Classic Songs to Be Discovered, Music, My Stories

iPod Shuffle – Classic Songs To Be Discovered

When the iPod shuffle gets it right, it gets it right. Driving into work this morning, the shuffle made 6 random songs from different bands, sound like one fluent album sequence.

Chainsaw Charlie (Murders In The New Morgue)
By WASP, from The Crimson Idol (1991)

I have no excuse for not attending the WASP concert, when they came to Australia. The Crimson Idol album was going to be played in its entirety. I remember walking out of the Iron Maiden shows (I went to both of those shows) on the Caught Somewhere Back In Time tour, and people where handing out flyers for the WASP shows. I took one, spoke about it with the people I was with and then did nothing. Maybe I was just burnt out from the Maiden shows and wasn’t interested in going or maybe I was broke. I don’t even remember the reasons. The people I was with, have heard of WASP but never heard The Crimson Idol. I was amazed.

Blackie covers the recording business in this song. Chainsaw Charlie is the “the president of showbiz” who is just looking for the next raw talent that he can exploit. Back in 1991, you never really got to hear stories about the labels and how they treated artists. The bottom line was that if an artist wanted to be heard, they needed a label behind them.

“Sign right here on the dotted line, it’s the one you’ve waited for all of your life”

That is how it was. Artists worked hard to get a record deal. In The Crimson Idol story Charlie (the record label honcho) is saying that to Jonathon (the wannabe Idol).

“We’ll sell ya wholesale, we’ll sell your soul
Strap on your six string and feed our machine”

It’s basically the hidden fine print in the deal. The labels owned the artist. They owned their image. They owned the music. They would do whatever it takes to make as much money from the artist as they could. As our access to information has become greater with the rise of the internet, we are now seeing more and more people talk about the creative accounting of the labels.

Def Leppard are doing forgeries of their own songs, in order to circumvent a blockade put up by their label due to a breakdown in the negotiations to the digital rights of the back catalogue.

Eminem took his label to court and won, over the way iTunes payments are treated compared to album physical sales.

Don Henley is going to Court against his old label, to reclaim the Copyrights to his songs due to a clause that the labels are trying to remove, that states after 35 years, the Copyrights of songs are transferred back to the original creator.

California Morning
By The Night Flight Orchestra, from Internal Affairs (2012)

I love this song. It’s got that Deuce feel from Kiss, which was a Rolling Stone bass riff played backwards, so you can say it has that Rolling Stones feel as well. I really like what The Night Flight Orchestra did with their 2012 release. Bringing back the seventies style of music into the NOW.

It’s that slide guitar at the end, that makes me feel like I am catching a wave on a hot summers day. It reminds of Fox On The Run by Sweet and Do Ya from Electric Light Orchestra. It comes in after the lyric line, “I left my heart in L.A.

Even the name The Night Flight Orchestra is a combination of a Led Zeppelin song called Night Flight and the Electric Light Orchestra band name.

The retro style vibe captured by modern recording technology fitted in perfectly as song number 2 behind Chainsaw Charlie from WASP.

We never said a word about it
We knew it wasn’t meant to be

Crazy Train
By Ozzy Osbourne, from Blizzard Of Ozz (1980) – Remastered Version

I’ve listened to preachers
I’ve listened to fools
I’ve watched all the dropouts
Who make their own rules

Randy Rhoads wrote my bible. The Tribute tab book that I purchased was my bible. I learned every note, every lick and every riff. It’s impact was monumental to my guitar playing. It’s funny how history has been rewritten to show this as an Ozzy Osbourne solo album. However, the guys in the band at the time, always believed that it was a band called Blizzard of Ozz.

I grew up listening to people tell me what I need to do. Teachers, instructors, parents, friends or brothers, always leading me onto a path that they want me on. It was a push and shove society. That is why I fell into rock and metal music in general. They wrote the anthems that I could relate to. We’re Not Gonna Take It and I Wanna Rock from Twisted Sister are two songs that come to mind immediately.

Then as time goes by I see all the drop kicks, the ones that everyone said would be unemployed, working for themselves. Some went into the entertainment business and began changing the world with the music/movies they create. And here I am, woodshedding 24/7 to become a guitar god on a music style that killed itself.

Caught In The Middle
By Stryper, from Against The Law (1990)

You’ve been working hard
Trying to make your life appealing

Two simple sentences. That is why we are slaves to the system. We believe that by working hard, we will get richer, we will get promoted and that we will have a better life. What a load of B.S.? My father worked his whole life at the steel mill, and he worked hard. The job was enough to pay the mortgage, pay the bills and keep the wheels turning in everyday life. So my father worked a second job, so that he can make his life appealing. Then when it came to retirement, he was forced into it, by his loving employer.

Cardiff
By Stone Sour, from Come What(ever) May (2006)

This fluid feels like pain
This stoic mood is all in vain
I reach into the dark
I tear the sun and me apart
How many years ago
How many deaths I can’t let go
My flesh is temporary, my God extraordinary

Corey Taylor had a past that involved alcoholism and drug overdoses. These lyrics are depressing as hell. In the end, we are all our own worst enemies. We put so much pressure on ourselves, it’s no wonder that we all break down and end up overdosing on something. How biblical is the last line, the flesh is temporary but our legacy will live on forever in the people that speak it.

Caustic Are The Ties That Bind
By Trivium, from In Waves (2011)

Can you help me find my way
I’ve been lost for so long
I don’t even know where it went wrong

When I first heard Caustic, I saw it as a cut down version of Shogun. It is a Trivium classic and a song that will be part of their set list for a long time to come. I woke up one morning, and I was in a place where I should never be. It was in a hospital room, with a busted eye and a shattered foot. Where did it all go wrong? Was I lost for that long, that I lost my way in life. It’s very easy to do, especially when you don’t believe that nothing is wrong. It’s a lesson learnt. What doesn’t kill me can only make me stronger.

How fitting that this song is like the album closer of this morning drive.

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Music

Bon Jovi – What is going on with Richie Sambora, plus ticket sales

First the ticket sales.  I have posted numerous articles on the Bon Jovi pre-sales for the Australian tour, here and here and here and here and here and here and here.

Again i went online via Showbiz and i can still purchase 4 platinum tickets to all the Bon Jovi shows in Australia, even the first Melbourne show, that is supposed to be sold out.

Ticketek still has tickets up for sale for the Sydney shows.  I can purchase single or double tickets in Platinum, however if i want 4 in a row, only Gold seats are available.  This is what happens when you come back time and time again with the same high prices.  Bon Jovi will sell out again, however next time they tour, it will be harder.  Just look at the Rolling Stones.  Tickets for their U.S shows are selling slow at $650 a piece, so a week before the show they are down to $85.

Speaking of the Stones, in the Mirror UK article Jon Bon Jovi mentions the following about Mick Jagger;

“I watched a DVD of him (Jagger) in my dressing room and I used it as inspiration, he is my inspiration. The Stones, that’s the bar. They still play great, sing great, they are sloppy as f*** but that is half the fun.”

Is Jon serious?  He obviously hasn’t seen this piece of disaster promotion.  It is totally laughable, and what is even funnier is that the official Rolling Stones channel put it up.

http://www.youtube.com/watch?v=lLRD1R8GNgY

The article in the Mirror also talks about Richie Sambora.  Jon says:

“We were all in Calgary, Richie was going to turn up on show day but we went the night before because it’s a long flight.”

“At 3.30pm on show day the phone rang and it was Paul the manager and he said guess what, and he didn’t even have to finish the sentence. I said, you’re kidding. We went on that night. I haven’t seen Richie since.

“Love him, spoken to him once. I talked to him once, once in six weeks and 18 shows. He’s not fired, we didn’t have a fight, it certainly isn’t about money.

“We go back 30 years. He can return when he is ready to die every night the way I walk on the stage. It’s different without Richie. No one’s mad, no one’s sad. But fortunately because we had been through it before we performed that night. We couldn’t let down the fans.”

I believe that goes to show how far the relationship has deteriorated.  One conversation in six weeks.

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A to Z of Making It, Music

Megadeth

Dave Mustaine.  He has a mouth on him, an influential legacy, a chip on his shoulder called Metallica and an excellent outlet of creativity called Megadeth.  He is super creative on other fronts as well.  He is a book author. He runs his own label. He organises the Gigantour tours. In my view, he is the creator of technical metal riffing.

The shit he did in the early days of Metallica and Megadeth, set the standard for many bands to come.  He raised the bar.  As much as everyone credits James Hetfield for being this awesome riff machine, I believe that James knows deep inside, that angry young Dave Mustaine, was an influence on him.

I am just listening to a new song called Kingmaker from the upcoming album Super Collider.  The first thing that grabs my attention is the Children of The Grave influence in the verses.  At one stage the vocal melodies are identical.

I like it when artists give a nod to their influences.  Of course some “artists” create music in a vacuum and that is why they are so original and never influenced by anyone.  Yeah right, whoever tells you that is spinning bull shit on a grand scale.

It is way better than the major key happy feeling Super Collider.  Actually i wouldn’t be surprised if this song is a left over song from the Cryptic Writings or Risk album sessions.  It fits those musical styles.

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Music, Stupidity

System Of A Down – Calling For The Truth

http://loudwire.com/system-of-a-down-shavo-odadjian-calls-out-singer-serj-tankian/

So one band member speaks the truth, and then everyone goes into damage control.

Shavo Odadjian’s only creative outlet is System of a Down. He wants the band to make another album.  John Dolmayan and Daron Malakian also want to make a new album, however Serj Tankian doesn’t.

The fans want new music,  We want great music, we don’t care if it is one great song or ten great songs.

Has anyone ever been in a situation, where you are in a room with other individuals and they are complaining about the same thing, that really you didn’t care about.  After a while, it starts to get to you as well.  You start feeling the frustration the others are feeling and then you let loose.

This is what Shavo has done.  He has spoken out the words that others have put there.  There is always one in a group that has that explosive attitude.  I commend Shavo for having the balls to say it like it is .

Remember the words from Don Henley, it was a “horrible relief” when the Eagles broke up. That is the nature of the bands. Volatile and unpredictable.  “Bad Judgement” is what the System of A Down Facebook post said about Shavo’s outbursts.  They are placing the blame all on Shavo, however i am sure that Daron and John had a part to play in it as well.  Read Shavo’s part, he is convinced that the other guys are on his side.

The fact is, System of A Down became who they are because of Serj.  As the voice of the band, it was his unique vocal style that captured people’s imaginations, especially at a time where nu-metal was ruling the airwaves.

Daron’s, Scars on Broadway didn’t set my ears on fire and neither did Serj’s solo offerings.  On each, a few good songs existed, but that is not enough these days to keep people interested.  We want great songs.  Good doesn’t cut it anymore.    They are touring together, surely they can record songs together.

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A to Z of Making It, Copyright, Music, Piracy

Creativity involves Diversification

I love creativity.  It could be a song, a story, a novel, a comic, a movie, a photograph, a TV show or even a website.  We are overloaded with people creating something.  Some of it is good, some of it is bad.  However that is subjective to my tastes and interests.  Stuff that I like, a lot of other people don’t like.

Due to the Internet, the entry barriers to promote creative works have diminished greatly.  That is a good thing.  Sometimes it takes years for the creative works to be discovered by an audience that appreciates it.

Check out Randy Blythe’s Instagram account.  This dude, takes awesome photo’s and then adds a story to each photo that he takes.  He personalises his creativity.  You don’t have to be a fan of Lamb Of God, to appreciate the creative work of Randy Blythe.  He doesn’t even advertise that he is the singer of Lamb Of God, all he has are the words, “In some band. I try and be a good man.”  Make sure you check out his photos from Prague, during the court case.

Nikki Sixx is another, that is creating quite a few different creative outlets.  Apart from Motley Crue, he also has Sixx A.M.  On top of that, he is a book author, photographer, web show DJ and many more.

Check out the photos on his Tumblr account and on his Instagram account.  Even Nikki Sixx has started adding stories about his photos, in a similar vein to Randy Blythe.

There are others, like Claudio Sanchez from Coheed and Cambria and Corey Taylor from Stone Sour, that released concept albums and are branching out into graphic novels, comics and movie deals.  Robb Flynn from Machine Head is another that is building connections with his fans, by posting his Journals/Ramblings up once a week.

That is what it takes these days to make it.  You need to be creative 24/7.  You need to remain in the public eye.  You need more than just one outlet.  Selling music is a zero sum game.  Having all your eggs in the one basket, is not good risk management.  Spread out, diversify.

You need to connect with people.  It could take years or it could take days, so be prepared to put in time.  You probably will not be paid and any monies you are paid, would not be enough to support a family, but then again, all creative people create because they love it.  It is an outlet to them.  Somewhere through the years, this changed to people creating just to be paid, which is a shame.  Look back at all the masters of history, from Beethoven to Bach to Dali and Monet.  They created music and paintings, not to be paid in the millions, because they wanted too.

So don’t buy in to all of the piracy and copyright infringement bullshit, put forward by the entertainment industry’s lobby groups like the RIAA or MPAA or the labels/studios themselves.  Creativity can bring back many financial gains, you just need to be prepared to put in the time.

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Classic Songs to Be Discovered, Music, My Stories

Jesse Leach – What Do Ya Mean I Don’t Write Good Lyrics

I am always asked the question, how can I like a band like Killswitch Engage and then like bands like Kiss, Motley Crue, Bon Jovi or Bruce Springsteen at the same time? The answer is easy, I like music. I don’t care how people look, I don’t care what niche they are playing too. If the music is good and the song is good, I am interested. When I tell them that Chuck Schuldiner from Death is a song writing influence I get blank stares, like who is Chuck?

So I have been cranking the new Killswitch Engage album, Disarm the Descent on the headphones recently. I normally hear albums when they come out, and then I put them into four folders, the YEAH folder, the POTENTIAL folder and the SO SO folder. Of course the fourth folder is the TRASH.

The YEAH folder basically has albums or songs where on first listen through, grabbed my attention all the way through. The POTENTIAL folder has albums that have between four to six good songs. The SO SO folder has albums that have 1 to 3 good songs. I normally go back to the YEAH folder and those albums end up on my iPod for constant rotation.

Going back to the story, the Killswitch Engage album ended up in the YEAH folder on first listen through and the new TesserAct album Altered State will join it soon when it comes out officially. If any fans haven’t heard these albums, you can hear them in their entirety on YouTube. The TesserAct album is streamed by their label Century Media. This is interesting, as Century Media once upon a time pulled their whole catalogue from Spotify and other streaming services due to the low fraction of a cent payment per stream. The Century Media catalogue is now back in the streaming game however it looks like they are getting an additional stream income, by streaming albums before their release.

As every Killswitch fan knows, this is Jesse Leach’s comeback into the Killswitch Engage family. In my view, his comeback was set in stone by the excellent Times of Grace project that involved Adam Dutkiewicz and Jesse Leach.

I saw Times of Grace at the University of Sydney Roundhouse in 2012. It was a Machine Head gig, with Times of Grace opening, Shadows Fall on second, Chimaira was on third and then Machine Head. This was a side-show for the bands, as all of them appeared on the Soundwave Music Festival.

The touring band was Adam Dutkiewicz on guitars, Jesse Leach on vocals along with Joel Stoetzel from Killswitch Engage on guitars, Matt Bachand from Shadows Fall on bass (even though he plays guitar with Shadows Fall) and Dan Gluszak from Envy On The Coast on drums.

I am getting side tracked again. This post is about Killswitch Engage. Verdict on the album, I prefer Times of Grace.

How does the new Killswitch stack up against other 2013 metal and rock releases; This release is in my top 10 of releases for the year so far.

It’s brutal, it’s heavy and it makes me want to break stuff. It’s sorrowful, its melodic and it carries a message of power and hope. As expected, it has the usual progressive elements that Killswitch Engage are renowned for. The melodic stuff is done top-notch and Jesse Leach is exactly where he should be. No offence to Howard Jones, he sang on three brilliant Killswitch albums, however to me, it was just a matter of time before Jesse was back in the fold.

One thing is clear, Jesse is a brilliant lyric writer, so here is a selection of brilliant lyrics written by Jesse Leach.

1. Strength In Numbers – from the Times of Grace self titled album.

Our roots must balance our branches

This line speaks a million words to me. Before we branch out in our lives (this can be anything from a personal or professional viewpoint), how strong are our roots. Can our roots balance what we want to do. It’s that old saying, the foundations need to be strong before anything else can be done.

2. Fall From Grace – from the Times of Grace self titled album.

Aspirations bled dry
Eyes that once beamed with hope now only stare in remorse
Even through this pain
I will feel again
Even through these tears
I will love again

It doesn’t matter how bad it is, and how much we suffer. We still have this feeling that things will get better, that we will love again, that we will better people from the experience. It is this hope distortion field that all humans have, regardless if they believe in God or in something else. Even The End of Eternity which is from the same album has a similar theme “We are blind, our future’s crushed and forgotten, Destroyed by guilt, But there is beauty, There is life, hold fast for this could be, the end of eternity.”

Again the same message, from all the destruction of our dreams and hopes, there is still a beauty to be found, and that beauty is life. That is what no one tells you at school. Spending our younger years thinking that we are immortal, and then spending our thirties and forties as slaves to the tax system, trying to find out on what side of the income inequality gap we are on. No wonder I am on blood pressure medications. In Due Time from the new Killswitch Engage album deals with similar themes. “All that we suffer through leads to determination, the trials we all go through gives us the strength to carry on, something within us burns, desire feeds the will to live, a reason to believe I will see redemption.”

All the hardship and suffering we face strengthen us. Anyone that tells you they haven’t experienced hardship or suffering are lying. Our will to live gives us the desire to rise up again and again and again. The message is the same, it doesn’t matter how bad life gets, we always find to see the beauty of the day.

3. Live In Love – from the Times of Grace self titled album.

Don’t mistake kindness and compassion for weakness,
It takes so much more strength to be selfless and live in love.

Again another statement that puts a thousand different meanings into my head. I have gone out of my way to help others and all I expected back was respect. I wonder why when you show someone kindness, in time they then believe that they have the right to walk over you. There is always one or two that ruin everything. Rise Inside from the Killswitch Engage, Alive or Just Breathing album conveys the same message, The time has come to make a difference, Why have we forsaken love, The time has come to raise our voices, So rise up and fight with me.”

 

4. Numbered Days – from the Killswitch Engage, Alive of Just Breathing album.

This is the voice of the voiceless,
We have learned by making choices

That is the only way to grow. Make choices. Don’t be a follower, be a leader. Some choices will pay off and some will hurt. We all have a voice these days. The internet made sure of that. My Last Serenade – from the same album, also covers the same ground, with the lyrics, “Your destination is a choice within yourself, Will you rise or become a slave.”

So the next time you come across a person, complaining about their lot in life, remind them, that they are this destination, due to a choice they made once upon a time.

5. The Forgotten One – from the Times of Grace self titled album.

Lead me to the crossroad, I can find my way home
Devils on my back and angels in between
The scars and dreams that made me believe
Where’s the crime scene in remembrance to me
When our eyes meet do you know the man beneath
Walk the line between desperate and redeemed

The classic story of making a deal with the devil at the crossroads. How far will we go to make it? That is what the whole verse is about. We walk a fine line in life. We can be sinners and saints. The crime scene depends on which side of the line we fall. If we choose to betray the ones we love, so that we can get ahead, will we still see the real person inside of us, when it comes time to look into our eyes.

6. Something’s Got To Give – from the Seemless self titled album.

All your money and possessions,
They mean nothing in the span of time

Isn’t that so true. In the end we all die. We will either be buried or cremated. We live with a large income quality gap. When judgement day comes, death doesn’t discriminate. There is no death gap.

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Eurovision 2013 and Roid Rage

I just watched semi final number 2 and I came across Eythor Ingi from Iceland.  He sang a ballad called I Am Alive.  The song is average, however his voice, his look and his name stuck in my head.

So what do I do?  I go on to YouTube and search for his name.  He is in a Deep Purple cover band and he covers Child In Time.  If you want to separate the vocalists from the wannabe’s, Child In Time is the song.

He nails Ian Gillan.  Why did he do a ballad?  This guy has got some serious vocal chops. He never used them. The pressure to fit into a style, into a format.  When are people going to wake up. Uniqueness wins all the time.

At least Eythor lives up to his Thor viking name.  He doesn’t need steroids like Tim Lambesis from As I Lay Dying.  The latest on the hit man for hire saga is that the he was suffering from “roid rage” and that he “lost God”.  Fair enough, however I fail to see how that is a defense to organising a hitman.  I think it’s time that Lambesis takes responsibility for his actions.

Anyone heard the new Five Finger Death Punch song, Lift Me Up.  How similar is the vocal line in the verse to The Ultimate Sin from Ozzy.  It’s catchy.  It gets be head moving and it gets my foot tapping.

Rob Halford guests.  It seems to be that everyone is doing the same thing now, getting guest musicians and releasing two albums within 6 months of each other.  Coheed and Cambria did it, Stone Sour did it and now Five Finger Death Punch are doing it.

Finally, Bon Jovi pre-sales via Showbiz have not sold out as yet.  I went on line again and i can still purchase 4 platinum tickets.

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Bon Jovi struggling to sell tickets

It looks like the wheels are falling off. This is what happens when you go back to the same markets over and over again, with super high ticket prices. I just went onto Showbiz today and I could still purchase 4 Platinum Tickets for the Bon Jovi Australian Shows in December. This was unthinkable, once upon a time.

A lot of Bon Jovi fans got burnt at the Telstra Pre sale debacle. Bon Jovi’s Facebook page, the Bang Tango Facebook page and the Dainty Touring page had over 2,500 combined comments from disgruntled fans. Think about those numbers for a second. If all those fans purchased 4 tickets each, that is 10,000 ticket sales.

A lot of people are now waiting for the General Public Release via Ticketek on the May 20, 2013.

A lot of people don’t even know that the Showbiz pre-sale. It’s not even advertised on the Bon Jovi Facebook page, however the Telstra pre sale was.

Furthermore, Bon Jovi can’t even sell out a hometown gig. Tickets to the U.S. New Jersey shows are up on Goldstar, https://www.goldstar.com/e/69879 as inventory that no one wants.

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Bon Jovi – What About The Free Fall? Hello to 133.

Another week, another drop for the greatest album Bon Jovi has ever done.

In eight weeks, What About Now has gone from Number 1 to Number 133.  The Greatest Hits album is at 182 and it has been out for a long time, so I am predicting that What About Now will free fall past the Greatest Hits album out of the Top 200.

It’s time to set John Shanks and Billy Falcon free.  Find a new producer, like James Michael.  Set Billy Falcon free.  Find a new songwriting partner.  Get Phil X to contribute music.  It’s time to bring the rock back.  It’s time to write an album for your audience and not for a teenage market that doesn’t care about you.

And what is happening with Richie Sambora?  The fans deserve to know the truth.  Is he in or is he out?  Is he going to join the tour at all?   

The days of Richie Sambora being in Bon Jovi appear to be over.

Will another Bon Jovi album be released?  I don’t think so.  No one cares about it, if it is crap and that is exactly what the current album is, CRAP served on a grand scale.

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Attention Bon Jovi Fans – There is Another Pre-Sale on today?

I can’t believe it.

The next lot of pre-sales from Bon Jovi’s tour of Australia have gone on sale via Showbiz and no one is buying.  Tickets have been on sale since 8am this morning, which is when I purchased 4 Platinum tickets.

I just went online right now, and i could purchase another 4 Platinum tickets.

I then checked Bon Jovi’s Facebook page, and there is no mention of the pre sale that is happening today.

WTF?

I guess the whole Telstra / Bang Tango debacle pissed everyone off.

 

 

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