A to Z of Making It, Music, My Stories, Unsung Heroes

Score Card Inc V2.0

Bon Jovi/Richie Sambora
“Aftermath of the Lowdown” is way better than any Bon Jovi music released from 2007 onwards. It’s deep and personal and there was no way that Jon Bon Jovi would have put his vocals to those songs, so they ended up being Richie Sambora songs. But it did nothing commercially and Sambora is from the cloth of sales and charts. So he went back to the comfort zone of Bon Jovi, but he wasn’t feeling it, so he went solo again,which has morphed into a duo called RSO.

Meanwhile, Bon Jovi continued on as business as usual, making huge profits at the box office. However, all was not well with the label and “Burning Bridges” was meant to be the goodbye letter, but money talks. And Jovi is back in league with the label they hated and a new album called “This House Is Not For Sale” is out. Suddenly the press is going gaga over its number 1 charting and since the legacy labels still control the news cycle. But the album is a flop. It’s second week was a disaster and nothing has been mentioned about its third or fourth week. But, the ones that control news cycle are doing their best to rewrite history, seizing on a few words that Jovi said “down playing Richie’s role in the song writing”. Suddenly, Richie wasn’t involved as much.

The truth is they are better together than apart.

But then again, all of the good bands had a high creative span of about 10 years before they split or went on hiatus. The Beatles, The Eagles, Rolling Stones, Led Zeppelin, Black Sabbath, Deep Purple, Kiss and Aerosmith all had close to 10 years of mega creativity in the 70’s.

Metallica, Motley Crue, Bon Jovi, Aerosmith (again), Slayer, Megadeth, Skid Row, Van Halen and many others had a good run from 1980 to 1992.

But the MTV era gave bands a longer shelf life and what we have in the modern age is sub-standard music.

But past success is no guarantee of future success. Our lives and society in general is more fluid, especially when it comes to new music. And Jovi is selling c grade re-writes of past hit songs, and using his brand to do it. There are just not enough new things there to convince people to listen and there’s not enough new things there to convince people who weren’t paying attention before to pay attention now. And Jovi along with Universal are hoping that people pay attention to the marketing and not to what’s inside the album. And the media is out of touch with consumers and the people in general. In all democratic countries, the media is consistently getting it wrong. Hell, they couldn’t even get Brexit and Trump correct because they fail to understand that success or failure is in the hands of the people and not the celebrities. And why haven’t all of the celebrities left UK or the US when Brexit and Trump happened.

What Jovi needed was a hit single. Instead we got 17 songs (that is if you got the deluxe edition) requiring too much of our time. Only diehard super fans will have the time, however, even those fans will have competing priorities these days. U2 is in the same boat and let’s not talk about the mess that was Aerosmith’s last album.

Because bands shouldn’t forget, that their newest release is competing with the history of recorded music and their old hits. I can easily switch from Metallica to Led Zeppelin to Dream Theater to Motley Crue to Ratt to Kiss to Machine Head to Dokken, etc.

Europe
Europe broke through to the mainstream about the same time Bon Jovi did in 1986 and that is where the similarity ends. While Jovi had commercially successful albums in “New Jersey” and “Keep The Faith”, Europe had modest success with “Out of This World” and “Prisoners of Paradise”. Europe then went on hiatus and lost their record deal with Epic in the process, while Jovi went on to more albums and eventually a comeback hit with “It’s My Life”.

But when Europe got their act together in 2003 and got control over their music catalogue, a funny thing happened. They started to make more money then what they did at the peak of their commercial success.

And Europe in 2016, is a better creative entity than Bon Jovi is.

Since 2003, the band has released five albums. The very modern and down tuned “Start from the Dark” album came out in 2004. Then in 2006, the very modern and melodic “Secret Society” album came out. The very modern but retro sounding “Last Look At Eden” album came out in 2009, followed by their jam record in “Bag Of Bones” in 2012. Then in 2015, their classic rock album “War Of Kings” came out.

And suddenly, Europe is getting traction again in the U.S and Australia, but this time it’s on their own terms and their own control. By doing what they do best. Be musicians first and create. They didn’t try and be tech entrepreneur, football club owners, gadget makers and so forth.

Digital Summer
One of the best DIY bands out there. In 2013, they were riding the wave of their fan funded “Breaking Point” album, released in 2012. 2013 also gave us “After Hours: Unplugged & Rewired”, which was followed by a stand-alone single called “50 Shades” in 2015. In between keeping a band going, the guys still hold down full time jobs.

Meanwhile, a new hashtag #DSAquarius has been doing the rounds on their Facebook page while new family additions in the DS world has led to a halt of the songwriting process for the follow up album. That’s how DIY Indie bands roll.

Don Dokken/George Lynch/Jeff Pilson/Mick Brown
In 2013 there was talk of a Dokken reunion but it never happened. Then finally in 2016 it happened and they all got paid well.

Since 2013, George Lynch has been the most creative of the four even though Don Dokken keeps on telling everyone that these projects didn’t do well commercially. Surely an artist should create because of a need to create, not because of a need to make millions.
• 2013 – Lynch Mob – Unplugged: Live from Sugarhill Studios
• 2014 – Lynch Mob – Sun Red Sun
• 2014 – KXM (featuring Doug Pinnick from King’s X and Ray Luzier from Korn)
• 2015 – Lynch Mob – Rebel
• 2015 – George Lynch – Shadow Train
• 2015 – Sweet & Lynch – Only to Rise
And Lynch has new releases coming out for Project N Fidelikah, Lynch Mob and KXM in 2016 and 2017 and it looks like Sweet and Lynch will have another album coming out as well.

Dokken on the other hand, released Broken Bones in 2012 and a rumoured project with Michael Schenker is still being talked about. Meanwhile, Jeff Pilson and Mick Brown have become touring go to guys for Foreigner and Ted Nugent.

Black Veil Brides
So in January 2013, the Black Veil Brides told us “The Story Of The Wild Ones”, their concept rock opera about standing up against the army of F.E.A.R., which was also adapted into a film called “Legion of the Black”. The lead single, “In the End” became a streaming behemoth for the band with 32,301,515 streams and still counting.

Then in October 2014, they released their self-titled album, otherwise known as “Black Veil Brides IV” with Bob Rock as the producer. It gave birth to a favourite of mine in “Goodbye Agony” and on Spotify it has racked up 7,105,442 streams. Sonically it’s one of their best recordings. Since then Andy Biersack issued a solo release and we wait for new music from BVB. Like a lot of other bands in music, having new music out on a yearly basis is the new thing, like how it was in the seventies and eighties.

Zakk Wylde/Black Label Society
In 2013, Zakk dropped “Unblackened” a live acoustic album, which was forgettable, but no one can forget “Angel Of Mercy” (currently it has over 1.5 million streams) and that unbelievable lead section from Zakk.

“Angel Of Mercy” appeared on the “Catacombs of the Black Vatican” album released in 2014. Then in 2016, we got another acoustic album in “Book Of Shadows II”, but what we want is another groove metal Black Label Society album.

Dynazty
Matt Heafy from Trivium tweeted once that he has found his new favourite band. And I don’t disagree with him at all. Sweden has a healthy hard rock and metal scene and Dynazty is another to add to that list. Hailing from Stockholm, Sweden, the band was formed in 2007 and it wasn’t until 2008 that they found a lead singer. Fast forward 8 years later and I am hearing the band for the first time in 2016.

And they sum up what it means to be involved in the music business. You exist today completely off the radar screen. And eventually, people will notice. But it takes time.

It makes me want to scream “Fire, Flames, Fury”.

Black Stone Cherry
It’s the era of the bands with Black in their band name. Black Sabbath, Black Veil Brides, Black Label Society and Black Stone Cherry just to name a few. Vocalist Chris Robertson on the earlier recordings sounded better than Chris Cornell ever did. In 2013, the band was recording “Magic Mountain” and it came out in 2014. While 2016 gave us the “Kentucky” album (the band’s 5th album) and the ten year anniversary of their debut album.

A to Z of Making It, Copyright, Music, My Stories, Piracy, Stupidity, Unsung Heroes

And Comparisons For All….

What a month in the world for new music.

After Bon Jovi withheld “The House Is Not For Sale” for a week from Spotify, the band managed to land the Number 1 spot again and sold over 128,000 units via a concert ticket promotion campaign that included a physical copy of the album with every ticket purchased. And the mainstream press lapped up the news.

While today, both Metallica and Sixx A.M. released new albums. “Hardwired To Self Destruct” and “Prayers For The Blessed” hit the streets. Meanwhile, Avenged Sevenfold’s unexpected album drop “The Stage” has had two consecutive weeks in the Top 10 Billboard charts. But those anyone care about the charts.

Is anyone listening to the albums?

At least Metallica, Sixx A.M. and Avenged Sevenfold didn’t withhold their album from Spotify like Bon Jovi did and treated their paying streaming fans the same as their fans who purchase a physical product.

“Hardwired” is up to 11,526,511 streams on Spotify and 21,076,824 views on YouTube, while “Moth Into Flame” is at 7,531,372 streams on Spotify and 12,859,400 views on YouTube. “Atlas Rise”, a song which came out a week ago has 6,793,498 views on YouTube.

Bon Jovi’s new music on the other hand pales compared to Metallica. The “This House Is Not For Sale” video came out three months on YouTube and it has 5,115,129 views. “Atlas Rise” from Metallica which came out a week ago has already overtaken this song. Other pre-release singles, “Knockout” has 793,789 views on YouTube and “Labor Of Love” has 480,060 views on YouTube.

This tells me that Bon Jovi is not gaining any new fans while Metallica still is. Even Lars Ulrich admitted as much when he was at a loss to explain how their self-titled “Black” album was still moving 2000 units a week 25 years after its release.

Avenged Sevenfold’s “The Stage” video that came out a month ago is up to 9,292,711 views and it has way more than Bon Jovi’s three videos combined.

If you want to compare listens, Avenged Sevenfold’s “Hail To The King” music video released 3 years ago has 67,228,814 views on YouTube. Bon Jovi’s “Because We Can” music video, also released 3 years ago, has 14,483,692 views. So it’s pretty safe to say that Jovi’s last proper album was a dud of epic proportions and it looks like “This House Is Not For Sale” is headed for the same fall. But those charts show it’s a number 1 album and the mainstream press is all over it. That’s the one part the big legacy players still control in music. The news cycle and their belief is he who reaches the most people wins today. But there is no story in Bon Jovi’s Number 1 album.

I heard the album today and it’s already in the rear view, fading fast. It was withheld from Spotify for 7 days and it comes out on the service when Metallica and Sixx A.M release albums that are way better than Bon Jovi’s offering. So my listening attention will be diverted to those bands for the next few weeks.

Streaming services are now the biggest contributors to the record labels bottom line. Streaming has won. The majority of people who like music, listen to recorded music via a streaming service. And if Scott Ian and the other guys from Anthrax can get behind streaming, anyone can be converted. Maybe not Gene Simmons and Paul Stanley.

A scorched earth publicity campaign might get a decent return on first week sales and then what.

Selling a 130,000 copies in a week or even a million copies in week, in a country of 300 plus million is a needle in a haystack. But the news reports it. If the news cycle wants to report on bands selling, they should report on Five Finger Death Punch, Breaking Benjamin, Disturbed, Shinedown, Skillet and Volbeat, who still have their albums on the charts, after months and in same years over a year and half since release date. Yep these artists are still selling units or racking up enough streams to count as a unit sale. But those bands don’t own the news cycle and they didn’t make it big in the 80’s, so why would the media report on them.

There is a common misconception that fans of artists who made it big in the 80’s or the 90’s don’t care about their new music. That’s not true, we do care about their new music. But it needs to be good for us to care and it needs to be good enough to attract a new generation to care as well. An artist’s career is dependent on the need to replenish their fan base as fans drop out and new fans drop in.

A to Z of Making It, Copyright, Music, My Stories, Piracy, Unsung Heroes

Score Card Inc

Three years ago in November, 2013, I posted a score sheet on certain artists/trends and how they are dealing with the music business.

Three years later, how are the artists fairing.

Robb Flynn
He still understands that it is not all about making records. From Nov 2013 to now, Robb Flynn via Machine Head, kept on releasing his Journals both video and written. In April, 2014, “Killers and Kings” came out for Record Store Day and the band went on tour. He started a clothing range called “Killers and Kings” that didn’t really take off. In November, 2014, “Bloodstone and Diamonds” came out and the band embarked on a lengthy “An Evening With” world tour. In June 1, 2016, “Is There Anybody Out There?” came out as a stand-alone single.

His connection with his audience runs deep. People either dig him or detest him or some people will not just forget him in an orange jumpsuit during the Nu-Metal phase of the band’s career.

Protest The Hero
Back in 2013, “Protest The Hero” showed how the record labels are so out of touch with its customers. PTH was dropped because the label told them they have no audience. However, a fan funding campaign showed a pretty impressive hard-core audience that was willing to cough up some serious dollars for the band. Even the band was blown away at the response.

And they did it again between Nov 2015 and April 2016 with “Pacific Myth” an innovative one song per month release over six months via Bandcamp. Fans had the option of two packages, and I selected the one that also had the six video releases. In between, the guys would upload drum videos, cooking videos, song transcriptions and what not.

Nikki Sixx
In 2013, he talked about a farewell tour. Well that tour finally happened and concluded in 2015. The Crue fan base didn’t really need one more world tour however, they wanted to finish up in their own way and the world tour is what we got, with a new song called “All Bad Things”. The movie is still in the works, they have their own pleasure toys, a rumour of The Dirt 2, plus lawsuits from photographers and opening bands to contend with. Seriously, squirting piss at a bunch of guys who paid $1 million to be on the tour would always end up in the courts.

With Sixx A.M. he has released an albums worth of music and the next album is coming in a few weeks. They are on tour with Five Finger Death Punch, he does his Sixx Sense Radio Show and he doesn’t like to wash his hands after going to the toilet.

Coheed and Cambria
By November, 2013, COCA had been touring non-stop on the back of “The Afterman” two album releases that came out within a 4 month window. Add to that Comic Con appearances, plus Sci-Fi conventions and appearances in Comic Shops and you get the idea that this band realises that it is not just about music and money. It is about creativity.

Since then, Claude Sanchez became a dad. He wrote more comics with his wife called “Translucid” in 2014 and in 2015 managed to release another slab of songs called “The Color Before The Sun” and go on a another world tour.

Metallica
Back in 2013, I wrote;

They need to make new music soon. There are only so many times that a band can go on a worldwide victory lap on the same piece of music. They need to be back in the studio.

Well, we are almost one week away from that new music hitting the streets and in the meantime, we have been treated to three tracks.
It’s a welcome relief to hear Metallica doing what they do best and I believe they have enough new music in their archives for another album to drop within two years this time, instead of eight.

And after hearing the album – yes it is available on the pirate sites, I can honestly say that it’s not worth the 8 year wait at all and maybe 4 song EP’s is the best way to go.

Dream Theater
I wrote in November 2013, that they need a great record soon or they will become yesterday’s news. Dream Theater has a knack for popping up with some goodies, like “Images and Words”, “Scenes From A Memory”, “Systematic Chaos” and “A Dramatic Turn Of Events”.

So in January 2016, they dropped the 130 minute “Astonishing” concept album, about a dystopian future society. Concept albums lead to different revenue spin offs like a stage play, comic book stories, video games, animations, TV series, a movie and so forth. But then again, Slayer are doing a graphic comic book series and have never done a concept album.

Stone Sour
I wrote in 2013, that something went south with their career trajectory. Of course, a beast called Slipknot would devour the creative forces of the band. Their take on modern metal is good, but with Slipknot getting more melodic, is there a reason for Stone Sour to exist.

Five Finger Death Punch
They have an audience who purchases and streams their product. Along the way, each album has received certifications for so many units moved. An onstage meltdown, a record label lawsuit and then a change of label has not slowed the band down in any way. If they can remain together, they will remain a powerhouse.

Trivium
Back in November, 2013, their new album “Vengeance Falls” was called a Disturbed covers album. The truth is, if people are talking about you, it is a good thing. And that album gave Trivium a concert classic in “Strife”. Since then, they released “Silence In The Snow” in 2015. They are always looking to reinvent themselves constantly while staying true to heavy metal. Plus Matt Heafy has a pretty cool Top 10 list of albums that changed his life.

1. Metallica – The Black Album (1991)
“A kid lent me The Black Album at school and it changed my life. I had never heard anything like it before, and I started playing guitar all the time.”

2. In Flames – Whoracle (1997)
“That was at the time of Napster, and I was into the classic great metal bands. I was on Napster and I found In Flames. I had never heard melodic death metal before, and it changed my ear on what kind of music I wanted to play.”

3. Queen – A Night At The Opera (1975)
“What I’ve always loved about Queen is that they’ve never released the same thing twice. Everything is drastically different while still sounding like Queen. Every song on A Night At The Opera sounds different to the next one and they all stand up as fantastic.”

4. Iron Maiden – Seventh Son Of A Seventh Son (1988)
“With Iron Maiden it’s hard, because I love so many of their records. They’re all so important. Seventh Son, though, is the one that really got me into Iron Maiden. It’s one of their more epic records; there’s vivid storytelling going on. Getting into Iron Maiden helped me trace the roots of the music that I love. I could see where so many metal, death metal and black metal bands had taken things from.”

5. Ihsahn – Eremita (2012)
“Emperor changed my life, and Ihsahn changed my life again with this album. He spun the idea of black metal on its head by incorporating jazz chords, interesting production and clean singing. That record taught me to never be afraid of making whatever I want to make. We’ve always done that, but this album drove that home for me.”

6. Boston – Boston (1976)
“The vocal production is insane. Everything about this record epitomises the best things of rock ‘n’ roll.”

7. The Beatles – Abbey Road (1969)
“The Beatles blow my mind in the same way that Queen do in that every song and record is so different to the last. Both of those bands have incredible songwriters as well. It’s not like nowadays where you might have one songwriter in a band.”

8. Emperor – Anthems To The Welkin At Dusk (1997)
“This is where Emperor really changed the dynamic of where black metal was going. Black metal was the rebellion to rock and metal, and was supposed to be different. “When there’s a movement like that, a lot of bands come out playing semi-similar music. That record opened up with clean guitar and there’s this classical singing; it has chaotic moments and beautiful moments all in one. Emperor makes such interesting black metal with these big dramatic moments.”

9. Depeche Mode – Violator (1990)
“Listening to Depeche Mode, you can hear that Rammstein is a combination of Depeche Mode and Metallica. Violator is one of the darkest, scariest records I’ve ever heard. It has this different kind of sadness that you feel in the music.”

10. The London Symphony Orchestra – Mozart’s Requiem (1791)
“The gothic artwork of that record is incredible, and this version for me is just the best. Listening to this, you can hear that out of all contemporary music, metal is the closest living relative to classical. It is the most epic moments of music that have always drawn me in, and I feel that with Mozart’s Requiem that is where you’re getting into the blueprint for everything that was to come.”

Shinedown
They have an audience who want to listen to them and so far, no one’s doing hard rock better than them. Their new album “Threat To Survival” has taken its influences from Adele, Imagine Dragons and other pop artists and they still made it rock hard. Daughtry and James Durbin should take note. Along the way, their fans purchased and streamed all the way to certification after certification.

Avenged Sevenfold
Say what you will about the “influences” on “Hail To The King”, doing that album was a bigger risk for Avenged Sevenfold then their new album and it paid off for them.

Fast forward to 2016, and their new album drops early. It is a creative tour de force but to me it’s already in the rear view. All of the good bits in each song are undone by the creativity of trying to push the boundaries.

Piracy
In 2013, I wrote that piracy is not that large of a problem as the majors and the RIAA make it out to be and with revenues in 2016, approaching the pre-Napster era, it’s further proof that piracy does not affect their bottom lines, especially when there are services out there that can compete with piracy.

Evergrey
The pure definition of perseverance with 20 plus years in the music business and still going strong.

By November 2013, the “new” version of the band that delivered “Glorious Collision” had splintered again and lead vocalist/guitarist Tom Englund was not sure on the next step. A reconnection with drummer Jonas Ekdahl and guitarist Henrik Danhage (who departed before “Glorious Collision”) spawned the excellent “Hymns For The Broken” in 2014 and a few months ago, “The Storm Within” builds on the atmospherics created by “Hymns”.

Megadeth
In 2013, Megadeth’s new album “Supercollider” was outsold by Metallica’s self-titled “Black” album. In 2015, Mustaine got his metal chops back and in 2016, “Dystopia” came out. Another Mustaine Resurrection was at hand.

Tremonti/Alter Bridge
Mark Tremonti knows it’s about putting new music out there and consistently. In 2013, we had “Fortress” from Alter Bridge. In 2015, we had “Cauterize” from Tremonti and 2016 has given us, “Dust” from Tremonti and “The Last Hero” from Alter Bridge. In three years, Tremonti has been part of 4 albums while Metallica ……

The Night Flight Orchestra
The best classic rock side project ever from Soilwork and Arch Enemy band members. The first album “Internal Affairs” came out in 2012 and the second “Skyline Whispers” in 2015. Essential listening to any hard rock fans of the 80’s.

Sales
In 2013, I wrote that sales are not the best metric to measure a bands reach and pull in the market. In 2016, listens are more important than sales.

Bullet For My Valentine
By November 2013, people had lost their “Temper Temper” with them, but in 2015, the band found their “Venom” again, which leads us to new music hitting the net in November 2016.

Revolution Saints
In 2013, this band existed in the head of the Frontiers President. In 2015, they released an excellent melodic AOR rock album. So much potential, so many good songs, great musicians and it all went to hell because Castronovo couldn’t keep his 5555t together. Let’s hope that Jack Blades and Doug Aldrich forgive him and they try for another album. This time with the three of them writing.

TesseracT
One of the hardest working progressive bands out there, building their fanbase, city by city. In 2011, they released “One”. In 2013, they released the excellent “Altered State” and in 2015 we got “Polaris”.

Days Of Jupiter
An unsung Swedish melodic groove rock band, that’s a cross between Evergrey and Disturbed. In 2012 they released “Secrets Brought to Life” and in 2015, “Only Ashes Remain” came out.

Sweet and Lynch
Another album would be sweet.

Muse
They play stadiums but they don’t have the same sales figures as the 70’s and 80’s legends. A perfect example of the modern world, in which massive single songs sell concert tickets.

Live
In 2013, I wrote;
Remember the excitement and the buzz of going to the show. It was uncontrollable. Everyone waiting in line to get inside, to watch a band that rules, in an era that music ruled. Today, it is too expensive to take kids to a concert and that is only for a glimpse in the back. This business needs a reset.

Concert ticket prices are still high, especially for the superstar acts. The price gauge happened as an offset to dwindling revenues from recorded sales, however with recorded music revenue now as high as the pre-Napster era, there is no reason for the high concert ticket prices.

Slash
As an artist, he didn’t need to go back to Gunners. He had enough momentum to keep going as a solo artist and with Myles Kennedy, a better front man than Axl Rose. Slash kept on releasing new music consistently, while Duff and Axl complained of piracy and artistically were dead in the water. Money triumphs over creativity and in this case, it’s really sad.

Album
Back in 2013, I wrote how everyone talks about the money that is lost due to piracy as album sales shrink. Back then 20% of the tracks on Spotify have never been played. So what is the point of the album, when people ignore the songs that are not “hits”. When I go to Spotify and I come across an artist I haven’t heard before, I go to their Spotify page and hear the tracks in their top 10 list. Those tracks in most cases are pulled from many different albums.

And if any of those tracks connect with me, I might dig deeper into the album.

Rodrigo Y Gabriela
Created by their love of metal and rock music and when that same genre put up roadblocks to a career in music, they changed tact and went all flamenco acoustic on the world. Talk about paying their dues and taking risks. They moved from Mexico and took a chance in Europe. Over an 8 year Dublin residence, they honed their style and songs, so when their “official” debut album hit in 2006, what seemed like an overnight sensation was 15 years in the making.

There is nothing more difficult in the world then trying to make it as a musician. You need to show up day after day, week after week, year after year. And your brand or movement might just make some small gains. Then it hits a few speed bumps, like Rodrigo and Gabriela’s metal band losing their recording contract in 1997 and suddenly you are back at the start. But they kept on showing up, on the coast of Mexico and playing their acoustic guitars in the bars. Because showing up day after day, is the hardest part of making a difference. If you look at the history of the artists we like and admire, you will see many years in pursuit of their dreams.

It is a work of a lifetime to create an impact and build something of substance. In 2013, they were riding the highs of their 2012 “Area 52” collaboration, which involved re-working their best songs with a full flamenco band. Then in 2014, “9 Dead Alive” dropped and new music is needed ASAP.

Sebastian Bach/Skid Row
They shouldn’t get back together, because no one cares about Skid Row in the way they used too. They might have a large audience in Japan, like Dokken, but the rest of the “Youth Gone Wild” have moved on. Sebastian Bach is actually bigger than Skid Row and releases way better music than Skid Row have done without him. But, what was he thinking when he approved the photo for his memoir’s cover.

The Kindred
From Canada and the healthy progressive scene. They started off as “Today I Caught The Plague” from the ashes of another band called “A Legend Falls”. In 2011 they released the excellent “Lore” and went on tour with one of my favourite bands in Protest The Hero and their “Scurrilous Tour”. Then in 2013, a name change happened to “The Kindred” and the excellent “Life In Lucidity” came out at the start of 2014.

However, PTH needed a drummer for their “Volition” tour and it was no surprise that they tapped Mike Ieradi (who also co-founded the group) to fill the spot. Then in 2015, vocalist David Journeaux departed, with Johnny McArthur as their new vocalist and Kenny Saunders as their new drummer. So now I wait to see what comes next.

Streaming
Back in 2013, I wrote that everyone talks about the money which isn’t filtering down to the artist and how streaming is too entrenched to be replaced. Since then the record labels have grown their revenues on the back of streaming. Artists who negotiate deals with the streaming services like Metallica and Motley Crue have never complained about streaming. Suddenly, luddites Anthrax are not complaining and Scott Ian even mentioned how he believes streaming is the best thing to have happened to the recording industry.

Streaming is the future and those artist who don’t grow with this future will be too busy shrinking.

The Gaslight Anthem
They do the early 80’s Bruce Springsteen better than Bruce Springsteen these days. It was like a supergroup of independent musicians that came together in New Jersey in 2006. Their 2010 album, “American Slang” spawned an unexpected hit with the title track and “45” from their 2012 album “Handwritten” became their biggest hit. Since then, “Get Hurt” came out in 2014 and by July 2015, the band went on an indefinite hiatus.

Since the hiatus, singer Brian Fallon released a solo album called “Painkillers” in March 2016, and on April, 2016, a vinyl EP called “Georgia” was released for Record Store Day 2016 with a limited pressing run of 2,000 copies on 10″ vinyl. Let’s hope that “The Gaslight Anthem” get together for more music over the next three-year period.

Volbeat
Seen as overnight sensations however they are over 25 years in the business. It all started with “Guitar Gangsters & Cadillac Blood” in 2008 and being added to the Metallica “Death Magnetic U.S. Tour”. Then in 2010, “Beyond Hell/Above Heaven” came out and while that was still selling, they released “Outlaw Gentlemen and Shady Ladies” in 2013 and they hit every major music market over and over again. Since then, they released “Seal the Deal and Let’s Boogie” and are continuing on their merry ways. For all the newbies, check out their streaming numbers. They are huge compared to other major label metal/rock acts.

Killswitch Engage/Times Of Grace
In 2013, Killswitch Engage released “Disarm the Descent”, their comeback album with Jesse Leach on vocals. And how good is “In Due Time” with brutal verses and an arena rock chorus. Then in February 2015, a new track called “Loyalty” appeared on “Catch The Throne: The Mixtape Volume 2” to promote “Game of Thrones”. They then toured and kept on working on “Incarnate” which finally came out on March 11, 2016. Since then, they toured and are planning on releasing a beer. Meanwhile, “Times of Grace” have five songs completed for a new album to come out, with their last one coming out in 2011.

A to Z of Making It, Copyright, Music, My Stories, Piracy, Stupidity

Money Pool

“One of the biggest myths about being a rockstar would probably obviously be the word ‘rockstar’ itself. You know — that everything is given to you. You make free records, or you win a Grammy, or you have a platinum record and then everything’s sort of easy. I remember when we first got signed in 1995 in my mind I thought, ‘Wow, we made it.’ and then I realized that we left our town of Sacramento and went to the Midwest of America and we’re playing for 2-3 people a night sometimes.”
Chino Moreno – DEFTONES

Def Leppard released two albums before they started to write the songs for “Pyromania”. And to top it off, they had a 700,000 pound debt to the record label. Bon Jovi had a US$500K debt to their label and still living at home with their parents when Jon and Richie started to write the “Slippery When Wet” album in the basement of Sambora’s mothers place.

“I mean, somewhere along the way, people just played music for the love of playing music and somebody else recognizes that you can make money from it, and it’s been a developing thing to the point where, in the ’90s, music business was making so much money that it was bigger than the movie industry, bigger than any of the entertainment industries. There’s the business and there’s the music. I was raised in the business and I remember seeing how there were clashes between people — this is the way to make money and da da da… there was so much money involved. And then the Internet came along and just F–#d the whole thing up. So now the industry is struggling to figure out how to make money off of it and artists have actually gone to the point of conforming to the industry — how they can make money — so they’re all working together. I think there’s still this whole creative side that hasn’t changed which doesn’t really want to fit into that category, but it’s hard to make a living. So a lot of people do that by playing clubs. But it’s just harder, the opportunities are different from when I started.”
SLASH

All hell broke loose in the late nineties. According to the recording industry and the media outlets that spin their garbage, Napster killed everything. But music is powerful and fans still gave their favourite artist money. It was just a shame the recording industry didn’t know how to deal with it or how to track what was popular via the pirate sites and try to monetize those fans. And we all know how the recording industry responded.

“When we started, being in a rock band was one step away from being an outlaw. No one ever said, ‘Oh good, you’re playing in a rock band, how wonderful!’ But music was so important to the fans, that was our marching music to the revolution. Stuff moves along, technology moves along. I think there’s still going to be an excitement created by seeing your favourite performer live. It might not be the kind of music that you and I like, or Gene likes, but it’s still going to be there.”
Joe Perry – AEROSMITH

And the kerfuffle with bootlegged CD’s at Amazon. That is another recording industry screw up. Fans purchased a product that they believed was legit.

“On a commercial level, rock and roll is all safe, but underneath all that, there is a great hard-core young movement that is doing rock and roll in earnest. It’s just that the way the business is right now, it’s so corporate that none of these bands will get a shot to do what I got to do, you know? Be discovered in a club and have an A&R person develop the band and get them ready to go into the studio and make a record. And then make a second, third record ’till they really come into their own. Now it’s all about commercial one-hit wonders, and it’s a whole different industry now. But there’s a lot of great rock and roll bands out there that have to go the way it should be done; for the passion and not for the money. It’s not for the glamor of it but because you love it. A lot of people are doing it because they have an agenda.”
SLASH

And almost 20 years later, the song remains the same. The youngsters surge forward into the future with little experience and plenty of hope. The only difference is they document it via social media. Back when I was growing up, we did it anonymously.

“Any useful technology that’s successfully adopted by a culture won’t be abandoned. Ever. The technology might be replaced by a better alternative, but society doesn’t go backwards. After books were accepted, few went back to scrolls. After air conditioning is installed, it’s never uninstalled.”
Seth Godin

Streaming has won and artists are recognizing the difference between “one” sale transaction and the unknown of how many times that person listened to the music vs a person listening to the music multiple times via a streaming site.

Streaming has been adopted and the majority of people are not going back to vinyl, CD’s, cassettes or mp3’s in the same way the majority of people are not going back to Kodak cameras with films or purchasing an expensive camera when their phones will do a job that is “good enough” and “convenient”.

I’m still in between. I love the convenience of streaming however there is a part of me that still yearns to have an actual product of my favourite band on a shelf. I am sure my kids would dump my music collection after I pass, but while I am alive, I am still a collector, but a picky collector.

“It’s really not fair when an artist is making a deal based upon ‘take it or leave it.’ I don’t believe that most artists are getting what they deserve; they’re getting what they can. And that’s a–backwards. That’s the tail wagging the dog. When somebody is, in essence, saying, ‘I will do this with or without you’ — well, you don’t have much to stand on, and that’s the unfairness. That’s the injustice of the Internet.”
Paul Stanley – KISS

With more people streaming and paying for a subscription, the pool of monies will grow.

Money was low when vinyl came out. Not everyone had surplus cash to purchase vinyl in 1948. Eventually as the economies rebuilt post WW2, people started to spend money on “entertainment”. By the time Paul Stanley got into the music business, vinyl was over 20 years in the market and there was a lot of cash to go around. Then the vinyl cash dwindled until CD’s became the cash king and the record labels rode that wave until Napster came and showed them what people want.

Let’s judge streaming in 2030.

A to Z of Making It, Derivative Works, Music, My Stories

In Songs We Trust

Every person who picks up an instrument can or will eventually play it. But can they write songs. The talents to play an instrument and to write a song with music, lyrics and melodies are very different talents.

Spotify’s Discover Weekly is based on recommending songs from artists I could like based on my listening habits. Song’s is the key word here.

When bands start the marketing push for a new album, they release a song or two or three or four in the lead up to the album release.

And when I come across a song from a band/artist I haven’t heard off, I normally go to their Spotify catalogue to hear more. And sometimes, I am surprised at how good the band/artist is, so I dig deeper into the back catalogue. Sometimes, I can’t believe how poor the other songs are, compared to the one that Spotify Discover recommended. Other times, I enjoy the listening experience, but when it’s over, I can’t really remember the titles or the melodies the next day.

So it got me thinking, why?

Music to me is all about emotions. It needs to give me an emotion, a feeling or a message that connects. If the song doesn’t connect, then all the marketing and promotions is pointless.

I heard “The Stage” from Avenged Sevenfold and the song just didn’t connect. Give me “Shepherd of Fire”, “Hail To The King” or “Coming Home” any day over “The Stage”. I was going to check the whole album out, but at almost 75 minutes long, it’s a decent investment of time, so I deferred it. And when I did hear the album, I heard some brilliant sections but no real song.

And in 2016, it’s hard to sort through the noise and there is some quality, some not so quality and some almost quality, if you know what I mean.

I remember towards the end of the Eighties, hard rock and glam rock bands got signed all the time. The greedy labels over saturated the market with diluted quality. They got talented musicians and sold them the dream of fame and fortune. Once they had their signature on paper, they told them to go and write songs like “Cherry Pie”.

Have you read or heard what Jani Lane (RIP) said about “Cherry Pie”?

Google, “Jani Lane wishes he never wrote Cherry Pie”.

The album was done and it was going to be called “Uncle Tom’s Cabin” but the label wanted a hit song or they wouldn’t release the album. Jani had two options, tell the label to go “Fuck themselves” and he knew his songs would never be heard or he could comply with their request, write them a sugar pop song and get the album out.

We all know how the “Cherry Pie” story goes!

And when Warrant released a mature and super heavy follow up album that didn’t contain a hit in “Dog Eat Dog”, it bombed commercially. Suddenly the band had no major record deal.

If you look back at Warrant’s career, it was a song that sold the album to the masses.

Europe broke through the mainstream with “The Final Countdown” and the label then wanted them to write more hits, even calling in outside writers to assist with the process. I am pretty sure when Joey Tempest sat down to write “The Final Countdown”, he didn’t say to himself, “okay, it’s time to write a hit song”. He just wrote a song and that was it.

Kiss (who was already working with outside writers) decided to replicate the “Slippery When Wet” formula with “Crazy Nights” and “Hot In The Shade” and didn’t really succeed commercially, although I do dig this era of Kiss.

Meanwhile Aerosmith’s career got resurrected when Joe Perry and Steven Tyler started to work with Jim Vallance and Desmond Child for “Permanent Vacation” and “Pump”. When “Get A Grip” came out, each track had contributions from different songwriters.

In the end, a song or two would sell an album past the million mark. In other words, songs sell, albums don’t.

The same deal goes for prog bands. They need great songs to draw the listener in.

“Pull Me Under is the song which broke Dream Theater to the masses. It is also the most simplest Dream Theater song to learn and play. The whole “Images and Words” album is full of great songs with the progressive technical passages fine-tuned to small sing along sections. I swear I can hum “Learning To Live”, “Metropolis”, “Take The Time” and “Under A Glass Moon” to you. Dream Theater built a career off this album. If Dream Theater’s career started off with the technical wizardry of the Jordan Rudess era, they wouldn’t be as big as they are right now.

When Ozzy’s career was relaunched with the Blizzard Of Ozz band (that became the Ozzy band when the record was released), it was on the back of great songs, not on controversy. A simple catchy AC/DC style song like “Flying High Again” got radio airplay. It was only a matter of time before “Crazy Train” and “Goodbye To Romance” would become radio staples, along with “I Don’t Know”.

When the Whitesnake album exploded in 1987, it was really on the back of “Here I Go Again”. It was a cross over hit. Credit John Kalodner, who signed Whitesnake to Geffen and knew what needed to happen.

When Def Leppard released “Slang” in 1996, it was an attempt to play to a new audience that never liked them to begin with, and never would. But what had disappeared from “Slang” was the song. I purchased the album and played it to death over an eight week period. Three songs got more attention than others, but for the life of me, I am struggling to think of the titles. I think “Deliver Me” was one title. I could go to Google and check, but music should be instant recognizable if it is great. And “Slang” had nothing great on it.

When Megadeth released “Risk”, I was curious as to what audience they were trying to win over? It definitely wasn’t the core audience. Industrial fans wouldn’t embrace them and the speed metal fans would abandon them. But if the album had some quality tunes, then maybe a different story would be told. But it didn’t.

In songs we trust.

A to Z of Making It, Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

\::/ \::/ \::/

By the start of the 80’s, the recording business was putting its dollars into new wave and releasing “hits” made by a committee of songwriters. On the odd occasions, a band would come from left field and have a “hit”. It’s hard for people to believe this in 2016, but all of the great Seventies bands had more or less finished up.

Aerosmith was a shadow of itself, Bad Company was on its last legs, Led Zeppelin was no more, The Eagles fractured, Alice Cooper gave in to his nightmares, Kiss was fading and the graveyard list just goes on and on.

And then the revolution slowly started. 1980 gave us “Heaven And Hell” from Black Sabbath, “Iron Maiden” by Iron Maiden, “British Steel” by Judas Priest, “Blizzard Of Ozz” by Ozzy and “Back In Black” by AC/DC. 1981 gave us “Killers” by Iron Maiden, “Point Of Entry” by Judas Priest, “Diary Of A Madman” by Ozzy, “Too Fast For Love” by Motley Crue and “Mob Rules” by Black Sabbath. 1982 gave us “The Number Of The Beast” by Iron Maiden and “Screaming For Vengeance” by Judas Priest.

And then heavy metal came to the masses and wiped all styles off the map. Bands with roots who didn’t care about convention and the establishments. Bands who refined their sounds away from the mainstream without interference from know it all A&R reps. Bands who delivered songs with an honesty and angst that was undeniable.

And overnight the youth switched allegiances. We found new leaders in artists and music. MTV brought those leaders into our TV rooms. We finally had artists speaking some truth. Opportunities were slim and the odds were really stacked against us. We all wanted something to believe in and heavy metal/hard rock became our religion.

And when thrash metal came smashing through the boundaries and lunacy had found me. The words of anger and unrest got turned up even more.

Remember the truth?

That’s why certain artists became so big. Not because they were the best musicians or their records had the best sound. They spoke a truth that resonated.

And we all knew the truth. Our lives being controlled by the establishments, but we didn’t dare say it. So we persisted to live in a fake land. Fake, because, we all swore in reality, but on TV it was beeped out. We saw violence daily, but on the news, the pictures are blurred and classed as distressing. We knew the game was rigged, but we still played in it anyway. Why do you think cable TV become popular. It was a step towards common sense.

So “We’re Not Gonna Take It” and “I Wanna Rock” resonated. Same deal with “You Got Another Thing Coming” and “Livin After Midnight” from Judas Priest. “Cum On Feel The Noize” exploded. “Fight For Your Rights” from Beastie Boys was written as a parody to heavy metal music, but it became a hit because of its message. “Shout At The Devil” and “Smokin In The Boys Room” by Motley Crue connected. “Crazy Train” by Ozzy Osbourne told us life is not easy. “Seek And Destroy” by Metallica made us want to break stuff or each other.

We needed heroes. We needed leaders. Heavy metal artists spoke for the underclass and the repressed. We felt like we could take over the world and for a brief commercial period, we did just that. Actually, recent research has shown how heavy metal listeners have risen to positions of power in corporations and governments.

But as it the beast got bigger, we started picking sides. Black metal over thrash metal. Death metal over heavy metal. Heavy rock over hard rock. Metallica over Bon Jovi.

And then Grunge came to save us from our distress. Suddenly our leaders had no record deals. Judas Priest fractured by the start of the 90’s. So did Motley Crue. Bon Jovi took a break. Guns N Roses was on its last legs. Black Sabbath tried to roll again with Dio. Ozzy toured under “No More Tours”. And from those ashes, Metallica was there to capitalise. At exactly the right time, they released a sonic behemoth with the “Black” album and it was the lyrics of James Hetfield that people connected with. His anger at his Mum’s beliefs in “The God That Failed”, his anger at his childhood in “The Unforgiven” and heartbreak in “Nothing Else Matters”. Added to that a scorched earth marketing blitz and in 2016, we have the highest selling Soundscan album.

A to Z of Making It, Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

The Storm Within

“When we were making this album a lot of these relationship issues were going on around me; people losing a partner or a loved one and grieving. The Storm Within is about a search for identity, trying to make yourself full when you feel half empty, and I placed that storyline in an interstellar world.”
Tom Englund – Evergrey

Before I left Australia, I pre-ordered the CD via Amazon. And of course, the album came out while I was in a country where I couldn’t obtain it legally. So I went to the pirate sites and downloaded it.

What else could I do?

I couldn’t wait.

Does that justify downloading the album illegally?

Of course not, but if I could have purchased it legally at the time I would have, even if that meant having two copies of the album.

And people need to understand, all we care about is where can I find the music, in a fast, convenient and cheap way. I am listening to the album on Spotify non-stop in Australia and the CD is still in its wrapping, a collector’s item.

Evergrey is one of those bands that connects musically and lyrically with me. Vocalist/Guitarist and founder, Tom Englund has a unique voice and his vocal phrasing is different to the normal progressive melodic metal singers who are either David Coverdale, Bruce Dickinson or Rob Halford. And for 20 years, Englund has kept Evergrey going, building on the loyal following, one fan at a time.

“Distance”
Dissonant piano chords start this song off. When the syncopated guitars, bass and drums kick under a math rock vibe, I’m ready to break stuff. Then the vocal melody kicks in and those same dissonant piano chords are back.

Distance is taking me to new places.

It was the second song written for the album and the vibe of the song caught the attention of the band. Along with the song “Disconnect”, the tone and feel of the album was set in stone. According to vocalist and guitarist Tom Englund, the desolation inspiration came from a French electronic band called “M83”.

It’s not over
We’ll soon be closer than before
Can’t let this distance
Keep our destined souls apart

Relationships are difficult to maintain. Our needs change as we get older. Our tastes change. Pressures of family and work lead to further changes and suddenly those promises of being together forever seem so far away.

And that math rock desolate dissonant vibe is hooking me in even more. Of course it had to be a Swedish band that commercialised math metal.

So many times when I was misunderstood
I just wish we had spoken so much sooner

Life is funny in hindsight and sometimes painful to replay. We all would love to live with no “what if’s” however it never happens that way.

“Passing Through”
It was one of the last songs written for the album.

According to the Spotify commentary, the inspiration came from guitarist Henrik Danhage. It was he who came up with a guitar melody that was then converted into the main keyboard melody during the intro.

The label heads wanted this to be the first single from the album. To me it’s a straightforward rock song with some power metal vibes incorporated and a pretty cool listen.

Ten years from now I’ll watch from far away
Ten years from now I might have found my way
Ten years from now I’ll see through different eyes
Better, wiser and not as blind

There is a reason why artists normally produce their best works after they have experienced life, the highs and the lows. One thing that’s certain is ten years from now we are wiser and not as blind. It doesn’t mean we don’t make mistakes, far from it. It just means we don’t have that same innocence of our youth.

I always looked for acceptance
I understood what it’s like to be different

Growing up I was looking for acceptance from my peers about how cool I was. To show how cool I was, I wrote a letter on behalf of my father that demanded his son be demoted to the lower classes, so I could be with my friends. Looking back, it was the dumbest decision I ever did, however I was so cool to do it, because I didn’t want to be called a nerd. While the majority of people grinded away in high school to get into a good college/university, I did the opposite. And those same friends I wanted acceptance from are nowhere to be seen in my life right now.

Then I finished school and entered the workforce and I’m looking for acceptance from my bosses or workmates. And then I got married and I’m meeting new people and looking for acceptance from those people.

For Evergrey, they are still looking for acceptance. Even though they are 20 years into their career, they are still a fringe artist when it comes to the mainstream, making a living from the loyal cult like following of their fans.

“Someday”
The main riff is written by drummer Jonas Eklund and how good is it. At first Jonas drums it exactly the same as the riff and then he goes into overdrive with a build that leads into the verses.

The lyrics ask the question if you had a chance to do certain things the same way, would you.

I was once like you
Used to be like you
Embrace the same horizons
And shared the setting suns

Tom Englund always grabs me and pulls me down the rabbit hole with his lyrics. It’s like those words came from me. I remember

“Astray”
The chorus was taken from an old Tom Englund song and the key change from the verse to the chorus almost killed the song off. With toil came great reward.

This is not for me
I can’t persist or breathe that which poisons me

The moment when you have to move on and break away from a relationship, a job or some other event that was bringing you down. It’s not an easy decision to make and some people never make it, until it’s too late. The unknown terrifies us and it takes courage to break away from toxic situations.

“The Impossible”
It’s mellow and calm and it originated from a Rikard Zander piano riff.

I’ve been watching from the outside
Dying to be on the inside
It’s colder and it’s freezing
While you’re asking the impossible
Because it’s impossible
To be this alone

And there you have it, the difference between eras. Growing up, with so little information, we believed everything was possible to achieve. Now with all the information at our fingertips, I can see the disillusionment. We worry about a terror attack, we worry about the lack of job security, we worry about our children not being able to afford to purchase a house, we worry about repaying our credit cards and in general we think more negative thoughts then positive ones. But, we still have hope that things will be better, but we are more cautious.

“My Allied Ocean”
The heaviest song on the album and written by the band on tour while in Bratislava, Slovenia. It shows the “in your face” vibe that Evergrey are capable off as a unit.

And there’s nowhere to turn
At the end of the road, I can’t hold on

The end of the road has many meanings. Literally it means the place where the road stops, however it also means death. And people don’t talk about it in a meaningful way. It’s our greatest taboo in 2016, in the same way sex was.

“In Orbit”
Nightwish’s Floor Jansen contributes guest vocals. Keyboardist Rikard Zander was the fuse that kicked this song into motion and it’s one of their most streamed songs on Spotify from the new album. It’s got that symphonic Within Temptation groove and it rocks.

I run, but not getting closer

There is always something in our lives that is elusive. A goal or a dream that is hard to attain, but we still strive for it.

Evergrey songs are not on the radio. Their name was driven by the fans. Adoption was driven by word of mouth. This song is very radio friendly but in 2016 what is the point of trying to get a song on radio, when you have the internet.

“The Lonely Monarch”
According to the Spotify commentary, the song was originally called “Moonchild” because the main riff sounded like “Moonchild” from Iron Maiden. The construction of the song came from the various jam sessions the guys did in the rehearsal room.

It’s written across the sky, it’s clear for all to see
That it’s not you, it’s only me who keeps us from falling down

We see ourselves in the songs and world we live in. It’s why we keep listening. Owning my f ups, it’s a hard thing to do and it takes time. Sometimes years. And in that time, a lot of things could happen, especially if people start to abandon you.

“The Paradox Of The Flame”
Englund’s wife Carina contributes guest vocals.

So here we are
I understand our intentions are different

Life teaches me that situations are always evolving and relationships (friends, love, work) are one of those cradle to the grave life lessons. And as the years go on our goals and intentions change. That favourite movie from 20 years ago is not so funny to one person anymore. That favourite band from the past is causing division right now.

Then you have kids and your lives depart even more. Sometimes the departure is so great there is nothing that can save the relationship.

“Disconnect”
How cool is the effect where Floor Jansen does symphonic vocals and it’s blended the keyboards.

If this is all I have now
Then I need to disconnect now
I never meant to be indifferent
Never wanted you to feel irrelevant
You were never insignificant

How good is Floor’s symphonic vocal, especially the vocal that cuts in at the 3 minute mark. Isn’t that the power of music?

It then leads into a guitar solo, then an Iron Maiden like section that morphs into a “Learning To Live” like section from Dream Theater and into another guitar solo. At this stage I’m ready to crack my work desk in half from the emotions the music evokes.

“The Storm Within”
The atmospheric epic title track.

It’s more about the feel than the hook. Evergrey is shutting the door on the album, having said what they needed to say. As soon as the song blasts through the headphones I am hooked by the vibe. It’s about mood, the song is reflective.

According to the Spotify commentary, bass player, Johan Niemann was very influential in the writing of the song and it’s really beautiful music captured within a time limit. According to the Spotify commentary, Jonah had to catch the train back home and they had two hours before he left.

How many people dreamt that a life in a band with a record label, would involve catching a train to and from the rehearsal space?

It’s a tough business.

The lyrics are about celebrating the life you have with someone.

It is dark I can hear the crows
And the autumn leaves falls and falls
Trees asleep still stretch for the sky
They belong to me, they stretch for us you see

The scene is set.

If all were just dreams we’d be safe
But we’re all just pale prints of passed days

Life is fleeting and our life footprints do not last forever.

And I know I’d heal better, if I’d surrender to feel

It’s the whole, “we can’t do it alone” vibe. I feel like Emperor Palpatine telling Luke to surrender to his feelings and give in to his hate.

And we wrote life as it passed
As nothing else could matter at all

Having the courage to live without a safety net.

How cool is the keyboard melody? It’s in the background and then from 4.30 minutes to the end it’s closing the song. And it’s a perfect closer, because it makes me want to press play again to hear the whole album again.

In a world where nobody cares about a bands new stuff, Evergrey are far removed from that view. People go to their shows to hear the new album, as well as the old stuff. And let this be a lesson to all wannabe musicians, you can have a career in the music business and still live in obscurity or in some cases poverty.

A to Z of Making It, Classic Songs to Be Discovered, Copyright, Music, My Stories, Piracy, Stupidity

Metallica – A Lot Has Changed Since 2008.

Seduced by fame
A moth into the flame

I have been listening to “Moth Into Flame” on Spotify daily. I must say it’s one of the their best songs written since we entered the 2000’s. The structure of the song, the brilliant intro, the lyrics, the barking verses and the melodic chorus all stand out.

Infamy
All for publicity
Destruction going viral

It could be about anyone in the entertainment business. Hell, it could be about Metallica’s Napster lawsuit.

For “Hardwired… To Self Destruct”, I like the lyrical message and the story behind the title more than the song in itself.

“Fifteen years ago, when you put out a record, there was a particular way that you did everything. Now it’s just whatever works for you. We’re in the process of putting a new record out this fall, and we’re just doing whatever we feel is right. There’s no particular way that it should be.”
Lars Ulrich – METALLICA

The last time Metallica released an album was in 2008. First week sales of “Death Magnetic” in the U.S market topped half a million units. But back then, streaming didn’t exist in the U.S market. It also didn’t exist in the major European and Asian markets. Now streaming makes up a large portion of the record label revenue however the price points are still debated. The customer has the option to purchase an album digitally, purchase the album on vinyl or CD, subscribe to a paid streaming service, subscribe to Spotify’s free tier or illegally download the album for free. Depending on the country you are in, the price points range from $0 USD to $10 USD.

As the Forbes article states, there is no alternative price in between even though research has shown that a $4.99 USD monthly subscription fee would convert the 60 million free tier streaming users into paid users.

What is better for the recording industry, 30 million users paying $9.99 USD a month or 90 million users paying $4.99 USD a month?

Do the math.

30 million paying users at $9.99 = $299,700,000

90 million paying users at $4.99 = $449,100,000

Metallica are masters of their own destiny, masters of their own recordings. For them, they do not have the high risk unknown that other labels have. They do not spend close to 20% of their revenue on artist development. They can negotiate their own streaming rate with Apple Music, Spotify, Amazon and Google. But they still do it the old way, taking time out to write and record 10 plus songs for a release. They will still judge this album on amount sold, instead of the amount streamed.

The article at Forbes, states what the record labels of the future would look like in six bullet points and one of the points is an artist-run record label.

Metallica own their masters. With the help of their management team, they have set up their own label. This gives the band negotiating power and it allows them to monetise their masters for the best price possible. Spotify has Metallica on it and it was on Metallica’s terms. You don’t hear Metallica complaining about the lack of money given to them by streaming services. Actually Kirk “I need a wah wah pedal for leads” Hammett might complain.

“Back in the day when Sean Parker and Shawn Fanning approached the music industry with a little baby they had called Napster, and the music industry refused to entertain any kind of deal with them on any level. Instead they open-sourced it to the world, and that changed the face of music. And so the industry’s reluctance to go with technology back in the day is something that we’re all, unfortunately, suffering from to this very day. Thankfully, the industry has seen the error of their ways, and they are embracing digital and technology on an unprecedented level, and we’re going through an adjustment period. It’ll take time.”
Dan Draiman – DISTURBED

Instead of working with Napster, the recording industry got Lars Ulrich on board and went to war against the consumers of music. But in 2016, the recording industry is at another crossroad. It needs to decide on a price point for streaming that converts the 60 million plus free users into paid users. But the record labels want an increase in the current $9.99 price point. As far as the labels are concerned, it needs to be more.

A to Z of Making It, Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Some Unsung Modern Rock (otherwise known as Hard Rock) Heroes

Hard rock and heavy bands are plentiful and with so many bands around it’s tough for an act to be rise above the noise. Especially since the internet revolution leveled the playing field. Suddenly every person with a guitar can record and release music. And then we had thousands upon thousands of artists releasing music. And if an artist can’t get their songs heard, is it the fault of the world, the music business or their music’s fault!

Lately I have been going nuts on the Swedish Heavy Rock scene but the U.S has also given me a few favourites over the last 8 years or so.

Better Days – Another Lost Year
Their new album “Alien Architect” hit Spotify a few weeks ago, which I need to sink my teeth into. But I’m going back to 2012 on this one.

“Better Days” is the title track of the debut released on Megaforce Records and it’s not on Spotify. Go figure.

“I will move on to better days”

It don’t matter how bad a situation gets, we always have that resilience that if we get through it, we can get through anything.

Another Lost Year hails from North Carolina. Lead vocalist Clinton Cunanan formed the band around 2010, as a solo project. Eventually it turned into a full band project. Lyrically, you will hear a massive Aaron Lewis (Staind lead vocalist) presence.

Get Thru This – Art Of Dying
The song is from “Vices and Virtues” released in 2011. Even though it’s from a different band, it continues the theme of “moving on to better days”.

The song is undeniable.

If I can get through this
I can get through anything

That’s the catchcry in this song. It’s simple and effective.

Art of Dying hail from Canada and are fronted by Jonny Hetherington. His story is one of resilience and perseverance. As the lyrics state, if he can through a situation, he can get through anything.

Tomorrow’s my reason for today to let go

If there is no tomorrow, there is no future. The band is 12 years old. You don’t get to double-digits by giving up, because as Brent Smith from Shinedown stated recently, there is more negativity than positivity in the music business.

“There’s always twists and turns, and you’ve gotta learn how to be as positive as you can be, because the industry can be really, really negative”.

The biggest struggle in any band is to keep all band members on the same page. Each member has a different definition of success. You have doors slammed in your face. It leads to arguments. It takes a lot of money and time to record an album. It leads to more arguments, especially if the contributions are not equal. Then the songwriting and publishing leads to more arguments.

Art Of Dying have their niche.

How big is it?

Only time will tell.

True Faith – Anew Revolution
It’s a cover from New Order and I believe it was on their “Brotherhood” album released in 1986. This version sounds wicked and it appears on the album “Rise” released in 2008.

I used to think that the day would never come
I’d see delight in the shade of the morning sun
My morning sun is the drug that brings me near

The ode to heroin use.

Anew Revolution hail from Austin, Texas and formed by ex-members of Unloco (vocalist Joey Duenas) and Slaves On Dope (bassist Frank Salvaggio and drummer Rob Urbani). All three guys are record label veterans.

Unloco was formed by Joey Duenas in 2000 and the band was signed to Madonna’s Maverick Records label. In 2001, the Johnny K produced “Healing” dropped and didn’t sell. According to record label math, no sales = no fans. In 2003, the Andrew Murdock produced “Becoming I” came out and even though the band was on a lot of high-profile tours, the album failed to meet record label expectations.

Meanwhile, Slaves on Dope was formed in 1993 and it wasn’t until 1999 that they got a record deal on the Ozzy and Sharon Osbourne label Divine Recordings. In 2000, “Inches from the Mainline” came out however Divine Recordings lost their distribution deal and suddenly the band had no label. Eventually the guys got another deal with Bieler Bros. Records and the second album “Metafour” came out in 2003. A year later, the vocalist departed and the rest is history.

So in 2005, Anew Revolution released a five-track self-released EP. In 2007, they signed a deal with Koch Records. “Rise” comes out in 2008. In 2010, “iMerica“ is released via E1 Music. In 2012 and without a label again, they started a Kickstarter campaign to finance a new studio album. They asked for $3K and got over $5K. Tracks written for the album were sent to the Kickstarter backers, however up until now, no new album has surfaced.

Angels – Another Lost Year
This is a fantastic ballad. One of those, should have, would have, could have been a hit. But it wasn’t. Megaforce had no idea what to do with the album.

The road is long and hard

Truth.

But there’s nothing on your face
Just the pain of memories
When all of the walls you built fall down
Feels like there’s no one around
I will be there until the angels take your place

When it all goes to shit, we are looking for that lifeline.

On the 2nd verse there is a female singer from New Zealand called Lish that does a fantastic job and gives the song a major boost.

Head Against The Wall – Anew Revolution
It’s from the album “iAmerica” album released in 2010.

I keep banging my head against this wall

Life feels like that sometimes. A good situation leads to a bad situation and suddenly you feel like you are back at the start.

No matter what I do
No matter what I say
It’s like I’m fighting for nothing

Life is all about highs and lows, motorways and dead ends. That fight for nothing, always leads to something.

I burn my tongue to hold every word I am thinking

We fall into popular hive mind thinking. Society has conditioned us. Our Universities are factories, giving us degrees to find employment, when once upon a time, higher education was to expand your horizons and innovate. So we hold our tongue, afraid to speak our mind, because our views are not what the majority of our friends hold and not what our degree factories have taught us. We don’t want to be alienated. We all want to be loved.

Beautiful – Anew Revolution
This one is from the “Rise” album, released in 2008. The intro starts to rock when the heavy guitars kick in. One guitarist plays power chords while the other plays octaves.

They told me I need to take heartbreak
But who needs more heartache
I’m gonna feel like shit no matter what

Truth. When a relationship breaks down, a heart ache is a unquantified feeling quoted from books and lyrics but feeling like shit is real. You know the feeling, when you don’t want to face people, you don’t want to get out of bed and those friends you had have chosen sides.

War On The Inside – Another Lost Year
It was released as a single and it’s the only song from the “Better Days” album to be on Spotify. Vocalist Clinton Cunanan recounted the following in a 2012 interview with backstageaxxess.com.

“My mom had died two and a half years ago and she had been dead about a year when I wrote “War On The Inside.” I just remember being in a really dark place. I had this idea to write and I kind of felt that either way I went was life altering. You know, once I made that choice there was no turning back. And that was kind of my way of, kind of my therapy for it I guess.”

And one of the lyrics that has remained with me, is;

There is no one around this time

For some reason, every time you need to make a life altering decision, you are always on your own. There is no shining light, no helping hand, no spiritual guide.

All these voices calling my name
Keep reminding me of all of this pain
I’m stuck here out on this ledge
Can you save me tonight from the war on the inside

The angst of the modern world. While I grew up shouting I wanna rock at the devil, the modern world grew up with themes that the thrash bands of the 80’s wrote about. And even though thrash and death metal music had themes of depression and suicide, it wasn’t until the Seattle change and the monster Black album that these themes became mainstream.

Let Go – Anew Revolution
And if I let go,
will you let go of me?
Cause I can’t keep holding on.
I’ve given everything
and if I let go
Know that you can’t hold on
You can’t hold on to me

He’s not sure to let go of the relationship in case the other side wants to hold on, because a part of him wants to hold on as well.

Saddest Song – Anew Revolution
And all you are, are to me.
The saddest song that I’ll ever sing.
And all you are, are to me.
The saddest song.
The saddest thing.

When it all breaks down, the memories and the music you shared takes on a different tone. Suddenly that song you loved together is not happy anymore.

I Will Be There – Art Of Dying
I will be there
to watch you grow, to let you know somebody cares
I will be there
to love you when nothing works and no one cares

As a father, words I live and swear by towards my children. There is no greater gift in life than your own blood.

A to Z of Making It, Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

1991 Goodies Lost In The Noise

1991 was a monumental year for music. Shifts in musical tastes aside, career defining albums by Nirvana with “Nevermind”, Metallica with their self-titled “Black” album and Pearl Jam with “Ten” came out.

Guns N Roses released “Use Your Illusion 1 and 2”, the long-awaited follow-up to “Appetite For Destruction” and Ozzy Osbourne resurrected his solo career with “No More Tears”.

U2 had “Achtung Baby”, Van Halen went back to heavy guitars with “For Unlawful Carnal Knowledge” and Red Hot Chilli Peppers came out with “Blood Sugar Sex Magik”.

Competing against these mega selling albums with massive marketing budgets to scorch the Earth, was the rest of the music industry. And while I am on my European holiday, I have been listening to hard rock music released in 1991. And man, there are some goodies in the list.

Rock and Roll Nights – Roxus
A band like Roxus from Australia, never had a chance to break through on the international melodic rock scene in 1991. A lot of hard work went into building the band, from standalone singles to an EP to the debut album; the whole journey took 4 plus years.

And they started getting some traction in 1991 but they came up against some stiff opposition for the attention of listeners. With all of that against them, Roxus did chart well in Australia.

But they had to compete against the changing of the guard. When U.S record labels started signing up Seattle acts, it was no surprise when the Aussie labels started to sign up Australian bands that suddenly started to sound like Seattle bands. To my amazement, hard rock, thrash metal and glam rock bands on the scene down tuned, stop playing solos, changed their look and their sound. All in the quest for a recording contract.

A chance is all that we’ve got
Without a moment to choose
We’ve got to take it
Young hearts in the night
With nothing to lose
We can make it

It’s nothing original but the message was the same throughout the decade. Chances are far and few, so when opportunity presents itself, we’ve got to take the chance. Like Tommy and Gina. Like the small town kid in Detroit.

I’m glad to be around in Rock ‘n’ Roll nights
You and me

It was a moment in time, a period of almost 10 years when the 80’s version of Rock and Roll became a commercial force.

Stand Back – Roxus

The synth intro is addictive and once the guitars kick in from Dragan Stanic, it’s all systems go. “Stand Back” came out as a standalone single in July 1989 and it was also on their debut album “Nightstreet”, which came out in September 1991.

Taking a chance on a night flight
Knowing just where we ought to be

A lot of times in my youth I knew where I should be, but I couldn’t take that chance to get there. That midnight train out of my hometown was missed. That night flight never happened.

I’ve been on this road now for so long
It’s making me harder now

Living and getting older either hardens you or breaks you.

Stand back, human racing
There’s no change, we’re all facing
Stand back, time is racing now

And that is all we seem to do. Just standing back and watching the world go by.

Pretty Maids – Savage Heart

It’s from the “Jump the Gun” album released in 1990. Actually in the U.S it was released as “Lethal Heroes”. Produced by Roger Glover from Deep Purple, it was told that the album was one of the most expensive albums in Danish history. And after it failed commercially, three fifths of the band would leave.

But it wasn’t the music which let the band down. It was the band name. Many times I avoided purchasing this album because of the band name. One time it was down to Bonfire and Pretty Maids and my money went on Bonfire.

The song reminds me of “Is This Love” from Whitesnake.

Whenever we lose someone
Whenever we say goodbye
And after the fire’s gone
When every flame has died
There will beat a savage heart

After so many loses and failures, a savage heart is all that is left.

Another soldier falls
Dies for God and country
When there’s no time for talking
It’s time for the guns

A symptom of our society is the use of guns. If talking cannot prevent it, our leaders believe violence and force is the next solution.

And that massive ending, with the gospel backing vocals is excellent.

AC/DC – The Razors Edge

The title track written by Malcolm and Angus Young got lost behind the behemoth known as “Thunderstruck”. It’s a killer track. One of their best.

How good is that open string riff that drives the song? It’s a simple A to B to C on the G-string progression with the open strings of B and E just droning along. Angus pulls of this lick while Malcolm just thunders along with the E5 power chord.

There’s fighting on the left
And marching on the right
Don’t look up in the sky
You’re gonna die of fright
Here comes the razors edge

AC/DC have never been known to be a political/social conscience band, however if you look at a lot of the lyrics that Bon Scott wrote in the 70’s, you will see a certain social awareness. You will notice that quiet a few of the songs mentioned in this list talk about war.

Harem Scarem – Hard To Love and Slowly Slipping Away

Both tracks are from the self-titled debut album, the music in both songs rocks.

It wasn’t until well into the 2000’s that I got a hold of some music from Harem Scarem. While the first album is very AOR, the second album “Mood Swings” packs some serious metal overtones and some wicked guitar playing.

The band name doesn’t do the music and the songs justice. Like Pretty Maids I bypassed this album because of the band name.

Badlands – The Last Time

Jake E Lee revs it up again for the follow-up “Voodoo Highway” album to the self-titled debut. And what an opening track, where Lee weaves blues based riffs with his metal pedigree to come up with this heavy boogie riff to kick off the track. Rooted in the key of A minor, the track rocks from the outset.

Lyrically the song is about a broken heart (nothing really earth shattering) however the vocal performance by Ray Gillen is also top-notch. Not long after, the band splintered and “The Last Time” is forgotten in the history of times. The song was resurrected by the Red Dragon Cartel, however Lee is not having much luck with his singers.

Stryper – All For One

From the commercially disappointing “Against The Law” that was released on Enigma Records, a label going thru merger talks.

But there is no denying the song, written by Michael Sweet and produced by Tom Werman.

United we will stand up tall
United we will never fall
If it’s all for one and one for all

The chorus is huge and the message is strong.

United we will never fall. Even Dee Snider mentioned recently that metal heads need to unite again, in the same way we did between the years of 1982 to 1987. We made hard rock and heavy metal a commercial force. After that we fragmented into so many different metal genres, it was ridiculous.

Ratt – Shame, Shame, Shame

The opening riff from Warren DeMartini is speed boogie metal. It’s full on Ratt and Roll and DeMartini even drops the E string down to D, something he did to great effect in “Lay It Down”.

But terrible lyrics again let the song down and the overall power of the music is lost. But this song is all about the music to me and it gets constant spins because of it.

Asphalt Ballet – Soul Survive

It’s written by guitarist Danny Clarke, from their 1991 debut album released on Virgin Records who at the time had no interest in marketing bands as they were in negotiation talks with EMI. That merger happened in June 1992 and a lot of bands lost their deals because of it.

I’ve seen the system fall apart from the rules
And all our Presidents lie
I’ve seen the needle and the damage it’s done
The wreckage left behind

These are social conscience lyrics that a lot of rock bands just didn’t do at the turn of the century. Or if they did do songs like this, the record label wouldn’t release them as singles. How good is that verse riff?

My soul survives
Forever doing time on a dead-end street
My soul survives
Blood like wine running down to my feet, yeah-yeah, yeah!

And for the majority of us, that is how we live our days, doing time in the same old place with the same old faces.

Skid Row – Quicksand Jesus

Written by Rachel Bolan and Dave Sabo, it’s from the gigantic “Slave To The Grind” album, but for some reason this song went under the radar but it’s a masterpiece.

Quicksand Jesus I need you
Quicksand Jesus I believe you
Quicksand I’m so far away

The song is about trying not to lose faith in God with all the crap that goes on in the world. The music is brilliant and Sebastian’s vocals from the “Where do we go” section are sublime.

Richie Sambora – Stranger In This Town

Written by Richie Sambora and his Bon Jovi cohort Dave Bryan, you cannot escape this addictive track that is heavily influenced by “With A Little Help From My Friends”.

Everybody loves a winner
Till the winners lose
And then it’s front page news
Nobody loves a loser
When you’re down and out
You know there ain’t no doubt

This is Richie, unsure of his future. He just finished two gruelling album and world tour cycles with Bon Jovi. He was a winner. Then, the uncertainty came as the band went on a break. He had no record deal, no management, nothing.

“Song And Emotion” from Tesla has a similar message. Where are all the “friends” when you are down and out? Dee Snider’s bio tells a similar story. When he had nothing, he had no one except his family.

Tesla – Song and Emotion
Tesla – Freedom Slaves
Tesla – Had Enough

Even though the “Psychotic Supper” album was eventually certified platinum, on release it didn’t have a chance to break through to the masses. Within 30 days of its release it had to contend with “Ten” from Pearl Jam, “Nevermind” from Nirvana, “Use Your Illusion 1 and 2” from Guns N Roses and the self-titled “Black” album from Metallica.

Tesla is a legendary band in my book. Each album has songs that have remained with me to this day. “Psychotic Supper” gave me these three beauties. All of them are so different, yet so infectious.

“Song and Emotion” is killer. It’s written by Frank Hannon, Jeff Keith, Michael Barbiero (producer) and Tom Skeoch.

All alone on his way to the top
Somehow, somewhere, something was lost
Through it all he knew his only friend was
Song and emotion
Know he’s got to his dying day

Read all of the bios of the artists you like and there is a common theme of loneliness. They turn to drugs, booze and other vices to cope with the loneliness especially when they are on the road for long periods of time.

Where are they now?
Where are those people who promised him his dreams?
Where are they now for this lonely creature on the streets?
Broken, humbled by the cold reality?

The song is dedicated to Steve Clark from Def Leppard. The bigger Def Leppard got, the more isolated their lives became. The price of stardom meant they couldn’t leave their house without an entourage.

Life at the top ain’t always what it seems

It’s a common critique of artists when they’ve made it.

“Freedom Slaves” is a foot stomper with another killer mid-section and solo. It’s written by Frank Hannon, Tommy Skeoch and Brian Wheat.

I pledge no allegiance to your flag
I feel I got me some damn good reasons for feelin’ bad
If you want freedom now, it’s got to be won
It’s only bullets. It’s just a gun

1991 had songs about war, especially with the Gulf War looming over our heads.

Can’t ya see that we’re all freedom slaves?

Freedom comes at a human cost, but then when our freedoms are hijacked by corporations and leaders in the pocket of lobbyists, we become capitalist slaves.

Welcome to freedom. Now, there’s work to be done.

There is work for the ones that have no alternative. They don’t have the degrees, the fortune 500 jobs or some other helping hand.

I don’t know what next they’ll be killin’,
Rapin’ the land with pollution and spillin’.
Here’s to the tired, to the hungry, to the helpless and the poor.
Is there no glory for blisters and sores?

The world was in GFC turmoil, six years ago. The perpetrators got out without any losses, while the working class, lost houses and their jobs. As the lyric states, there is no glory in blisters and sores.

“Had Enough” opens up with a beer can opening and then the riff kicks in. It’s a head banger about downing a few and smoking some weed. It’s written by Jeff Keith and Tommy Skeoch.

Me and the boys are gonna rock tonite.
Drinkin’ double shots, feelin fine. Mmmm, I like it!
I like the way, the way it makes me feel.
Now, I’m in love witcha, Lady Mary Jane.
You put my mind at ease, make me feel no pain.
Keep takin’ me; keep takin’ me higher, well, and higher.
Light my fire!

The song is all about the high at the start and by the end the character in the song has passed the point of no return and is now addicted.

Have I reached the point, the point of no return?
When will I learn?

White Lion – Warsong
White Lion – It’s Over

Almost five months after “Mane Attraction” came out, White Lion split up and one of the most melodic and expressive guitarists was lost to us.

Mike Tramp wrote good social consciousness lyrics but his take on clichéd rock and roll themes fell short and failed to compliment the outstanding musicianship of Vito Bratta.

In all of this craziness, two songs stand out to this day.

“Warsong” shows the metal side of Bratta, while “It’s Over” shows the classic blues rock side of Bratta.

What are we fighting for?
When the price we pay is endless war
What are we fighting for?
When all we need is peace

When you look at the wars our homelands have been in and for what purpose, you start to question, why.

I know that I was wrong to treat you like I did
But don’t you think our love deserves a second chance

The above is from “It’s Over”. The blues 12/8 boogie lays the foundations for Bratta to showcase his prowess.

Once the mirror breaks it’s never the same. Same deal with a relationship. Once you break apart once, it’s over. White Lion fragmented without even arguing. It was just time to say “It’s Over”.

Europe – Seventh Sign

“Prisoners In Paradise” album cycle was a lesson in record label politics. Europe wrote 20 songs and the record label rejected a lot of them. Outside writers got the call and Europe kept on writing songs. Eventually after 12 months, the album was done.

It cost a lot and once it was released it was left to fend on its own, without any record label support.

We could all come together
And gather all around
What good is war when we
All go down

Another song with a reference to war.

Savatage – If I Go Away

The whole rock opera from Savatage was an ode to making it, the vices that come with success and the loneliness once the crowds are gone.

Somewhere on that long lonely road
We all stand alone
Looking for clues
From our different views

That’s why we turn to music and the messages in our favourite songs. We are looking for clues from our artists. Maybe they’ve experienced the same.

If I go away
What would still remain of me?

What memories will people carry forward if they go away?

Screaming Jets – Better
Screaming Jets – Fat Rich Cunt

Screaming Jets is an Australian band that basically has legendary pub status within our shores.

They said you’d never get anywhere,
Well they don’t care and it’s just not fair
That you know, and I know better.

“Better” became like a national anthem in Australia. The whole groove of the song is infectious.

Fat Rich Cunt

It’s one of my favourites on the album. The message in the song, is even more relevant in 2016.

You drive your fast car,
All over the town,
You got your offices up 50 floors from the ground.
You hire your slaves to bid for you,
You’ve got a couple of wives and a mistress or two.
And I can’t wait to see you tumble and fall.

When I worked as an insurance broker, all of the people around me had second or third marriages, mistresses on the side and a cocaine habit to match.

You fat, fat, fat rich cunts.

The war cry.

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