
Released in November 1987 on Elektra Records. By January 1988, it was certified Gold and Platinum. Then again, everything released in 1987 was certified platinum in 1988.
And they had momentum.
The single “Dream Warriors” was released in February 1987 as the theme song for the horror film “A Nightmare on Elm Street 3: Dream Warriors”. The single was still selling and video was still doing the MTV rounds when the album was released.
The title of the album comes from the song “Back for the Attack”, which was recorded during the sessions for “Under Lock and Key” in 1985 and released as the B-side to “Dream Warriors”.
Dokken is Don Dokken on vocals. George Lynch on guitars, Jeff Pilson on bass and Mick Brown on drums. And Jeff Pilson again has a hand in every song.

KISS OF DEATH
As soon as the opening notes are played I was hooked. The riffs in this song are aggressive and very thrash like.
How good are the pinch harmonics in the verse riff?
For the solo, Lynch did numerous takes however they ended up using his first take as it was the best and the most emotive. And if there was any question about his prowess, listen to this.
It’s basically one of the best metal songs ever made.
PRISONER
Melodic anthemic heavy rock at its best with a cheesy chorus about being a prisoner, chained by love.
I wouldn’t have it any other way.
It’s one of my favorite cuts.
And check out the leads from Lynch in the Intro/Chorus and his normal solo break.
NIGHT BY NIGHT
a strange mix of hard, heavy, melodic, and dark alike, and stands as one of the strongest cuts featured here as a result.
STANDING IN THE SHADOWS
It’s very AC/DC-esque.
HEAVEN SENT
It’s bluesy and I like it.
Make sure you check out the lead break.
MR. SCARY
It’s known as the instrumental which showcases George Lynch, but it also showcases Jeff Pilson as a very capable bassist.
How heavy is the Intro/Main riff?

SO MANY TEARS
It’s got this Tom Petty vibe in the Intro/Chorus riff, before the normal power chord to flat 5 riff kicks in.
BURNING LIKE A FLAME
Musically they are trying to write their own “Summer Of 69” but…
LOST BEHIND A WALL
One of my favorites.
I feel like “Turbo Lover” inspired the Intro and verses.
It’s just bass and drums, then the vocals and then the guitars crash in.
Listen to it cranked.
STOP FIGHTING LOVE
Another melodic rock classic, hidden deep in the album.
The Chorus riff is a great example of metal like riffing in a pop song setting.
CRY OF THE GYPSY
Check out the rhythm and lead work on this one?
It’s basically what Lynch Mob would sound like in a few years time. Actually am I allowed to write that name these days.
SLEEPLESS NIGHTS
Too many songs with similar themes like this. “Sleepless Nights”, “Up All Night”, you get the idea. Cliched yes, but Lynch does his best to shred all over it.
DREAM WARRIORS
The movie company wanted us to write a song that they had already decided would be called “Dream Warriors” [for the 1987 film A Nightmare on Elm Street 3: Dream Warriors]. So, it wasn’t like we came up with it. They said, “Can you write a song with the title ‘Dream Warriors’?”
And again, Jeff, Mick, and George wrote a version, and I wrote a version by myself. Mine was more uptempo, more of a rock song.
So, I wrote a version, they wrote a version. It’s kind of funny. They said, “We actually like your version better Don, but we’re going to use our part.” [Laughs] It was just ego – there was a lot of ego in my band in the ’80s.
The Intro. How good is it?
The lead break is excellent and how good is the riff in the verse after it.

And of course, I purchased it on CD as well via the box set that mimicked the vinyls.





Finally, this Guitar World issue with Alex Lifeson and Geddy Lee on the cover introduced the new Dokken album.
Check out Lifeson. So 80s and so not flattering.

