Classic Songs to Be Discovered, Music, My Stories

The Best Metal and Rock Top 10 for 2013

Well the year is almost over and it is time to look back at the albums that connected and hit the mark for 2013. Anyone who has been a constant visitor to this blog will notice that I have spoken about these albums in previous posts in more detail.

1. Protest The Hero – Volition

Disclaimer; I was one of those fans that contributed to this album, so the competition for the best album of 2013 wasn’t even close. Protest The Hero wins hands down. They delivered an album for the fans. It has everything that a condensed progressive technical metal album should have. Plus it has Chris Adler on drums. In 2011, “Scurrilous” was number seven on my list.

If you want the detailed breakdown, here it is;

This album also shows how the mainstream media is out of touch. Despite all the hype around Metallica, Avenged Sevenfold, Dream Theater, Korn and Black Sabbath, the biggest release of the year belongs to Protest The Hero.

And deservedly so.

They connected with their audience via Indiegogo. They have cut through all the internet noise without the need of major label. In the age of information overload, Protest The Hero relied on their audience and their music to get their message through.

2. Avenged Sevenfold – Hail To The King

Call this album what you will, however no one can take away the fact that it is a damn good listen. Having those nods to the past and building on those influences is what music is all about. In twenty years time, this album will be revered and copied, because that is how music is made.

3. Five Finger Death Punch – The Wrong Side Of Heaven And The Righteous Side Of Hell Vol 1

Part 1 is a killer classic metal album with arena melodic rock chorus. Watch You Bleed, Lift Me Up, The Wrong Side Of Heaven, Anywhere But Here are all rock sing a longs.

4. Killswitch Engage – Disarm The Descent

Jesse Leach is back and man can he write a catchy chorus. Each song goes through so many vocal emotions, it’s one heck of a roller coaster. The Times Of Grace project brought Jesse back into the metal world. “The Hymn Of A Broken Man” was one great album and it was in my top 10 list for that year.

In 2009, I also had the self titled Killswitch Engage album at number five in my top 10 list.

5. TesserAcT – Altered State

This band is really branching out from the Djent constraints by embracing atmospheric style song writing. The math metal is still there and the vocals bring it all home. I have always said, TesseracT will be seen as the new Pink Floyd by a whole new generation. In 2011, TesseracT came in ninth position with the album “One”. I was pleasently surprised to see this one pop in Robb Flynn’s top 10 list.

6. Trivium – Vengeance Falls

Trivium have always had the balls to make decisions. Working with Dave Draiman is one of them. Seriously i cant see an issue with how the vocal melodies are phrased or delivered by Heafy. I really like this album. The music is top-notch and the songs are of high quality. In 2011, Trivium came in tenth position with the album “In Waves”.

7. Coheed and Cambria – The Afterman – Descension

Another band that is employing data to connect with fans. They have been on the road since January and released two slabs of music within 3 months. This album doesn’t have Domino The Destitute, but it has Sentry The Defiant plus others.

8. Five Finger Death Punch – The Wrong Side Of Heaven And The Righteous Side Of Hell Vol 2

A Day In My Life. Man that chorus just hooks me in. Put to the side the cliché rhyming from Moody and just focus on the musical melodies and you will be hooked as well. It’s been played on repeat on my iPhone on my way to work and on my way home.

“American Capitalist” was fifth in my 2011 list and “War Is The Answer” was 2nd in 2009, just behind “Black Clouds and Silver Linings” from Dream Theater.

9. Volbeat – Outlaw Gentlemen and Shady Ladies

I was a fan of this band before they broke through in the U.S. It was the “Rock The Rebel/Metal The Devil” album from 2007 that made me a fan. I was really looking forward to this release and the band didn’t disappoint. It has all of their trademarks with a dash of country and hillbilly thrown into the mix.

10. Alter Bridge – Fortress

Mark Tremonti is one hell of a guitar player and most importantly a hell of a songwriter. Teaming up with Myles Kennedy has been a godsend. Alter Bridge get better with each album and they rarely fail to disappoint.

Notable Mentions

Audrey Horne – Youngblood

If you don’t know this band, you should. I swear every genre of music and time period associated with music is heard on this album. Give this band the attention they deserve. Their whole catalogue is on Spotify so there is no excuse to not check them out. Any band that is from Norway and with a black metal post deserves to be heard in a hard rock context.

Mutiny Within – Synchronicity

The only thing holding this band back is what their definition of success is and Chris Clancy. He is so hung up on fighting for the old system and how it used to be, he is failing to see opportunities in front of him.

Hearts And Hands – My Own Machine

A great pop metal or pop rock album. Hearts and Hands started off as a side project for Chelsea Grin vocalist Alex Koehler. However since he departed after their 2012 self titled EP, the band has undergone a significant transformation and their sound has shifted away from breakdowns and screams to effected guitars, acoustics and great songs.

Love and Death – Between Here and The Lost

A hundred times better than the new Korn album. They even sound like Korn on some of the songs. Brian Head Welch is a star and this album proves it.

Sound Of Contact – Dimensionaut

Progressive Rock and a voice that sounds very similar to Phil Collins. Plus any album that has a concept attached to it, always gets my attention. Its plot follows an alienated, unnamed human who is tired of humanity and embraces his fate as a traveler of dimensions, time and galaxies. Throughout the story, the dimensionaut constructs his escape from reality, realizing new experiences and encountering love in the process.

Faith Circus – Turn Up The Band

If this band had the same attention as Avenged Sevenfold, critics would come out and comment how each song sounds like a rip off from every successful glam rock and blues rock album made in the Eighties. Music is derivative and Faith Circus deliver. It is a great listen from start to finish. Another band from Norway that deserves your attention.

Final Notable Mentions

Due to my kids overdosing on the music I placed on their iPods certain classic rock albums have come back into my life.

Twisted Sister – You Cant Stop Rock N Roll
Twisted Sister – Stay Hungry
Kiss – Lick It Up
Kiss – Asylum
Kiss – Destroyer
Deep Purple – Machine Head
Bon Jovi – Slippery When Wet
Survivor – Eye Of The Tiger
Europe – The Final Countdown

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A to Z of Making It, Music, My Stories

New Music Releases vs Maintenance Music Releases

Looking at the recent spate of releases from bands that I like, I am asking the question;

When did new music change from being about new and original music to a maintenance model of new music?

Five Finger Death Punch’s new album “The Wrong Side Of Heaven Vol. 1” is “American Capitalist” Part 2. So I am assuming that volume 2 of “The Wrong Side Of Heaven”, will be “American Capitalist” Part 3.

In order to define what I mean by new, I will use Metallica as an example.

Metallica released “Kill Em All” in 1983, which paid homage to the “New Wave Of British Metal” movement with the tempo’s increased to 200 beats per minute. It was new, and there was a technical element to it. It spawned a thousand imitators.

In 1984, they released “Ride The Lightning”. It wasn’t the same as “Kill Em All”. It was vastly different musically and lyrically and it was new. The people responded and Metallica went into refining the “Ride The Lightning” model with great success.

“Master Of Puppets” is a very similar sounding album and the track listing mirrors “Ride The Lightning”. The difference between the albums was the songs. Metallica improved as songwriters. The people responded even more. Then came the technical masterpiece of “..And Justice For All”. Again, the structure of the album was built around the “Ride The Lightning” model. However, even though it was a new album, it was still released under the maintenance model built around “Ride The Lightning”.

Then in 1991, they pressed the reset switch and released “Metallica”. It was back to the new and the people responded in the twenty millions. The “Load” and “ReLoad” albums that followed fell into the Maintenance model of releases that followed the format of the mega successful “Metallica Black” album.

Then in 2003, they pressed the reset switch again and released “St Anger”. It was back to something different. Regardless of what others thought of it, it was a gutsy move to release an album that sounded like that, along with chaotic song structures.

Then in 2008, they pressed the reset switch one more time and delivered a new album rooted in the old. They had taken the best things from the “Ride The Lightning” model and the “Metallica Black” model to deliver “Death Magnetic”.

All bands encompass these transitions.

Let’s look at Dream Theater.

In 1988, they released “When Dream and Day Unite”. It was new, taking influence from the metal bands at the time and merging those influences with progressive elements.

In 1992, they released “Images and Words”. It was new again. They didn’t go and re-write “When Dream And Day Unite”. The people responded and the album was a success.

In 1994, they released “Awake”. This album formed part of their maintenance. A good album, however you can tell they tried to rewrite “Images and Words.” The people didn’t respond to this album as they did to “Images and Words.”

Then in 1997, they released “Falling Into Infinity”. This was a new album as it moved the band into a more mainstream progressive sound. Although it had progressive elements from all previous releases, the band was pushed to enter this direction. Again, it didn’t meet the expectations of the record label and it also caused division amongst band members.

In 1999, they pressed the reset switch and released a career defining album in “Scenes From A Memory”. People responded again to the band. It was a new album in every sense.

So in 2001, they went into part new and part maintenance mode. “Six Degrees Of Inner Turbulence” kept with the concept theme on CD 2. CD 1 was all new tracks that showcased a very metallic element of the band as well as a very Tool style progressive element. Of course by 2001, Tool were huge all over the world.

Then in 2003, they pressed the reset button again and came out with the best progressive metal album in “Train Of Thought”. Any die hard metaller that wasn’t sure about the band, committed to them with this release. People responded as well, as metalcore was also on the rise and those young kids were looking for other forms of heavy music.

So in 2005, instead of re-doing “Train Of Thought”, they went into a part new / part maintenance model again with “Octavarium.” A notable influence this time around was Muse, who by 2004, were huge all over the world.

With the change of record labels, “Systematic Chaos” saw the band return to the metallic elements of “Train Of Thought” in 2007 with great success.

2009 saw “Black Clouds and Silver Linings” which encompassed everything that Dream Theater is in six tracks. It was New and it set a standard.

2011 saw “A Dramatic Turn Of Events”, the first album to not feature Mike Portnoy, who wanted the band to take a 5 year break and when the band said no, he departed. This album following the maintenance model of “Black Clouds and Silver Linings” and “Images And Words.”

2013 saw the release of “Dream Theater.” It has three songs that really stand out in “Illumination Theory”, “The Bigger Picture” and “The Looking Glass”. In the end, this is Dream Theater trying to create something new, however it is another maintenance album.

When you put these bands against the hundreds of millions of other musicians all making music, how does it all stack up.

There is a lot of great music out there that hasn’t been heard. There is a lot of good, a lot of okay and a lot of crap music as well.

With so much music being made every day and released every day, it is impossible for everyone to listen to it all. So when the label bands do end up releasing music, they need to make sure they captivate us to stick around, otherwise we just move on, trying to find something else in the meantime. Some other new niche. That is the new music business.

When an artist has an audience they need to be thankful for that audience. They need to show some respect towards that audience. The label bands have a head start, however if they turnover too many maintenance style of releases compared to something new and refreshing, the audience will move on.

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