A to Z of Making It, Music, My Stories

Divided We Stand. But It Doesn’t Have To Be That Way.

Metallica resorted to a professional coach to get it together again. So did Aerosmith.

Motley Crue imploded at the peak of their powers with the firing of Vince Neil and then sued each other in the courts. Then when Vince Neil was back in, John Corabi was out and soon it was Tommy Lee that was out.

Bon Jovi and Megadeth resorted to group therapy. For Bon Jovi it was a way to keep the band together after “New Jersey” and for Megadeth it was a way to keep a stable line-up together.

Van Halen ousted David Lee Roth and there was a few years of bad mouthing each other. Then when Sammy Hagar was ousted, the feud turned ugly with both sides airing their dirty laundry.

Guns N Roses appetite for destruction more or less has the band as an Axl Rose solo project. According to Axl, “Slash is a cancer”. There was a lawsuit as well from Axl to Slash to stop the “It’s Five O Clock Somewhere” album as Axl claimed those songs were written for Guns N Roses by Slash.

Scott Weiland had a nasty split with his first act, Stone Temple Pilots (on more than one occasion) as well as with the Velvet Revolver project that featured Slash.

Sebastian Bach and Skid Row are still at loggerheads. Matt Kramer left Saigon Kick because he felt ripped off.

Machine Head and Adam Duce are in the courts because Adam Duce felt ripped off. Dave Lombardo is spitting venom at Slayer and their management team because he feels ripped off.

Paul Stanley went to town on Ace and Peter, calling them anti-semitic. Gene Simmons said that Ace and Peter didn’t deserve to wear the make up.

Dream Theater and Mike Portnoy ended their relationship abruptly.

And Rock and Roll was supposed to be fun. Yeah right, I hear people say.

The ugly truth is that the biggest obstacle standing between musicians and a career in music is the simple fact that we cannot get along.

Every band I have been in imploded because I was writing the music and the lyrics from the beginning. So when the other members realised that I am getting extra royalties and publishing moneys, then money becomes a factor and suddenly everybody wants to write a song or make suggestions to change a finished song just so they could a songwriting credit.

And I said NO a lot of times.

And that starts to put a strain on the relationship and the band dynamics. Eventually we became assholes to each other and one of the main commandments that I swear by is to “Don’t Be An Asshole”.

It’s easier said than done. Especially in metal and rock circles. You know, we are all alpha males in this business.

So how can we achieve a healthier band dynamic.

We need to handle criticism better. At one point in my life, the way I offered criticism wasn’t at all constructive and criticism towards me was seen as a personal attack.

Don’t be assholes to each other as everyone is replaceable.

True love of music is the best reward. Money is a byproduct.

Realise that if the guitarist does come in with a completed song, or an albums worth of songs, it’s okay. Same goes for the other musicians in the band. And if your song doesn’t make the cut, that is also okay.

If the band is a democracy, then happy creating, however let me tell you one truth. Bands that claim that their songwriting is a democracy are lying. There is always one that will be the boss.

Look at Van Halen. Songwriting credits originally showed Edward Van Halen, Alex Van Halen, Michael Anthony and David Lee Roth. However it is a well-known fact that Eddie Van Halen wrote all the music and David Lee Roth wrote the lyrics, with little input from Van Halen’s rhythm section.

Slow and steady wins the race. Remember a music career is a lifers game.

You will get screwed by someone in the music business. Don’t let it get you down. Roll with it and learn from it.

In order to be seen or be heard, we need to stand united.

Don’t see every other artist or band as competition. The history of rock n roll shows that it was friendships and recommendations from other artists that broke artists to an audience. This is needed even more so in 2014.

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Music

Some Hard “Music Business” Truths – Dave Lombardo, Tom Araya and Band Agreements

Dave Lombardo hasn’t been silent when it comes to the financial “behind the scenes” happenings of Slayer. It doesn’t matter on which side you are on in this argument, one thing that is true is that these kinds of issues are real. Bands cannot exist without a band agreement in place. And when a Band Agreement is drawn up there are a few main players in it.

1. The Band themselves
2. The Manager
3. The Lawyer
4. The Accountant

Musicians are always taken for a ride when it comes to management, lawyers and accountants. The whole Adam Duce vs Machine Head saga is down to the same questions that Dave Lombardo is asking. What happened to all of that money that was grossed?

Let’s look at some of Lombardo’s claims.

He claims that in 2011, the band Slayer grossed $4.4 million and that he only earned $67,000. He also claims that he earned that same amount from the band when he rejoined the band. Sounds like a pretty shitty employment contract if you ask me.

So what do we know about 2011?

In 2011, Slayer played 62 shows based on the website Setlist.fm. Doing some simple math, Lombardo came away with $1080 per show. For a lot of independent musicians this is a nice pay-day for the whole band, however in this case it is for an individual in a band that grosses over $4 million dollars.

Now let’s do some math around the gross earnings per show from Slayer. In order to do the math, I searched the internet for a Slayer Billboard Boxscore and I found one.

Slayer in November 2013 played a show in Winnipeg, Canada and the gross sales for the show came to $57,100 and the venue was half full. The data is available on the lambgoat.com blog. So let’s just say that $60,000 gross is an average intake for a Slayer show. Multiple that gross amount by the 62 shows and you get a figure of $3.72 million. Add merchandise, licensing, publishing and royalties and you get close to the $4.4 million mark. So it is safe to say that Slayer is a million dollar business. And Dave Lombardo was just paid $67,000.

Back in February, 2013, Lombardo first announced his findings that 90% of Slayer’s tour income was being deducted as expenses, leaving 10% for the band to split amongst the four of them.

Again, going back to the math, if Slayer grossed $4.4 million, that would mean that $4 million went to expenses and $400,000 was left to be split between the original 4 members (I am assuming that the touring guitarist “Gary Holt” is part of the Expenses). So Dave Lombardo gets $67,000. That leaves $333,000 to split amongst 3. $111,000 each sounds about right.

Tom Araya claimed Dave was a working member of the band and never a partner, making mention that when Dave joined again during the ‘Christ Illusion’ album, Slayer offered Dave a contract with the band, hence the $67K amount.

This is in contrast to Lombardo’s claims who also mentions that Araya got his silence bought, when management handed over a lot of money to go against Lombardo. Lombardo claims that he was a percentage holder within the band and all that he asked for was to see the detailed expenses.

The thing is Araya is pulling a double face here, as he blasted the band’s management when it came to Jeff Hannemann’s tributes. This is what he said in an interview on Classic Rock;

“I wanted to do more – I was hoping to do more. But the nature of the business… the management gets involved in anything we do and they fucked it up. I’m throwing them under the bus. It really upset me, because it would have been more than just that.”

Money talks. Slayer is a machine that is all about the business and making profit. The person that has the cash has the leverage and in this case, the Slayer management team has that leverage. So why would they use some of the cash that Slayer earns to pay a tribute to the most important member of Slayer. Jeff Hannemann gave them all a career with his great songwriting skills.

It’s bad enough that record labels rip off artists. It’s bad enough that accountants, managers and lawyers rip off artists. But it is the worse when band mates rip off band mates.

If Kerry King and Tom Araya stuck with Dave Lombardo, they would have had the leverage. It’s like the Machine Head song, “Who We Are”.

DIVIDED WE STAND.

But it should be UNITED WE STAND.

In the same way that the audience all stood united to watch the original four at the Horden Pavillion in Sydney back in 2007, with Mastodon opening.

http://loudwire.com/dave-lombardo-claims-only-made-67000-slayer-4-million-gross-2011/
http://loudwire.com/slayer-tom-araya-elaborates-dave-lombardo-exit/
http://loudwire.com/slayer-tom-araya-why-dave-lombardo-ousted/

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Music, Treating Fans Like Shit

Predictions

A lot of changes have taken place in bands that we all love over the last 18 months.  Some good, some bad and some sad.

Slayer
Dave Lombardo found out online that he has officially been replaced by Paul Bostaph.  Main songwriter Jeff Hanneman sadly passed away. For the touring cycle, Hanneman has been replaced by Gary Holt from Exodus.

Prediction: Slayer will just tour from now on, playing the summer festival scene, without any new music being released.  The estate of Jeff Hanneman would fire off a legal letter to Slayer over unpaid royalties.

Stone Temple Pilots
Scott Weiland is fired and then he claims he can’t be fired from the band.  Chester Bennington from Linkin Park is in as the new singer, and on top of that there is a lawsuit, where the STP guys are alleging that Weiland has broken the terms of a band agreement, which stipulates what each member can do outside of STP.

Prediction: This will just stay in the social media pages, with pot shots thrown at each party.  STP will do the Twentieth Anniversary tour for Core, and so will Scott Weiland.  Expect another Queensryche saga.

Bon Jovi
This is all about Richie Sambora.

First he didn’t turn up to a show.  Jon Bon Jovi then grabbed Phil X to fill in for Sambora and the PR machine issued a statement saying that Sambora had to leave the tour for personal reasons.  Fans are still purchasing tickets, only to see the band without him. Sambora remained quiet for some time and now the feuding is going public, with Sambora saying that Bon Jovi is making his return “very difficult”.  Bon Jovi then mentioned that Sambora is replaceable, whereas The Edge from U2 is not. Bon Jovi further stated, that Sambora wasn’t committed enough, and that his clothing business had taken up more of his time.  Sambora tweeted that is not the case, as his clothing business has been happening for 5 years, and music is and always is his first priority.

Prediction: This will get sorted. Jon and Richie will make up, record another album and then the same thing will happen again.

Queensryche

Geoff Tate is building a resume, that includes spitting at Scott Rockenfield, telling festival crowds they suck, pulls a knife at his band members, tell’s fans to record themselves telling him how bad his new album is (he actually thinks it’s funny) and now he takes a fans cell phone and throws it away.  This guy is all class.

The lawsuit over the name is in limbo land and the Todd LaTorre fronted Queensryche are about to release their album.

Prediction: Geoff Tate will be classified insane and then he will blame all the fans again, telling them they suck.  The Todd LaTorre fronted Queensryche version will also fail.

Machine Head 

Adam Duce was fired from the band because his heart wasn’t in it anymore.  No official replacement has been announced, however on-line bassist auditions have taken place and the list was whittled down to 8.

Prediction: Robb Flynn will ensure that Adam Duce is taken care off in relation to royalties payments post his departure.

Black Sabbath 

Prediction: The Bill Ward saga is over.  The band has moved on.  Black Sabbath will sell out their shows, however the new music will be hit and miss.

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