Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Release Radar

Spot On Spotify

These are the songs that Spotify’s algorithms got spot on. Click the link to listen

Midnight Flyer by The Night Flight Orchestra
My favourite Swedish supergroup of metal heads is back, playing the classic rock music I love. This time around, it’s about a galactic space opera, where the human race is pitted against female space commanders with pearl necklaces. Brilliant

“I’m a stranger to myself
But still I long for the unknown”

Our love of adventure is what drives the world around.

Sinking Ship by Harem Scarem
What a funky groovy foot stomping riff?

How good is Pete Lesperance on guitar?

Along with Harry Hess they have navigated 30 years of Harem Scarem and 14 studio albums, plus their solo work and side projects. As a fan, I’m looking forward to the release of “United”.

When there’s no one out
When there’s nothing left
I’m gonna stand my ground
On a sinking ship

It sums up the career of Harem Scarem. When everyone abandoned hard rock, Harem Scarem, stood their ground. And the sinking ship of the genre is back on the ocean sailing to new horizons.

It’s The Right Time by Mitch Malloy featuring Van Halen
The long lost audition tapes between Van Hager and Van Cherone. As a guitarist, I dig the verses and the way EVH plays it, with palm muted arpeggios and staccato chords. It’s creative and innovative and that improvisation factor makes EVH unique.

In the end, I guess it wasn’t the right time for Malloy to join Van Halen.
“I go on gut feelings, and it was clear to me that something was amiss, so why continue?” It seemed like they were uneasy, and that whole presentation with Dave thing that they did for MTV … I mean everybody kind of knows now … that they were forced to [do that]. But I didn’t know they were going to do that, it was kind of like, ‘What is going on right now?’ It was a very strange time, and it didn’t feel good. [So] I was like, well, if they don’t want me, let me do them a favour and bow out.”
Mitch Malloy on why he didn’t join Van Halen 

Snakes In Paradise by Crazy Lixx
Great melodic rock from Sweden about snakes in paradise that feed you lies. What more do you want?

Never Was A Forever by Honeymoon Suite
It’s a good return to form for an old favourite of mine.

Don’t say you’re sorry
It’s an empty word when you don’t know what it means

It’s a brilliant lyric.

Light Me Up by Doom Unit
It’s got this swampy bluesy feel which I really dig. Plus the vocal melodies are addictive. And they are from Finland. I’ll be honest, there is something in the culture water’s around Northern Europe because there is so much good music coming out of the region.

When I start another day
I’m slowly drowning all the way
Light me up

Straight To The Top by Creye
Creye is another melodic rock band from Sweden with big keys and big 80’s chorus’s.

All the way to the end
This is your life
Don’t give up, don’t give in
Give it all you got
All the way to the end
Just follow your heart
Don’t give up, don’t give in
You’re going straight to the top

Yeah I know it’s clichéd and been used a million times, but it works.

Underneath by Blacktop Mojo
It’s a nice acoustic piece from these Texas boys who started off playing old country covers, and from time to time they would throw in some of their own stuff. With time, their originals got less twang and more distortion.

I trade this cloud for a hurricane
With enough water to wash away

What great lyrics to kick off the song.

Big Sky Country by KXM
There are some good musical movements. It actually sounds pretty similar to Metallica’s “Now That We’re Dead” in the intro, just a touch slower and a lot more groove.

“Shoot before you run”

It’s relevant to what is happening right now, with governments spying on their own citizens and terrorists driving their vehicles into crowds of people.

Undecided

These are the songs that have done enough to have me interested to check out some more. So I suppose it’s close to “Spot On Spotify” than “Misses”.

Broken by Falling In Reverse
I think this band has the potential to go really high and once they realise it, their classic metal masterpiece will come.

Age Of The Raven by The Raven Age
It’s aggressive and in a modern metal style I like. Just the lyrics are not connecting with me right now.

Stand My Ground by Adrenaline Rush
Musically it’s good, melodic rock but the vocals ruin it.

Remain Violent by Warbringer
It’s got that “Fight For Your Right to Party” vibe..

Half As Dead by Demonhunter
I’ve never heard any music from Demonhunter before this song, and with a name called Demonhunter, I expected a certain style. But I was surprised at the quality of the song, and that groovy riff.

Welcome To The Night by Night Demon
Again, I wasn’t sure what style I expected, but the New Wave Of British Of Heavy Metal merged with melodic rock was not the style I expected. At one stage it reminded me of Iron Maiden’s first album.

Warrior by Dead By April
This band kills me. Drop the screamo vocals, because musically the song is brilliant and when the clean tone vocals happen, it’s on.

Eating Lies by Blaze Bayley
Musically the song is brilliant, but man Blaze’s vocals really don’t connect with me.

How Could I Let You Go by Confess
The song is a typical power melodic rock ballad, however I am interested to hear how they rock, because even though the ballad doesn’t move my world, it’s done well.

Only The Dead by Westfield Massacre
It’s got enough there to get me interested.

Misses

Only Broken Heart by Warrant
Not too sure what to make of their Thin Lizzy inspired vibe. I suppose Warrant will forever be remembered as Jani Lane’s Cherry Pie instead of Uncle Tom’s Cabin and April 2013. Hence the reason to retire the Warrant name and start afresh, in the same way, Black Star Riders retired the Thin Lizzy name and started new.

Day and Night by Night Ranger
They have released a few songs from the new forthcoming album. “Truth” and “Comfort Me” are okay, this one is a big miss.

Lonely Nights by Bonfire
These are 50 year old men, singing about “Lonely Nights” and believing they are 20 again. Such a shame, as Bonfire between 1988 and 1994 was essential listening for me.

All I Got Is You by Deep Purple
Sorry guys, as good as the music is, the lyrics just don’t connect.

Shimmering Status by Cellador
Epic speed power metal just doesn’t do it for me. Dragonforce made sure of that.

Trouble by Tesseract
It’s a dance act that uses the same name as the progressive rock band I follow. Lame Spotify, surely you are able to distinguish between dance acts and rock acts.

Song For The Dead by Carach Angren
Don’t know why this would be in my release radar as I don’t listen to artists that could be even similar nor do I even follow this band.

Here’s To The Crazy Ones by John 5
“The Black Grass Plague” was a brilliant instrumental fusing country with metal. This one is a miss.

Hand Of Hell by The Doomsday Kingdom
The riffs are okay.

Click the link to listen

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A to Z of Making It, Music, My Stories

1986 vs 2013

BON JOVI

In 1986, Jon Bon Jovi was all about the music. He was in debt to his record label and still living with his parents. The “band” Bon Jovi released their biggest seller, Slippery When Wet.

Now, Jon Bon Jovi is all about the money. The band Bon Jovi released their biggest dud, in What About Now, Richie Sambora has been booted because of money and Jon Bon Jovi cancelled a New York Fair concert for an intimate Government concert that paid more.

 

BLACK SABBATH/OZZY OSBOURNE

In 1986, Black Sabbath released Seventh Star with Glenn Hughes on vocals and Ozzy Osbourne released The Ultimate Sin.

Seventh Star was originally intended to be the first solo album by Iommi, but due to pressures by Warner Bros. Records and the prompting of band manager Don Arden, the record was billed as Black Sabbath featuring Tony Iommi.

The Ultimate Sin featured songwriting contributions from Bob Daisley and Phil Soussan, however due to Sharon Osbourne (Arden) trying to keep as much money as possible in Ozzy’s corner, Bob Daisley was not credited on the initial release and Phil Soussan had an accounting disagreement with Sharon. Everyone got shafted by an Arden.

In 2013, Black Sabbath released 13, their first album with Ozzy since 1978, that also featured the talents of Rage Against The Machine drummer Brad Wilk. Bill Ward said he would not participate until he was offered a “signable contract.” One B.W is out and another B.W is in. Again, someone was shafted by an Arden.

RECORD LABELS

The major labels wanted their artists to have careers. They spent a lot of money to convince the public that they should pay attention to their new artist or the latest release of an existing artist.

The marketing was from the label down to the streets. The labels had so much power and they set the bar. Either a band was signed to a label or they didn’t matter. Major labels were plentiful and the most powerful person in the music business was the Record Label head. Artists could live off the money from their record deal as people had to buy the expensive record to listen to it. Because it was expensive, we played it over and over and over again and eventually became a fan.

Now the marketing is from the streets and the record labels want the hit singles. They have shareholders to please, a board to please and all the label heads are interested in bonuses and short term profits. There is no long term vision anymore as the Record Labels do not have the same power.

The major labels have been reduced to 3, with Sony, Universal and Warner Bros.

In 1986, record companies were cool. In 2013, HBO, Netflix, Showtime, Facebook, Apple, Samsung, Twitter and Amazon are cool. 

 

LIVE

In 1986, all the acts did the arena and stadium tours because demand was high. If a band opened for a major act, they believed they had made it. The public discovered new acts when those acts opened up for our favourite bands. Look at the list below;

Metallica and Ratt opened up for Ozzy Osbourne.

Anthrax opened up for Metallica.

Marillion opened up for Rush.

 

Loverboy opened up for Van Halen.

King Kobra, White Lion and W.A.S.P opened up for Kiss.

 

W.A.S.P also opened up for Iron Maiden.

Cinderella opened up for Bon Jovi in the U.S and Queensryche opened up for Bon Jovi in Europe.

 

Queensryche also opened up for AC/DC.

Cinderella also opened up for David Lee Roth.

Honeymoon Suite and Glass Tiger opened up for Journey.

Dokken opened up for Accept.

Keel opened up for Dio.

Krokus opened up for Judas Priest.

Now only the classic rock acts of the Seventies and Eighties can sell out the arenas and the few modern superstars. The majority of acts play the club circuit. If bands have a small hard core fan base, they can raise enough money to make an album and own everything about themselves. No one cares who the opening band is.

RANDY JACKSON

In 1986, he played bass with Journey. He appeared on the Raised on Radio album and also toured with them. People judged him on his abilities.

In 2013, he is a judge on American Idol.

CHARTS

Back in 1986, the charts meant everything and albums sold in double digit millions. Slippery When Wet from Bon Jovi went to Number 1 for 1 week in October and then it re-appeared at number 1 for 7 weeks in 1987.

Now the charts are useless and artists are lucky to sell a million units. There are a few, like Adele that go into double digits. Bon Jovi’s What About Now went to Number 1 for 1 week and it didn’t reappear again.

ANTHEMS OF A GENERATION

In 1986, we had Addicted To Love from Robert Palmer, Sledgehammer from Peter Gabriel, Dreams from Van Halen, Livin On A Prayer and Wanted Dead Or Alive from Bon Jovi, Peace Sells from Megadeth, Battery from Metallica, Raining Blood from Slayer and The Final Countdown from Europe.

In 2013, nothing lasts.

THE MUSIC BUSINESS 

In 1986, it was all about the music and if a band was all over traditional media, it meant they had traction and that people would be hearing their music.

Now, our favourite bands are playing to the masses who just don’t care and now it is all about marketing. Look at the marketing campaign for the new Dream Theater album. It looks like the label is trying to monetize every little bit of it. If a band is all over traditional media, it doesn’t mean that they have traction and it doesn’t mean that people have heard their music.

In 1986, everything was expensive and the cost of music was different at every store. Due to the high prices of music, everybody had a little bit of it. We had to buy it to hear it, or we used to tape it of someone who purchased it.

Now, music costs the same everywhere, and it’s cheap and everybody has more than they want. Music is available to hear for free, whether on YouTube or streaming music services like Spotify.

In 1986, albums from our favourite artists would normally come out every two years. Due to this lack of new material, music was scarce, so when we purchased albums we played them to death. We became fans by over playing the music we purchased as it was all about the music.

Now, music is released constantly and it is plentiful. Due to these riches of new material, we don’t spend as much time with the albums we purchased. We become fans by looking for the song that grabs our attention on the first listen.

LADY GAGA

In 1986, Lady Gaga was born. In 2013, Lady Gaga is just Born This Way.

METALLICA

In 1986, Metallica released Master of Puppets and lost bass player Cliff Burton in a bus accident while on tour.

In 2013, Metallica will be released Through The Never a live/concert film and will be losing a lot of money when it doesn’t set the world on fire.

MEGADETH

In 1986, Megadeth released Peace Sells.. But Who’s Buying, which in their case, everyone was buying.

In 2013, Megadeth released Supercollider and no one was buying.

KISS

In 1986, Gene Simmons from Kiss produced and co-wrote songs for the Black N Blue album, Nasty Nasty, that had a certain Tommy Thayer on guitars.

In 2013, Kiss released Monster, that has Tommy Thayer on guitars, as well as lead vocals on one song and a major co-writer of material.

STRYPER

In 1986, Stryper released To Hell With The Devil.

In 2013, Styper will release No More Hell To Pay. It looks they still have hell on their minds.

SLAYER

In 1986, Slayer reigned in blood.

In 2013, Jeff Hanneman’s reign ended. RIP.

QUEENSRYCHE

In 1986, Queensryche was one band that released the a superior album in Rage For Order.

In 2013, Queensryche are two seperate bands that ended up releasing two inferior albums in Frequency Unknown(Geoff Tate version) and Queensryche (Todd LaTorre version).

The fans are screaming for order.

CINDERELLA 

In 1986, Cinderella released Night Songs and proved to the world that they are nobody’s fool.

In 2013, Tom Keifer the singer from Cinderella released The Way Life Goes, an album 9 years in the making with a song called Fools Paradise.

VINNIE VINCENT

In 1986, Vinnie Vincent invaded the charts, with a point to prove.

In 2013, Vinnie Vincent is …..

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Music

What made Bon Jovi’s Slippery When Wet Explode?

What made Slippery When Wet explode?

A lot of people credit Bruce Fairbairn for it.  Others credit the influence of Desmond Child, while others would credit the sound engineering and mix by Bob Rock.  Others put it down to Jon and Richie finally finding their niche as songwriters and finally others put it down to the Pizza Parlour Jury.   Could it have been the labels release schedule and marketing plan?  Could it have been that the scene needed a shake up and this album was right time, right place?

First let’s put into context where the band was at in 1985.  They had just finished a nine-month world tour for 7800 Degrees Fahrenheit.  The band was in debt to the record label for a couple of million bucks.  The guys where living at their mom and dad’s, and wrote most of the songs for Slippery When Wet in Richie’s mom’s basement. 

There is a common myth that once a band is signed, they are showered with untold riches and that they have money coming out of their arse.  That is so far from the truth.   Bon Jovi where in debt and they were lucky that the label gave them a third chance.

From the 90’s onwards, labels didn’t give bands three chances.  One chance was all they had.  If they failed they will get someone else.   These days the labels are irrelevant.  They need to compete on a playing field where the rules change at the same rate technology changes and to be honest, they are so out of touch, it’s almost laughable watching them trying to hold on to the old way of doing things. 

Let’s start with Bruce Fairbairn.  Before he started doing Slippery he was coming off a multi-platinum run of releases with Loverboy and Honeymoon Suite, plus a Gold release with Krokus.   According to Paul Dean from Loverboy, Bruce is super organized.  He charts everything out and every song is broken into parts. 

Slippery would go on to multi – multi platinum sales and New Jersey (also produced by Bruce would do the same).  From Slippery, Bruce would move on to Aerosmith.  Permanent Vacation, Pump and Get A Grip all went multi – multi platinum.  He resurrected AC/DC’s career with the 5x platinum The Razors Edge after a steady decline in sales after Back In Black.  It is safe to say that Bruce had a certain knack for getting the best out of the artists he produced.  His track record is envious to say the least.

Then you have Desmond Child.  

Jon and Richie wanted to write with another song writer, so that other people can perform the songs.  Jon heard Tina Turner singing a song that Bryan Adams had written and wanted to do the same.  That is how Desmond Child came on the scene.  However the plan got skewed, as the songs that came out of those sessions where that good, that it was decided they will be kept for Jovi instead.

The first song Jon and Richie wrote with Desmond in Richie’s mother’s basement was “The Edge Of A Broken Heart”.  The second song they wrote was “You Give Love A Bad Name” by referencing a song he wrote for Bonnie Tyler called If You Were A Woman (And I Was A Man).  The melodies and chord progressions are very similar.

He used the story of his 70’s girlfriend, Maria Vidal who used to work a diner and was called Gina, for Livin On A Prayer.  In interviews, Richie has stated that Jon didn’t want the song on the album, while Richie was trying to convince him it was the best song they had.

I’d Die For You and Without Love where two other songs penned by Jon, Richie and Desmond.  I’d Die For You even has a cult status as a fan favourite.  Desmond brought the pop side to Bon Jovi’s form of hard rock, glam metal overtones. 

The engineer and mixer Bob Rock 

Jon heard Honeymoon Suite’s The Big Prize (another Bruce and Bob production) and that sealed the deal for Bon Jovi to also seek out Bob Rock.

The Pizza Parlour Jury

When Jon and Riche were making the demos in New Jersey, they would go across the street to the pizza parlour. They would ask a bunch of kids to hear some stuff.   As Richie puts it, “It was like a marketing test .  They came in and said, “Yeah, we like this one. This one gets through and that one doesn’t.”

They sure needed it as they wrote a truck load of songs.  Apart from the 10 songs that ended up on the album, other songs that never made it include;

Never Enough For You, Borderline, Edge Of A Broken Heart, Heat Of The Night, Give My Heart, Lonely Is The Night, Too Much Too Soon, Game Of The Heart, Deep Cuts The Night, Stand Up, Walk Don’t Run, Out of Bounds, There Is No Answer, Promise, Take Me All.

Bouncing songs off different independent ears that are not related to the band, helped Bon Jovi focus on the songs that where stronger.

Polygram Records

Doc McGhee the Bon Jovi manager at the time has stated that putting out a record at the right time is very important.  He further mentioned that the label looked at what other labels where releasing and picked a window where there was nothing really there competing against it.

August was the month that was selected and competing against Slippery When Wet where other August releases from Motorhead – Orgasmatron, Vinnie Vincent – Invasion, Warlock – True As Steel and Great White – Shot In The Dark. 

If it was released in July, it would have been up against DLR’s – Eat Em and Smile for listeners’ attention.   If it was released in June, it would have had to compete against Queen – A Kind of Magic, Genesis – Invisible Touch, Rod Stewart – Every Beat of My Heart, Madonna – True Blue and Cinderella – Night Songs.  If it was released in May as originally intended, it would have been up against AC/DC – Who Made Who, Journey – Raised on Radio and Europe – The Final Countdown. 

The Album

Let It Rock kicks it off Side 1.

The weekend comes to this town
Seven days too soon
For the ones who have to make up
What we break up of their rules

This song is written purely for the concert experience.  That is foresight in itself.  Apart from delivering a good album of songs, Jon and Richie are mindful of how they will go down live.  The song is about rebellion, getting that fist pumping in the air, just to let your hair down on the weekend.  Much like Loverboy’s Working for The Weekend.  But in this case the rock is a fire that is burning out of control.  Another analogy to melting rock temperatures (7800 degrees Fahrenheit).  It’s funny where Let It Rock has that keyboard intro, Lay Your Hands On Me from New Jersey, is almost identical riff wise to Let It Rock and it has that long drum intro.  It must be a Bruce thing, as even Turn Me Loose had a long keyboard intro.  A good start by the Jon and Richie song writing team.

“Shot through the heart and you’re to blame, darling you give love a bad name.”  The iconic a capella chorus.  Then the band kicks in and Richie does his vocal melody lead until they start the strip bar sleazy verse riff.

I remember when I saw the clip, I was glued to my TV screen.  I never got the name of the song and I thought it was called Shot Through The Heart, so I purchased the cassette album that had the song Shot Through The Heart.   Of course that was the wrong song.  Right band, but wrong song.   The clincher for me was the chorus part after the guitar solo, where it’s just the voice and the drums (sort of reminded me of Queen’s We Will Rock You).  You Give Love A Bad Name was the one that got the door opened and once the band unleashed Livin On A Prayer, the band started selling 700,000 records a month.    It also featured the song writing talents of Desmond Child, who borrowed the vocal melody and chords from a song he wrote for Bonnie Tyler, called If You Were a Woman (And I Was a Man).

Livin On A Prayer was the song that Jon wasn’t even sure should be on the album. 

Bob Lefsetz posted that Livin On A Prayer is where Bon Jovi got the girls and that is what has kept the band going.  He aint wrong there and Jon knew that, hence the reason why he rewrote the song over and over again for each album that came after.   New Jersey had Born To Be My Baby (again a co-write with Desmond Child).  Keep The Faith had the title track (the chorus chord progression is identical, except in a different key and again a co-write with Desmond Child).  These Days had Hey God, Crush had Its My Life (Max Martin comes into the fold now), Bounce and Have A Nice Day had the title tracks.  The Circle had We Weren’t Born To Follow and the Greatest Hits had This is Love, This is Life.  For What About Now, the whole album is following the themes from Livin On A Prayer.  If you are on a winning formula, do it right again and you will hit pay dirt.

Tommy used to work on the docks
Union’s been on strike
He’s down on his luck…it’s tough, so tough
Gina works the diner all day
Working for her man, she brings home her pay
For love – for love

It’s a movie in words.  Life is tough but as long as we love each other, we will be okay.  A lot of people were not okay, but Livin On A Prayer made them feel that they were, as Tommy and Gina were also living the same life they were living.    

Social Disease is the pure filler that needed to be written so that Bad Medicine could be written. 

So you telephone your doctor
Just to see what pill to take
You know there’s no prescription
Gonna wipe this one away

In never should have ended up on Slippery.  Edge of A Broken Heart is far superior.  I know that Jon apologised for that omission.  To be honest the song never had a chance with the listeners coming off three winners already.  It was a poor song from the Jon and Richie team.  At least they made up for it in the next song.

Wanted Dead or Alive was the 80’s version of Turn The Page which Jon more or less copied again for the Young Guns soundtrack and had another number one hit in Blaze of Glory with a cool Jeff Beck solo.    Wanted was written by Jon and Richie.  This song didn’t reach number one, but it is a number one song.  A cult classic.  A radio staple.  When the song was released as a single, the multi-million fan base had already digested it.  They didn’t need to buy the single to make it No. 1.  It was already that in their hearts and minds.      

Sometimes I sleep, sometimes it’s not for days
And the people I meet always go their separate ways

Life on the road is just that.  I am just finishing off reading a Randy Rhoads bio, and it’s pretty clear that Randy started to hate the road.  He wanted to quit Ozzy’s band and study classical music.  He worked his whole life to achieve rock stardom and now that he had it, he was going to give it all up to follow his dream of classical music.  Sadly he never got there.  That is another thing that seems to be forgotten, the road also kills. 

Raise Your Hands (Let It Rock part 2) kicks off side 2.  Another Jon and Richie composition.  The motto of this song is simply.  Come to the show, raise your hands and get wild.  It doesn’t repeat what Let It Rock started, it takes it into overdrive. 

Raise your hands
When you want to let it go
Raise your hands
And you want to let a feeling show

Without Love is the second track after Raise Your Hands on side 2.  This was a Jon, Richie and Des composition and is forgettable.  The first side was pretty much spot on, that it was hard to get into Side 2.    

I saw a man down on lonely street
A broken man who looked like me
And no one knows the pain that he’s been living
He lost his love and still hasn’t forgiven

I’d Die for You is another Jon, Richie and Des composition.  It has become a cult classic for Bon Jovi, with fans hoping that it gets played each night, like Runaway. 

I might not be a savior
And I’ll never be a king
I might not send you roses
Or buy you diamond rings

We are not perfect in relationships, however we try our best.  A lot of the times our best is not good enough and it all ends bad.

Never Say Goodbye doesn’t get out of second gear

As I sit in this smokey room
The night about to end
I pass my time with strangers
But this bottle’s my only friend

And Wild in the Street is a song that could have ended up on a Bruce Springsteen B sides album.    

In here we got this code of honor
Nobody’s going down

As Bob Lefsetz puts “if you want to relive 1986, if you want to know what it was like way back then… You play “Slippery When Wet.”

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