A guitarist in a band I was in, worshipped Yngwie. And he sort of pissed me off, strutting around like he was elite, making fun of all others who didn’t like Yngwie and because of him, I hated Yngwie to start off. I wouldn’t give in and say anything positive about Yngwie to him.
It wasn’t until I left the band, that I gave Yngwie some time. And when I heard the albums “Marching Out” and “Trilogy” I was hooked. Good music is good music and good riffs are good riffs.
And “Trilogy” is full of good riffs and good leads and I still class “Marching Out” as one of “the” metal albums of the 80’s.
It would become a normal thing for each Yngwie release, but I was pretty bummed when the singer from the “Marching Out” record, Jeff Scott Soto was out, replaced by Mark Boals. Then I was bummed when Boals was replaced by Joe Lynn Turner and bummed again when Turner was replaced by an unknown Swede called Goran Edman.
I guess the singer problem is solved now, as Yngwie can’t really fire himself.
Malmsteen gets a lot of praise here, but let’s not forget Boals on vocals, a cross between Ronnie James Dio and Ian Gillian.
“You Don’t Remember, I’ll Never Forget”
A great opener.
The riff is simple and the keys give it a melodic rock tone.
For me the piece d resistance is the G# diminished arpeggio lead between the verse and the chorus. Its so fun to play and it connects the two sections.
And the lead break is one of Yngwie’s best. He shreds but it’s perfect for the song as he doesn’t overplay, full of melody, scalar runs and sweeps.
At 3.20, just after the solo, it goes into a slow breakdown and it builds up again into the Chorus.
And while the chorus melody keeps going, Malmsteen is wailing away in the background.
It’s a very Euro sounding riff. Early Europe had songs like this.
It’s more like Uli Jon Roth Scorpions merged with Blackmore’s “Speed King” and “Highway Star”.
In the verses and chorus, Malmsteen jams on a pedal point, embellishing it with scalar runs on the 4th or 8th bar of the riff, while the keys and bass outline a chord progression.
“Queen In Love”
The intro riff immediately got me to grab my guitar and attempt to learn it. It’s a great head banging riff in Em to jam to.
The sweep-picked diminished arpeggios before the main solo are excellent and fun (also frustrating) to learn. And the main solo is also one of his best.
There is an acoustic guitar which outlines a sad rhythm, guitar track, while another acoustic guitar plays a classical like lead over it.
Eventually it morphs into an electric lead break but it wasn’t needed.
Who would have known that Malmsteen would utter these words many years later while intoxicated on an airplane?
This isn’t a favourite but it is fun to jam to.
The intro is great to play. It feels like it came from the fingers of EVH as its got this major key vibe, sort of like “Dance The Night Away” but don’t think the songs sound alike, they don’t.
Actually the way it moves from A to E, G to D and F to C, the hand placements are more “All Right Now” than anything else.
Its head banging stuff. Malmsteen nailed the combo of metal riffs and keyboard embellishments in this song.
“Everyone is searching for the meaning of our life”.
We still are searching.
Sweden’s Melodic Death Metallers would be proud of this.
Its doomy, heavy and ready to sink wooden ships, in a time when darkness ruled.
“Trilogy Suite Op:5”
I didn’t get why it needed to have Suite Op:5 added.
While the first part is all shred like and fast classical arpeggios, it’s the middle section which hooked me.
From the 3 minute mark.
You need to hear that movement. Its classical music at its best and Malmsteen showcases his acoustic guitar skills.
Then when the distortion kicks in, it goes into a Uli Jon Roth style of groove, which is the foundation for more shred and a keyboard solo.
Finally, my Metallica and Slayer loving friends, couldn’t get past the album credits which state; “Produced and Conducted by Yngwie Malmsteen”.
Yes that one world, “conducted” was enough to make people not listen to Malmsteen. But if you want to hear some great melodic metal, very Rainbow like, then crank it.
11 thoughts on “1986 – Part 2.1: Yngwie Malmsteen – Trilogy”
He is the AC/DC of neoclassical metal. Gets bluesier with age- but still no one sounds like him ⚡️⚡️⚡️
He’s unique that’s for sure. I had one of his instructional videos. Very smart guy and when he slows down his super fast solos that people call wanky, it’s pretty eye opening as the melody in em is extraordinary
A buddy at high school taped this for me at the time. It was pretty good but that cover is goofy man. lol The first two tracks pulled you in. I need to check this one out again.
Great stuff Pete. Conducted by…lol what a ego
He’s saving the world man. Cant ya see that. With his guitar. Lol.
Yeah that conducted part is very ego like.
I am not a fan of Mr. Yngwie. I do have the first two albums but only because of Jeff Scott Soto otherwise I wouldn’t own anything by Yngwie. I always found him to be too arrogant so I didn’t want to give him any of my money or time. But glad you ended up liking him.
Arrogant he is. His guitar playing on those early albums up to Fire And Ice is pretty cool. A lot to unpack as a guitarist. But always a bummer as well because there was a new vocalist.
You are the 2nd person to bring up this album recently. I’m probably should check it out at some point.
The one with Joe Lynn Turner is my favorite. This one’s cool. After a while Yngwie just started repeating himself. Only so much you can do shredding in harmonic minor for 40 years.
Odyssey is a favorite as well. The first lead in Rising Force, the harmony lead to kick off “Hold On” and deep cuts like Crystal Ball and Deja Vu.
but “Marching Out” is also special. Tracks like I’ll See the Light Again, On The Run Again, Don’t Let It End, Caught In The Middle.
I love “Crystal Ball” too, great melodies. Joe brought some American sensibilities to his European sound.
So true. Talented singer that found it hard to work with egotistical guitarists.