Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

The Record Vault – Bullet For My Valentine – Venom Edition

I didn’t know I had the CD until I opened up a box and there it was. Still in its wrapping along with a lot of other CD’s in their wrapping. I had a phase when I started streaming, where I just purchased a lot of CD’s online and just put them away in a box as I was streaming the album on Spotify. Based on what was in this box, there will need to be a “Record Vault” revision of some of the other artists as well.

Anyway, this post is about “Venom” released in 2015.

But I need to go back to the “Fever” album released in 2010, because that album started the hard rock and heavy metal phase of BFMV and it’s my favourite album. They followed “Fever” with “Temper, Temper” released in 2013, which went further in a hard rock direction. Like they had a live cover of “Whole Lotta Rosie” from AC/DC as a bonus track. But then again, they also had a Robert Tepper cover, “No Easy Way Out” on the thrash metal “Scream, Aim, Fire” album released in 2008.

But in 2015, they combined elements of all their releases into a very good album called “Venom”.

It was in my top 10 for 2015.

It had the speed metal, from the first two albums, it had the heavy metal and hard rock from the two albums just before “Venom”, plus it had a touch of growth with some modern influences and the digital delay U2 influence heard in the title track “Venom”.

I’ve said it before, BFMV is a melodic rock and hard rock band with thrash and metal influences, however fans of hard rock and melodic rock have not given this band a chance because of the screaming aspect or the classification with a different style because of record label marketing. Like metalcore.

And for a band with metal, hard rock and thrash roots who came out 2005, BFMV have massive numbers when it comes to streaming and YouTube views.

Massive.

And they tour relentlessly. I’ve seen em live and the band delivers.

“No Way Out” is relentless. A thrash-a-thon.

Looking out standing over the edge
Too numb to feel alive

Even though this song was written in 2015, the words are still relevant.

Will life return to normal once COVID-19 is all over?

Will people still gather in larger groups?

A scientist on TV said, there might not be a cure or a vaccine for COVID-19, but a treatment, like how they do with HIV. Its numbing.

Tell me why I feel like there’s no way out

The Chorus deals with the mental struggles of thinking there is no way out and we hate waiting for time to pass and we hate following rules but sometimes following rules is what we need to do.

This negativity
Is dominating and smothering me
I just can’t breathe

I can’t help but over analyse events, thinking that some of the people I deal with have other motives, saying one thing to my face and saying something else behind my back.

The negativity is not productive and its torturous. This was heaps prominent when I was younger and as I got older, my care factor for these kinds of analysis went to ZERO. Other things are more important than putting thoughts in my head which don’t exist.

The guitar solo while brief is quality. And it ends with the same thrash-a-thon that it began with.

“You Want A Battle? (Here’s A War)” from Bullet For My Valentine (BFMV) starts off with a call to arms which is familiar to people who grew up in the 80’s.

“We will not take this anymore, These words will never be ignored, You want a battle? Here’s a war”

And the band blasts in with some pretty cool riffage.

The message based on the first three lines, is the same between Twisted Sister’s war cry of “we’re not gonna take it”, to Bullet For My Valentine’s “we will not take this anymore”.

But the subject matter is a bit different if you look at the film clips.

While in the 80’s, the enemy for Dee Snider and Co. was the disciplinary parent while the BFMV music video the enemy is the abusive parent and the violence in the family, until the victims get their revenge. And the Genus lyrical annotations state the song is about bullying.

Don’t suffer in your silence
Know you are never alone

Vocalist and guitarist, Matt Tuck, said that he suffered a lot of bullying at school because he was the heavy metal kid with long hair that didn’t fit in and how it took him a lot of time to finally stand up for himself. I find it strange that this kind of

From about the 2.50 minute mark there is this bridge like section which I like and then when the outro chorus kicks in with an open string melodic lick under it, its head banging stuff.

“Army Of Noise” could have come from an 80’s album.

Lights out, fist raised
Adrenaline rushing infecting our veins
Now feel the heat as the temperature spikes
Bodies are thrashing the fire ignites

Metallica’s “Kill Em All” album has this vibe with “Seek And Destroy”, “Metal Militia”, “Whiplash” and basically every other song except “The Four Horsemen” and “Jump In The Fire”. The first two songs on the “Ram It Down” album from Judas Priest have this vibe.

So here we are
Weapons in arms
Army of noise has come to destroy
We will not fall

How things change. Hard Rock music went from “noise” to “acceptable” to “mainstream”. And it got heavier and it was till acceptable.

What is classified as noise these days?

“Worthless” is a typical “FU”.

You can keep all your apologies
Those words are worthless to me
And I don’t wanna hear that you’re sorry
Your words mean nothing to me

Take that.

And all the songs are underpinned by great riffage, excellent shredding and drumming.

There was an additional 3D style cover but the photo below doesn’t do the V and the snake justice.

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Music, Unsung Heroes

Seriously When Did The Machine Head vs Children of Bodom War Start?

I just finished reading the latest blog post from Robb Flynn. Seriously I don’t know what the hell is wrong with a lot of people. I showed everyone in my circle of friends the previous blog post about “Children of Bodom” and everyone laughed their fucken arses off. The same deal happened with the Avenged Sevenfold post from last year.

I cannot understand how people don’t see the funny things in life. Seriously any person that has lived and experienced life, had children, seen births and deaths will appreciate that there are more important things in life.

But that is how life is today. The rock and metal communities are so fragmented it’s not even funny. People that I associate with cannot understand how I can go and watch a Bon Jovi concert and then go and watch a Coheed and Cambria concert and then go watch a Dream Theater concert and then go watch a Trivium concert and so on. But that’s how it was when I was growing up. We liked music. While labels and media outlets liked to give it tags like glam rock, hard rock, heavy metal, thrash metal, power metal, melodic metal, AOR, blah blah rock and something something metal. In the end the fans saw it all as rock music. And it worked.

There was no elitism in metal. There was no “I don’t like that band because they are not heavy enough”. Music was music and going to the show was exactly that, going to the show. It was an event. It was an experience. Somewhere along the line it all changed.

For the record I like Machine Head and I like Children Of Bodom. Machine Head is higher up on the list. I own all of the Machine Head albums and I only own a few Children Of Bodom releases. As far as I am concerned there styles are so far apart that each band satisfies a certain section of my musical brain.

To be honest, if you’re trying to be everybody’s friend, chances are you’re not making a difference. Everyone’s afraid to lose friends. Everyone’s afraid to stand out. Everyone’s afraid of criticism. That is why the world has been taken over by the nerds. The nerds are the outcasts of the day, the bullied ones. But once upon a time it wasn’t like that.

Dare to be unpopular. That is when true popularity begins.

Robb Flynn speaks a truth that he knows and people freak out. Seriously how funny are they both. Laiho refers to the Children of Bodom as “cob” and Flynn calls the rabid Machine Head fans “Headcases”.  All I could do was laugh. I love the world. It’s comedy gold.

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