 million never heard pile or does it rise above?

And you need people to push it, talk about it and promote it.

Secret Loser
Killer Of Giants

Both tracks are from Ozzy Osbourne’s forgotten “Ultimate Sin” album released in 1986.

“Shot In the Dark” got the glory as the lead single and is probably the reason why the album is not available on CD anymore depending on who you believe. Overland brothers vs Osbourne, or Soussan vs Osbourne, or Overland vs Soussan.

At one stage in the late 90’s, this album was deleted and you couldn’t get any new copies. One of the Australian mags mentioned it’s because of Sharon Osbourne’s contract disputes with Bob Daisley and Jake E.Lee. Maybe it was the authorship issue of “Shot In The Dark”.

Who remembers the movie “The Wraith”?

Charlie Sheen stars in it, as a person who comes back to life to avenge his death at the hands of a car gang (who got away with the murder). He kills his murderers by racing each gang member to death. Well, “Secret Loser” appears during one such car race and it connected right away with me.

How good is the riff?

Trapped in a lonely body
I’m losing control
Can’t show my emotions
And I’m losing my soul
Could it be that I’m obsessed with feeding my disease
I couldn’t make it known the hidden things no one sees

Daisley was pretty good at writing autobiographical stories of Ozzy. I think this one is no different, especially the line about how Ozzy is obsessed with feeding the disease and in this case, the disease is the persona of Ozzy being constantly intoxicated, drugged out and doing something publicly embarrassing.

I can understand that what you see
You think is real
But underneath the surface is a wound
That cannot heal

It’s almost like being a fly on a wall in a shrink therapy session. Just imagine the big bad rock star with an image of decadence and debauchery breaking down within the confines of four walls and a chair.

“Killer Of Giants” is as good and as classic as “Diary of A Madman” in my view. Musically, it’s excellent. It’s got that acoustic introduction, social and political lyrics courtesy of Bob Daisley, a great chorus and excellent guitar playing from Jake E. Lee

If none of us believe in war
The can you tell me what the weapon’s for
Listen to me everyone
If the button is pushed
There’ll be nowhere left to run

Daisley, grew up with the threat of the button being pushed. For the generation of today, the threat of nuclear war is in the past, forgotten. Then again, my kids asked me recently, what would happen if we go to war with North Korea?

Killer of giants threatens us all
Mountains of madness standing so tall
Rising so proudly it has nowhere to fall
This killer of giants

At the moment our leaders are having a war of words with “rogue nations”. While sticks and stones hurt, a barrage of words can undo all truth. Especially words tainted with lies. Sometimes, people never recover. Say the right words, make a difference and doors can open. Say the wrong words and watch doors shut and a very darker difference will be seen.

Jake E. Lee got really shafted with his time in Ozzy. He has no song writing credits for the “Bark At The Moon” album, which he should. And for “The Ultimate Sin” he has the credits, however the Osbourne camp are doing their best to kill off the album and hide it.

Little Fighter
Cry For Freedom

What can I say about White Lion that I haven’t said before?

With Vito Bratta, the band had one of the best guitarists ever. He knew how to decorate a song and his leads are little masterpieces themselves. The other key ingredient to me was when Mike Tramp wrote lyrics about society, the injustices in society and how if we don’t do something right now to protect our world, there will not be a world to protect.

And maybe these serious themes proved to be the downfall of White Lion. I remember Vito Bratta saying in an interview when White Lion played Castle Donnington. They came on after Skid Row and before AC/DC and while the crowd got into the party lifestyle lyrics of Skid Row and Acca, they just didn’t resonate when White Lion sang about Greenpeace or apartheid in South Africa.

Rise again little fighter
And let the world know the reason why
Shine again little fighter
And don’t let ’em end the things you do

The lyrics are written in a way that it can be about many different situations. It could be an inspirational message to a person who is down on their luck. It could be the words in the head of a boxer after he/she have been knocked to the canvas or words to a child who didn’t make the elite team.

The fire is burning
We lay our weapons down to rest
This war ain’t over
‘Till all the people will be free

“Cry For Freedom” is very Dylan’esque in it’s lyrics. South Africa and it’s apartheid policies always made the news in Australia. And when people have nothing else left except to fight for freedom and equality, then there is a high chance they would do so. The truth is, we are never free. Speak to anyone in debt and ask them if they feel free. Our lives are at the mercy of the banking system. In South Africa, racism was used to imprison people.

Our brothers in prison
But no crime was ever done
I call it racism
Ashamed I face my fellow man

Even in our democratic countries people are jailed for no crimes and unfortunately racism will not go away.

Musically, Vito Bratta kills it. All of those people calling him an EVH clone got no idea. It’s like calling LeBron James the next Jordan. Both can shoot threes, slam dunks and do all of the wonderful things players do. But both are different. Same deal with EVH and Bratta. EVH was technical but more aggressive in his style. Hearing EVH play sometimes, I used to get an image of him punching his guitar. The sense of melody that Bratta exhibits is fluent and theoretical. He worked within the modes most of the time, like Rhoads did which made it very melodic.

Bang Go The Bells
Desperate

Babylon A.D is one of those bands that fall into the “should have made it” category. They even caught the attention of Arista Records president and industry music mogul Clive Davis, who signed them at a live showcase in Los Angeles. Hell, their lyrics suited the era to a tee and the musicianship was/is top-notch. The problem (and not really their fault) is too many bands sounded the same and the music consumers/the fans started to get burned on the scene. “Bang Go The Bells” and “Desperate” are from the debut album, released in 1989.

Here we sit in this smoky bar
Two souls drifting through the world alone
Here we talk about life and love

Loneliness is humanities greatest disease. If someone is there, we wouldn’t be lost in the dangers of our own thoughts.

When your dreams seem far away
Take a moment to look over your shoulder
‘Cause, honey, you know I’m desperate too
Everybody’s desperate just like you

It’s not a sign of weakness to say we don’t want to be alone.

“Bang Go the Bells” is written by vocalist Derek Davis, guitarist Ron Freschi and bassist Robb Reid. “Desperate” is written by Derek Davis and songwriter Jack Ponti. Yes, the same Jack Ponti who co-wrote “Shot Through The Heart” with Jon Bon Jovi and went on to co-write the majority of the “Hey Stoopid” album with Alice Cooper and Vic Pepe.

From a guitar point of view, Dan De La Rosa and Ron Freschi bring all of the hard rock flavourings to both songs.

Speak For Yourself
Blood Of Emeralds

From Gary Moore. The songs are from “After The War” released in 1989. “Speak For Yourself” is written by Neil Carter and Gary Moore.

How good is the riff?

It’s a speed rock song and it’s lyrics are still relevant today.

Look around across the nation
Another league of morons marching,
Banners in hand.
Looking for another scapegoat,
Try to take away the things they don’t understand.

The older I get, the more I realize, I’ve got no idea where it’s all going and neither do the people we vote in, who are all beholden to the corporation which pays the most.

Somewhere in the darkness,
There’s a voice that’s crying to be heard.
You feel it deep inside you,
A voice that just won’t be denied.

Speak for yourself.
Someone will hear you,
Someone will listen.
Speak for yourself.
Who knows, you might change your world.

So true and so relevant today. People have exercised their voices with votes, but our leaders are not the problem. It’s the rich corporations in the background that are the problem. Then again when you get leaders who came from rich corporations, mmm, what does that say about the state of the world?

But in all seriousness, people power stopped bad legislation in SOPA and PIPA. People power started to ramp up to stop the Trans Pacific Agreement legislation because it was negotiated in secret and with the corporations present and then Trumpy came into power and killed it dead. Only to replace it with something worse, which we don’t know about yet.

They try to take away your freedom.
They try to tell you what you can
Or what you can’t hear.
Don’t let this moral suffocation
Make you turn out just like them,
Is that what they fear?

The internet has given people a voice. In the process a new on-demand culture was created. People are connected socially over vast distances instantly. And we love it. But corporations who have business models based on control don’t like it and they go straight to their lobby groups to get laws written to benefit their business models. They use laws promoted to benefit the people to take away the freedoms of the people.

For example, in Australia, the large retailers lobby group didn’t like Australians purchasing products from overseas at a cheaper price, so they lobbied hard to get a tax added to overseas purchases. In the end, this tax just made the overseas companies set up a presence in Australia as a big FU.

Copyright is morphing into a censorship law. Videos and posts get taken down due to copyright complaints, however when it’s investigated why the video or the post got taken down, it’s found that the person complaining didn’t like what was being said so they used copyright as a censorship tool.

“Blood Of Emeralds” is written by Carter and Moore again and its more or less an autobiographical song about his time with Phil Lynott.

I was down and out on Skid Row,
But I held on to my pride.
The darkest son of Ireland,
He was standin’ by my side.
We would sail the stormy seas.
Never looking back,
We were afraid of what we’d see.
Through the thunder and the rain,
The deepest blood of emeralds
Was running through our veins.

He covers his time in “Skid Row” (not the U.S band), moving on to Thin Lizzy with Phil Lynott, the darkest son of Ireland and how they would cross into the U.S.

I was angry, I was sad,
Just thinking about the times we had.
I felt so lost and lonely too,
What could I say, what could I do?
And after all, the time goes by.
No one knows the reasons why.
You lived each day like there was no tomorrow.
You spent those years living on time you borrowed.
And in your eyes, all I could see was sorrow.

Phil’s passing and how it affected him.

Gary Moore in the 90’s went all blues and in interviews after the success of “Still Got The Blues”, he was very hateful to his original (he spoke highly of his covers) 80’s hard rock output. Regardless, Gary Moore (along with John Sykes, Randy Rhoads, George Lynch and Vito Bratta) are big influences to me. My guitar style is basically an amalgamation of those 5 guitarists.

With Spotify these days, I have no idea who plays on the songs, like I did in the past. On this album, Gary Moore had Neil Carter on keyboards, Bob Daisley on bass, Cozy Powell on drums, but Cozy didn’t drum on the two songs mentioned above. That was Simon Phillips, who would do also do work with AC/DC during the “Blow Up Your Video” era and Dio during the “Lock Up The Wolves era plus a tonne of sessions for other artists. Don Airey is also on keys for three songs. Hell, what a supergroup.

I Walk Alone
Badboy Breakout

I must admit I am a sucker for polished hair metal as it became known. “Tear the House Down” was the debut and only release from Hericane Alice and released in 1990 I believe, so I cheated on putting this one in this list. Anyway the band is one of many that got a major label deal late in the 80’s and were largely ignored by the record buying public.

The band was formed in Minneapolis in 1984 and after relocating to LA in 88, they got a deal with Atlantic Records in 1989. After the debut, the band recorded some demos with producer Neal Kernon for album number 2, however the shift in music happened and Atlantic passed on the option.

Sometimes your dreams can come true
You’re in heaven, for so long
Nightmares could happen to you
Just remember, life is long

The above is from “I Walk Alone”.

The career trajectory of Hericane Alice was like a dream come true, getting signed and recording an album with major label backing. However, the heaven of a major label turned into a nightmare.

No one can make it alone. We all need someone to listen to us, someone to speak to when we are down and out. Life is scary. Just google all the studies after studies that talk about suicides. People are killing themselves because they’ve lost all hope.

Meanwhile “Badboy Breakout” while great musically has lyrics about a load that’s ready to explode. Still, I am a fan of hair metal. (what a stupid name for music that’s more or less rock).

Ready Or Not
Sign Of The Times

“Out Of This World” was the follow-up to “The Final Countdown” and Europe needed hits to keep the momentum going.

Released in 1988, “Superstitious” took all the glory right off the bat, while a re-recording of “Open Your heart” failed to inspire the record buying public, except me, who has a 7 inch single of it, along with “Superstitious”. Other singles, “Let The Good Times Rock” and “More Than Meets The Eye” also failed to connect and the album didn’t do as well commercially as the previous album.

But to me, “Ready Or Not” and “Sign Of The Times” are the stand out tracks. But you had to be a fan to hear them as they only appeared on the album.

Rock me till I hit that floor
Rock me till I take no more
Rock this hungry heart of mine
Rock me down right to the ground
Rock me like you never done before
Then rock me just a little more

It more or less sums up the rock and roll show.

“Sign Of The Times” also has a signature keyboard lick that should have been as popular as “The Final Countdown” riff.

It’s the way that we make things right
It’s the way that we hold on tight
I know, it’s the sign of the times
It’s the way that we make things turn
It’s the way that we live and learn
I know, it’s the sign of the times

The sign of the times to me is when all our hope’s run out we just need to love one another to get through the day. It’s the way we live and learn. I guess we need a lot more of it these days.

The World Of You and I

It’s from “In God We Trust” released in 1988. The title track, “Always There For You” and “I Believe In You” might have had the attention and the MTV dial a song codes, but this song is a little melodic rock gem hidden on Side 2. And Stryper didn’t need auto tune to sound so in tune. It was all natural and kudos to Michael Sweet for penning such a gem.

You’re out there all alone
Searching endlessly for a home

There’s nothing like been away from home to actually miss what you have.

We Are Strong

Hurricane had some big name pedigree in it’s ranks. The brothers of Rudy Sarzo (Robert Sarzo) and Carlos Cavazo (Tony Cavazo) took the guitar and bass positions in a role reversal to what their older brothers played. If Rudy played bass, Robert played guitar and if Carlos played guitar, Tony played bass.

“We Are Strong” has got that “You Give Love A Bad Name” vibe and it’s a great piece of melodic arena rock.

Facing hard times
Hold on
Time’s still on our side

It’s easy to walk away and destroy what’s been built. So many walk away for reasons that are important to them and some need to do it to escape a hostile situation.

We’ve got to stick it out

Some might be saying for what. Sometimes people are stronger when they go their own ways, reset and restart.

Cry In Shame

It’s from Johnny Diesel And The Injectors, an Australian guitarist/singer who has this bluesy soul rock vibe that just works. And the problem with Australian artists breaking big in the U.S is the deals they sign with Australian labels, who then make it hard for the U.S labels to get a bigger piece of the contract.

Pickin’ up the pieces
Up off the floor
How was I to know
There was gonna be a war
Words of sorrow
Words of spite
Ringin’ in my head
Right through the night

Who hasn’t been in this situation? For me, it was more in the earlier days. As I get older, certain things that used to bother me don’t even get a blip on my radar.

Up all night
With a conscience fight
Just can’t sleep
So I put on the light

It’s so true after an argument. You can’t sleep as you replay it in your head and you get angry at the missed opportunity to say your piece properly when it mattered.

Time To Surrender

Poor, Kip Winger. His face was on a dart board as Lars Ulrich threw darts at him while Beavis and Butthead created a whole show around him. But man, the dude could sing and along with Reb Beach, they became a pretty good songwriting team, crafting some brilliant AOR/Rock gems. But this song is more in the vein of the hair metal vibe and it works.

The lyrics deal with leaving and someone needing to surrender to keep the relationship going, which at the start it looks like Kip is asking the woman to surrender, but by the end of the song, it’s Kip who has surrendered.

Regardless of the lyrics, the melodies and the music work and it’s a good hidden Winger gem from a pretty excellent debut album.

Rock Me

From Great White’s 1987 album “Once Bitten”.

We’d be so good together if we had the time
‘Cause being alone is a nowhere state of mind

Relationships need time investment. If you are not committed to invest, it normally ends.

I search the world for someone I’ll never find
Someone who ain’t the hurting kind

People get hurt all the time. Physical injuries heal, but our thoughts and feelings also get injured. These hidden injuries never really heal. The anxiety and doubt our thoughts and feelings put forth, amplify if they are not checked.

Rock me, rock me, roll me through the night

When the big chorus comes in, it works to a tee.

Great White in the 80’s and 90’s produced some good output even when the musical climate shifted to Seattle.

Today two versions exist, Jack Russell’s Great White and Mark Kendall’s version of Great White. And unfortunately, they are more remembered recently for the Station nightclub fire in 2003 that killed a lot of their fans when pyrotechnics set off by the tour manager ignited plastic foam used as sound insulation in the walls and ceilings surrounding the stage.

Run To Paradise

Choirboys are from Australia. This is from their 1987 album “Big Bad Noise”. The song is a classic in Australia, however in other parts of the world it’s unknown or it doesn’t exist. But it should. The song more or less sums up life for a lot of people. It has the partner you liked and how they sort of liked you, the friend who has an addiction problem, the parent who is losing control of their child as they get older and the other friend who drifts away as they get older.

And Paradise can be a city, a town or a place in time in the past that was just perfect, before the big bad world got in the way.

Baby, you were always gonna be the one
You only ever did it just for fun
But you run to paradise

The immortal opening lines of the song. The chord progression is similar to “Crazy Train” moving from the A to the E to the D.

Jenny, I’ll meet you at the grocery store
You don’t need a friend when you can score
You run to paradise

About the friend who isn’t a friend when they are high.

Jesus say’s it’s gonna be all right
He’s gonna pat my back so I can walk in the light
But it’s not alright sometimes.

The Morning After
Closer To My Heart
Looking For Love

“The Morning After” is from the 3x U.S platinum “Out Of The Cellar” released in 1984. “Closer To My Heart” is from the 2x U.S platinum “Invasion Of Your Privacy” album released in 1985 and “Looking For Love” is from the 1x U.S platinum “Dancing Undercover”.

Let’s start off with “The Morning After”.

How good is that intro riff?

The song is credited to Crosby, DeMartini and Pearcy so I have no idea who wrote the intro riff but as a betting man and after reading Pearcy’s biography, I’ll put money on Crosby as Pearcy described him as the Ratt and Roller Riff Meister.

Also that little harmony lead at the end of the solo is brilliant.

Lyrically, Pearcy talks about going home with someone, lifting skirts and then leaving the morning after, when it’s time.

“Closer To My Heart” is written by Crosby and Pearcy and while it may be classed as a ballad today, it was never viewed as a ballad back in the day.

I listen to you, are you listening to me
The way that you are, it’s easy to see
Feelings for you, now I feel free
I’m lost in time

Love is a two-way street. Both sides have a chance to speak and both sides are meant to listen. In the Ballad of Stephen Pearcy, his partner is not listening to him anymore and he’s fallen out of love.

Indecision, it’s all been heard
No more confusion, the page has turned

Moving on is the hardest thing to do in relationships. Friends pick sides and a sense of familiarity is replaced with the unfamiliar.

“Looking For Love” is written by Crosby, Pearcy and bassist Juan Croucier.

I’m lookin’ for you
You’re lookin’ for me
It’s nothing new
You’re only looking for love
I know it’s true
You know it’s me
I know it’s you
You’re only looking for love

It’s a pop chorus full of clichés and overused rhymes and as good as any pop chorus today. Croucier was also an underrated songwriter within the band, producing a lot of songs and due to whatever politics those songs wouldn’t get considered. So while the singles from the album took all the thunder, the above three tracks should not be seen as poor cousins.

Makin Magic
Flight To Nowhere

Tesla. A massive favourite of mine. Their hard rock vibe mixed with southern rock mixed with Randy Rhoads/Michael Schenker/Angus Young/Eric Clapton guitar playing was huge on my song writing. Hell, I even re-wrote “The Great Radio Controversy” in my own way, meaning I wrote songs similar to all of the songs on this album. And man didn’t this album have some big tunes in “Love Song”, “The Way It Is”, “Heavens Trail”, “Paradise” and “Hang Tough”. But these two songs “Makin Magic” and “Flight To Nowhere” have enough metal in em, to break some teeth and they need more love.

Musically, “Makin Magic” and “Flight To Nowhere” have no filler and are chock full of riffs and great leads and great harmonies. Especially the arpeggiated pull off lick in the “Making Magic” chorus.

Now, I don’t wanna waste your time
I only want to satisfy
So wind me up and watch me go
I’m gettin’ crazy as the night unfolds

Men don’t need much winding up to get going.

I got you, now you got me
Feels so good to be
Makin’ magic, makin’ magic
It ain’t no mystery, come on

Bring on the clichés with heaps of melody. Love it. Moving on to “Flight To Nowhere” .

Look at me, I’m young and bold
Even though I may be growin’ old
I’m never slowin’ down

Life is fleeting. Enjoy it, as you are a long time gone.

Opinion is a piece of mind
Some are good, some are just like
Where the sun don’t shine

So true. Unfortunately, people allow opinions to get the better of them. Treat opinions as just that, opinions, not truth.

Now there’s one more thing I would like to say
This is everybody’s world
And everybody’s gonna live it their own way
No matter what we say, yeah

Be tolerant of all, it’s much better. The sad part is money rules the day and as long as people care more about money, hate will thrive and indifference will not be tolerated.

Troubled minds are full of hate
Willin’ to destroy the human race

The world has vehicles being driven into crowds and bombs going off in crowded market places. What’s next, back to public executions?

(Goin’ down) On a flight to nowhere

Are we too far gone to save ourselves? I don’t believe so.

Midnight/Tornado

From Skid Row’s debut album. After a lot of false starts trying to find the right lead singer that was MTV friendly, Skid Row finally got it going with Sebastian Bach and the recording contract was enacted. But to be honest, I prefer the Brain Fallon demo version found on YouTube. The rawness in Fallon’s voice gave the song what it needed.

Musically and melodically the song is brilliant. Lyrically it talks about a person prowling the streets and coming alive after midnight. Can’t say I am a fan of the words and I would love to hear this song with better lyrics.

Hard As Iron

From the much maligned “Ram It Down” album released in 1988.

I’m blazing on to glory
There’s thunder in my veins
And nothing stands before me
Forever I’ll remain
Hard as iron
Sharp as steel
Stop for no man
You better beg and kneel

Is Halford singing about the metal movement or some mysterious being that’s hard as iron and sharp as steel?

Who cares right?

The song is a five-star speed metal ditty that has all the things in it, people in the 90’s came to hate.

Set The World Afire

From Megadeth’s “So Far, So Good, So What” album released in 1988.

Red flesh cloud’s choking out the morning sky
They said it’d never come, we knew it was a lie

Once upon a time nuclear war was the threat in people’s minds. That 80’s TV movie about a nuclear bomb being dropped on a normal U.S town didn’t help either. Today, global warming is a threat. People either don’t care about it or they do, but they shouldn’t ignore it.

Distorted figures walk the street, it’s 1989
Weeds once underneath your feet have grown to vines

It makes me think of the Will Smith movie “I Am Legend”.

Dig deep piles of rubble and ruins
Towering overhead both far and wide
Einstein said ‘ We’ll use rocks on the other side ‘
No survivors set the world afire

For all of the drugs and alcohol Mustaine consumed, you would think he would be a vegetable. But he isn’t and his lyrics are evidence of a person who has read far and wide and digested information.

The Transformers Theme

From the 1986 “Transformers” cartoon movie. The movie started off with all of the Autobots fans knew getting killed off in the first 15 minutes. And it’s got a wicked soundtrack, along with Stan Bush’s “The Touch”, this remake of the cartoon theme into a hair metal track also works.

Lion was formed when two UK artists, vocalist Kal Swann and guitarist Tony Smith located to the U.S and teamed up with bassist Alex Campbell and drummer Mark Edwards from Steeler. After the demo was recorded, Doug Aldrich (yes the same Doug Aldrich that went on to join Dio, Whitesnake and now plays with Revolution Saints) was recruited to replace Smith on guitar and basses Jerry Best replaced Campbell.

Now check out the connections between Lion and some of the bands above.

Aldrich would replace Robert Sarzo in Hurricane for one album, “Slave To The Thrill”. Swan and Aldrich would get together with former Hericane Alice members Jackie Ramos and Ian Mayo to form Bad Moon Rising. Jerry Best would later re-appear in Freak of Nature, featuring former White Lion vocalist Mike Tramp.

Lioooooon, more than meets the eye…

Hearts On Fire – John Cafferty
No Easy Way Out – Robert Tepper
The Sweetest Victory – Touch

The above three tracks are from the unbelievable and super melodic rock “Rocky IV” soundtrack. Stallone sure knew how to pick a song for his movies. From memory, I believe the movie and soundtrack came out in 1985. I still have the cassette to it and in the 90’s I found the LP in a second-hand record shop. Hell, the Rocky IV soundtrack kick started the melodic rock revolution, especially in Europe.

John Cafferty is the cheaper version of Bruce Springsteen and Bryan Adams. If a movie needed a song that sounded like a Springsteen or Adams song, Cafferty was your man. I first came across his music with the “Eddie and The Cruisers” movie and what a soundtrack he wrote for it. “On The Dark Side”, “Season In Hell” and “Tender Years” are as good as all of the hits from the 80’s.

“Hearts On Fire” is not written by Cafferty. In this case he’s just the performer. Actual songwriters are Vince DiCola, Ed Fruge and Joe Esposito. Vince DiCola is the person responsible for the excellent training montage and the end fight music between Rocky and Drago.

Silent darkness creeps into your soul
And removes the light of self-control
The cave that holds you captive has no doors
Burnin’ with determination to even up the score

Doubt leads us to the cave with no doors and even though the cave has no doors, we still cannot escape the darkness of it. Because of doubt and how we let our thoughts control our actions.

How many of our heroes took their own lives?

How many of our friends have taken their own lives?

How many people turn to narcotics to deals with situations?

Dealing with doubt, fear, loneliness, anger and shame is part of life. Those same emotions drive us and they separate us.

And things that give deep passions are your sword
Rules and regulations have no meaning anymore
Let the disappointment lead to inspiration.

Another find from Stallone was Robert Tepper who ended up contributing “No Easy Way Out” to “Rocky IV” and “Angel Of The City” to the “Cobra” movie.

There’s no easy way out there’s no shortcut home
There’s no easy way out givin’ in can’t be wrong

I know the song is about a relationship, however the way Stallone used it in Rocky IV is brilliant. This is the part as he is driving his car. Apollo was killed in the ring by Ivan Drago and Rocky just agreed to fight him in Russia. He gets home and Adrianne confronts him, not happy about that he decided to fight Ivan Drago. So he jumps in his car to clear his head, the music comes on and all these flashbacks start coming back.

And the message the song conveys is that to avenge Apollo’s death, there is no easy way out. Rocky must fight and beat Ivan Drago, which at the point in time in the film looked super impossible.

“The Sweetest Victory” from Touch is another melodic rock gem. I have no other music from this band, except for this one song on the soundtrack. The song has an iconic keyboard riff and a vocal melody that hits the mark.

What Does It Take

By Honeymoon Suite and their “Big Prize” album released in 1986.

If I could grow wings I would do anything
Just to keep you with me
Can’t you see
If I could fly high I would give you the sky
Don’t you make that mistake
It’s your love that I need
What does it take

What a Chorus. Big. Anthemic. Melodic. Tick x 3.

And I just realised that each song I have selected above has some very good guitar playing. Guess I’m a biased listener.

Enjoy.

More parts will follow.

I’m having a shitload of fun living in the 80’s.

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A to Z of Making It, Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

1991 Goodies Lost In The Noise

1991 was a monumental year for music. Shifts in musical tastes aside, career defining albums by Nirvana with “Nevermind”, Metallica with their self-titled “Black” album and Pearl Jam with “Ten” came out.

Guns N Roses released “Use Your Illusion 1 and 2”, the long-awaited follow-up to “Appetite For Destruction” and Ozzy Osbourne resurrected his solo career with “No More Tears”.

U2 had “Achtung Baby”, Van Halen went back to heavy guitars with “For Unlawful Carnal Knowledge” and Red Hot Chilli Peppers came out with “Blood Sugar Sex Magik”.

Competing against these mega selling albums with massive marketing budgets to scorch the Earth, was the rest of the music industry. And while I am on my European holiday, I have been listening to hard rock music released in 1991. And man, there are some goodies in the list.

Rock and Roll Nights – Roxus
A band like Roxus from Australia, never had a chance to break through on the international melodic rock scene in 1991. A lot of hard work went into building the band, from standalone singles to an EP to the debut album; the whole journey took 4 plus years.

And they started getting some traction in 1991 but they came up against some stiff opposition for the attention of listeners. With all of that against them, Roxus did chart well in Australia.

But they had to compete against the changing of the guard. When U.S record labels started signing up Seattle acts, it was no surprise when the Aussie labels started to sign up Australian bands that suddenly started to sound like Seattle bands. To my amazement, hard rock, thrash metal and glam rock bands on the scene down tuned, stop playing solos, changed their look and their sound. All in the quest for a recording contract.

A chance is all that we’ve got
Without a moment to choose
We’ve got to take it
Young hearts in the night
With nothing to lose
We can make it

It’s nothing original but the message was the same throughout the decade. Chances are far and few, so when opportunity presents itself, we’ve got to take the chance. Like Tommy and Gina. Like the small town kid in Detroit.

I’m glad to be around in Rock ‘n’ Roll nights
You and me

It was a moment in time, a period of almost 10 years when the 80’s version of Rock and Roll became a commercial force.

Stand Back – Roxus

The synth intro is addictive and once the guitars kick in from Dragan Stanic, it’s all systems go. “Stand Back” came out as a standalone single in July 1989 and it was also on their debut album “Nightstreet”, which came out in September 1991.

Taking a chance on a night flight
Knowing just where we ought to be

A lot of times in my youth I knew where I should be, but I couldn’t take that chance to get there. That midnight train out of my hometown was missed. That night flight never happened.

I’ve been on this road now for so long
It’s making me harder now

Living and getting older either hardens you or breaks you.

Stand back, human racing
There’s no change, we’re all facing
Stand back, time is racing now

And that is all we seem to do. Just standing back and watching the world go by.

Pretty Maids – Savage Heart

It’s from the “Jump the Gun” album released in 1990. Actually in the U.S it was released as “Lethal Heroes”. Produced by Roger Glover from Deep Purple, it was told that the album was one of the most expensive albums in Danish history. And after it failed commercially, three fifths of the band would leave.

But it wasn’t the music which let the band down. It was the band name. Many times I avoided purchasing this album because of the band name. One time it was down to Bonfire and Pretty Maids and my money went on Bonfire.

The song reminds me of “Is This Love” from Whitesnake.

Whenever we lose someone
Whenever we say goodbye
And after the fire’s gone
When every flame has died
There will beat a savage heart

After so many loses and failures, a savage heart is all that is left.

Another soldier falls
Dies for God and country
When there’s no time for talking
It’s time for the guns

A symptom of our society is the use of guns. If talking cannot prevent it, our leaders believe violence and force is the next solution.

 

And that massive ending, with the gospel backing vocals is excellent. 

AC/DC – The Razors Edge

The title track written by Malcolm and Angus Young got lost behind the behemoth known as “Thunderstruck”. It’s a killer track. One of their best.

How good is that open string riff that drives the song? It’s a simple A to B to C on the G-string progression with the open strings of B and E just droning along. Angus pulls of this lick while Malcolm just thunders along with the E5 power chord.

There’s fighting on the left
And marching on the right
Don’t look up in the sky
You’re gonna die of fright
Here comes the razors edge

AC/DC have never been known to be a political/social conscience band, however if you look at a lot of the lyrics that Bon Scott wrote in the 70’s, you will see a certain social awareness. You will notice that quiet a few of the songs mentioned in this list talk about war.

Harem Scarem – Hard To Love and Slowly Slipping Away

Both tracks are from the self-titled debut album, the music in both songs rocks.

It wasn’t until well into the 2000’s that I got a hold of some music from Harem Scarem. While the first album is very AOR, the second album “Mood Swings” packs some serious metal overtones and some wicked guitar playing.

The band name doesn’t do the music and the songs justice. Like Pretty Maids I bypassed this album because of the band name.

Badlands – The Last Time

Jake E Lee revs it up again for the follow-up “Voodoo Highway” album to the self-titled debut. And what an opening track, where Lee weaves blues based riffs with his metal pedigree to come up with this heavy boogie riff to kick off the track. Rooted in the key of A minor, the track rocks from the outset.

Lyrically the song is about a broken heart (nothing really earth shattering) however the vocal performance by Ray Gillen is also top-notch. Not long after, the band splintered and “The Last Time” is forgotten in the history of times. The song was resurrected by the Red Dragon Cartel, however Lee is not having much luck with his singers.

Stryper – All For One

From the commercially disappointing “Against The Law” that was released on Enigma Records, a label going thru merger talks.

But there is no denying the song, written by Michael Sweet and produced by Tom Werman.

United we will stand up tall
United we will never fall
If it’s all for one and one for all

The chorus is huge and the message is strong.

United we will never fall. Even Dee Snider mentioned recently that metal heads need to unite again, in the same way we did between the years of 1982 to 1987. We made hard rock and heavy metal a commercial force. After that we fragmented into so many different metal genres, it was ridiculous.

Ratt – Shame, Shame, Shame

The opening riff from Warren DeMartini is speed boogie metal. It’s full on Ratt and Roll and DeMartini even drops the E string down to D, something he did to great effect in “Lay It Down”.

But terrible lyrics again let the song down and the overall power of the music is lost. But this song is all about the music to me and it gets constant spins because of it.

Asphalt Ballet – Soul Survive

It’s written by guitarist Danny Clarke, from their 1991 debut album released on Virgin Records who at the time had no interest in marketing bands as they were in negotiation talks with EMI. That merger happened in June 1992 and a lot of bands lost their deals because of it.

I’ve seen the system fall apart from the rules
And all our Presidents lie
I’ve seen the needle and the damage it’s done
The wreckage left behind

These are social conscience lyrics that a lot of rock bands just didn’t do at the turn of the century. Or if they did do songs like this, the record label wouldn’t release them as singles. How good is that verse riff?

My soul survives
Forever doing time on a dead-end street
My soul survives
Blood like wine running down to my feet, yeah-yeah, yeah!

And for the majority of us, that is how we live our days, doing time in the same old place with the same old faces.

Skid Row – Quicksand Jesus

Written by Rachel Bolan and Dave Sabo, it’s from the gigantic “Slave To The Grind” album, but for some reason this song went under the radar but it’s a masterpiece.

Quicksand Jesus I need you
Quicksand Jesus I believe you
Quicksand I’m so far away

The song is about trying not to lose faith in God with all the crap that goes on in the world. The music is brilliant and Sebastian’s vocals from the “Where do we go” section are sublime.

Richie Sambora – Stranger In This Town

Written by Richie Sambora and his Bon Jovi cohort Dave Bryan, you cannot escape this addictive track that is heavily influenced by “With A Little Help From My Friends”.

Everybody loves a winner
Till the winners lose
And then it’s front page news
Nobody loves a loser
When you’re down and out
You know there ain’t no doubt

This is Richie, unsure of his future. He just finished two gruelling album and world tour cycles with Bon Jovi. He was a winner. Then, the uncertainty came as the band went on a break. He had no record deal, no management, nothing.

“Song And Emotion” from Tesla has a similar message. Where are all the “friends” when you are down and out? Dee Snider’s bio tells a similar story. When he had nothing, he had no one except his family.

Tesla – Song and Emotion
Tesla – Freedom Slaves
Tesla – Had Enough

Even though the “Psychotic Supper” album was eventually certified platinum, on release it didn’t have a chance to break through to the masses. Within 30 days of its release it had to contend with “Ten” from Pearl Jam, “Nevermind” from Nirvana, “Use Your Illusion 1 and 2” from Guns N Roses and the self-titled “Black” album from Metallica.

Tesla is a legendary band in my book. Each album has songs that have remained with me to this day. “Psychotic Supper” gave me these three beauties. All of them are so different, yet so infectious.

“Song and Emotion” is killer. It’s written by Frank Hannon, Jeff Keith, Michael Barbiero (producer) and Tom Skeoch.

All alone on his way to the top
Somehow, somewhere, something was lost
Through it all he knew his only friend was
Song and emotion
Know he’s got to his dying day

Read all of the bios of the artists you like and there is a common theme of loneliness. They turn to drugs, booze and other vices to cope with the loneliness especially when they are on the road for long periods of time.

Where are they now?
Where are those people who promised him his dreams?
Where are they now for this lonely creature on the streets?
Broken, humbled by the cold reality?

The song is dedicated to Steve Clark from Def Leppard. The bigger Def Leppard got, the more isolated their lives became. The price of stardom meant they couldn’t leave their house without an entourage.

Life at the top ain’t always what it seems

It’s a common critique of artists when they’ve made it.

“Freedom Slaves” is a foot stomper with another killer mid-section and solo. It’s written by Frank Hannon, Tommy Skeoch and Brian Wheat.

I pledge no allegiance to your flag
I feel I got me some damn good reasons for feelin’ bad
If you want freedom now, it’s got to be won
It’s only bullets. It’s just a gun

1991 had songs about war, especially with the Gulf War looming over our heads.

Can’t ya see that we’re all freedom slaves?

Freedom comes at a human cost, but then when our freedoms are hijacked by corporations and leaders in the pocket of lobbyists, we become capitalist slaves.

Welcome to freedom. Now, there’s work to be done.

There is work for the ones that have no alternative. They don’t have the degrees, the fortune 500 jobs or some other helping hand.

I don’t know what next they’ll be killin’,
Rapin’ the land with pollution and spillin’.
Here’s to the tired, to the hungry, to the helpless and the poor.
Is there no glory for blisters and sores?

The world was in GFC turmoil, six years ago. The perpetrators got out without any losses, while the working class, lost houses and their jobs. As the lyric states, there is no glory in blisters and sores.

“Had Enough” opens up with a beer can opening and then the riff kicks in. It’s a head banger about downing a few and smoking some weed.  It’s written by Jeff Keith and Tommy Skeoch.

Me and the boys are gonna rock tonite.
Drinkin’ double shots, feelin fine. Mmmm, I like it!
I like the way, the way it makes me feel.
Now, I’m in love witcha, Lady Mary Jane.
You put my mind at ease, make me feel no pain.
Keep takin’ me; keep takin’ me higher, well, and higher.
Light my fire!

The song is all about the high at the start and by the end the character in the song has passed the point of no return and is now addicted.

Have I reached the point, the point of no return?
When will I learn?

White Lion – Warsong
White Lion – It’s Over

Almost five months after “Mane Attraction” came out, White Lion split up and one of the most melodic and expressive guitarists was lost to us.

Mike Tramp wrote good social consciousness lyrics but his take on clichéd rock and roll themes fell short and failed to compliment the outstanding musicianship of Vito Bratta.

In all of this craziness, two songs stand out to this day.

“Warsong” shows the metal side of Bratta, while “It’s Over” shows the classic blues rock side of Bratta.

What are we fighting for?
When the price we pay is endless war
What are we fighting for?
When all we need is peace

When you look at the wars our homelands have been in and for what purpose, you start to question, why.

I know that I was wrong to treat you like I did
But don’t you think our love deserves a second chance 

The above is from “It’s Over”. The blues 12/8 boogie lays the foundations for Bratta to showcase his prowess.

Once the mirror breaks it’s never the same. Same deal with a relationship. Once you break apart once, it’s over. White Lion fragmented without even arguing. It was just time to say “It’s Over”.

Europe – Seventh Sign

“Prisoners In Paradise” album cycle was a lesson in record label politics. Europe wrote 20 songs and the record label rejected a lot of them. Outside writers got the call and Europe kept on writing songs. Eventually after 12 months, the album was done.

It cost a lot and once it was released it was left to fend on its own, without any record label support.

We could all come together
And gather all around
What good is war when we
All go down

Another song with a reference to war.

Savatage – If I Go Away

The whole rock opera from Savatage was an ode to making it, the vices that come with success and the loneliness once the crowds are gone.

Somewhere on that long lonely road
We all stand alone
Looking for clues
From our different views

That’s why we turn to music and the messages in our favourite songs. We are looking for clues from our artists. Maybe they’ve experienced the same.

If I go away
What would still remain of me?

What memories will people carry forward if they go away?

Screaming Jets – Better
Screaming Jets – Fat Rich Cunt

Screaming Jets is an Australian band that basically has legendary pub status within our shores.

They said you’d never get anywhere,
Well they don’t care and it’s just not fair
That you know, and I know better.

“Better” became like a national anthem in Australia. The whole groove of the song is infectious.

Fat Rich Cunt

It’s one of my favourites on the album. The message in the song, is even more relevant in 2016.

You drive your fast car,
All over the town,
You got your offices up 50 floors from the ground.
You hire your slaves to bid for you,
You’ve got a couple of wives and a mistress or two.
And I can’t wait to see you tumble and fall.

When I worked as an insurance broker, all of the people around me had second or third marriages, mistresses on the side and a cocaine habit to match.

You fat, fat, fat rich cunts.

The war cry.

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Tesla Bust’s A Nut in 1994

 

Talk about forgotten men.

Tesla had an unplugged album out in 1990 called “Five Man Acoustical Jam” before the Unplugged craze swept through MTV and 15 years later they are a footnote in the history of rock and roll. Not even mentioned in the “Unplugged” stories. Their crime, being tagged with a hair band moniker and coming out during the mid-Eighties, who burst onto the scene with the hook-laden “Mechanical Resonance” album, that everyone had to sit up and take notice.

But by 1994, Motley Crue had a new singer and delivered an album as equally good if not better than the Vince Neil era albums but it sank, ignored by the public and Elektra. Nikki Sixx’s ego also alienated vital marketing outlets like “Metal Edge” magazine.

Metallica was still doing the Black album victory lap and spending some time in a studio writing the “Load” albums.

Queensryche released the darker “Promised Land” album to critical acclaim. It was far removed from their hard rock and metal leanings and it worked well for them in 1994.

Poison lost CC to a drug haze earlier on in the decade, DLR just lost it all together and Megadeth wrote better tunes than Metallica but didn’t get the sales on the board to prove it. And back then, sales were crucial.

Other hard rock bands that released albums in 1991 and 1992 either broke up or remodeled their sound. White Lion was gone. Badlands was also no more. Kingdom Come the original version was also no more. Bullet Boys were gone or remodelling their sound, depending on who you ask. Tuff was doing it tough. Skid Row was recording “Subhuman Race”.

Slaughter had success with “The Wild Life” in 1992 and by 1994, the label didn’t want to know them. Iron Maiden lost Bruce Dickinson and Yngwie Malmsteen lost his big money Elektra recording contract after “Fire and Ice” bombed in 1992

And then there was TESLA, the band. Still on Geffen, when all of their counterparts lost their record deals.

Rocking harder and bluesier than ever before.

To call them rock stars, they would probably shy away. You see, back in the Eighties, Dee Snider, Motley Crue, Bon Jovi, Skid Row, Dokken and the more prettier or outrageous looking dudes had most of the magazine covers.

Tesla was never one of those. With Tesla, what you got was a working class band who grew up Sacramento, away from glitz and hype. Nikki Sixx once called them “tomato farmers”. Bands that sold less than Tesla had more MTV time, radio time and magazine time.

But while lesser bands lapped up the PR, Tesla was on the road, connecting with audiences. All of their Geffen releases sold and sold well. They carved their niche and it’s paid dividends for them.

They don’t have their “Back In Black”, “Hotel California”, “Pump”, “Hysteria”, “Appetite For Destruction”, “Slippery When Wet” and “Black” album. But what they’ve had is a consistent “Blizzard Of Ozz”/” Shout At The Devil” stream of albums.

“Bust A Nut” was a crucial Hard Rock album for the genre in the Nineties. It was a pure, stick to your guns, fighting for survival album. This is Tesla, being true to themselves and their classic rock sound.

And for those hard rock fans who never gave up hope on the genre, the album delivered. I bought it upon release and the track that resonated, that I could not stop playing, was “Shine Away.”

Talisman Frank Hannon and his partner Tommy Skeoch spearhead the rock sound and by doing so, they spat in the face of the record label execs who threw their support and money onto the Alternative train.

“Bust A Nut” was anti- alternative and very un-trendy. Coming three years after “Psychotic Supper”, the Sacramento band, knew a lot about economic hardship and working class values. Making hard rock music in an uncooperative environment proved to be a hardship. It was literally busting a nut to get your music out there.

And a Gold Certification wasn’t enough for Geffen Records to keep the band on their roster. After 10 years with Geffen and sales galore across the U.S and Europe (who can forget the mega selling “Five Man Acoustical Jam” album), plus the band was still a good draw on the live circuit, while other arena bands were reduced to clubs, Geffen decided they needed more Nirvana’s instead of Tesla’s.

Tesla was formed back in the early 80’s. It was Frank Hannon’s and Brian Wheat’s love of “Y&T” and “Montrose” that got them together. Tommy Skeoch came next and a drummer from the “Eric Martin Band” (yes that same Eric Martin from “Mr Big” fame years later) called Troy Luccketta joined soon after. By chance they stumbled across singer Jeff Keith. In 1982 they changed their name from “Earthshaker” to “City Kidd”. They talked Ronnie Montrose into helping them produce some demos.

You see the path to platinum sales is no flash in the pan. There is a lot of work involved and a devotion to stay the course. Look at singer Eric Martin. It wasn’t until 1988 that he had a major label deal. For Tesla, their debut album came out in 1986.

Tesla is a band that you need to go deeper into their catalogue. That is the only way you would understand what the fuss is all about.

“The Gate / Invited”

It’s written by Frank Hannon, Jeff Keith, Tommy Skeoch and Brian Wheat. We were almost two years into the Grunge morphing into Alternative Invasion, and Tesla kicks off an album like this.

The whole intro (The Gate) instrumental part is a metal tour de-force and then the groove for “Invited” kicks in, with a nod to Led Zeppelin’s Kashmir and suddenly we have a song that moves between clean tone and distortion. I called it back then “a modern day Led Zeppelin track”. You know the ones that move from electric to acoustic and back again.

“I don’t know where I’m goin’, you don’t even know yourself”

“Solution”

It could be on a Dokken, Judas Priest, Motley Crue, Iron Maiden album. “Solution” is written by Jeff Keith and Tommy Skeoch.

“Mother Nature’s on her knees, and we’re the reason of her disease”

Is the Earth designed to support so many bodies? What would happen to the Earth once we use up all of its natural resources? To me, there is a reason why coal, oil and other minerals are in the grounds surface.

“Shine Away”

It’s written by Frank Hannon, Jeff Keith, Tommy Skeoch and Brian Wheat.

We had no idea that Skeoch had a monkey on his back for years. You see in 1994, there was no internet that provided all the answers. And still he was involved in writing and recording a classic rock album in an era where the record labels abandoned rock and metal.

“Shine Away” is a Tesla classic.

“Me, I told myself that I’d get better, and I knew I would, But I said that a thousand times”

Life is full of wins and losses. Big ones and little ones. And somehow we pick ourselves up and try again.

How good is the whole section from 3.50 to 4.40?

It’s Iron Maidenesque. It was never a single, but it’s a song that the fans have taken too.

“Try So Hard”

It’s a Jeff Keith and Brian Wheat composition. I dig it’s Southern Rock/Country vibe. How good is Jeff’s bluesy voice, he nails the performance.

“Oh time, well it goes on and on and on again”

“She Want She Want”

The AC/DC vibe of this Frank Hannon and Jeff Keith composition would have worked for AC/DC in 1994.

“Need Your Lovin'”

It’s written by Jeff Keith, Troy Luccketta and Tommy Skeoch. The second single. A pretty good derivative version of “The Way It Is” from “The Great Radio Controversy”.

“Took all my yesterdays of sorrow, and threw them all away”

“Action Talks”

Written by Jeff Keith and Tommy Skeoch. How good is the intro riff with the running bass line underneath it? It gets the foot stomping and the head nodding. Sometimes in music you just need that simple groove.

“Action talks – now action talks and bullshit walks”

“Mama’s Fool”

The lead off single, written by Frank Hannon and Jeff Keith. It’s classic rock to a tee. And what about that swinging sleazy groove. It reminds me a lot Jake E.Lee’s Badlands.

“Why must I be so, must I be so misunderstood
While my intentions, my intentions all are good
Wish only one time that things would turn out like they should”

“Cry”

Written by Frank Hannon, Jeff Keith and Brian Wheat. This one and “Shine Away” became the first two songs I immediately connected with musically when I picked the album up.

How good is that intro riff and the drum build up?

Immediately you are hooked and paying attention.

“Any day, anytime, anyway it takes me to make you mine….”

“Earthmover”

This Frank Hannon and Jeff Keith composition continues on from the groove that “Mamas Fool” establishes.

 

“Kick out the old in with the new, One of these days, Just watch and see, Earth mother’s gonna show it’s face, And that’s the end of you and me”

“Alot To Lose”

A Frank Hannon, Jeff Keith and Brian Wheat composition. The third single.

“I got a lot of love for you,I guess that means I got a lot to lose”

What a lyric. Back in 1994, I was single and this track really meant nothing to me. Fast forward years later, I have a wife and three kids. Suddenly this track means something to me and it sums up love to a tee.

“Rubberband”

Another Frank Hannon, Jeff Keith and Brian Wheat composition

“You should never take more than you can lend, Unless you wanna break you’re gonna have to bend”

 

“Wonderful World”

The second co-write on the album that involves both guitarists. Another Frank Hannon, Jeff Keith and Tommy Skeoch composition. You can hear the Randy Rhoads influence in the intro. Think of “You Can’t Kill Rock N Roll”.

The section that kicks in at 1.42 and then the following verse is sung;

“But seein’ school, I was just a kid, someone had to go and shoot the president
He wasn’t sleeping when he’s going to bed, so they said, so now he’s dead
Didn’t know much but I knew it wasn’t funny
Everybody’s crying like they killed the Easter bunny
Nothing changes, never changes, killing in vain”

Brilliant.

“Games People Play”

Written by Joe South.

 

“Read your horoscope, cheat your fate”

What a line to close of an excellent hard rock album from 1994.

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Bloodied But Unbowed – Passing Time with Dee Snider, Desperado and Shut Up And Give Me The Mic

I am about 200 pages deep into the Dee Snider bio, “Shut Up and Give Me The Mic.” It got me into a Snider mood, so I turned to “Desperado – Bloodied But Unbowed”. You cant find it on Spotify, however all the songs are available on YouTube, the original unofficial streaming site. You see, while the Record Labels procrastinated over licensing Spotify, YouTube slipped in through the back door and won the streaming war. If you want to buy it, iTunes also has it for sale.

Bloodied But Unbowed means “harmed but not defeated by an unpleasant situation or competition”. It is a typical Dee Snider statement especially coming off the Twisted Sister meltdown. For the uninitiated Desperado also includes Clive Burr (RIP) on drums, Bernie Tormè on guitars and Marc Russel on bass.

The project never saw a proper release due to the record label Elektra, pulling the CD from the shelves, two weeks before its release. The quote from Bernie Tormè more or less sums it up; “Well, it took years out of all our lives, though for me 99.9% was pure pleasure. It was a great album, great singer, great band, but unfortunately for us, a shit record company.”

Dee sums up his feelings in “Shut Up And Give Me The Mic”;

“I was literally packing to leave for England to shoot our video when I received a devastating call from my manager, Mark Puma. Elektra Records had dropped Desperado and shelved our album.

The news hit me as if I’d been told a family member died. I collapsed in a chair and listened to an explanation of how my record—which already had a catalog number and was in the Elektra database and slated for release in just weeks—had come to an end. Brian Koppelman—the fan who had signed us—had left the label for a better offer at a new record company called Giant Records. Insulted by Brian’s move, Elektra got even with him by “shelving” all the projects he was working on. As if we were inanimate objects, Elektra Records shut down our careers. I couldn’t believe it.”

Back in the heyday of the record labels, as a musician, your career was in the hands of the record labels. The record company moguls had the power to make or break not only musical careers but the financial lives of individuals. Even though the Desperado project started in 1988, the story of their album getting shelved goes back to 1983, when Bob Krasnow was put in charge of Elektra and given the task of turning the Label’s fortunes around.

So what happens when making music and making profits collides? Careers get destroyed and careers get put on hold. Bob Krasnow came into power, destroyed the careers of many artists between 1983 and 1993. Desperado wasn’t the first project that Bob Krasnow left nor would it be the last. By 1994, he abruptly resigned (aka for pushed to resign) from Elektra, after he was excluded from the new Warner Music corporate inner circle. How does it feel to be on the outer, sucker? Payback

Emaheevul

Clive Burr lays the foundation for the song after the harmonica intro. The version on “Blood and Bullets” from Widowmaker, is a modern radio friendly take, however the Desperado version has that Bluesy Classic Rock rawness that I like. This is the same feeling I had when I compared the Atlantic re-issue of “Under The Blade” with the original Secret Records version. For me the Secret Records version had that rawness that was just perfect.

Big credit to Bernie Torme and Clive Burr for the Classic Rock touch. Dee always wrote great melodies and with Torme on the scene, he now had a person that could write music that was more intricate.

Never thought much about right or wrong
Never thought much about what I’ve done
Never think much about what I’ll do

You know the story. Our upbringing is all about living as a member of the family, the community and the nation. It’s all about doing the right thing instead of the wrong thing and so on. Pursuing your own dreams and pleasures is frowned upon and seen as selfish, especially if it doesn’t involve earning a weekly wage.

Then you have Dee spitting out the words of Emaheevul. Don’t think about it, don’t procrastinate about it, just do it.

Am I evil?
What’s it to you?
Am I evil?
Compared to who?
Am I evil?
Death, where’s thy sting?
How you dare
Point and stare
Who made you king?

A funny thing happens to all the ones that point and stare. Their life eventually ends up in the doldrums because it isn’t as great as they make it out to be. The ones that judge end up being judged.

The Heart Is A Lonely Hunter

It’s 7 minutes long and it’s got that large Def Leppard style chorus ala, “Headed For A Heartbreak”. Bernie Torme is allowed to take centre stage on this song, with his leads and fills.

Dee has said that “The Heart is a Lonely Hunter” is his proudest moment as a writer and nobody even knows the song. I know about and a lot of others know it. In time, millions more will know it. The music business model has always been about creating great music now, only to get recognition years later. Then the record labels got powerful and made the music business all about creating music now and expecting to be paid handsomely now. No wonder Dee has lost his motivation to create new material.

But a man ain’t a man if he don’t take a stand
And he won’t put it all on the line

One thing that I am taking out of the Dee Snider bio so far, is that he always put everything on the line just to make it. He was a leader. Leaders question authority, while followers obey the rules. Leaders have no safety net, while followers have a back-up plan. Leaders, start the corporation, while followers work for the corporation. Leaders do it their own way, while followers have conformity as their way of doing things.

I can’t see any band in today’s times, hanging in for seven to nine years before they get international recognition. The kids these days don’t have that mindset. Furthermore, the music model is totally different. Look at the band Heartist. They built their following online and then when they played their first gig, the buzz was there, the record labels came out in force and so did all the prospective managers.

The book also highlights the difference between “breaking through” in the 70s/80s and today. Fame and fortune in the music business can be gone in an instant no matter how hard a person works at it. The music industry is a brutal machine. From 1976 to 1992, Dee Snider was chewed up and spat out numerous times and he still made it through. The music business is about survival.

Ain’t the only one to ever lose
Ain’t the only man who had to choose
I’m no stranger to that kind of news
But a man ain’t a man if he don’t make a stand
And he won’t put his heart on the line

If you are afraid to lose, then you are a follower and you don’t belong in the music business. If you believe that you are destined to win and are not afraid to lose, then you belong in the music business. While followers plan, leaders make it up as they go.

This song is written before the “Desperado” album was pulled. It’s like Dee could see the future. Great music and great messages are timeless. The themes in “The Heart is a Lonely Hunter” were relevant in 1988/89 when the song came to fruition. The same theme was relevant when Widowmaker came to be in 1992 and in 2013 the message is still relevant. You will never be a winner if you don’t put everything on the line.

Calling For You

95% of the love ballads that came out during the Eighties I found corny. I really liked “Love Song” from Tesla. It was a whole different take on the format, with many different movements, like the Randy Rhoads inspired classical guitar intro, to the normal stock standard hard rock ballad and the big “Hey Jude”, “love will find a way” ending.

The original version of “Calling For You” leaves me speechless and the Widowmaker version is also top notch. When you have a quality song, the output will always be quality. Its great to hear Bernie Torme’s style in this song as I was so used to Al Pitrelli’s take. Clive Burr is hitting the skins, like it is his last day on this Earth especially on the pre chorus part of the song, when Dee starts singing, “Girl I want you to stay / I beg you, I pray / Don’t leave me this way / I’ve so much to say / Oh, don’t walk away / How long must I pay?”

There is that familiarity in the lyrics. The lyric line of “How long must I pay?” is referencing the song “The Price” from the Stay Hungry album. Back in 1984 it was a price that Dee had to pay and in 1988/89 he is asking the question, for how long must he pay the price.

See You At Sunrise

Classic solo by Torme. The lead break alone is one of those songs within a song compositions. It’s melodic and shredilicous. It goes on for about two minutes and it closes the song. No one has got the balls these days to go with a two minute lead break in a song. Everything is about conformity. Followers play the political game. Leaders on the other hand, play their own game. I really like how Dee uses the cowboy showdown analogy for the breakdown/showdown of a relationship.

See you at sunrise
See you in the morning’s light
There won’t be any compromise when I’m blowin’ you away

I was reading some reviews on Dee’s bio, and quite a few of them had the words that Dee’s ego is still uncontrollable. Maybe it is. While followers conform their personalities to get along, Dee just got to be himself. There was no compromise. That is what leaders do.

In the end, Twisted Sister became international stars because of Dee Snider. No one cares about the hard work that Jay Jay French put in behind the scenes. In the end, artists are judged by their songs and the songwriter in Twisted Sister was/is Dee Snider. Case closed.

Gone Bad

It’s perfect for 1989. It’s pop metal and it’s sleazy as hell. Again, both versions between Desperado and Widowmaker have their own uniqueness. The Desperado version, is edgier and rawer. If anything it is under produced. Torme again shines with his Guitar Heroics. The lead break is again a “song within a song” composition. Torme was really in his element working with Dee.

So I’m bad, cut off from the rest
So I walk alone, everything you detest
Why should I play the games you play
Should I worry ’bout all the things people say
Tell me why should I care
Won’t you tell me what should I prove
That I’m just as feeble and lost as you?

The Maverick (Run Wild, Run Free)

This is probably as close as Dee got to his Twisted Sister days with Desperado. It reminds me of the “You Cant Stop Rock N Roll” period. The song to me is autobiographical.

It stood in the meadow, wind blowin’ through its mane
Cryin’ go, go, go, go and do it
He stares out the window, anger feeds his flame
Cries oh, oh, oh I can’t lose it
And he asks no questions why ’cause he knows it’s do or die
He got colder and tough, now he’s hard to the stuff
He’s got to go and try

While the majority of society argues about their pay, for Dee Snider money was secondary. The mission statement was always about succeeding. It was about making it. Any price would be paid in order to succeed.

Run wild, run free on the road to nowhere
No one’s gonna change your life

The mission statement is about running wild and running free and doing things your own way. Do not expect a shining light to arrive from out of nowhere and change your life. You are in control of your own life. If something is not working then something needs to change. It always starts with you.

But she asks no questions why ’cause she knows it’s do or die
She just smiles and hangs tough ’cause she’s hard to the stuff
She knows he’s got to try

The other side to the mission statement. In chasing dreams, how much are you willing to sacrifice. When it comes to music, a lot.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories

Semi Obscure Machine Head songs

Getting dropped by Roadrunner U.S after the Supercharger album saved Machine Head. The first album Burn My Eyes (released in 1994) was a success. For a debut album Machine Head went on a three year victory lap. The second album The More Things Change (released in 1997) stagnated.

In order to keep their deal with Roadrunner Records going they had to resort to the metal music that was popular at the time. In this case it was Nu Metal. The Burning Red (released in 1999) and Supercharger (released in 2001) came and went during this period.

Then the band got dropped. They even got rejected by every record label they approached for a new deal.

They could have broken up. Instead they went away and wrote Through The Ashes of Empires (released in 2003) which they self-produced. Just like how Rush’s, 2112 laid the foundations of what was to come for Rush, Through The Ashes of Empires did the same for Machine Head.

The lifestyle of a musician isn’t just rags to riches. It cycles back to rags and then back to riches and back again. I always use the Apple analogy. Apple was a leader when it came out on the scene. Then it was going out of business. Then the company got Steve Jobs back in and it became a leader again. In the process, it changed the way live and how we consume music. Now it is running on fumes again.

The list of songs you are about to read are cult favourites. They are not the songs that Machine Head will put into a concert set list every time, however they deserve the same attention as the big ones.

Left Unfinished released in 2003 on Through The Ashes of Empires.

Lyrics and music are written by Robb Flynn. It starts off with the creepy tinker box music. Robb Flynn was adopted at birth. He told LA Weekly that for the longest time he hated his biological parents and never wanted anything to do with them. He wrote this song as a “F.U” to them.

After the tinker box music, a Pantera groove kicks in.

How Korn like are the verses? All the way from the vocal melody to the phased/flanged/tremolo’d guitars to the bass hitting the note and sliding the finger down to the hip hop groove of the drums.

The chorus again is a standout, with the perfect backing vocals of Adam Duce.

I’ll never forget
Life you disdain
So to the parents that bore me this pain
With all those things you left unfinished

This is real life, this is real hurt. This isn’t no Bon Jovi song written by a committee. It isn’t pretty. It is the anthem for all the other kids given up for adoption. I can never relate to the lyrical theme of the song however I can relate to the pain. Pain doesn’t discriminate. It affects us all. The abandonment that Robb feels can be translated to the abandonment a kid feels when the school bully lays into him or her.

You never could love me
I’m glad that you never did
My parents that raised me
Had plenty of that to give
And for that
I’ll love them forever with all my heart
But to you don’t let there be no mistake about it
F.U you cocksucker F.U, you whore
I’ll live my life the opposite of what you are
Love will be my rock
The rock that I stand on

It’s all there. The exorcism of a childhood denied from one set of parents to the childhood obtained from another set of parents. I can’t help but make the connection to Queensryche and Chris DeGarmo’s Bridge, which served as his exorcism of being abandoned by his father.

Don’t try to reach out to me
Don’t try to call
The boy that you created
Is dead for all you f&@king know
You just pretend you’ve never heard or seen
The name Lawrence Mathew Cardine

Wow. The world knows him as Robert Conrad Flynn. However his birth certificate states Lawrence Matthew Cardine. I have seen Robb perform with Machine Head on three occasions in Australia, and he commands the stage. When he says the words, the circle pit gets into a frenzy. You would never pick up on his wounded past.

We are all damaged a little bit. The ones that make it through the heartache and the depression end up changing the world.

As I have said many times, you cannot copy the vocal style of Robb Flynn. You need to have lived his lifestyle to have his vocal style. To me it is the best voice in the metal genre. He can be melodic in a Rob Halford /Bruce Dickinson way, he can be aggressive in a James Hetfield way, he can be progressive in a Jonathan Davis/Maynard Keenan way, he can be hardcore in a Phil Anselmo way and he can be deathly in a Chuck Schuldiner way.

In a world where everyone believes they are a winner, a world-beater who feels entitled to success, you have Robb Flynn the anti-hero to the victorious life portrayed by the fakes. The maestro Flynn who has more questions than answers.

People like Robb Flynn and Corey Taylor have made it through and they are changing the world.

Descend The Shades Of Night released in 2003 on Through The Ashes of Empires

Lyrics are written by Robb Flynn and the music is written by Robb Flynn and Dave McClain. It’s my favourite song on the album.

What can I say, when I heard this song I was in a bad place. The acoustic intro is so sad and depressing. The reason why this song connected with me, is knowing that there are other people out there feeling the same way.

Sitting in the empty black
The last slivers of dusk have passed
Accept the dawn to ease the fear
One day I will not be here

They don’t teach you about death in school. They don’t tell that death can come at any time. You feel invincible when you are 18. As you get older you start to think about death a bit more.

The lead break from Phil Demmel and Robb Flynn for some reason reminds me of Tesla. I know, they are two separate bands from two totally different time periods and genre’s, however the whole passage and even coming into the harmony guitars, just reminds of The Great Radio Controversy from Tesla released in 1988.

Then the sing with me part is up lifting.

It is the humanity in the song, knowing that Robb Flynn has got more questions than answers. We can put on a happy face and we can get along with those at work but what we really want to do is let go, be ourselves and be accepted.

Pearls Before The Swine released in 2011 on Unto The Locust

It’s a Robb Flynn, Phil Demmel and Dave McClain composition.

It’s the familiarity of the Ride The Lightning intro. The drums and bass groove from McClain and Dice is identical to what Ulrich and Burton play in Ride The Lightning. It is that familiarity that hooks me in. I didn’t like this song when I first heard it because the other songs like Unto The Locust, Be Still and Know, This Is The End, Darkness Within and Who We Are really stood out. However, playing those stand out songs to death, I unearthed this little gem, sitting between Darkness Within and Who We Are.

This is what guitarist Phil Demmel told Sonic Excess magazine about the song;

“It was a song without lyrics really for a while, without a concept. We kind of came up with an idea to write about addicts and addiction, when talking to each other and watching Breaking Bad episodes to kind of catch up and start again to see it. (laughs) It’s not a song about hope. It’s just a song about being in the throes of addiction, in its claws, and a lot of my lyrics are in there. So, there’s a lot of descriptive thoughts of addiction. It’s not a song of hope for sure. It’s not ‘Stairway To Heaven.'”

Lie in this state of perdition
Never to awake

Perdition – A state of eternal punishment and damnation into which a sinful person passes after death. What a powerful line that sums up what addiction and depression is.

Make love to denial her sober embrace
Nails they’ve embedded never to release

If you don’t realise you have a problem, you can never treat it.

Count the 12 times you step equal 12 times you fail
No abstination relapse tip the scale
As you swallow the hook and you chew on the line
Choke on the sinker in this sea of lies

Man, what a verse. The 12 steps of rehab just didn’t work out and before you know it, the habit is back; hook, line and sinker.

The passage from 3.18 is superb. The music, the build and the melodic vocals. People have tried to imitate Robb Flynn in his vocal style, however as far as I am concerned, you need to have lived his life in order to sing like him. His vocal style is his lifestyle. I will replay this song a thousand times just to hear this section.

Broke vows and broken rosaries
Bind these rusted hopeless dreams
Broke vows and broken rosaries
Bind these rusted hands in prayer
Faith trust and love are mowed down lonely In these killing fields

What a vocal melody. It’s goose bumps all the way. The double kick from McClain keeps it rolling.

Then it’s all thrash from 4.36. I would have loved to be in the studio when they wrote this bit. It would have been high fives all around. The whole song is progressive. Not in the weird time changes progressive, just the fusion of so many different styles and melodies and riffs.

Machine Head hold their own against the Big 4. Hell, that concept should be expanded to include Machine Head. Better yet get rid of Anthrax and put Machine Head on the bill.

A Farewell To Arms released in 2007 on The Blackening

This is the album where Machine Head finally got their victory lap. The Blackening is such a strong album that other songs could be missed if you don’t dig deep into it. A Farewell To Arms is unbelievable. Great music and great vocal melodies. The lyrics are written by Robb Flynn, Adam Duce and Phil Demmel. The music is written by Robb Flynn and Phil Demmel.

Mutilated lives
Blackening as coffin line the sides
Filled with fathers
Who has won?
When only sons
Hold their grieving heads and mourn
A farewell to arms

The end product of war for the ones that do not return. It comes across in a powerful way. While the verses are great what truly makes the track is the chorus.

I’ll wave this flag of white
So the venged see the light
We’ll pay for closed eyes
With our genocide

Is venged even a word? Who cares right, as it fits the vocal melody to a tee? The chorus has a similar guitar melody like Halo underpinning the vocal melody.

Then the Iron Maiden-esque lead break wails from 7.10. The drumming and the backing tracks all have that Maiden Trooper Gallop. Then at 7.40 it is the Creeping Death “Die By My Hand” part from Metallica.

Somehow they bring it all back to an ending reminiscent of Master Of Puppets, again from Metallica. Just when I think it’s over, a few more bars of clean tone and the immortal words A FAREWELL TO ARMS.

Who has won when we’re all dead? This song also points the finger at the rich and the government officials that pushed the country into war. One of the verses deals with how the children of the fallen are left without fathers and how the children of the government officials will never know what it is like to fight a war.

Kick You When You’re Down released in 2001 on Supercharger

It’s a Robb Flynn, Ahrue Luster, Adam Duce and Dave McClain composition. The Supercharger album didn’t get as much attention from me as it should have when it first came out. As I got older, I went back and listened to it. Now I appreciate it more.

You have to trust in yourself
You must believe in yourself
You have to follow your heart
You overcome, improve, endure

It’s the anthem for the determined. As the other lyrics in the song state, sometimes you fight and you win, sometimes you fight and you lose, however it is the fighter in you that will never lose. In the end you move forward by overcoming obstacles, improving on what you did before and enduring. Remember, to be a winner, you need to outlast the competition.

Deafening Silence released in 2001 on Supercharger

This song is a Robb Flynn, Ahrue Luster, Adam Duce and Dave McClain composition.

One thing I really liked about this period of Machine Head (1999 to 2001) is that Robb Flynn was pushing himself lyrically and really went to town writing about his own personal issues. That is why the albums that came after had the perfect mix of personal reflections, political reflections and religious reflections.

You drink a thousand lies,
to freeze the past in time

Numbing the present with alcohol. I am sure every metal head has been in this situation. That is why we gravitate to this kind of music. We are the outcasts, the ones that society couldn’t pigeon hole. Note the reference to a song from Burn My Eyes.

See the pain in my eyes
see the scars deep inside
My God, I’m down in this hole again
With the laughter I smile
with the tears that I cry
Keep going down this road called life

The chorus above speaks volumes about society in general. My favourite lines are “With the laughter I smile, with the tears that I cry, keep doing down this road called life.” That is who we are in a nutshell. We just roll along. The ones that don’t, end up taking their lives.

Silver released in 1999 on The Burning Red

It’s got similar lyrics from A Nation On Fire. This song really reminds of Tool, especially that Cold breakdown. Lyrics are written by Robb Flynn and the music is written by Robb Flynn, Dave McClain, Ahrue Luster and Dave McClain.

Take my hand
Across this land
Escape this, all the hell inside

Creating that other shell of a person to take the pain while the real person is hidden somewhere in the recesses of the mind.

Create this man
To make my stand
And break this hardened shell in time

It’s like this, we put out a face of confidence to all who see us, however inside, we are filled with doubt. We are scared. We are questioning. And if we feel like everything is going great, the real person will break away the mask and step into the light.

I see a mirror to me
The lines along my face are drawn in
I believe reflections bleed
The sorrows of our souls

I remember reading an interview with Robb Flynn that he was bulimic at one point in his life, always forcing himself to chuck up so that he can look the part. It’s a powerful verse with great imagery. We have all stood in front of the mirror and we have all judged our appearances.

A Thousand Lies released in 1994 on Burn My Eyes

The verse riff is the same as Cowboys From Hell from Pantera. Lyrics are written by Robb Flynn and the music is written by Robb Flynn, Chris Kontos, Logan Mader and Adam Duce.

In poverty there is no democracy

Basically in poverty there is the motto that only the strong survive. That whole fairness and equality is rubbish. Even in poverty there is class warfare.

This urban life is so volatile
An inner city or a concrete hell

This is it, you either live, or you die or you end up in prison.

What is a man who don’t stay true to the game
Don’t care for no one, only cares for his greed
He’s playin’ God killin’ thousands of people ‘
Cause the power is the fix that he needs

When Robb is writing about themes that piss him off, he is always on game. He is basically saying, who can we trust in this world anymore, when all we get is lies.

A Nation On Fire released in 1994 on Burn My Eyes

Lyrics are written by Robb Flynn and the music is written by Robb Flynn, Chris Kontos, Logan Mader and Adam Duce. The intro clean tone riff is that good, that it was re-written for A Farewell To Arms and Unto The Locust.

A world that spends more to kill than to cure

Another brilliant line. What kind of a world do we live in? Our Governments give more money to the military then what they do for research on finding cures.

So take my hand across this land

There are the lines that re-appear in Silver. It’s almost like he is saying to an angel to take him away from this world.

You tell me peace, Well I hear gunshots all night
The scars I have, I’ve earned ’cause I’ve had to fight

As we get older and we accumulate knowledge, we find it hard to believe the B.S that our Politicians try to push. The themes that Robb explores on the first Machine Head album keep re-occurring time and time again on other albums.

How cool is the SLOW part at the end. The groove just gets slower until the song ends.

I’m Your God Now released in 1994 on Burn My Eyes.

Lyrics are written by Robb Flynn and the music is written by Robb Flynn, Chris Kontos, Logan Mader and Adam Duce.

The vocal melody at the start is that good, that Robb Flynn used it again for A Farewell To Arms. It’s a sad and sorrowful tale of addiction. The “her” in the song is the heroin. Drug addiction is covered a far bit in the songs of Machine Head.

So pain told you to take her
Well I learned to accept that feeling
‘Cause I found how to numb it
If only for just a short while
I’d get so high, I’d forget my own name
I scarred my fist, I scarred my brain
I think that I’m going insane
I think that I’m going insane

This song was brought back into my memory when I was listening to the Sixx AM album and the song, The Girl With The Golden Eyes. Nikki Sixx is another person that struggled to deal with the abandonment of his father.

So now I’m in your system
And I’m what helps you numb your pain
With time you will confide in me
So lonely my friend, I’ve made you lose control
You’ll use me more and more with time
Our friendship grows with each mainline
So glad that you could be so blind
So glad that you could be so blind

Again I am thinking of the Sixx AM song.

She speaks to me in Persian
Tells me that she loves me
The Girl With Golden Eyes

And though I hardly know her
I let her in my veins
And trust her with my life

I wish I never kissed her
Cause I just can’t resist her
The Girl With Golden Eyes

Every time she whispers
Take me in your arms
The way you did last night

Everything will be alright
Everything will be okay

People like Robb Flynn, Nikki Sixx and Corey Taylor have made it through and they are changing the world.

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Classic Songs to Be Discovered, Music

The KISS that rocks

Revenge made Kiss relevant again.  1982’s Creatures of The Night and 1983’s Lick It Up, re-established Kiss as a force to be reckoned with in the Eighties.

MTV was the outlet, and every time Lick it Up came on, it made me stop and watch.  This was all about the music.  The band had removed their make-up and they needed to make a statement.  Lick It Up was that statement.   That crunchy and distorted guitar from Vinnie Vincent is what makes the song roll.  Of course, it wouldn’t be long before Vincent was shifted. It’s like Gene Simmons can’t handle having talented people around me for a long period of time. Gene likes to rewrite history that Vinnie Vincent’s contribution to KISS was as a salary paid employee, however the music doesn’t lie.

Life’s such a treat and it’s time you taste it
There ain’t a reason on earth to waste it

We all know what Paul is saying in the lyrics to the women in the world.  Make sure that no mess is left ladies.

By the time the keyboard heavy Crazy Nights (1987) and the pop metal Hot In The Shade (1989) came out, fans started to accuse the band of following whatever MTV trend was popular at the time. 

Crazy Crazy Nights to me was so hooky and it was as good as anything else that was in the Charts at that time. I personally love the song, and this is in the era, post the Slippery When Wet explosion.  It just reminds me of good times and crazy days, sort of like how Tesla’s Lazy Days and Crazy Nights song does.  Listening to the Crazy Crazy Nights song today (I did an Eighties’ CD for my wife and this song was one of the songs I put on it) it just reminds me of how busy my life has come to be, where most of the time I am running on empty or caffeine.  It would good to be able to kick back and relax. 

They try to tell us we don’t belong,
That’s alright, we’re millions strong
This is my music, it makes me proud,
These are my people and this is my crowd

A song for the rock show, making the people believe that they belong here. Crazy Crazy Nights was co-written by Paul Stanley and Adam Mitchell who he used on the Creatures of the Night album as well.  Going back to the well that gave birth to quality previously, is a good thing.   

Going back to the Revenge album. The Nineties had a massive paradigm shift in the music business.  Kiss, now had to compete with bands that released game changing albums.  Nirvana released Nevermind and Pearl Jam released Ten bringing Grunge and Alternative Rock to the masses.  U2 released Achtung Baby, Red Hot Chilli Peppers released Blood Sugar Sex Magik, Metallica released the Black album, The Cult release Ceremony, Guns N Roses released the Use Your Illusion I and II albums, Ozzy Osbourne released No More Tears, Skid Row released Slave To The Grind, Pantera released A Vulgar Display of Power and Van Halen released For Unlawful Carnal Knowledge.  The majority of the albums had a heavy rock feel and in the case of Van Halen it was return to the brown sound. 

Coming into the recording process of Revenge, Kiss already had some momentum going with God Gave Rock N Roll To You, which appeared in the movie, Bill and Ted’s Bogus Journey in 1991. The song is an Russ Ballard composition for the band Argent, however additional credit is given to Gene Simmons, Paul Stanley and Bob Ezrin.  Argent at that time was trying to follow up their mega hit, Hold Your head Up, so when God Gave Rock And Roll To You came out, it bombed.  However the song is a great song, and it is a good thing that Kiss rescued it and turned it into a hit.

For Kiss to be relevant in the Nineties, they had to do something different, so they hired a marketing consultant firm to find out what the fans wanted. The answers came back.  The fans wanted more Demon, more heaviness, more rock and an album to rival 1976’s Destroyer. It was time to get the team together.  Bob Ezrin who produced the epic Destroyer and the terrible Music From The Elder was hired to produce.

The biggest decision made was to use the fantastic, talented and egotistical Vinnie Vincent as a songwriter.  Simmons and Stanley realised that Vincent’s contributions to the Creatures of The Night and Lick It Up albums, had produced songs that have become some of the best and well known Kiss songs in recent memory.  The sinister single opener Unholy was written by Simmons and Vincent.  It is heavy, it is evil and it fit perfectly in the current music climate at the time. 

You send your children to war
To serve bastards and whores

It’s a tough lyric line.  There is that devilish theme throughout the song.   

Other classic Vincent penned songs that appear on Revenge are Heart of Chrome is written by Paul Stanley, Vinnie Vincent and Bob Ezrin, while I Just Wanna is written by Paul Stanley and Vinnie Vincent.

It is a shame that this song writing partnership went sour so quickly again, and they haven’t collaborated since. 

Revenge is Kiss being themselves and by doing that, they made a record that satisfied the hard core fan bases and somehow also fitted in with the times,

Of course, the album is also in memory to drummer Eric Carr, who passed away due to cancer, before the recording process started.  Eric Singer took his place in the band and he has been with Kiss, since then.  How good was the Badlands project that Eric Singer was in, with Jake E.Lee, Ray Gillen and Greg Chaisson?  However that is for another day.

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Classic Songs to Be Discovered, Music, My Stories

Classic Songs To Be Discovered – Tesla, Machine Head, Thousand Foot Krutch, Trapt, Since October, Three Doors Down, Daughtry

It looks like my playlist shuffle is stuck in the song titles that begin with B.  Here is the list of songs driving in to work today.

Breakin Free – Tesla
Be Somebody – Thousand Foot Krutch
Beautiful – Since October
Back Again – Daughtry
Believer – Three Doors Down
Black Rose – Trapt
Beautiful Mourning – Machine Head

Breakin Free is from the rock band Tesla and it is from their hardly heard 2008 album, Forever More.  It is the Brave New World from Iron Maiden, meets Tool intro that hooks me, and the spiteful lyrics resonate with me.  Even though the song deals with a relationship break up, it could mean any situation where a person that you trust and liked ends up making life a living hell.  

I’m done with swallowing my pride
And the truth in the end denied
You know it makes me sick how you’re so quick to always criticize
You never find fault in yourself
You’re always blamin’ someone else

Breakin Free is written by the band, along with classic rock producer Terry Thomas.  If anyone remembers the 1991 album from Foreigner (the one with Johnny Edwards on vocals), Terry co-wrote most of those songs as well, along with the Bad Company albums released between 1988 and 1992.  That is why the song sounds classic but modern.

Be Somebody is from Thousand Foot Krutch.  It’s from the fan funded The End is Where We Begin album, released in 2011.  

We all wanna be somebody, we just need a taste of who we are
We all wanna be somebody, we’re willing to go but not that far

Isn’t that so true.  We all want to be recognised for something.  In order to get there, we end up changing who we are.  We sell our souls for money and fame.  We betray the most important person, ourselves.  The lyrics bring it all home, we are willing to do what we need to do to be somebody, but we have boundaries as to who far we will go.

Beautiful is from Since October.  It is from their debut 2006 album Gasping For Hope, that they released as an unsigned band relying completely on Myspace to push it and sell it.  In the end it got them signed to Christian label Tooth and Nail, and so far they have released another two more albums after that.

It is the Duran Duran – Come Undone similarities that grab me.  For some reason derivative works in pop and rock work, however in metal, if they are too similar they are decried.  

You’re completely perfect but perfectly incomplete
You’re lacking only me but you acted like you didn’t want to know me

Unrequited love.  The lyrics are nothing earth shattering, and very adolescent like, and that is what works with the song.  Of course the guys in the band were in their early twenties when they wrote this song.

Back Again is from Daughtry.  It is the bonus track or b-side to the No Surprise single, that comes from the Leave This Town album released in 2009.  It is a classic rock song.  It deserved to be on the album.

We’ve all been down this road before,
I give it all, you wanted more
I’ve only got myself to blame

That is the best part of the song.  It is where Chris Daughtry really shines on the vocals.  It is a song Chris wrote with Adam Gontier from Three Days Grace, well ex Three Days Grace now and produced by Howard Benson, who is the mainstream go to producer for metal and rock music these days.

Believer is from Three Doors Down.  It is from the 2011, Time Of My Life album.  It is very different to what Three Doors Down are renowned for and it works.  The intro rocks, and the melodic lead kicks things off nicely.

I would have been in doubt
When this started out
That everything would turn out this way
First it was a phone call
Then it was another
From a mother who was ready to play

It’s written by the band, and at 2.57 it’s short and sweet, but hectic just the same.  Of course the sound is very modern like, thanks to Howard Benson again.  Sometimes, we need music to have a laugh with, and in this case, I get that from the lyrics, about a married lady who wants to play, only for her affair to be busted up by her husband.

Howard Benson’s story is interesting, going from being a keyboard player, to a producer, to the Vice President of Giant Records, to an A&R rep for Elektra and now Warners Music.  This is proof that you don’t go to 0-Riches in an instant.  It takes time and a lot of work.

Black Rose is from Trapt.  It is from the 2008 album, Only through The Pain.  It is a ballad with a killer chorus and a killer ending.  

Black rose your thorns are cutting into me for the last time
Black rose I watched your petals wilt away I couldn’t bring you back to life
You were always where the sun could never go,
I never wanted you to have to be alone

But I couldn’t find a way to help you grow,
Black Rose

It’s written by vocalist Chris Brown and songwriter, Adam Malka.  It’s produced by Garth Richardson from Chevelle/Atreyu fame.  These lyrics found a connection within me, due to my struggles dealing with my cousins fall into mental illness.  I had to cut loose, as if i stayed he would have dragged me along with him.

Beautiful Mourning is from Machine Head and it is from the best metal album of the two thousands, the mighty Blackening album released in 2007.  The song has been said to be about Rob Flynn, tripping on acid and taking a razor to his wrists.  It is the most depressing  words every put to paper.

My redemption is knowing
This will be over
My aggression,
I fear I’ve lost control
Who is this man I said?
Mirror reflects a stranger
Fist shatters the despair
Awake the pain to anger

The music was written by Robb and Phil Demmel, with lyrics by Robb.  This is real.  Life isn’t all about the highs and the laughs even though we take photographs showing that is the case.  Life has a darker side to everything.  We are fragile, we can snap at any minute.

Enjoy.

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