A to Z of Making It, Copyright, Music, My Stories, Piracy, Unsung Heroes

Score Card Inc

Three years ago in November, 2013, I posted a score sheet on certain artists/trends and how they are dealing with the music business.

Three years later, how are the artists fairing.

Robb Flynn
He still understands that it is not all about making records. From Nov 2013 to now, Robb Flynn via Machine Head, kept on releasing his Journals both video and written. In April, 2014, “Killers and Kings” came out for Record Store Day and the band went on tour. He started a clothing range called “Killers and Kings” that didn’t really take off. In November, 2014, “Bloodstone and Diamonds” came out and the band embarked on a lengthy “An Evening With” world tour. In June 1, 2016, “Is There Anybody Out There?” came out as a stand-alone single.

His connection with his audience runs deep. People either dig him or detest him or some people will not just forget him in an orange jumpsuit during the Nu-Metal phase of the band’s career.

Protest The Hero
Back in 2013, “Protest The Hero” showed how the record labels are so out of touch with its customers. PTH was dropped because the label told them they have no audience. However, a fan funding campaign showed a pretty impressive hard-core audience that was willing to cough up some serious dollars for the band. Even the band was blown away at the response.

And they did it again between Nov 2015 and April 2016 with “Pacific Myth” an innovative one song per month release over six months via Bandcamp. Fans had the option of two packages, and I selected the one that also had the six video releases. In between, the guys would upload drum videos, cooking videos, song transcriptions and what not.

Nikki Sixx
In 2013, he talked about a farewell tour. Well that tour finally happened and concluded in 2015. The Crue fan base didn’t really need one more world tour however, they wanted to finish up in their own way and the world tour is what we got, with a new song called “All Bad Things”. The movie is still in the works, they have their own pleasure toys, a rumour of The Dirt 2, plus lawsuits from photographers and opening bands to contend with. Seriously, squirting piss at a bunch of guys who paid $1 million to be on the tour would always end up in the courts.

With Sixx A.M. he has released an albums worth of music and the next album is coming in a few weeks. They are on tour with Five Finger Death Punch, he does his Sixx Sense Radio Show and he doesn’t like to wash his hands after going to the toilet.

Coheed and Cambria
By November, 2013, COCA had been touring non-stop on the back of “The Afterman” two album releases that came out within a 4 month window. Add to that Comic Con appearances, plus Sci-Fi conventions and appearances in Comic Shops and you get the idea that this band realises that it is not just about music and money. It is about creativity.

Since then, Claude Sanchez became a dad. He wrote more comics with his wife called “Translucid” in 2014 and in 2015 managed to release another slab of songs called “The Color Before The Sun” and go on a another world tour.

Metallica
Back in 2013, I wrote;

They need to make new music soon. There are only so many times that a band can go on a worldwide victory lap on the same piece of music. They need to be back in the studio.

Well, we are almost one week away from that new music hitting the streets and in the meantime, we have been treated to three tracks.
It’s a welcome relief to hear Metallica doing what they do best and I believe they have enough new music in their archives for another album to drop within two years this time, instead of eight.

And after hearing the album – yes it is available on the pirate sites, I can honestly say that it’s not worth the 8 year wait at all and maybe 4 song EP’s is the best way to go.

Dream Theater
I wrote in November 2013, that they need a great record soon or they will become yesterday’s news. Dream Theater has a knack for popping up with some goodies, like “Images and Words”, “Scenes From A Memory”, “Systematic Chaos” and “A Dramatic Turn Of Events”.

So in January 2016, they dropped the 130 minute “Astonishing” concept album, about a dystopian future society. Concept albums lead to different revenue spin offs like a stage play, comic book stories, video games, animations, TV series, a movie and so forth. But then again, Slayer are doing a graphic comic book series and have never done a concept album.

Stone Sour
I wrote in 2013, that something went south with their career trajectory. Of course, a beast called Slipknot would devour the creative forces of the band. Their take on modern metal is good, but with Slipknot getting more melodic, is there a reason for Stone Sour to exist.

Five Finger Death Punch
They have an audience who purchases and streams their product. Along the way, each album has received certifications for so many units moved. An onstage meltdown, a record label lawsuit and then a change of label has not slowed the band down in any way. If they can remain together, they will remain a powerhouse.

Trivium
Back in November, 2013, their new album “Vengeance Falls” was called a Disturbed covers album. The truth is, if people are talking about you, it is a good thing. And that album gave Trivium a concert classic in “Strife”. Since then, they released “Silence In The Snow” in 2015. They are always looking to reinvent themselves constantly while staying true to heavy metal. Plus Matt Heafy has a pretty cool Top 10 list of albums that changed his life.

1. Metallica – The Black Album (1991)
“A kid lent me The Black Album at school and it changed my life. I had never heard anything like it before, and I started playing guitar all the time.”

2. In Flames – Whoracle (1997)
“That was at the time of Napster, and I was into the classic great metal bands. I was on Napster and I found In Flames. I had never heard melodic death metal before, and it changed my ear on what kind of music I wanted to play.”

3. Queen – A Night At The Opera (1975)
“What I’ve always loved about Queen is that they’ve never released the same thing twice. Everything is drastically different while still sounding like Queen. Every song on A Night At The Opera sounds different to the next one and they all stand up as fantastic.”

4. Iron Maiden – Seventh Son Of A Seventh Son (1988)
“With Iron Maiden it’s hard, because I love so many of their records. They’re all so important. Seventh Son, though, is the one that really got me into Iron Maiden. It’s one of their more epic records; there’s vivid storytelling going on. Getting into Iron Maiden helped me trace the roots of the music that I love. I could see where so many metal, death metal and black metal bands had taken things from.”

5. Ihsahn – Eremita (2012)
“Emperor changed my life, and Ihsahn changed my life again with this album. He spun the idea of black metal on its head by incorporating jazz chords, interesting production and clean singing. That record taught me to never be afraid of making whatever I want to make. We’ve always done that, but this album drove that home for me.”

6. Boston – Boston (1976)
“The vocal production is insane. Everything about this record epitomises the best things of rock ‘n’ roll.”

7. The Beatles – Abbey Road (1969)
“The Beatles blow my mind in the same way that Queen do in that every song and record is so different to the last. Both of those bands have incredible songwriters as well. It’s not like nowadays where you might have one songwriter in a band.”

8. Emperor – Anthems To The Welkin At Dusk (1997)
“This is where Emperor really changed the dynamic of where black metal was going. Black metal was the rebellion to rock and metal, and was supposed to be different. “When there’s a movement like that, a lot of bands come out playing semi-similar music. That record opened up with clean guitar and there’s this classical singing; it has chaotic moments and beautiful moments all in one. Emperor makes such interesting black metal with these big dramatic moments.”

9. Depeche Mode – Violator (1990)
“Listening to Depeche Mode, you can hear that Rammstein is a combination of Depeche Mode and Metallica. Violator is one of the darkest, scariest records I’ve ever heard. It has this different kind of sadness that you feel in the music.”

10. The London Symphony Orchestra – Mozart’s Requiem (1791)
“The gothic artwork of that record is incredible, and this version for me is just the best. Listening to this, you can hear that out of all contemporary music, metal is the closest living relative to classical. It is the most epic moments of music that have always drawn me in, and I feel that with Mozart’s Requiem that is where you’re getting into the blueprint for everything that was to come.”

Shinedown
They have an audience who want to listen to them and so far, no one’s doing hard rock better than them. Their new album “Threat To Survival” has taken its influences from Adele, Imagine Dragons and other pop artists and they still made it rock hard. Daughtry and James Durbin should take note. Along the way, their fans purchased and streamed all the way to certification after certification.

Avenged Sevenfold
Say what you will about the “influences” on “Hail To The King”, doing that album was a bigger risk for Avenged Sevenfold then their new album and it paid off for them.

Fast forward to 2016, and their new album drops early. It is a creative tour de force but to me it’s already in the rear view. All of the good bits in each song are undone by the creativity of trying to push the boundaries.

Piracy
In 2013, I wrote that piracy is not that large of a problem as the majors and the RIAA make it out to be and with revenues in 2016, approaching the pre-Napster era, it’s further proof that piracy does not affect their bottom lines, especially when there are services out there that can compete with piracy.

Evergrey
The pure definition of perseverance with 20 plus years in the music business and still going strong.

By November 2013, the “new” version of the band that delivered “Glorious Collision” had splintered again and lead vocalist/guitarist Tom Englund was not sure on the next step. A reconnection with drummer Jonas Ekdahl and guitarist Henrik Danhage (who departed before “Glorious Collision”) spawned the excellent “Hymns For The Broken” in 2014 and a few months ago, “The Storm Within” builds on the atmospherics created by “Hymns”.

Megadeth
In 2013, Megadeth’s new album “Supercollider” was outsold by Metallica’s self-titled “Black” album. In 2015, Mustaine got his metal chops back and in 2016, “Dystopia” came out. Another Mustaine Resurrection was at hand.

Tremonti/Alter Bridge
Mark Tremonti knows it’s about putting new music out there and consistently. In 2013, we had “Fortress” from Alter Bridge. In 2015, we had “Cauterize” from Tremonti and 2016 has given us, “Dust” from Tremonti and “The Last Hero” from Alter Bridge. In three years, Tremonti has been part of 4 albums while Metallica ……

The Night Flight Orchestra
The best classic rock side project ever from Soilwork and Arch Enemy band members. The first album “Internal Affairs” came out in 2012 and the second “Skyline Whispers” in 2015. Essential listening to any hard rock fans of the 80’s.

Sales
In 2013, I wrote that sales are not the best metric to measure a bands reach and pull in the market. In 2016, listens are more important than sales.

Bullet For My Valentine
By November 2013, people had lost their “Temper Temper” with them, but in 2015, the band found their “Venom” again, which leads us to new music hitting the net in November 2016.

Revolution Saints
In 2013, this band existed in the head of the Frontiers President. In 2015, they released an excellent melodic AOR rock album. So much potential, so many good songs, great musicians and it all went to hell because Castronovo couldn’t keep his 5555t together. Let’s hope that Jack Blades and Doug Aldrich forgive him and they try for another album. This time with the three of them writing.

TesseracT
One of the hardest working progressive bands out there, building their fanbase, city by city. In 2011, they released “One”. In 2013, they released the excellent “Altered State” and in 2015 we got “Polaris”.

Days Of Jupiter
An unsung Swedish melodic groove rock band, that’s a cross between Evergrey and Disturbed. In 2012 they released “Secrets Brought to Life” and in 2015, “Only Ashes Remain” came out.

Sweet and Lynch
Another album would be sweet.

Muse
They play stadiums but they don’t have the same sales figures as the 70’s and 80’s legends. A perfect example of the modern world, in which massive single songs sell concert tickets.

Live
In 2013, I wrote;
Remember the excitement and the buzz of going to the show. It was uncontrollable. Everyone waiting in line to get inside, to watch a band that rules, in an era that music ruled. Today, it is too expensive to take kids to a concert and that is only for a glimpse in the back. This business needs a reset.

Concert ticket prices are still high, especially for the superstar acts. The price gauge happened as an offset to dwindling revenues from recorded sales, however with recorded music revenue now as high as the pre-Napster era, there is no reason for the high concert ticket prices.

Slash
As an artist, he didn’t need to go back to Gunners. He had enough momentum to keep going as a solo artist and with Myles Kennedy, a better front man than Axl Rose. Slash kept on releasing new music consistently, while Duff and Axl complained of piracy and artistically were dead in the water. Money triumphs over creativity and in this case, it’s really sad.

Album
Back in 2013, I wrote how everyone talks about the money that is lost due to piracy as album sales shrink. Back then 20% of the tracks on Spotify have never been played. So what is the point of the album, when people ignore the songs that are not “hits”. When I go to Spotify and I come across an artist I haven’t heard before, I go to their Spotify page and hear the tracks in their top 10 list. Those tracks in most cases are pulled from many different albums.

And if any of those tracks connect with me, I might dig deeper into the album.

Rodrigo Y Gabriela
Created by their love of metal and rock music and when that same genre put up roadblocks to a career in music, they changed tact and went all flamenco acoustic on the world. Talk about paying their dues and taking risks. They moved from Mexico and took a chance in Europe. Over an 8 year Dublin residence, they honed their style and songs, so when their “official” debut album hit in 2006, what seemed like an overnight sensation was 15 years in the making.

There is nothing more difficult in the world then trying to make it as a musician. You need to show up day after day, week after week, year after year. And your brand or movement might just make some small gains. Then it hits a few speed bumps, like Rodrigo and Gabriela’s metal band losing their recording contract in 1997 and suddenly you are back at the start. But they kept on showing up, on the coast of Mexico and playing their acoustic guitars in the bars. Because showing up day after day, is the hardest part of making a difference. If you look at the history of the artists we like and admire, you will see many years in pursuit of their dreams.

It is a work of a lifetime to create an impact and build something of substance. In 2013, they were riding the highs of their 2012 “Area 52” collaboration, which involved re-working their best songs with a full flamenco band. Then in 2014, “9 Dead Alive” dropped and new music is needed ASAP.

Sebastian Bach/Skid Row
They shouldn’t get back together, because no one cares about Skid Row in the way they used too. They might have a large audience in Japan, like Dokken, but the rest of the “Youth Gone Wild” have moved on. Sebastian Bach is actually bigger than Skid Row and releases way better music than Skid Row have done without him. But, what was he thinking when he approved the photo for his memoir’s cover.

The Kindred
From Canada and the healthy progressive scene. They started off as “Today I Caught The Plague” from the ashes of another band called “A Legend Falls”. In 2011 they released the excellent “Lore” and went on tour with one of my favourite bands in Protest The Hero and their “Scurrilous Tour”. Then in 2013, a name change happened to “The Kindred” and the excellent “Life In Lucidity” came out at the start of 2014.

However, PTH needed a drummer for their “Volition” tour and it was no surprise that they tapped Mike Ieradi (who also co-founded the group) to fill the spot. Then in 2015, vocalist David Journeaux departed, with Johnny McArthur as their new vocalist and Kenny Saunders as their new drummer. So now I wait to see what comes next.

Streaming
Back in 2013, I wrote that everyone talks about the money which isn’t filtering down to the artist and how streaming is too entrenched to be replaced. Since then the record labels have grown their revenues on the back of streaming. Artists who negotiate deals with the streaming services like Metallica and Motley Crue have never complained about streaming. Suddenly, luddites Anthrax are not complaining and Scott Ian even mentioned how he believes streaming is the best thing to have happened to the recording industry.

Streaming is the future and those artist who don’t grow with this future will be too busy shrinking.

The Gaslight Anthem
They do the early 80’s Bruce Springsteen better than Bruce Springsteen these days. It was like a supergroup of independent musicians that came together in New Jersey in 2006. Their 2010 album, “American Slang” spawned an unexpected hit with the title track and “45” from their 2012 album “Handwritten” became their biggest hit. Since then, “Get Hurt” came out in 2014 and by July 2015, the band went on an indefinite hiatus.

Since the hiatus, singer Brian Fallon released a solo album called “Painkillers” in March 2016, and on April, 2016, a vinyl EP called “Georgia” was released for Record Store Day 2016 with a limited pressing run of 2,000 copies on 10″ vinyl. Let’s hope that “The Gaslight Anthem” get together for more music over the next three-year period.

Volbeat
Seen as overnight sensations however they are over 25 years in the business. It all started with “Guitar Gangsters & Cadillac Blood” in 2008 and being added to the Metallica “Death Magnetic U.S. Tour”. Then in 2010, “Beyond Hell/Above Heaven” came out and while that was still selling, they released “Outlaw Gentlemen and Shady Ladies” in 2013 and they hit every major music market over and over again. Since then, they released “Seal the Deal and Let’s Boogie” and are continuing on their merry ways. For all the newbies, check out their streaming numbers. They are huge compared to other major label metal/rock acts.

Killswitch Engage/Times Of Grace
In 2013, Killswitch Engage released “Disarm the Descent”, their comeback album with Jesse Leach on vocals. And how good is “In Due Time” with brutal verses and an arena rock chorus. Then in February 2015, a new track called “Loyalty” appeared on “Catch The Throne: The Mixtape Volume 2” to promote “Game of Thrones”. They then toured and kept on working on “Incarnate” which finally came out on March 11, 2016. Since then, they toured and are planning on releasing a beer. Meanwhile, “Times of Grace” have five songs completed for a new album to come out, with their last one coming out in 2011.

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A to Z of Making It, Classic Songs to Be Discovered, Music, My Stories, Piracy, Unsung Heroes

It’s A Singles World

All of the “billions lost” post Napster can all be tracked back to the SoundScan era. According to Wikipedia, on May 25, 1991, Billboard started to use SoundScan data to work out the Billboard 200 Top Albums. Finally the music industry had a proper sales metric to gauge what was popular.

Prior to the SoundScan era, the charts were formulated by an honesty system from every record shop in the land. This meant that the manager of the record store had the power to decide what was popular. So the record labels swooped in and started corrupting the process.

But when it all went to SoundScan data, the record labels saw a lot of people were buying metal, rock and country than the old corrupted honesty system claimed.

Metallica had a large audience before the “Black” album came out, however their “sales” just didn’t match the concert attendances. Why would a record store manager tell Billboard that a band who had no MTV presence was moving product out especially when the same record store manager is encouraged by record label executives to report something different.

And like everything else in music, the record labels were dragged kicking and screaming into the new SoundScan era. SoundScan actually presented their proposal to the record labels in 1990 and of course the labels rejected their proposal. The MP3 technology was also presented to the record labels once upon a time before Napster and it was also rejected. But when Billboard made the deal with Soundscan a year later, the labels had no choice but to comply, although with much complaining. Gone was the “fixing” of the system by record label executives and “in” was the “people power” of the system, which put the careers of artists in the hands of consumers.

If this sounds familiar, Steve Jobs and Apple did the exact same thing to the record labels with the iTunes store.

Suddenly, the labels and the press had no idea what was happening.

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In the first month of the SoundScan era, Skid Row’s “Slave To The Grind” skyrocketed to number 1. In the space of two months, it was purchased over a million times. Trackable purchases, not inflated ones based on a store manager opinion.

For comparison, the self-titled debut album was listed to have sold “3 million” records under the good old honesty system. Really.

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And popularity is a monolith that dominates. If the album is selling and doing well, more people will turn to it. And in the internet era, this is so true. The chaos era means we return to what we know. Sure, we might listen to some obscure acts or certain scenes. Like for me, Swedish Hard/Heavy Rock has me hooked at this point in time. But that’s via my choice and not by some flash marketing campaign or by some feature in a magazine.

And the reason those acts are not getting rich is because just a few people are. It’s always been that the one percent of acts that become global underpin the whole industry. And SoundScan showed the recording industry just how global Metallica really is.

“Enter Sandman” comes out two weeks before the album release and it gets added to radio. Metallica have a listening party in Madison Square Garden. The song and the pending album release is building a buzz like never before. MTV takes notice and suddenly mainstream radio stations that play “pop” music have the single in rotation. The album comes out and it debuts at No. 1 on the Billboard 200. Suddenly, the “Black” album is selling by the hundreds of thousands. It’s trackable. And then, the back catalogue of Metallica started selling. Normal rock music lovers couldn’t avoid it. Pop fans couldn’t avoid it. Skater fans couldn’t avoid it. Suddenly fans of all genres are embracing Metallica.

I recently had a look at the recent RIAA certifications and it more or less confirms we are living in a “singles” world.

Check out all of the certifications that Shinedown received recently.

There is a platinum certification for “Simple Man”, a song released in 2004. This is what music is about. The longevity. 12 years later, people are still listening to the song and are still purchasing it. However, the record labels and a lot of misguided artists believe it’s about the instant payday. It’s not.

Next up is a Platinum certification for “The Sound Of Madness” single. Again, it’s been a long time between certifications but this song is a monster and as classic as anything from the classic rock era. Like “Simple Man” before, it’s about the longevity. 7 years later, it’s still listened to and it has close to 26 million streams on Spotify.

It’s just a matter of time before “Call Me” gets a certification and it was never even released as a single, however it has been streamed close to 33 million times on Spotify.

Then you have a few Gold certifications for the songs “Bully”, “The Crow And The Butterfly” and “Diamond Eyes”. “Bully” is a favourite of mine. It’s message is powerful.

 

Speaking of singles, Disturbed is killing it on the back of “The Sound Of Silence” and their album is moving units on the backs of their cover.

And Muse are now moving into album certification territory on the backs of some very large singles. “Absolution” gets a platinum gong, 12 years after it was released. Again, the longevity is more important than the payday.

So again, on the strength of a few songs here and there, artists are seeing an interest in their back catalogue. It happened to Metallica with “Enter Sandman”. It’s happening to Disturbed with “The Sound Of Silence”. It’s continually happening to Muse and Shinedown. This is music and music is for the lifers.

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Copyright, Music, My Stories, Piracy, Stupidity, Treating Fans Like Shit

Certifications, Recorded Music and That Spotify/Sony Contract

I always have a decent laugh when I read music news. It’s always interesting to see how a news item gets copied across from website to website in my Google Alerts with no changes and no critical analysis.

Remember back in the day when all the rage was about how artists are struggling to achieve platinum certifications. All the commentary focused on the moment or within a 12 month period. It was like a platinum certification was the be all and end all.

Now, back in the Eighties, MTV made every act that got rotation into a platinum act. But that was not always the case.

“Ride The Lightning” was released in 1984 and it is my favourite Metallica album. It took five years to achieve a platinum certification. 28 years later, “Ride The Lightning” was certified 6x Platinum. Music simmers away and it just keeps on connecting. It’s not about corporate deals, or mega marketing campaigns. Metallica’s “Ride The Lightning” album is proof. It competed with piracy and it still sold.

Anyway, the RIAA recently re-classed a “sale unit” to be a paid download or 100 audio/visual streams. Based on this new re-classification, did you know that Shinedown’s “Second Chance” was just certified triple platinum?

Not bad for a song that is 7 years old.

So what does this say about recorded music?

If a song connects with an audience, expect it to sell and be streamed. The facts are out there. It doesn’t happen overnight or in a year. In happens over decades.

“Second Chance” on YouTube has 9,766,633 views on the official Atlantic Records channel. Another YouTube user called “McDrinkable” has a lyric video up of the song and it has 2,749,110 views, while another unofficial YouTube user called “Dushan Galappaththi” also has their own lyric video and they have 957,103 views.

“Second Chance” on Spotify has 21,845,406 streams.

So what do we know?

We know that music is not about the instant payola. Great music that connects with an audience will be listened too and purchased for a long time.

The beauty of Shinedown is that a song that wasn’t a single has more streams than the hit radio songs. That song is “Call Me”.

But the record labels still push an agenda that piracy is killing their business, while they make millions upon millions in licence fees from the streaming music services.

If you don’t believe me, read this article on “The Verge”. The advances paid to the record labels do not filter back to the artists at all. But hang on a sec, the record labels have this power to negotiate with the techies because of the artists. And the artists get nothing in return. That, my friends is the recording business.

Which leads me to the dumb journalists and artists that rallied behind artists who spoke out against streaming services. Let me say it again, the streaming services are not the enemy here. The record labels still are.

Looks like Roger Waters never got the memo. Even APRA’s Brett Cottle doesn’t get it. He wants the government to fight against pirates, however it is the labels that are holding back royalties.

Times are a changing people, but the record labels refuse to change.

 

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Music, My Stories, Piracy, Stupidity

The New World

The new world is hard. I don’t know about you, but I just cant figure it out. We all complain that no one is asking hard questions for fear of being left outside alone and then when we get into a similar position we also succumb to those vices. It’s like we sell out our ideals to go mainstream.

But is anybody paying attention?

Did you see that Sixx AM put out a new album? They did something with iHeart Radio and the usual press interviews. But is anyone really paying attention. The youngsters have so much going on, they sit out unless it crosses over. And for the old Motley Crue fans, well albums require so much dedication of our time that unless it’s great and everyone is talking about it, we all just move along. “Modern Vintage” is a good album. For the record if I had to rate them, then the order the albums came out in is the way I would rate them.

And the tour will be a success, because the Crue fans have shown that they love to watch a live show more than buying an album. So expect Sixx AM to do well on the live circuit.

And just when you think that no one is paying attention, you hear that Shinedown chalked up another certification to their arsenal. While debates can be had on sales and certifications, what is impressive is that they kept on selling while out of the mainstream press. What is impressive is that they kept on selling while all of their music was available on Spotify, The Pirate Bay, Pandora, YouTube and so on.

Which goes to support what I have been saying all along?

The fans are the ones that make or break you.

For some artists, a thousand hard core fans is enough incentive to keep on making music, while for others it’s not. But you need to know where they are and you need to connect with them. In Shinedown’s example that connection happened when they asked their fans what songs they would like to see the band cover acoustically.

While no one seems to be paying attention to all the music coming out, it looks like streaming services are in a league of their own. Each day brings about another story on streaming services. In my view streaming services are the solution, not the enemy.

Spotify was always designed to compete with piracy, to monetise those users that pirated and it’s doing a pretty good job at it. They have put some serious money back into the recording industry. Prior to Spotify, the recording labels got nothing. It’s just a shame that those same labels don’t feed those monies back to their artists. Because if wasn’t for the artists the recording labels would not be in the position of power they are in right now.

But, as with everything, there are still misguided artists and labels who keep blaming theft and all kinds of bogeymen for their reduced sales. Take Spotify, YouTube and Pandora out of the industry and then what kind of state will we have. If they think that everyone is going to start buying CD’s again then they must think that the telegram will return.

But they fail to notice that we the fans have a) other interests, b) don’t like what they put out or only want the best, which means we cherry pick, c) don’t care about what they’re talking about or d) like to exercise choice.

It looks like people know “Shepherd Of Fire” and “Hail To The King” and don’t care much about the rest of Avenged Sevenfold’s album. And Five Finger Death Punch released a double album, but it looks like the fans care about a few select songs like “Lift Me Up”, “The Wrong Side Of Heaven”, “Watch It Bleed” and “Battleborn”. Which is a shame as those albums do have a lot of other good songs that deserve attention.

But that is the new world.

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Copyright, Music, My Stories, Piracy, Stupidity, Treating Fans Like Shit

If Money Is Not Filtering Down To The Artist, Whose Fault Is That?

There are still a lot of misguided people/entities in the recording industry that believe that they are immune to the changing times. Our world is constantly evolving. When will the recording industry accept that the landscape has changed.

Napster showed the recording industry what the fans of music want. The recording industry responded by shutting the service down. However, CD sales didn’t pick up as the recording industry would have hoped and what did happen was that the fans of music just went elsewhere. Suddenly there was Audiogalaxy, Limewire and KaZaA. Then came BitTorrent and The Pirate Bay.

In the end the customers just wanted free music. And even though Spotify and YouTube might give the illusion to the fan that music is free on their service, it is not. Spotify and YouTube do pay a large portion of their incomes to the rights holders.

Young people don’t purchase music the same way their parents and grandparents did. Access is more important than ownership. The car makers are being challenged at the moment as purchasing a car is no longer a rite of passage. The new housing market is being propped up by the older people, as young people are happy to rent or stay at home until their late thirties.

Spotify is a business based around access. This gives the fans greater choice whereas a purchase model takes away the choice of the fan and it makes them commit to which artist they would like to support. I remember walking into record stores, looking into my wallet to see how much cash I have and making decisions to maximise my cash with my purchases.

There are advantages and disadvantages to both. More choice means confusion and the fan just doesn’t commit to anything or they revert to trusted filters or playlists.

It is in the best interest of the recording industry and artists that streaming services gain traction. Otherwise the fans will just go elsewhere and if you take away the free tier of Spotify or YouTube, then what.

Once Napster went to a paying service, did fans start paying for music again?

Of course not.

What about Rhapsody? It has been trading for at least ten years and it has failed to get mass appeal.

The struggles that the recording industries are facing today were already quite clear in 1997 to people paying attention. The focus of sales as a success metric had to be tweaked and worked together with a smart business model. What we have here is an inability to adapt to a changing market.

Today’s world is much better for bands starting out today than in the past because they don’t need to win over the gatekeepers. They can find their own audience. They can create their own business models and make a living — unlike under the old system, where you either hit it big or you gave up and went back to your day job.

Can someone please explain how getting people to stop listening to free music magically makes them start buying music again?

What will do that, however, are smarter business models and Spotify is one link in the NEW MUSIC ECONOMY.

Shinedown just received a gold certification for their album “Amaryllis”. That means their album has moved over 500,000 units in the U.S. They moved that many units while their music was available on Spotify, YouTube, P2P and other services that offer free-tier models. They toured for over 12 months on the backs of that album. Their business model isn’t just about sales as a metric of success.

I seriously struggle to understand the long-standing debate between Spotify and artists. The debate should be between artists and the Record Labels. The debate should be between artists and the Publishers. Spotify pays the rights holders (labels and publishers) 70% of their income. From the other 30% they make, a certain percentage goes to the record labels who are shareholders of the company. The record labels had the power to negotiate a shareholding stake because of the amount of copyrights they have amassed from the artists on their rosters.

Quincy Jones posted on Facebook that “Spotify is not the enemy; piracy is the enemy”. Daniel Ek put that into dollar terms. Piracy could lead to higher concert attendances and merchandise sales, however in relation to the recording industry, piracy yields a ZERO return. Spotify at the moment has paid TWO BILLION dollars to labels, publishers and collecting societies for distribution to songwriters and recording artists.

As I have mentioned before, if that money is not flowing to the artists in a clear transparent way, then whose fault is that. The streaming services or the record labels.

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Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Songs Based On Inspiration Rather Than Logic

That is the difference between everlasting music and throwaway crap. You wanna know why Shinedown had a lot of success with “The Sound of Madness” in 2008. It’s because the songs were inspired and genuine. The audience loved the throwbacks to the classic rock of the Seventies. The fan base connected with the lyrical themes. Look at Spotify and YouTube and you will see that one of the most streamed/viewed songs from the album is “Call Me” and it wasn’t even a single.

You see, when fans get behind a band there are so many reasons why they do it. It could be a lifestyle choice. It could be a song connection. There is no exact formula, however the labels will still try to re-create those successes by signing many other bands in an attempt to emulate what Shinedown achieved with “The Sound Of Madness”.

Sort of like how Daughtry and James Durbin went off into the sunset to chase the pop trends of Coldplay, Casting Crowns and Train. Logic will tell you that if you write a song that is of similar calibre it will connect with an audience. But for both of those artists, it failed to pay off. “Baptism” and “Celebrate” both took a long time to complete and they more or less disappeared from the conversation within a week.

Why is “The End Of Heartache” from Killswitch Engage seen as an important album?

The reason why this album is seen as an important album and a classic is that it gave every guitar player hope for a future. The guitar playing on the album is phenomenal and it brought back metal to the masses in a major way. And with anything that is successful, people copy it and try to emulate that same success with other bands. The record labels saturated the market with copycat acts which more or less ensures that the metalcore movement suffers the same fate as the glam/rock movement. The media labelled it as metalcore. For Adam Dutkiewicz and crew, “The End Of Heartache” is basically a band that was refusing to dance to someone else’s tune.

“It’s almost like today’s songs are all written with the same formula – they have the same snare sound, the same bass sound and that generic heavy rock guitar tone.”
Jake E Lee said the above in an interview with Guitar World September 1991 issue.

Why do I mention it?

Because it is TRUTH.

Anyway remember the bands at the forefront of the New Wave Of American Heavy Metal. Bands like Bleeding Through, Shadows Fall and Chimaira. All gone. God Forbid is also gone. After 15 years plus in the game, they couldn’t work out how to stay relevant, how to find new fans, how to maintain existing fans and how to create new music that cuts through the noise.

On a personal level, I supported Chimaira and Shadows Fall. On their last couple of releases I was getting the feel that their songs started to focus on a more logical structure. Robb Flynn recently referred to this situation as “samey”.

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Music

While My Depression Gently Weeps – Part 1 of The Music My Savior Chronicles

I gave up smoking in 2010. My last cigarette was at Thessaloniki Airport, Greece in August, 2010. I had the last drag, coughed and gagged like I was choking and said with determination that I quit.

I haven’t had a smoke since then. You see back in November 2008, I was diagnosed with high blood pressure. For a 32 year old, this came as a big surprise. When I went into the doctors surgery complaining of migraines, my blood pressure was 170/120. This was on a Tuesday and the doctor said to come back on a Friday to see if it was just an off-spike. So what did I do after hearing this news.

I started drinking straight whiskey, three shots a day, believing that whiskey will ease the pressure readings. I walk into the Doctor’s office on Friday and proceed to sit down while the doctor puts the arm band on, presses start on the machine and I am confident that all will be well.

210/130. The Doctor’s eyes popped out of his head. He wrote referreals for echograms, cardio tests and blood tests for blockages, along with scripts for blood pressure meds. He asked me if I was a smoker and I said yes. He said to me to STOP immediately if I want to watch my kids grow up. He asked me to lose weight and to start taking the medication and to come back on Monday morning.

So of course, I started taking the medication however I didn’t stop smoking. On Monday, my blood pressure was at 150/110. Another type of tablet was added to my dose that involved two tablets in the morning and one at night. I went back on Friday and it was all better. 140/90.

I was still smoking and every month when I went for a check up the blood pressure was still up but “controlled” in my own twisted way. I was spending $90 on Blood Pressure medication a month, along with a $200 smoking habit. The good deeds of the medication was getting undone by the smoking habit.

It wasn’t until 2010 that I started coughing and gagging every time I had a smoke and eventually that year I stopped smoking. Apart from the blood pressure problem, I was in between houses, selling one house and building another house, while the Global Financial Crisis was happening all around me. On top of that, one of my boys was hospitalised on two occasions for urinary tract infections and had to undergo two procedures. I swear I couldn’t see the light at the end of this journey. To top it all off the band I created was splintering and I had so much money invested in it, I couldn’t walk away from it without the guys paying me back. So during this period 2008 to 2010, I started listening to music with sad and depressing lyrics.

Breaking Benjamin entered my life around this time. The “Phobia” and “Dear Agony” albums got played constantly.

Machine Head’s “Descend The Shades Of Night”, “Goodbye To Romance” from the Blizzard Of Ozz band (yep, every time I refer to the Randy Rhoads era it will be via the name Blizzard Of Ozz) and Megadeth’s “A Tout Le Monde” came back in my life.

And as depressing as some of the songs are they helped me through my own depressive period.

The reason why I started thinking about smoking is because I was at a party on the weekend and everyone smoked, making it very difficult to interact with the people.

20. Give Me A Sign

It is from the album “Dear Agony” by Breaking Benjamin released in 2009. On YouTube it has 7,088,460 views and on Spotify it has 1,229,610 plays. The song is a superstar in the modern metal and rock circles.

Daylight dies
Blackout the sky
Does anyone care?
Is anybody there?
Take this life
Empty inside
I’m already dead
I’ll rise to fall again

Benjamin Burnley sings the above over a slow haunting riff about losing his way and screaming for help, looking for the sign. My advice to myself from listening to this song is that “when it comes to the end, you have to let go”.

19. Break Away

It is from the album “The Illusion Of Progress” by Staind released in 2008. One YouTube channel has the song up to stream and it has been viewed 382,520 times.

Like a wheel
That keeps turning
If I could break away
From this moment
Break away
What is real
Break away
Never showing
Break away
How I feel
If I could break away

Apathy
The ignorance it brings
The tragedy
Of all these things
We keep repeating

I felt like the song was about me when I heard it in 2008. It is about repeating the same actions everyday, looking for a change and not having the guts to make it happen, believing that some deity in the sky will do it all for me.

My advice to myself from listening to this song is that it was time to make the change and break away. By the end of 2010, the band was over (at a large financial loss to me), the house was finished and I had quit smoking. I made the change/s.

18. What A Shame

It is from the album “The Sound Of Madness” by Shinedown released in 2008. On YouTube, 4 channels have it up with a combined view count over 2.5 million.

Two packs of cigarettes a day
The strongest whiskey
Kentucky can make
That’s a recipe to put a vagabond
On his hands and knees

When I heard the opening verse, I said to myself, damn, that is me. That is exactly what I am doing. Brent Smith nails the emotion in this song. It is about his uncle and a beautiful song. So many of us are judged from everyone around us. It is wrong. Even I do it. Sometimes we all need some help and what we get is criticism instead.

My advice to myself from listening to this song is the chorus line; “What a shame, to judge a life that you can’t change.”

17. Broken Bones

“The Rev Theory” is a very underrated hard rock band. “Broken Bones” is from their 2008 release “Light Me Up.”

Caught in the confines of the simple life
And I am
Holding my head high in the rising tide
And I can’t win
And I can’t fight
I keep holding on too tight
Running away from the world outside

It’s the denial principle within us all. We run away from the problems we are facing by putting on a smile when all we want to do is cry. And when we have problems, the person that we need the most isn’t there to help or is there and doesn’t understand what the hell is going on, which is a shame.

I’m not coming home now
I know
I’m so far away
So far from home
I’m not coming home now
I know
I’m so far away
I’m so far away

This part is emotional. I know that the song is about a band member that they lost along the way, however when i was in hospital with a shattered foot waiting surgery to reconstruct it, this song got me through the days. Coming into 2010, I was in a dark place that I didn’t think I would survive to see the end of the year. “Broken Bones” helped me through it.

My advice to myself from listening to this song is that I needed to get back home and realise that everything that loves me and everything that I love is right in front of me. Like the Three Doors Down song “Heaven” released in 2011 on the “Time Of My Life” album, “I didn’t have to let myself get so far gone, I didn’t have to make the ones I love feel so alone, I didn’t have to die to go to heaven, i Just had to go home.”

16. Let Me Be Myself

Three Doors Down nailed what I was feeling in this song. It was released in 2008, on their self-titled debut. To me it is all about doing what society and my family wants me to do, instead of doing what I want to do. You only get one chance at life, so why waste it living someone else’s life.

I guess I just got lost
Being someone else.
I tried to kill the pain,
But nothing ever helped.
I left myself behind,
Somewhere along the way
Hoping to come back around
To find myself someday

Life has its highs and lows, however I made the choices that got me in these situations. So when I made the choice to get married, the part of the word “me”, I should have left behind and focused on the word “we”. However for years, I focused on the ME and the I. Even after I had kids. Listening to this song when it came out, I said to myself, damn, this song nails my feelings.

Then listening to it at the end of 2010, my view was different. When the lyric states “I guess I just got lost being someone else”, I saw that as me being lost on how to be a dad, thinking I had to do things in a certain way because hey, everyone is a judge in life.

15. Alias

Released in 2009 by In Flames on the “A Sense Of Purpose” album.

Don’t tell me,
Tell my ghost,
Cause I blame him
For all I don’t want to know

In Flames are a great band. I love this song and the title and the Freudian lyrics.

We all keep the real part of us hidden. That is why we are able to adapt to different situations. The ghost is the face that the people all see. It is the mask that we all wear to keep ourselves protected from the truth.

Life’s wrapped in a riddle,
Easier said than done,
Hate to play the victim,
Rather run and hide.

It was time that I acknowledged that I was in fact my own victim. Only I could make the decision to change.

14. Wake Up

Story Of The Year are very underrated in the metal community. From the outset the band got labelled as Emo. However, to me I always saw them as a metal band. It took an album about “The Black Swan Theory”, released in 2008 that got my hooked.

So what is “The Black Swan Theory”. It is a metaphor that describes an event that comes as a surprise, has a major effect, and is often inappropriately rationalized after the fact with the benefit of hindsight;

Wake up!
To the sound of this time bomb
Wake up!
To it’s deafening song
Wake up!
Cause you don’t know what you’ve got until it’s gone
Until it’s gone

With all the chaos in my life at that point in time, this song made me feel alive, calm and confident. It was like it understood me. The message was simple. Wake Up.

13. That Was Just Your Life

Call it the “Enter Sandman” riff backwards. Call the harmony guitars at about the 5.50 minute mark Thin Lizzy rip offs. Call it that they plagiarised “Jump In The Fire”. Call it a great song, to open up the “Death Magnetic”.

“Like a release from a prison that i didn’t know i was in”

What a brilliant lyric. That is what music is on the days where the blues kick in. A release from the prison we are in.

“I blind my eyes and try and force it all into place,
I stitch them up, see not my fall from grace.
I blind my eyes, I hide and feel it passing me by
I open just in time to say goodbye.”

Denial and acceptance of what I believe the version of the truth is. You can easily combine verses from so many different songs and come up with a new Buddhist mantra that is a hundred pages long.

12. The Forgotten

The last album of the Howard Jones Killswitch Engage era released in 2009 and what an album it is.

What have you given up will never return again
Now you’re dead inside I hope it was worth the cost

This is like looking in the mirror at your own reflection and asking yourself “was it worth it”. Sometimes it is better to be the forgotten.

11. The Unforgiven III

Set sail to sea, but pulled off course

A welcome return from Metallica. By 2009, I thought I was doing what I wanted to do and that I was going out to be the best that I could be in my own way, however, I started to see that I was getting side-tracked, following paths that I never should have walked on. By the end of 2009, I was frustrated and I got even more frustrated when I realised that the position I was in, was all of my doing. There was no one to blame except me.

These days drift on inside a fog
It’s thick and suffocating
This seeking life outside its hell
Inside intoxicating

Alcohol and tobacco. It’s easy to numb the feelings when you are intoxicated. The funny thing is that even the songs mentioned deal with dark subject matters, I saw a sense of hope in them and when Robb Flynn screamed “Music My Savior – Save Me” in “Darkness Within” two years later, I knew exactly what he meant.

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