Happy new year to everyone. 2018 is here, so let the listening begin.
I started off my working day with Yngwie Malmsteen’s “Trilogy” album. I really dig the songs “You Don’t Remember (I’ll Never Forget)”, “Queen In Love”, “Magic Mirror”, “Fire” and the instrumentals “Crying” and Trilogy”. So many great riffs and leads in those songs. Hell chuck in “Liar” and “Fury”.
Actually does anyone remember the plane incident with Malmsteen where he said to the flight attendant they’ve unleased the fucking fury?
I am sure there is an internet meme out there.
When the U.S record labels went anti shred in the 90’s, the Japanese and South American markets kept his career going. But there is no denying his 80’s output and it’s a shame that a rumoured collaboration with Ronnie James Dio never happened. Actually not sure how true that was as it was in the rumors section of Metal Edge or Hot Metal.
Then I moved to “Trash” from Alice Cooper. It’s been a long time since I heard the full album from start to finish and man I still dig it. I know its commercial sounding and that Desmond Child is producing, but man, its chock full of good songs.
And it’s Alice Fucking Cooper singing. How can it not be good?
The real gems are “Spark In The Dark”, “This Maniac Is In Love With You”, “I’m Your Gun”, “Why Trust You” and “Trash”. They are Alice all the way and when you add the pop metal tunes in “Poison”, “House Of Fire”, “Only My Heart Talkin”, “Bed Of Nails” and “Hell Is Living Without You”, you get to understand why it the album was so popular and moved a lot of units around the world.
Afterwards, “Operation Mindcrime” from Queensryche got a listen. This is a monster concept album. It’s funny how Mustaine once called em “Yuppie metal” and at the same time Metallica put them as openers on their “Justice” U.S trek. Maybe having the same management team in Q Prime helped. But there is no denying the power of the album and the lyrical message.
“Revolution Calling”, “Operation Mindcrime”, “Speak”, “The Mission”, “Spreading The Disease”, “Suite Sister Mary”, The Needle Lies”, “Breaking The Silence”, “I Don’t Believe In Love” and “Eyes Of A Stranger” all have excellent guitar playing and the album gave me a tonne of great ideas and phrases to use as influences in my own song writing.
It was only ten past eleven (just before noon) and I clicked on Spotify’s recommendations. “Flesh and Blood” from Poison was recommended. Even though I listened to the vinyl a lot in the 90’s, I haven’t cranked it on Spotify at all.
It starts off with the pointless “Strange Days of Uncle Jack”, before it goes into “Valley Of Lost Souls”, which to me is one hell of good song and the best on the album. “(Flesh and Blood) Sacrifice” comes next and it’s a one-two knock-out punch. The pointless “Swampjuice” (Soul-O) is up before “Unskinny Bop” starts rolling. I know it was a single and one of their big songs, but I wasn’t really a fan.
“Let It Play” could have been on a John Cougar Mellencamp or Bryan Adams album while “Life Goes On” is a good power ballad and CC plays a tasty intro lead to the song and in the main lead section. “Come Hell or High Water” is another underrated tune in the vein of the Classic Rock of the 70’s that doesn’t get its dues.
“Ride The Wind” is another sleeper, while “Don’t Give Up An Inch” is a bit derivative of “Come Hell or High Water”. “Something To Believe In” copies the “Every Rose Has It’s Thorn” country bluesy vibe, however this time, the piano is the main driver instead of the acoustic guitar.
“Ball And Chain” is unfinished. “Life Loves A Tragedy” is another sleeper song that deserves more attention. “Poor Boy Blues” sounds like a drunken 12 bar blues jam which ended up on the record.
“Blow My Fuse” from Kix was up next. Now this album is a perfect example of the “progress is derivative model”.
It starts off with “Red Lite, Green Lite, TNT” which sounds very familiar like something from “The Rocky Horror Picture Show”. “Get It While It’s Hot” is heavily influenced by “You Shook Me All Night Long” from AC/DC. Actually it’s very heavily, heavily influenced.
“No Ring Around Rosie” is a beefed up “La Grange” from ZZ Top in the verses. “Don’t Close Your Eyes” is taking its cues from “Home Sweet Home” and “Dream On”. “She Dropped Me The Bomb” is again heavily influenced by AC/DC with a touch of The Who. “Cold Blood” is a very similar to “Long Way To The Top” from AC/DC in the verses.
“Piece Of The Pie” is very heavily influenced by Aerosmith. “Boomerang” is influenced by Led Zeppelin. “Blow My Fuse” is such a good track where the influences are not as obvious as the other tracks. “Dirty Boys” is influenced by “Let There Be Rock” by AC/DC.
Finally, Winger is up, with “Kip Winger” becoming a face on a dartboard when Metallica was recording the “Black” album. All in all, Winger (the band) was a powerful unit of brilliant musicians. If you purchased Winger for earth shattering lyrics, this wasn’t the band. But if you wanted to hear great music and good melodies and arena rock choruses, well you wouldn’t be disappointed.
The groovy “Can’t Get Enough” kicks off the album and it’s followed by “Loosen Up” which probably should have been lost from the album. When “Miles Away” came on, I wasn’t sure if it was Bad English or Def Leppard. It’s one of those slow tempo melodic rock songs. “Easy Come Easy Go” has a cool groove and I dig the horn section in the verses.
The next two songs are two of my favourite songs. “Rainbow In The Rose” is an interesting song, a cross between Toto and Journey. It’s very mature musically. “In The Day We’ll Never See” is another mature song and to be honest it’s a shame that these kinds of songs get lost behind the generic MTV songs that each band recorded.
There are a few misses and then the title track bookends the album, which again is another mature track lost behind the more commercial tunes.
I must say, not a bad day at work.