Music, My Stories, Unsung Heroes

Speaking Up

It’s hard to speak up today. The status quo is not kind and because we are connected 24/7, people like to work overtime for free in order to be part of the status quo. So when artists write lyrics that reflect society and our politics back at us, people get upset. When I think about the past, people who made real change persisted even when others tried their best to silence them.

Artists once formed the chorus of dissent to social ills and corruption. Once upon a time artists didn’t have millions, so they kept logging the hours, paying their dues to make enough money to live. It’s probably a reason why we got so many songs that still stand the test of time today.

Artists told the record label heads what to do, not the other way around. Of course, in the 80’s MTV made a lot of people global superstars and suddenly artists who had recording contracts and songs which connected, had funds in their bank accounts, however the record label bosses became more powerful that they now told the artists what to do.

Machine Head’s new album is causing division amongst their American fan base. Europe, Asia and Australia really don’t really care about their Anti-Trump stance, however America is divided over it. There is no doubt that fans of MH in the U.S come from different sides of the political debate. It’s expected. No one can agree on everything. If people did, everyone would wear the same outfit, the same colour and so forth. The world would be pretty bland if people all agreed. Wouldn’t it.

It never would occur to me to stop listening to an artist because of a stance they have on an issue. To me, music transcends all of those boundaries. Yeah, some artists have lyrics I don’t agree with, but man, it doesn’t take away my respect for them for having a stance on those issues.

And you know what, if an artist is anti – Wall Street or big finance in general (like the 1%), it’s okay. But these organisations are symptoms of Government granted monopolies, or Government oversight on certain law breaches or Government lack of action due to politicians being in the pocket of these corporations. So the issue always starts and end with the Government. If you don’t believe me, just look at the laws the US tried to pass recently.

Anyone remember SOPA, PIPA or TPA (yes I know it’s back on the table). All of these laws were written by politicians who had massive donations from corporations and corporation lobbyists. They all sat in the same room and wrote laws to benefit their organisations. The public were not allowed to inspect draft texts. This was more prevalent for the TPA piece of legislation. What we knew about the laws came from leaked drafts. Even other politicians who got elected into office, and who stood opposed to corporations couldn’t even see draft texts of these laws.

Imagine that. A legally elected politician who has no affiliation with a corporation was not privy to see a bill that his Government wanted to pass. And this happens all the time regardless of who is in power. It’s been happening since the mid 40’s. And it needs to stop.

Artists are not the enemy. They are mirrors, reflecting the world back to us. What we choose to do with the reflection is a different story.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Catharsis

I have no issues with lyrics of any kind whether they are political, about social classes, racism, war or just having a good time. I also have no issue with artists I like taking a stance and commenting on what they see is the state of the world. Opinions are important whether you agree or disagree with them.

Robb Flynn is an artist. First and foremost, as an artist, he has a duty of care to himself first. The art he creates needs to satisfy him first. If it doesn’t, what is the point. What is the point of creating art if you write factory art. On occasions, the art an artist writes for themselves ends up going global and on other occasions it doesn’t.

So it’s no surprise that on “Catharsis”, Robb Flynn is giving his take on the world. It’s not pretty, but no one said the six o’clock news is pretty. And there is no denying the power of the message in the songs, regardless of what political party you support.

Volatile
“It’s an angry, brutal song. We’ve had long intros on the last five or six albums, so it was time to start with something direct and violent.”
Robb Flynn in Metal Hammer

Musically, this is a classic MH song.

Sick of the white folks privileged and vain
Protesting the culture that isn’t the same

Sometime in the past, our leaders started to serve the corporations. Those lobby dollars became too great to refuse. Many years later, those corporations leaders are now leaders of nations. They bought their way in. It’s real and it’s happening. We need a reset, an anti-corruption watchdog for politicians, who can assess if these politicians serve the people or the corporations. Then again, give this body enough power and it will become corrupted like the rest. It’s a vicious power vacuum.

Dead, dead and bloated
These times are volatile
There’s no room left for you

The bed of music under the chorus is brilliant. And there is truth in these lines. Our times are so volatile there is no room for nothing else. We seem to move from conflict to conflict. Terrorist attack to terrorist attack. Mass shooting to another one. And it just keeps on going.

Sick of the racists, sick of this shit
Sick of them telling me its immigrants

I am sure that people know that Apple, Google and Amazon are all founded by immigrants. Spotify is an immigrant product from Sweden.  Marc Randolph, one of the Netflix co-founders is a son of an immigrant. Immigrants don’t come to a country to bomb the hell out of it. They come for a better life. And with all races there are people who do things which puts a stain on the name of the race. Based on our leaders reasoning, when a person from their own race commits sickening child offences, do we assume that all people from that race are the same sickos.

Sick of the phonies on my phone screen
Sick of the NRA trying to scare me

The amount of mass shootings that happen in the U.S is a worry. When nothing is done about it, its a bigger worry. However, if the mass shootings happened to be linked to a terror organisation, there will be changes to legislation straight away, which will give Governments more spying power and further reduce its peoples’ privacy and liberties.

Break it, smash it, burn it to the ground

It’s been our evolution. Humans will be known for building, smashing and burning. And those lines work in the slower groove.  When I first heard the song, I thought Robb was singing, break it, smash it, bullet through the crowd.

And man, when they get to the lead break, it’s pretty full on.

Catharsis
“This is a special song. The lyrics say it all: ‘The only thing keeping me sane, the music in my veins / If these words are my fists, this is my catharsis.’ That crystallised everything we were trying to say.”
Robb Flynn in Metal Hammer

The transition from “Volatile” into “Catharsis” works. It isn’t your usual crushing Machine Head song. It has atmospheric keyboard samples in the forms of strings and piano to kick it off and when the guitars come in with the open string riff, you know you’re in MH territory. And the structure of the song is experimental and I dig that.

I could never be another brick in the wall
You’ll remember me
As you break all our spirits down and push us to the ground
Call me a fool with a gasoline can
Burn it f down, start it over and over again

The powerful all want us to have jobs, so we can take out loans. Once we take out loans, we are in a cycle of repayments. Basically we are just bricks in the wall. When we crumble or die, another person replaces us. It’s a vicious cycle. But, people can make change if they are not so easily swayed over money. Hell most bands lose members over money arguments.

The only thing keeping me sane
The music in my veins
And if these words are my fists
Can you feel my catharsis?

It’s a primal scream. To me, music is king. We went to the shows to commune with the band and to make our lives complete. Today, going to the show is seen as  “a look where I am, look what I am doing” promotion job on social media. Hell, I was at a Metallica show with people who turned up so they could say they went to a Metallica show, but they don’t own any of their music and really don’t listen to em.

Music once upon a time was as important as water and electricity. My Dad told me, the first thing he did when he got his house was to set up the stereo. And I’ve kept the same motto.

And how can you not start to get ready to lose your mind when the military style snare pattern at 3.39 starts. It’s a perfect example of how you do bridges and interludes.

The lead work after two songs is stellar. And really after hearing the first 2 songs how can anyone be unhappy with the album…

Beyond the Pale
“It’s a straight-ahead Machine Head song, about embracing being outsiders and misfits. ‘I found my heroes / The freaks and zeros!’ That sums it up.”
Robb Flynn in Metal Hammer

I am skin and bones, broken stones,
See the scars that I show.
I live outside the bounds, in the unknown.

It’s a cool opening lyric line.

And yeah, the main riff sounds similar to Strapping Young Lad’s “Love” which Devin Townsend has said he’s flattered and the Chorus of “Love” was influenced by “City Of Love” from Yes and the cycle continues. Take what came before, tweak it and release it. And you know my views around riffs, progress is derivative.

And if people like SYL “Love” then there is no reason why they shouldn’t like “Beyond the Pale”. The mosh pit will go off when the chorus kicks in.

Beyond the pale,
I found salvation, emancipation.
Beyond the pale,
I found my heroes: the freaks and zeroes.

Metal music is about embracing the ones spurned by the mainstream and the popular. Then metal became popular and everything changed. Suddenly, popular metal bands were not cool, because of their popularity and metal started its fragmentation into different record label genres.

I’ll break down every wall, fight and claw.
Take their punches, stand tall,
My middle finger raised, so fuck em all

It’s a revolution. Musicians have been saying the same message since the 70’s. Why is it any different today?

And the two duelling leads works. And really after hearing the first 3 songs how can anyone be unhappy with the album…

California Bleeding
“This is a dumb song full of ignorant s, ha ha! It’s about my love/hate relationship with California. It’s a balls-out, rockin’ song, I think.”
Robb Flynn in Metal Hammer

The intro hooks me, the Chorus is cool and when the intro comes up again at 2.25, I was hooked.

And the lyrics are a blast.

I’m not the billionaire class, from San Lorenzo with the trailer trash

Take that all you social media users who portray a perfect life.

Sail me down the river, temper like a trigger
Take a shot of vodka, blow out my liver
California’s bleeding me

Angels and Demons live in California. Our quest to have a good time also carries it’s risks.

Highway 5 down to 99, I’m getting head near the Fresno sign

Brilliant.

Triple Beam
“I’m just gonna say, ‘This is a nu metal song’ ha ha! It came together super-quick. You’re basically hearing the first time that we ever played that song and the first time I ever sung it.”
Robb Flynn in Metal Hammer

Yeah, this song could have been a left over from “Supercharger” and should have been left off this album. But If I’m being honest, if this song was released back in 99, I probably would be cranking it based on the main riff, because in 1999, these kinds of riffs sounded heavy and original but now the whole thing seems recycled.

Kaleidoscope
“Again, it’s about the power of music. I’m not a religious guy, but music is as close as I get. The line, ‘Songs fill what religion won’t’ says it all.”
Robb Flynn in Metal Hammer

This hole in my soul
Songs fill what religion won’t
No hope, I can’t cope
Music plays in kaleidoscope
And if I’m lost
I don’t want to be found
Haunted by sound

The Chorus is a stand out and when the second verse starts off with the lyrics, “Open up the floor and start a pit, this shit is building up inside of me”, you know there will be circle pits.

Catatonic ignorance, the cronies run the show
Preying on our differences, divide and conquer the low

And it’s been that way for centuries. Will it ever change?

Bastards
“Bastards is a straight-up folk song. I would relate it to Springsteen and Tom Petty, but it’s still Machine Head. It’s probably the most important song on here.”
Robb Flynn in Metal Hammer

I liked it when Robb Flynn released his acoustic YouTube take months before the album and I like it now. It’s different for MH but it works and those tapped arpeggio lines under the simple D, A, Bm, G chords ties it all together.

The vocal melody in the chorus, when Robb is singing, “Stand your ground, Don’t let the bastards grind you down, Be bold, Be strange, Don’t let their fears make you afraid”, how can you not like it?

It’s an anthem and no different to the messages from the 80’s. The difference between then and now is that we smoked in the boys room, felt the noise and sang together, we’re not going to take it. Now we are older and in a different fight for our lives and futures. Those baby boomers born after WW2 infiltrated our government in the 80’s and became its leaders in the mid 90’s. And this generation does not care about the past or the future. All they care about is now. And we cannot let these bastards drag us down. Because they will crash and burn. Everyone does. It just takes time and it starts with us.

Screaming At The Sun
“This is one of the first songs we wrote for the album. It’s pretty straight-ahead, but we went into some very weird places after writing this one.”
Robb Flynn in Metal Hammer

I really dig the riff on this one, the middle eastern feel, even the Arabic sounding vocal melody.

And that section at 2.38 works.

They see you blinded us, reminded us of all that’s ugly

Life is not perfect. We get blindsided by events or people. Sometimes the improbable becomes the probable. How we respond is what defines us.

Behind A Mask
“It’s all clean vocals. It’s all acoustic. It’s essentially unplugged. We’ve explored a lot of melody and harmonies on this record.”
Robb Flynn in Metal Hammer

Now this song is not what I expect from MH, but I like how they did it. It’s like Staind merged with Days Of The New and to me, it’s a pretty cool combination.

The Chorus is mad on this one, how the vocals are orchestrated. How can you not like it?

The old man sits alone staring at the screen
And contemplates these failures, done to his family
Cause depression’s bottles come along and filled his whiskey glass
With every sip put to his lips, erases all the past
So he tells another little lie and tells another tale
In hopes to spare the family and hide his private hell
But the more the words come out of him, like little cuts and scabs
Tearing at the tender hearts who gaze upon a mask

The verse is powerful. How we deal with our past skeletons later on in life is crucial. For some people, everything is perfect and they did nothing wrong. For others, they realise their mistakes, their ways and they try to make amends.

Heavy Lies The Crown
“It’s an epic and it’s about Louis XI, the Spider King of France. I’m a history buff and it’s just a great story. He’d weave these elaborate webs of deceit!”
Robb Flynn in Metal Hammer

It’s like a movie soundtrack. And when that riff kicks in, it’s yeaahhhhhhhhhhh time.

I slink along the boulevards and listen to the streets
The avenues and gutters give me truth to speak

And it’s in the streets revolutions start. It’s in the streets wars are won and lost.

Psychotic
“This one’s gnarly. It’s ugly and pissed off. I guess we could try to write more hits for the radio, but that’s just not how I write, you know?”
Robb Flynn in Metal Hammer

Yeah, the song is ugly alright. The intro is cool and so is the music in the chorus and that 12/8 section which is like a bridge is also cool. I would love to hear these sections fleshed out in future songs.

Grind You Down
“The phrase ‘stand your ground’ from Bastards appears in a few songs, including this one. Another classic MH rager.”
Robb Flynn in Metal Hammer

Man why did MH have to put that melodic chorus in this song.  And why did that have to put that speed metal section from about 2 minutes in this song.

Razorblade Smile
“This one turned into a tribute to Lemmy. I just started writing lyrics and all this crazy, debauched st just came out. It’s totally Motörhead.”
Robb Flynn in Metal Hammer

Something about this songs feels so familiar, I can’t put my finger on it. Maybe it’s a more rocking version of “Clenching The Fists Of Dissent” or maybe it’s the “Painkiller” start. When that double kick comes in after the intro riff, how awesome is it.

And that riff from about 1.45, I could be screaming “Die”, like in Creeping Death. Love it…

I got a razor blade smile and a cocaine tongue
I got a boner for miles, I’m slinging loads for fun
Carry a whiskey brown suitcase loaded with hash
I’m eatin’ pussy by a dumpster, beard stinking like snatch

The funniest lines I’ve seen in lyrics for a while. Brilliant.

Eulogy
“It’s a pretty dark end to the record, but the lyrics to Bastards pop up again. Late on, I realised that the songs have the same chords. That was kinda weird.”
Robb Flynn in Metal Hammer

Should have been dropped from the album.

So if I put my John Kalodner hat on and I had to bring the album down to 10 songs…..

Side One

Volatile
Catharsis
Beyond The Pale
California Bleeding
Kaleidoscope

Side Two

Hope Begets Hope
Bastards
Razorblade Smile
Behind The Sun
Heavy Lies The Crown

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A to Z of Making It, Copyright, Music, My Stories, Piracy, Unsung Heroes

Score Card Inc

Three years ago in November, 2013, I posted a score sheet on certain artists/trends and how they are dealing with the music business.

Three years later, how are the artists fairing.

Robb Flynn
He still understands that it is not all about making records. From Nov 2013 to now, Robb Flynn via Machine Head, kept on releasing his Journals both video and written. In April, 2014, “Killers and Kings” came out for Record Store Day and the band went on tour. He started a clothing range called “Killers and Kings” that didn’t really take off. In November, 2014, “Bloodstone and Diamonds” came out and the band embarked on a lengthy “An Evening With” world tour. In June 1, 2016, “Is There Anybody Out There?” came out as a stand-alone single.

His connection with his audience runs deep. People either dig him or detest him or some people will not just forget him in an orange jumpsuit during the Nu-Metal phase of the band’s career.

Protest The Hero
Back in 2013, “Protest The Hero” showed how the record labels are so out of touch with its customers. PTH was dropped because the label told them they have no audience. However, a fan funding campaign showed a pretty impressive hard-core audience that was willing to cough up some serious dollars for the band. Even the band was blown away at the response.

And they did it again between Nov 2015 and April 2016 with “Pacific Myth” an innovative one song per month release over six months via Bandcamp. Fans had the option of two packages, and I selected the one that also had the six video releases. In between, the guys would upload drum videos, cooking videos, song transcriptions and what not.

Nikki Sixx
In 2013, he talked about a farewell tour. Well that tour finally happened and concluded in 2015. The Crue fan base didn’t really need one more world tour however, they wanted to finish up in their own way and the world tour is what we got, with a new song called “All Bad Things”. The movie is still in the works, they have their own pleasure toys, a rumour of The Dirt 2, plus lawsuits from photographers and opening bands to contend with. Seriously, squirting piss at a bunch of guys who paid $1 million to be on the tour would always end up in the courts.

With Sixx A.M. he has released an albums worth of music and the next album is coming in a few weeks. They are on tour with Five Finger Death Punch, he does his Sixx Sense Radio Show and he doesn’t like to wash his hands after going to the toilet.

Coheed and Cambria
By November, 2013, COCA had been touring non-stop on the back of “The Afterman” two album releases that came out within a 4 month window. Add to that Comic Con appearances, plus Sci-Fi conventions and appearances in Comic Shops and you get the idea that this band realises that it is not just about music and money. It is about creativity.

Since then, Claude Sanchez became a dad. He wrote more comics with his wife called “Translucid” in 2014 and in 2015 managed to release another slab of songs called “The Color Before The Sun” and go on a another world tour.

Metallica
Back in 2013, I wrote;

They need to make new music soon. There are only so many times that a band can go on a worldwide victory lap on the same piece of music. They need to be back in the studio.

Well, we are almost one week away from that new music hitting the streets and in the meantime, we have been treated to three tracks.
It’s a welcome relief to hear Metallica doing what they do best and I believe they have enough new music in their archives for another album to drop within two years this time, instead of eight.

And after hearing the album – yes it is available on the pirate sites, I can honestly say that it’s not worth the 8 year wait at all and maybe 4 song EP’s is the best way to go.

Dream Theater
I wrote in November 2013, that they need a great record soon or they will become yesterday’s news. Dream Theater has a knack for popping up with some goodies, like “Images and Words”, “Scenes From A Memory”, “Systematic Chaos” and “A Dramatic Turn Of Events”.

So in January 2016, they dropped the 130 minute “Astonishing” concept album, about a dystopian future society. Concept albums lead to different revenue spin offs like a stage play, comic book stories, video games, animations, TV series, a movie and so forth. But then again, Slayer are doing a graphic comic book series and have never done a concept album.

Stone Sour
I wrote in 2013, that something went south with their career trajectory. Of course, a beast called Slipknot would devour the creative forces of the band. Their take on modern metal is good, but with Slipknot getting more melodic, is there a reason for Stone Sour to exist.

Five Finger Death Punch
They have an audience who purchases and streams their product. Along the way, each album has received certifications for so many units moved. An onstage meltdown, a record label lawsuit and then a change of label has not slowed the band down in any way. If they can remain together, they will remain a powerhouse.

Trivium
Back in November, 2013, their new album “Vengeance Falls” was called a Disturbed covers album. The truth is, if people are talking about you, it is a good thing. And that album gave Trivium a concert classic in “Strife”. Since then, they released “Silence In The Snow” in 2015. They are always looking to reinvent themselves constantly while staying true to heavy metal. Plus Matt Heafy has a pretty cool Top 10 list of albums that changed his life.

1. Metallica – The Black Album (1991)
“A kid lent me The Black Album at school and it changed my life. I had never heard anything like it before, and I started playing guitar all the time.”

2. In Flames – Whoracle (1997)
“That was at the time of Napster, and I was into the classic great metal bands. I was on Napster and I found In Flames. I had never heard melodic death metal before, and it changed my ear on what kind of music I wanted to play.”

3. Queen – A Night At The Opera (1975)
“What I’ve always loved about Queen is that they’ve never released the same thing twice. Everything is drastically different while still sounding like Queen. Every song on A Night At The Opera sounds different to the next one and they all stand up as fantastic.”

4. Iron Maiden – Seventh Son Of A Seventh Son (1988)
“With Iron Maiden it’s hard, because I love so many of their records. They’re all so important. Seventh Son, though, is the one that really got me into Iron Maiden. It’s one of their more epic records; there’s vivid storytelling going on. Getting into Iron Maiden helped me trace the roots of the music that I love. I could see where so many metal, death metal and black metal bands had taken things from.”

5. Ihsahn – Eremita (2012)
“Emperor changed my life, and Ihsahn changed my life again with this album. He spun the idea of black metal on its head by incorporating jazz chords, interesting production and clean singing. That record taught me to never be afraid of making whatever I want to make. We’ve always done that, but this album drove that home for me.”

6. Boston – Boston (1976)
“The vocal production is insane. Everything about this record epitomises the best things of rock ‘n’ roll.”

7. The Beatles – Abbey Road (1969)
“The Beatles blow my mind in the same way that Queen do in that every song and record is so different to the last. Both of those bands have incredible songwriters as well. It’s not like nowadays where you might have one songwriter in a band.”

8. Emperor – Anthems To The Welkin At Dusk (1997)
“This is where Emperor really changed the dynamic of where black metal was going. Black metal was the rebellion to rock and metal, and was supposed to be different. “When there’s a movement like that, a lot of bands come out playing semi-similar music. That record opened up with clean guitar and there’s this classical singing; it has chaotic moments and beautiful moments all in one. Emperor makes such interesting black metal with these big dramatic moments.”

9. Depeche Mode – Violator (1990)
“Listening to Depeche Mode, you can hear that Rammstein is a combination of Depeche Mode and Metallica. Violator is one of the darkest, scariest records I’ve ever heard. It has this different kind of sadness that you feel in the music.”

10. The London Symphony Orchestra – Mozart’s Requiem (1791)
“The gothic artwork of that record is incredible, and this version for me is just the best. Listening to this, you can hear that out of all contemporary music, metal is the closest living relative to classical. It is the most epic moments of music that have always drawn me in, and I feel that with Mozart’s Requiem that is where you’re getting into the blueprint for everything that was to come.”

Shinedown
They have an audience who want to listen to them and so far, no one’s doing hard rock better than them. Their new album “Threat To Survival” has taken its influences from Adele, Imagine Dragons and other pop artists and they still made it rock hard. Daughtry and James Durbin should take note. Along the way, their fans purchased and streamed all the way to certification after certification.

Avenged Sevenfold
Say what you will about the “influences” on “Hail To The King”, doing that album was a bigger risk for Avenged Sevenfold then their new album and it paid off for them.

Fast forward to 2016, and their new album drops early. It is a creative tour de force but to me it’s already in the rear view. All of the good bits in each song are undone by the creativity of trying to push the boundaries.

Piracy
In 2013, I wrote that piracy is not that large of a problem as the majors and the RIAA make it out to be and with revenues in 2016, approaching the pre-Napster era, it’s further proof that piracy does not affect their bottom lines, especially when there are services out there that can compete with piracy.

Evergrey
The pure definition of perseverance with 20 plus years in the music business and still going strong.

By November 2013, the “new” version of the band that delivered “Glorious Collision” had splintered again and lead vocalist/guitarist Tom Englund was not sure on the next step. A reconnection with drummer Jonas Ekdahl and guitarist Henrik Danhage (who departed before “Glorious Collision”) spawned the excellent “Hymns For The Broken” in 2014 and a few months ago, “The Storm Within” builds on the atmospherics created by “Hymns”.

Megadeth
In 2013, Megadeth’s new album “Supercollider” was outsold by Metallica’s self-titled “Black” album. In 2015, Mustaine got his metal chops back and in 2016, “Dystopia” came out. Another Mustaine Resurrection was at hand.

Tremonti/Alter Bridge
Mark Tremonti knows it’s about putting new music out there and consistently. In 2013, we had “Fortress” from Alter Bridge. In 2015, we had “Cauterize” from Tremonti and 2016 has given us, “Dust” from Tremonti and “The Last Hero” from Alter Bridge. In three years, Tremonti has been part of 4 albums while Metallica ……

The Night Flight Orchestra
The best classic rock side project ever from Soilwork and Arch Enemy band members. The first album “Internal Affairs” came out in 2012 and the second “Skyline Whispers” in 2015. Essential listening to any hard rock fans of the 80’s.

Sales
In 2013, I wrote that sales are not the best metric to measure a bands reach and pull in the market. In 2016, listens are more important than sales.

Bullet For My Valentine
By November 2013, people had lost their “Temper Temper” with them, but in 2015, the band found their “Venom” again, which leads us to new music hitting the net in November 2016.

Revolution Saints
In 2013, this band existed in the head of the Frontiers President. In 2015, they released an excellent melodic AOR rock album. So much potential, so many good songs, great musicians and it all went to hell because Castronovo couldn’t keep his 5555t together. Let’s hope that Jack Blades and Doug Aldrich forgive him and they try for another album. This time with the three of them writing.

TesseracT
One of the hardest working progressive bands out there, building their fanbase, city by city. In 2011, they released “One”. In 2013, they released the excellent “Altered State” and in 2015 we got “Polaris”.

Days Of Jupiter
An unsung Swedish melodic groove rock band, that’s a cross between Evergrey and Disturbed. In 2012 they released “Secrets Brought to Life” and in 2015, “Only Ashes Remain” came out.

Sweet and Lynch
Another album would be sweet.

Muse
They play stadiums but they don’t have the same sales figures as the 70’s and 80’s legends. A perfect example of the modern world, in which massive single songs sell concert tickets.

Live
In 2013, I wrote;
Remember the excitement and the buzz of going to the show. It was uncontrollable. Everyone waiting in line to get inside, to watch a band that rules, in an era that music ruled. Today, it is too expensive to take kids to a concert and that is only for a glimpse in the back. This business needs a reset.

Concert ticket prices are still high, especially for the superstar acts. The price gauge happened as an offset to dwindling revenues from recorded sales, however with recorded music revenue now as high as the pre-Napster era, there is no reason for the high concert ticket prices.

Slash
As an artist, he didn’t need to go back to Gunners. He had enough momentum to keep going as a solo artist and with Myles Kennedy, a better front man than Axl Rose. Slash kept on releasing new music consistently, while Duff and Axl complained of piracy and artistically were dead in the water. Money triumphs over creativity and in this case, it’s really sad.

Album
Back in 2013, I wrote how everyone talks about the money that is lost due to piracy as album sales shrink. Back then 20% of the tracks on Spotify have never been played. So what is the point of the album, when people ignore the songs that are not “hits”. When I go to Spotify and I come across an artist I haven’t heard before, I go to their Spotify page and hear the tracks in their top 10 list. Those tracks in most cases are pulled from many different albums.

And if any of those tracks connect with me, I might dig deeper into the album.

Rodrigo Y Gabriela
Created by their love of metal and rock music and when that same genre put up roadblocks to a career in music, they changed tact and went all flamenco acoustic on the world. Talk about paying their dues and taking risks. They moved from Mexico and took a chance in Europe. Over an 8 year Dublin residence, they honed their style and songs, so when their “official” debut album hit in 2006, what seemed like an overnight sensation was 15 years in the making.

There is nothing more difficult in the world then trying to make it as a musician. You need to show up day after day, week after week, year after year. And your brand or movement might just make some small gains. Then it hits a few speed bumps, like Rodrigo and Gabriela’s metal band losing their recording contract in 1997 and suddenly you are back at the start. But they kept on showing up, on the coast of Mexico and playing their acoustic guitars in the bars. Because showing up day after day, is the hardest part of making a difference. If you look at the history of the artists we like and admire, you will see many years in pursuit of their dreams.

It is a work of a lifetime to create an impact and build something of substance. In 2013, they were riding the highs of their 2012 “Area 52” collaboration, which involved re-working their best songs with a full flamenco band. Then in 2014, “9 Dead Alive” dropped and new music is needed ASAP.

Sebastian Bach/Skid Row
They shouldn’t get back together, because no one cares about Skid Row in the way they used too. They might have a large audience in Japan, like Dokken, but the rest of the “Youth Gone Wild” have moved on. Sebastian Bach is actually bigger than Skid Row and releases way better music than Skid Row have done without him. But, what was he thinking when he approved the photo for his memoir’s cover.

The Kindred
From Canada and the healthy progressive scene. They started off as “Today I Caught The Plague” from the ashes of another band called “A Legend Falls”. In 2011 they released the excellent “Lore” and went on tour with one of my favourite bands in Protest The Hero and their “Scurrilous Tour”. Then in 2013, a name change happened to “The Kindred” and the excellent “Life In Lucidity” came out at the start of 2014.

However, PTH needed a drummer for their “Volition” tour and it was no surprise that they tapped Mike Ieradi (who also co-founded the group) to fill the spot. Then in 2015, vocalist David Journeaux departed, with Johnny McArthur as their new vocalist and Kenny Saunders as their new drummer. So now I wait to see what comes next.

Streaming
Back in 2013, I wrote that everyone talks about the money which isn’t filtering down to the artist and how streaming is too entrenched to be replaced. Since then the record labels have grown their revenues on the back of streaming. Artists who negotiate deals with the streaming services like Metallica and Motley Crue have never complained about streaming. Suddenly, luddites Anthrax are not complaining and Scott Ian even mentioned how he believes streaming is the best thing to have happened to the recording industry.

Streaming is the future and those artist who don’t grow with this future will be too busy shrinking.

The Gaslight Anthem
They do the early 80’s Bruce Springsteen better than Bruce Springsteen these days. It was like a supergroup of independent musicians that came together in New Jersey in 2006. Their 2010 album, “American Slang” spawned an unexpected hit with the title track and “45” from their 2012 album “Handwritten” became their biggest hit. Since then, “Get Hurt” came out in 2014 and by July 2015, the band went on an indefinite hiatus.

Since the hiatus, singer Brian Fallon released a solo album called “Painkillers” in March 2016, and on April, 2016, a vinyl EP called “Georgia” was released for Record Store Day 2016 with a limited pressing run of 2,000 copies on 10″ vinyl. Let’s hope that “The Gaslight Anthem” get together for more music over the next three-year period.

Volbeat
Seen as overnight sensations however they are over 25 years in the business. It all started with “Guitar Gangsters & Cadillac Blood” in 2008 and being added to the Metallica “Death Magnetic U.S. Tour”. Then in 2010, “Beyond Hell/Above Heaven” came out and while that was still selling, they released “Outlaw Gentlemen and Shady Ladies” in 2013 and they hit every major music market over and over again. Since then, they released “Seal the Deal and Let’s Boogie” and are continuing on their merry ways. For all the newbies, check out their streaming numbers. They are huge compared to other major label metal/rock acts.

Killswitch Engage/Times Of Grace
In 2013, Killswitch Engage released “Disarm the Descent”, their comeback album with Jesse Leach on vocals. And how good is “In Due Time” with brutal verses and an arena rock chorus. Then in February 2015, a new track called “Loyalty” appeared on “Catch The Throne: The Mixtape Volume 2” to promote “Game of Thrones”. They then toured and kept on working on “Incarnate” which finally came out on March 11, 2016. Since then, they toured and are planning on releasing a beer. Meanwhile, “Times of Grace” have five songs completed for a new album to come out, with their last one coming out in 2011.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Machine Head – Is Anybody Out There?

It blows me away the amount of negativity towards Machine Head.

Just reading a comments thread to anything Machine Head related and you get the usual comments like;

“Wow. Not only is Rob still trying to push a beef with Phil, he is trying to make money off it, with some Burning Red rap-rock sounding garbage. Waiting for him and Machine head to get out the Wanna-be Korn garb again.”
METAL INJECTION

“Wow. Quite the statement Robb. I’m really beginning to lose respect for Flynn with his incessant social justice rants. Gimme a break. Crap song too.”
METAL INJECTION

“I really hate the new Machine Head track, “Is There Anybody Out There?” – Any normal metal head alive, ever.”
METAL INJECTION

“Cuck Metal! A new genre for SJW Faggots.”
METAL INJECTION

“They grab Deep Purple’s iconic album title as their name, then the name of a classic Pink Floyd track from The Wall for their single…what’s next, an album called “Appetite for Destruction (Use Your Illusion)”?”
BLABBERMOUTH

“rob flynn, short fake tough guy…another boring metal song.
where’s the creativity??? come the fuck on flynn, i hope someone steals his guitar.”
BLABBERMOUTH

“Yes, Robb, somebody is out there. She returned your Dime guitar. Stop acting all lonely and kick some ass Blackening style.”
BLABBERMOUTH

“is this a greenday song”
BLABBERMOUTH

“Monster magnet called they want their lyrical phrasing back from the dopes to infinity song. When did machine head get a keyboard player? Weak as fuck song”
BLABBERMOUTH

“Ah yes….the guy who spewed racial slurs in the past himself, hoping on the high horse. Sorry Robb, but you showed your true colors, dropping a few racial slurs yourself and laughing when Gary Holt and Jeff Hanneman were photographed doing the Nazi salute”
BLABBERMOUTH

So, I’m listening to the new song “Is There Anybody Out There?”

And as you have seen above, a lot of comments on Machine Head taking an album title as a band name and then taking a song title of another band as their own song title. There is a lot of entitlement happening here.

Words are words, and the phrase “Is Anybody Out There?” has really been around for a very long time, and long before Pink Floyd used it for a song title.

Anyway, back to the song.

It’s different. Dare I say it’s a punk rock song. The whole verse structure is reminiscent of a punk rock song merged with a Rammstein vibe. The chorus is arena rock/metal and overall, it’s a pretty good and enjoyable listen.

As a guitarist I would have loved a lead break, but the lack of one doesn’t detract from the song in any way. It’s a fucking good song and a lot better than some of the stuff that has come out of late.

On the press release, Robb Flynn said that “the song is about love, loneliness, racism, and not getting what is going on in the world, or America. It’s very much about current events, but it applies to a bigger picture.”

I was born as a bastard, no father, no master,
A shadow in silence left searching for answers
Put up for adoption and left with no option
Another kid fostered to fester forgotten

It’s deep and personal. A lot of unresolved issues are still festering.

Is there anybody out there?
Anybody listening to me?
Is anybody else scared?
The paranoia, drops me to my knees
Does anybody feel lonely?
Disconnected from the things I see
Is there anybody out there?
Anybody out there just like me?
I’m choking on these words and I can’t breathe

Based on the chorus the song could have had many titles. Once upon a time, before the world-wide web, we all asked the same question. Is there anybody out there that feels and thinks just like me? We thought that once we got more connected, those feelings would pass. Instead we feel disconnected even more.

Now I stand as a father, to men with no honor
Ashamed of the racists I used to call brothers
Cause no flag can mean bravery,
when bloodied by slavery,
The rebel, a devil, disguised as a savior
And the sickening feeling in the air
Is the fear to speak that no one dares

The verse that has coped a lot of criticism. I have no idea why. It’s easy to make a connection to Anselmo, but man, the whole world has blood on their hands when it comes to racism. Racial discrimination is ripe in every walk of life and circle of life. Maybe its people just hating on Robb for wearing an orange jumpsuit once upon a time.

The question I hear a lot is what should Machine Head sound like. They have covered a lot of musical ground when it comes to their sound. Some popular and some not so popular.  There is no denying that the trajectory they have taken since 2003 has been fantastic as they pursued thrash metal and technical thrash metal. And then on the last album and this new song, they scale back a little bit.

Is that a bad thing?

Not at all. As long as Robb Flynn keeps making music, I’m fucking buying. Rock On. \::/

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Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

The Machine Head Experience

By 9.24pm, on Wednesday, 24 June 2015 at the Metro Theatre, I had consumed my sixth beer in one hour waiting for Machine Head to hit the stage. A pretty awesome metal playlist was doing the rounds that had songs like “Sad But True” from Metallica and “In Due Time” from Killswitch Engage.

Then “Diary Of A Madman” started playing. It was ominous. The volume was initially low and the house lights were still on. Then the outro of “Diary” kicked in with the choir voices and the volume got cranked and the lights went out.

The chant went up, “Machine Fucking Head, Oh” (a point that Robb Flynn made later on in the show, that Australia is the only country to say Machine Fucking Head OH..) and the clean guitars started for “Imperium”. Everyone in the sold out venue knew that all hell was going to break loose. I was standing close to the mixer and I had a great view to the stage and to the circle pit. It was pandemonium.

Machine Head’s career was re-built upon “Imperium” and the 2003 album “Through The Ashes Of Empires” that it came from. The song is even more special based on Robb’s journals that covered the hardships in getting the album recorded.

“Through The Ashes of Empires” was released in December 2003 in Europe only. It took months to gain some traction and be discovered. In April, 2004, it got a U.S release and a subsequent world-wide release. Suddenly everybody knew it and everybody wanted to go see Machine Fucking Head live.

The knockouts kept on coming with “Beautiful Mourning” from “The Blackening” and “Now We Die” from “Bloodstone And Diamonds”.

“The Blackening” was another game changer for Machine Head. Released in 2007, it put them on the road for three years and in the process it cemented Machine Head’s reputation as a solid unit. That trend continued with “Unto The Locust” and “Bloodstone And Diamonds”.

I still think “Now We Die” should have been called “Now We Rise”. It would have been perfect in my eyes.

“Bite The Bullet” came next and then “Locust” sent everyone into a frenzy. It’s no coincidence that the first five songs all came from their last four albums.

I saw a person on crutches enter the circle pit and I said to myself that is not going to end well. Later on, I saw that dude on someone’s shoulders. He was okay, the Head Cases took care of him.

“From This Day” from 1999’s “The Burning Red”, “Ten Ton Hammer” from 1997’s “The More Things Change” and “Clenching The Fists Of Dissent” from “The Blackening” kept the knockout punches coming.

How good is that “fight” part in “Clenching”?

“Beneath The Silt” from “Bloodstone and Diamonds” was slow and groovy and “Crashing Around You” from 2001’s “Supercharger” album picked it all back up.

When I first heard “Crashing Around You”, I said to myself what an awesome rock song. It was better than anything that was mainstream back then. However, Roadrunner didn’t know what to do with the song, or how to market Machine Head and because of record label stupidity the song didn’t cross over. It’s one of my favourite cuts on “Supercharger”.

“The Blood, The Sweat, The Tears” from “The Burning Red” came next.

But it’s all about “Darkness Within” from “Unto The Locust”.

What a song, what a groove, what a melody and what a guitar solo by Phil. Along with “Bulldozer” from “Supercharger” and “Killers and Kings” from “Bloodstone And Diamonds” those three songs proved another killer trilogy in the set.

How good are the lyrics in “Bulldozer”? Another unheralded cut from “Supercharger”,

Somebody told me, I should do what they told me
But there’s a hole in their plan, and I’m tearing it down

You can almost picture the scene. Record label A&R douche telling Robb to wear an orange jumpsuit. Robb agrees for the greater good but…..

Trust our guts, follow our hearts, no one can break these nuts
These lips ain’t kissin’ asre
The path of most resistance tests all of our strength
The strength will not be denied

It’s like Robb foresaw the crap that would come their way post “Supercharger” and the mission involved to get “Through The Ashes Of Empires” recorded and then released.

Bulldozer goes against the odds
Bulldozer goes against the grain

You can interchange “Bulldozer” with “Machine Head” as both have three syllables. Machine Head goes against the odds. Machine Head goes against the grain. And thank god they did. It’s like their story before it even happened, getting dropped, then rejected. What makes the track rock is the groove.

“Sail In The Black” was excellent (although in some sections the backing synths overpowered the intro vocals) and “Davidian” from the 1994 debut “Burn My Eyes” followed.

You would think it would be over, but, NO it wasn’t.

“Now I Lay Thee Down” from “The Blackening”, “Aesthetics Of Hate” from “The Blackening” again, “Game Over” from “Bloodstone And Diamonds”, “Old” from “Burn My Eyes” and “Halo” from “The Blackening” again rounded out the night.

I didn’t see a phone or a camera recording the show. Everyone was there to experience it.

If they played “A Farewell To Arms” from “The Blackening” I would have completely lost it.

From the set list, you can see how important “The Blackening” is to Machine Head and to the Head Cases.

Yeah, Machine Head did have a catalogue before and after “The Blackening”, however their entire career will be attributed to this one album, showing the power of excellence.

A defining album, and in time it will be held in the same light as Metallica’s “Master Of Puppets” or Pantera’s “A Vulgar Display Of Power”.
By the end of the night, I had consumed 13 beers and still had room for many more.

To Machine Head, thanks for another great night in Sydney.

The future looks good, as the band is constantly replenishing their audience base. The crowd was a mixture of teens, twenty something’s, thirty something’s and forty plus. It was also a mixture of dudes and chicks. Like the song “Truckin” from The Grateful Dead, Machine Head just keep on truckin’ along and winning new fans along the way.

Two days later my ears are still ringing and I am still talking about the experience. That is what live music is all about. The experience

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A to Z of Making It, Copyright, Music, My Stories, Piracy, Unsung Heroes

Just Another Day In The World

Game Of Thrones

It looks like Piracy does pay. The sales of DVD/BluRay box sets for Season 4 of “Game Of Thrones” are going crazy. Season 3 also experienced the same craziness.

Led Zeppelin

Meanwhile, an album from 40 years ago is back on the charts. Led Zeppelin, who was so late to the streaming party, is now fighting for a spot on top of the charts due to their fans streaming their music.

Sales

So the recording industries response to piracy is to have a global release day on Friday. Hello, its 2015. Every day is a good day to release new music because music when done right doesn’t need a blockbuster opening day. Last week, 36 Crazyfists released their album “Time and Trauma” with first week sales of 3,500.

Yeah, high fives all round. Let’s blame piracy.

Meanwhile, ageing rockers AC/DC moved another 8,000 units as they move closer to 500,000 sales. However, sales of 500,000 does not mean that the record is popular amongst their fans. Does anyone know if it’s continually getting played? It’s not on Spotify so we can’t use any data from there.

Meanwhile, the “Rock Or Bust” clip has over 7 million views on YouTube, while “Play Ball” has over 6 million views. However, if you compare those YouTube views to Slipknot’s “The Devil and I” 26 million plus views, it’s easy to see what fans of rock and metal are listening too.

But hang on a second, the media outlets give ink to the fact that AC/DC has almost sold 500,000 copies of their album, while Slipknot is closer to the 300,000 mark. Further evidence today, that sales don’t equate to the actual popularity of the album. Listening data does.

Sales are old school and they are not coming back. In Norway, piracy is non-existent however revenues from recorded music haven’t increased. Goes to show that people never really wanted to own music, they just wanted access to it.

American Sniper

However if an entertainment product is done right, people will still spend their money. “American Sniper” is a perfect example of that. The movie is all over the piracy sites, and it is also approaching the $500 million mark on Box Office Returns. Compare that to the “The Expendables 3” which bombed big time. One movie hit the mark with the audiences while the other didn’t.

So when something does well, piracy is not mentioned at all as maybe a possible reason for its success, while when something does not do well, piracy is always blamed.

Performing Live

For musicians, piracy is exposure. Machine Head grossed $33,000 for one show in front of 850 Head Cases. If they play 100 shows with the same return, that would mean, they would have grossed $3.3 million. It sure sounds like a decent take home.

On a larger scale, Slash Feat. Myles Kennedy & The Conspirators grossed $316,696 for a show in Dublin.

Music is all about people listening and if we listen and we like it, we will spend our dollars.

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A to Z of Making It, Music, My Stories, Unsung Heroes

Saints (Winners) and Sinners (Losers)

WINNER
Machine Head are doing the opposite of what all the other bands are doing. Playing smaller venues, selling them out and doing “An Evening With..” extravaganza. The prices of tickets are affordable and not extravagant. This is one band that realizes their niche place in the metal music business and they play to their core audience, the Headcases.

In Robb Flynn, they have one of the best frontmen in thrash/metal circles that is not afraid to take a stance on an issue. He speaks to his core audience via his journals. He controls his own narrative and not the press, which is the downfall of a lot of other artists.

Flynn, along with Monte Conner from Nuclear Blast have realized that music is all about the souvenirs. The “Killers and Kings” single release for Record Store Day with the four different tarot covers proved once again that if people believe in the artists, they will spend their money. Machine Head weren’t selling music, they were selling collectibles. I purchased all four and I still haven’t opened them.

WINNER
Megadeth. As a guitarist I didn’t really dig Broderick’s uninspired lead breaks so I am pretty happy that he has left. Just because a person is super technical it doesn’t mean they are good songwriters. Seriously put those lead breaks up against the jazzy shred work of Chris Poland, the neo – classical shred metal of Marty Friedman, the tasteful phrasing of Al Pitrelli and the pentatonic chaos of Dave Mustaine and you will see where Broderick stacks up. Drummers are plentiful so I am sure that Megadeth will have no issues here finding one that will suit.

LOSERS
Chris Broderick and Shaun Drover.

The history of guitarists and drummers that have departed Megadeth is vast. The real good ones have had stellar careers pre and post Megadeth. Marty Friedman had a fan base before he joined and then he became a Japanese musical icon post Megadeth. Al Pitrelli also had an established fan base prior to joining and he was already in demand as a session guy and touring guitarist for various projects. Chris Poland did “Damn The Machine” which was an unbelievable album/band that wasn’t embraced by the waves of change that happened to metal in 1993 and Poland’s instrumental album “Return To Metalopolis” was also a favourite back in the day.

WINNER
Streaming. Fans of music didn’t care at all that The Pirate Bay got raided or that Kickass Torrents got taken down. Those raids/takedowns are all pure PR stunts by the associations and a waste of money/legal resources because copyright for the last 15 years has been hijacked and used purely for criminal pursuits and nothing to do with aiding the artist.

LOSERS
Artists and entities that compare the streaming dollars earned today to those pre 1999 sales dollars without understanding that streaming is all about scale. The more people using the platform, the higher the payments will be in the future. But no one can look that far, when everyone thinks about “right now”. The ones complaining about streaming royalties just don’t have enough fans interested in listening to their music consistently.

WINNER
Slash. He has shown that he is more Guns N Roses than Axl Rose is. His output has been solid via his many projects, like Slash’s Snakepit, Velvet Revolver, Slash (the guest vocalist album) and now Slash featuring Myles Kennedy and The Conspirators. He is doing what every other musician should be doing, which is releasing product and touring.

LOSER
Duff McKagan. His views on piracy/copyright infringement are restricting him from doing what he needs to do, which is, to create music.

WINNER
Dee Snider. His views on Doug Aldrich are spot on.

LOSER
Doug Aldrich. He’s a good guitar player but nowhere in the league of the Eighties guitarist he was competing against when he was with “Lion”. For the years he has been involved in music, there is not one definitive song/riff that can be attributed to Doug Aldrich.

WINNER
Data. The era of feeling it or rorting the charts is over. It’s all about the fans and what they listen too.

LOSER
Sales. Just because Spotify is killing off piracy, it doesn’t mean that people will start to buy physical CD’s, vinyls or pay to download MP3’s again. Seriously there is a lot of rubbish reporting out there stating something like “sales are worse now since Spotify has entered the market”. Well, hello genius, Spotify and streaming for that matter are also competing with sales.

WINNER
George Lynch. He realizes it’s all about the music and without making new music, he has no career. That’s why people come back. Lynch Mob, his solo career, KXM, Sweet and Lynch and now the announcement of a new project called “The Infidels” which is another pseudo-supergroup.

LOSER
Don Dokken. Without the involvement of Lynch and Pilson in the songwriting department, the band Dokken is a shadow of its former self.

WINNER
Indegoot Entertainment. They have a roster of bands that make up a very large portion of the U.S Hard Rock market, that have proven to be consistent sellers in a recorded music sales market that is contracting instead of expanding. Shinedown, In This Moment, Halestorm, Chevelle, Adelitas Way, Black Stone Cherry, Theory of A Deadman and Story of The Year.

Rock is far from dead when you have rock artists like these. And with a good roster of talent comes power on the live circuit. That is why Indegoot is a winner.

LOSER
Any metal or rock band that is spending months upon months creating their new album and being out of the public consciousness. The modern way is to be in our head space every day. If an artist today takes a break then they are on their way to being forgotten. And you don’t want to be in the news if it is not about your music. No one can forget what their core business is.

Slipknot took almost seven years to release their new album, only to have “The Devil In I” rack up 9.6 million streams. What about the other songs?

Yngwie Malmsteen has delivered a lot of dud albums in the last ten years and he still takes his time before issuing the next one.

WHY?

You would think after one crap album, he would get going with delivering a better song quickly to make amends. Malmsteen can be doing much more to keep in touch with his fan base which doesn’t revolve around issuing ten to twelve songs every two years under his own name.

Take a leaf out of George Lynch’s or Michael Sweets or Marc Tremonit’s or Russell Allen’s playbook.

WINNER
Kevin Churko. Everyone wants to work with him. He is the modern-day version of Tom Werman or Keith Olsen. Five Finger Death Punch, In This Moment, Hellyeah, Papa Roach are all bands that have used the might Churko as producer and on some occasions as songwriter. If you want to use sales as a statistic of reach, then bands produced by Kevin Churko are some of the best sellers in the genre.

LOSER
EVH.

My EVH Peavey 5150 Combo that I purchased back in 1995 is still my favourite amp to record with. So it is a shame that the greatest and most innovative guitarist cannot get it together to deliver new music worthy of his stature. Reading Sammy Hagar’s bio recently cemented my views on EVH who has become a person that is so out of touch with reality and a victim of his own vices. His future without any doubt is with Sammy Hagar as the front man.
WINNER
Allen Kovac’s move from management to the label business has paid off. Eleven Seven Music is another label doing their bit in bringing hard rock back to the masses. Artists involve Hellyeah, Mötley Crüe, Papa Roach, Pop Evil, Sixx:A.M, Nothing More, Art Of Dying, Apocalyptica, Escape The Fate and Drowning Pool.

LOSER
AC/DC without Malcolm Young have lost their foundation. Don’t get me wrong, I love AC/DC and always will. They will make a killing on the live circuit however no one cares for their new music. On top of all that their views about withholding their music from certain digital outlets (while it is available for free on pirate sites) shows how out of touch they are. They are leaving money on the table.

WINNER
Marc Tremonti. He showed the world that he was the brains and driving force behind Creed. He kept his career going with Alter Bridge. He started his own solo band. He went away and mastered the art of shred. His PRS guitars are state of the art and brilliant to play. Trust me on that one as I have one. The PRS through the 5150 is the perfect sound for me.

LOSER
Metallica. They are trying to replicate the corporate deals of U2 and the product saturation of Kiss. This in turn leaves the hard-core fan base squeamish. Meanwhile it has been seven years since they released “Death Magnetic” and music is the very reason why Metallica is in the powerful position they are in right now. However it seems they have forgotten that part of their career. “Lords Of Summer” will most probably be turned into a totally different song however if it doesn’t, then it doesn’t bode well for Metallica as they sit down to write the next album.

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