Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories

Coverdale/Page, Cinderella and Winger

The Spotify AI is recommending artists based on Whitesnake.

Yesterday, the first recommendation was “Mechanical Resonance” from Tesla, then “Live At Sweden Rock – 30th Anniversary Show” from Europe, then “Meanstreak” from Y&T, then “Slave To The Grind” from Skid Row and then Coverdale/Page.

After Coverdale/Page it was “Euphoria” from Def Leppard, “Bent Out Of Shape” from Rainbow, “Standing Hampton” from Sammy Hagar, “Eat Em And Smile” from David Lee Roth and finally “Erase The Slate” from Dokken.

What, no Deep Purple?

Surely the AI is programmed to look at previous bands of artists?

I guess not.

Today, the AI recommended “Erase The Slate” from Dokken again, “Winger” self-titled debut as second, “Night Songs” by Cinderella as third. Then “Hysteria” by Def Leppard, “Absolute Hits” by Great White, “Slave To The Grind” by Skid Row, “Coverdale/Page” again (even after I streamed it a few times the day before), “Outlier” by Kingdom Come, “Simplicity” by Tesla and “Prisoners In Paradise” from Europe (which is not even available to stream in Australia).

And what the AI seems to be doing is just replacing the albums of artists. Like “Euphoria” and “Hysteria”.

Anyway, over to Coverdale/Page.

The album came out in 1993 and for me it was a stellar album. I loved the guitar work on it, like the opening string pull off lick for “Shake My Tree”. Simply, yet effective and Coverdale follows the riff with the vocal lead. Then when it gets heavy, it’s a cross between “Still Of The Night” and “Communication Breakdown”.

The lead break on “Waiting On You” is simple and effective and the riffs groove behind it. Plus I dig the lyric line, “till the rivers run dry”, a metaphor for change.

And although the song has nothing to do with climate change, it got me thinking how bizarre the situation is, our oceans are rising, getting ready to swallow coastal lands while the water on our lands via rivers and rainfall is drying.

Take Me For A Little While” is one of Coverdale’s best songs. Jimmy Page breaks out one of his best lead breaks and that little lead lick in the Chorus, makes me press repeat on this song.

Pride and Joy” could have come from Led Zep III, as Jimmy Page brings his open string tunings to David Coverdale. And while it rocks acoustically, it’s the heavy open string verse riff which connects, and when it goes back into the open tuning acoustic bit, it’s just perfect.

Four tracks in and I’m on the floor. When “Over Now” kicks in, I am digging the psychedelic nature of the vocals and the exoticism of the music. And artists tried to recreate their 70’s influences in the late 80s and 90s like Jake E Lee in Badlands, however, it still sounded like stuff they would have done within a modern rock context.

Because the 70’s artists, used their 60’s influences to create their 70’s sounds, hence why the songs from these artists like Page don’t follow the typical verse, chorus, verse, chorus. “Over Now” has  no real structure as it moves between verses and something which resembles a chorus and an outro which feels like a cool jam.

You talked to me of virtue
And sang a song so sweet
But all I know is I could smell
The perfume of deceit
And it’s over now

Coverdale is referencing his break up with the Jaguar dancer Tawny Kitaen. And there are quite a few songs on the album which reference the relationship.

Feeling Hot” is the sped up child of “Johnny Be Goode” crossed with “Hit The Road Jack”.

And the comparison to Led Zep is always going to happen, because Jimmy Page is Led Zep’s main musical writer and it doesn’t matter with who he works with, his riffs will always sound like Page and Page’s career is held within his work with Led Zep.

Like “Easy Does It”. It is one of the best Led Zeppelin tracks that Led Zeppelin didn’t write. And when it morphs into a rocking track from about 2.40 mark, it’s so cool to hear Coverdale steer away from the typical verse and chorus format.

Of course, songs which follow that format will give you success if they cross over into the mainstream, but for me, it’s these kinds of songs that get me to commit. Like for Whitesnake, it was “Still Of The Night” which got me to commit, and it didn’t follow the conventional verse and chorus format.

Absolution Blues” has David Coverdale delivering a near perfect Led Zep vocal line in the verses.

Come the dawn of judgement day
I’ll get down on my knees and pray
The Good Lord don’t send me away
I’ll never ever go

No one wants to leave the land of the living. They realize then how much living they really need to do.

Whisper A Prayer For The Dying” is one of my favourite songs on the album. That dropped D intro riff is excellent. Even System Of A Down used a very similar style riff for their awesome song “Aerials” from the mega selling “Toxicity” album.

Also the idea of the song happened back in 1982-83 as their is an acoustic demo of the song on the “Slide It In” Deluxe reissue. And when you combine various wars for lyrical inspiration and Jimmy Page”s dropped D riff, you get a classic.

The suffocating heat of jungles, burning desert sands
Where everything reminds you, you’re a stranger in a strange land
The soothing words of politicians, those bodyguards of lies
While guardian angels waste their time and every mother cries

There is a whole generation of people who wouldn’t even know about the Vietnam War or the Gulf War. And when leaders from around the world decide to send in their troops to a place, well those troops already have a target on their back, as strangers in a strange land.

Machine gun, battle cry
You pray to God when the bullets fly
The bombs fall like black rain
And all your dreams take you home again
Nothing but bad dreams

At the end of the first Gulf War, the Iraqi forces set an oilfield alight, which burned black toxic smoke for months. And when it rained all those black toxins came back down as black rain.

And the ones who survived, are struck with PTSD.

You can’t read, you can’t write
You’re so scared, you can’t sleep at night
You try to carry the heavy load
Walking down Armageddon road, oh, Armageddon road

In reality what did all of the Wars achieve?

Iraq invaded Saudi Arabia and all the democratic countries rushed to the Saudi aids so their young Prince could grow up and order the dismemberment of a journalist who spoke out against him. And Iraq along with Afghanistan is still a hotspot of violence and extremism.

Would you have gone there for a holiday when these countries were controlled by dictators?

Would you fly there now, that these countries have been liberated by the good democratic countries?

I’m pretty sure the answer would be NO to both questions.

How good is Cinderella?

They are a lot more than just a hair band, a stupid genre they got lumped in. Maybe it’s their fault for allowing their image to look like a hair band but then again when you are trying to make it, you will listen and do what the A&R department tells you to do.

Anyway, “Night Songs” opens the album which carries its name and it’s a hooky slow dirge.

Workin’ this job ain’t payin’ the bills
Sick and tired rat race takin’ my thrills
Kickin’ down the road not a dime in my pocket
Nightime falls and I’m ready to rock it

It’s a game of collusion. Governments and corporations ensure that the wages paid are just enough to live a frugal lifestyle, however as the cost of living goes up, the wages don’t seem to follow the same trajectory. My land rates go up 4% each year for the last 3 years. My wage has gone up 1% each year.

Which then means we need to find a second job, or a higher paying job or we need to borrow money from the banks.

And before payday, I used to have just a dime in my pocket but regardless of what state I was in financially, I always had my music and was always ready to rock it.

Forget the day ’cause we’re gonna scream

And that is exactly what we did.

Night songs
Makes the day right

Even in the comfort of your own home, when you drop the needle and the sound surrounds you and bounces off the walls, it normally happens at night and when you are alone with your thoughts.

When “Shake Me” rolls into town, you know the party is just getting started.

And Tom Keifer’s raspy voice is the difference. He didn’t sound like any other singer out on the market. Maybe a bit like Brian Johnson. Hell, the band Hinder had a career in the music business many years later because their singer had the same raspy voice like Keifer.

Then, those clean tone Am arpeggios start and “Nobody’s Fool” fills the room. For a debut record, Keifer has knocked me out with a triple left hook.

And how good is the vocal melody and riff in “Nothin’ For Nothin’”?

You got nothin’
Nothin’ for nothin’
You’re hurtin’ overtime
Nothin’ for nothin’
And we don’t need your kind
Nothin’ for nothin’
Pushin’, shovin’, got no time
Nothin’ for nothin’

Kids these days have a lot more rights in life and in the workplace than what their parents and grand parents had. But the mindsets are different. They always get something.

Once Around The Ride” is a classic heavy metal track, with an air guitar pedal tone riff, a wicked lead break from Jeff LeBar and a vocal melody from Keifer which sticks around long after the song has finished.

Hell On Wheels” could have come from any NWOBHM act, but with better melodies and vocals from Kiefer.

We’ve had enough of the raw deals
Hit the road and tell ya how it feels

Like hell on wheels

Somebody Save Me” is my favourite. The “Knock Em Dead Kid” riff merged with “Looks That Kill” works a treat and Keifer delivers vocally.

Somebody save me
I lost my job, they kicked me out of my dream

The Australian dream is to own your home. And once upon a time people did just that and then passed it down to their next of kin. And Governments didn’t like that because they didn’t get any tax on it, so they passed laws that to change the name on the deed you still had to pay a stamp duty tax.

But these days people are buying, paying the minimum repayments and then selling it when they need to move because they lost their job and the next job is in a different state or in a city hours away. And if they don’t sell it in time, the bank will sell it for them and kick them out of their dream.

And the house prices are so high it’s hard to even enter the market.

Well, everybody’s got opinions
But nobody’s got the answers
And the shit you ate for breakfast
Well, it’ll only give you cancer

So true. A while back, I was in a meeting at work and I had my opinionated vent in it. Then I was asked how I would do the job that needs to be done and I had no fucking answer. So I made a note to myself that if I’m going to question others I need to also have answers and solutions.

And what about all the research coming out about processed meats giving you cancer, how too much red meat will give you cancer and all those cereals that the corporations said were healthy in the 80s (backed by Government research financed by the cereal makers) proved to be full of sugar and bad for you.

Somebody get the doctor
I think I’m gonna crash
Never paid the bill
Because I ain’t got the cash

You can’t pay a bill when you don’t have the funds. And you don’t have the funds because you either don’t have a job or you have a job but are over committed to a lot of debt. Either way, it’s a pivotal moment in your life when you are in this place. And you understand that life is not fair and the game is rigged.

“In From The Outside” has an excellent outro and it’s the reason why I go through the whole song, just to hear the outro and how they fit in this metal like section to a 12 bar blues. Brilliant.

And “Back Home Again” is a great way to bookend the album. An open string riff kicks it off and the vocal melody from Keifer is brilliant.

I hit the road wide open at seventeen
Mama cried herself to sleep
Lost a dad I’d never seen
Took all my childhood friends
Guitar, and a dream

It doesn’t happen like that anymore or does it. These days it’s let’s hit the internet and build an online social presence and you play live if their is demand. Once upon a time you played to get better and you took what gig you could get in order to build your fan base.

And for the sake of it, I streamed Winger (released in 1988), because of Reb Beach. He is a phenomenal guitarist and he always interviewed well, with a great grasp of techniques when it came to the guitar. And the Winger debut is full of Reb Beach.

Madalaine” kicks off the album and the first time I heard it, I was really surprised at how good the vocals sounded.

Hungry” is one of my favourites on the album and I always compared it to “Hungry” from White Lion’s which is a bit more superior because that riff from Bratta rocks hard and is brilliant to play.

But the way, “Hungry” starts off with the violin like orchestra, then it morphs into a syncopated groove for the pre –chorus and in the chorus, listen to how Reb Beach takes a stock chord progression and decorates it.

Now the piece d resistance in this song, is the prog rock bit after the solo, which goes into an acoustic bit of the 1st verse, then Reb Beach and the drums take over, playing just the chorus riff and then the whole band comes in as they move into the ending of the song. For such a commercial sounding track with a big arena rock chorus, it has a lot of movements which people either didn’t notice because the band made it sound so seamless.

Seventeen” is the best Van Halen track that EVH didn’t write. Just check out the opening riff. But that lead break from Reb Beach. Wow.

Time To Surrender” has a wicked guitar riff and a 12/8 groove feel in the dreams. The vocal melody from Kip is also on the money, but man, the lyrics, about it being time to surrender because his love don’t live there anymore just didn’t do the music any justice.

Hangin On”. Listen to it, to hear Reb Beach decorate again.

Headed For A Heartbreak” is a song that is not forgotten easy. I think it’s that keyboard lick in the Chorus (after they sing “Headed For A Heartbreak”) which remains. Maybe even the solo section. Or that outro guitar solo from Reb Beach or the offbeat drumming. Whatever it is, something always remains with me after hearing this song.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Random Listening

Happy new year to everyone. 2018 is here, so let the listening begin.

I started off my working day with Yngwie Malmsteen’s “Trilogy” album. I really dig the songs “You Don’t Remember (I’ll Never Forget)”, “Queen In Love”, “Magic Mirror”, “Fire” and the instrumentals “Crying” and Trilogy”. So many great riffs and leads in those songs. Hell chuck in “Liar” and “Fury”.

Actually does anyone remember the plane incident with Malmsteen where he said to the flight attendant they’ve unleased the fucking fury?

I am sure there is an internet meme out there.

When the U.S record labels went anti shred in the 90’s, the Japanese and South American markets kept his career going. But there is no denying his 80’s output and it’s a shame that a rumoured collaboration with Ronnie James Dio never happened. Actually not sure how true that was as it was in the rumors section of Metal Edge or Hot Metal.

Then I moved to “Trash” from Alice Cooper. It’s been a long time since I heard the full album from start to finish and man I still dig it. I know its commercial sounding and that Desmond Child is producing, but man, its chock full of good songs.

And it’s Alice Fucking Cooper singing. How can it not be good?

The real gems are “Spark In The Dark”, “This Maniac Is In Love With You”, “I’m Your Gun”, “Why Trust You” and “Trash”. They are Alice all the way and when you add the pop metal tunes in “Poison”, “House Of Fire”, “Only My Heart Talkin”, “Bed Of Nails” and “Hell Is Living Without You”, you get to understand why it the album was so popular and moved a lot of units around the world.

Afterwards, “Operation Mindcrime” from Queensryche got a listen. This is a monster concept album. It’s funny how Mustaine once called em “Yuppie metal” and at the same time Metallica put them as openers on their “Justice” U.S trek. Maybe having the same management team in Q Prime helped. But there is no denying the power of the album and the lyrical message.

“Revolution Calling”, “Operation Mindcrime”, “Speak”, “The Mission”, “Spreading The Disease”, “Suite Sister Mary”, The Needle Lies”, “Breaking The Silence”, “I Don’t Believe In Love” and “Eyes Of A Stranger” all have excellent guitar playing and the album gave me a tonne of great ideas and phrases to use as influences in my own song writing.

It was only ten past eleven (just before noon) and I clicked on Spotify’s recommendations. “Flesh and Blood” from Poison was recommended. Even though I listened to the vinyl a lot in the 90’s, I haven’t cranked it on Spotify at all.

It starts off with the pointless “Strange Days of Uncle Jack”, before it goes into “Valley Of Lost Souls”, which to me is one hell of good song and the best on the album. “(Flesh and Blood) Sacrifice” comes next and it’s a one-two knock-out punch. The pointless “Swampjuice” (Soul-O) is up before “Unskinny Bop” starts rolling. I know it was a single and one of their big songs, but I wasn’t really a fan.

“Let It Play” could have been on a John Cougar Mellencamp or Bryan Adams album while “Life Goes On” is a good power ballad and CC plays a tasty intro lead to the song and in the main lead section. “Come Hell or High Water” is another underrated tune in the vein of the Classic Rock of the 70’s that doesn’t get its dues.

“Ride The Wind” is another sleeper, while “Don’t Give Up An Inch” is a bit derivative of “Come Hell or High Water”. “Something To Believe In” copies the “Every Rose Has It’s Thorn” country bluesy vibe, however this time, the piano is the main driver instead of the acoustic guitar.

“Ball And Chain” is unfinished. “Life Loves A Tragedy” is another sleeper song that deserves more attention. “Poor Boy Blues” sounds like a drunken 12 bar blues jam which ended up on the record.

“Blow My Fuse” from Kix was up next. Now this album is a perfect example of the “progress is derivative model”.

It starts off with “Red Lite, Green Lite, TNT” which sounds very familiar like something from “The Rocky Horror Picture Show”. “Get It While It’s Hot” is heavily influenced by “You Shook Me All Night Long” from AC/DC. Actually it’s very heavily, heavily influenced.

“No Ring Around Rosie” is a beefed up “La Grange” from ZZ Top in the verses. “Don’t Close Your Eyes” is taking its cues from “Home Sweet Home” and “Dream On”. “She Dropped Me The Bomb” is again heavily influenced by AC/DC with a touch of The Who.  “Cold Blood” is a very similar to “Long Way To The Top” from AC/DC in the verses.

“Piece Of The Pie” is very heavily influenced by Aerosmith. “Boomerang” is influenced by Led Zeppelin. “Blow My Fuse” is such a good track where the influences are not as obvious as the other tracks. “Dirty Boys” is influenced by “Let There Be Rock” by AC/DC.

Finally, Winger is up, with “Kip Winger” becoming a face on a dartboard when Metallica was recording the “Black” album. All in all, Winger (the band) was a powerful unit of brilliant musicians. If you purchased Winger for earth shattering lyrics, this wasn’t the band. But if you wanted to hear great music and good melodies and arena rock choruses, well you wouldn’t be disappointed.

The groovy “Can’t Get Enough” kicks off the album and it’s followed by “Loosen Up” which probably should have been lost from the album. When “Miles Away” came on, I wasn’t sure if it was Bad English or Def Leppard. It’s one of those slow tempo melodic rock songs. “Easy Come Easy Go” has a cool groove and I dig the horn section in the verses.

The next two songs are two of my favourite songs. “Rainbow In The Rose” is an interesting song, a cross between Toto and Journey. It’s very mature musically. “In The Day We’ll Never See” is another mature song and to be honest it’s a shame that these kinds of songs get lost behind the generic MTV songs that each band recorded.

There are a few misses and then the title track bookends the album, which again is another mature track lost behind the more commercial tunes.

I must say, not a bad day at work.

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Music

In This Moment and Atlantic

“In This Moment” will regret signing with Atlantic Records. Atlantic Records under the reign of the departed Ahmet Ertegun were well known for not paying their artists. Throughout the Eighties, Atlantic capitalised big time on the success of the metal and rock bands, and once those bands dad a drop in sales, Atlantic started dropping the bands left, right and centre and moved on to the next thing that could make them money.

Let’s look at some of the bands that Atlantic have signed;

The story of the band “Bush” is very similar to “In This Moment”. After three successful releases on a smaller label, “Bush” signed with Atlantic for their fourth release and in return they had their least successful album. So with no mainstream success and a lack of label support, “Bush” called it quits. Which is a shame as the band was coming of three great albums.

“Winger” was signed by Atlantic and they had success with Atlantic Records, there is no doubt about that. However, Atlantic signed a band that had musicians already developed and experienced. There was no artist and development costs associated with “Winger”. With that experience Atlantic reaped in millions from the first two “Winger” albums. After “Winger” delivered their best album “Down Icognito”, “Beavis and Butthead” also happened, and after hanging a Winger loving family in one of their episodes, Atlantic Records suddenly developed amnesia and claimed that they had never heard of “Winger”.

“Collective Soul” already had a demo version of their massive hit “Shine” doing the rounds on radio for about six months before Atlantic picked them up and re-released the same demo album under the Atlantic brand. What an artist and development program at Atlantic. While the band kept selling, Atlantic loved them. Then when the sales started to decline (although still great numbers compared to other bands), the label started to lose interest and after 7 years of making Atlantic wealthy, once their contract ended, it wasn’t renewed.

“White Lion” also experienced a similar fate to “Winger”. When the band was signed, they already had seven years under their belts, plus an independent release. What an artist and development program at Atlantic. So when “Pride” broke out, Atlantic pushed them to write more hit singles. This added pressure to create “hit songs” caused a conflicted Vito Bratta even more conflict and when the record label advice failed to provide an increase in sales for “Big Game”, the label just stopped caring. As a last resort, they gave them a lot of money for the “Mane Attraction” album and while “White Lion” was out of the music scene recording that album, their label had already moved on. So it was no surprise when the album was released with no marketing budget and within 5 months of the album being released the band was over. No one from the label called them and it just ended.

“Twisted Sister” had a huge local following, however US labels just kept on rejecting them. Eventually, they went looking for a deal in Europe and after a false start with Secret Records, they ended up getting signed to Atlantic Europe. Then they started to get traction in the US with “You Cant Stop Rock N Roll”. As an import album, it was selling like hot cakes in the US. So of course, Atlantic US came knocking, signed them (even though they ignored and rejected them for ten years prior to that), made a huge amount of money of the “Stay Hungry” album and then dropped them three years later. Again, what an artist and development program at Atlantic.

“Zebra” had a huge local following before they got signed with Atlantic Records. Then the “Zebra” debut album became one of the fastest selling releases on the Atlantic roster. Again, what an artist and development program at Atlantic. Not one of the bands that I have mentioned above got signed and developed. They where all developed. Three years later, Atlantic dropped the band, however they kept an option open on Randy Jackson. Randy Jackson finished the “China Rain” record in 1990 and Atlantic Records decided not to release it. Sound familiar. Gatekeepers controlling the fate of musicians. Dee Snider suffered the same fate with his “Desperado” project after experiencing the same shafting when he was in “Twisted Sister”.

“Badlands” was signed by Atlantic. The self-titled debut came out and it achieved cult like status among the jaded metal community. “Voodoo Highway” came next however Atlantic was not impressed with what “Badlands” delivered. It was during the making of “Voodoo Highway” that Lee and Gillen started to disagree over the direction the band was taking. The label wanted hit songs. The label wanted songs written to a strict radio formula. Ray Gillen apparently had songs that suited what the label was looking for. Those frustrations came to a head when Jake E. Lee accused Ray Gillen of going behind his back to the record company in a revealing Kerrang interview. In the end, Atlantic broke the band up and then dropped them when they went chasing the grunge dollars.

Atlantic has a history of extorting hard rock and metal bands. Testament, Skid Row, P.O.D, Mr Big, Taproot, Savatage, The Cult, Kix, Kings X and Queensryche are other bands that come to mind.

“In This Moment” will be next. Their music is a niche style and that style has a niche audience. For them to cross over, they really need to diverge from their style. Their most recent album “Blood” has moved over 250,000 units. For a metal band, that is a great result. For Century Media that is a great result. For Atlantic, that is not a great result, especially when you are on a label that has Bruno Mars, who has sold over 58 million singles. Especially when you are on a label that has Shinedown who are a multi-platinum selling band.

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A to Z of Making It, Classic Songs to Be Discovered, Music, My Stories

Headed For A Heartbreak

Blame Beavis and Butthead. Blame Grunge. The truth is a bit more complex.

Winger was good. Real good, however the band suffered the same unjust fate as all the other Eighties bands. Billy Squire made one ridiculous video with a pink top. A pink top that was recommended by a plethora of enablers, including record label execs. And just like that an amazing voice, with a catalog of songs was gone.

Winger had Kip Winger. A Playgirl pictorial was too outlandish and as glam music was committing suicide by cloning itself over and over again and despite Kip being a great musician, Beavis and Butthead came along and trashed the band. Metallica threw darts at Kip Winger while they recorded the “Black” album.

“Headed For A Heartbreak” is a hell of a good song. On the “Official Winger” YouTube channel the song has 1,506,304 views. On the “80’s Metal Videos” channel it has 347,590 views. On another channel, a live version that appeared on MTV has 245,624 views. On Spotify the song has 173,229 streams.

The song is written by Kip Winger, however it is the performances from the band that captured the imagination and connected on all levels. “Madalaine” was the first single and it failed to get traction. The the track “Seventeen” came out and interest in the band started to grow and while it softened all the hard heads to Winger, it was “Headed For A Heartbreak” that sealed the deal commercially. This business model worked well during this time. Who knew that in 5 years time the band would be headed for a heartbreak.

MTV was king of the airwaves and most people owned little music. The CD’s remained expensive so people only purchased with they really loved or saw as great. Then we would go to the show to hear the songs. Now we only have time for the best. When an album is released we can cherry pick what we like and in a lot of cases it isn’t the single that the record label decided to go with.

People are quick to blame piracy for all the issues currently happening in the music business however the truth is that the audience has outgrown the album format. Why should that outdated format work for us, especially when we can go on YouTube or Spotify to get the hit song we desire.

The audience is king today. Not the artist, not the songwriter, not the record label or the producer. That is why the cycle is so fast. Albums come and by three to four weeks they are gone. Except the real good ones. In the eighties, the big effort was marketing and getting people to buy the record. Today it is all about getting people to listen to the music over and over again.

Winger’s debut didn’t come from out of nowhere. Kip Winger did his time as a songwriter and studio session musician working very closely with Beau Hill who would of course go on to produce the first two Winger albums that went platinum. It is during those studio sessions that he came across Reb Beach. It was still going to be another 4 years before the self titled Winger album was released.

So Winger did time with Alice Cooper’s band, recording and writing two albums. Then in 1987, he left to form Sahara which would go on to become Winger after Alice Copper suggested it.

Guitarist Reb Beach is a graduate from the esteemed Berklee College of Music. He also did his time in backing bands and studio work, until he met up with Kip Winger and started writing demos.

Drummer Rod Morgenstein was the most experienced. Active since joining jazz fusion legends “The Dixie Dregs” in 1974, he was a very accomplished drummer to bring into the fold.

Keyboard player and back up guitarist Paul Taylor was the x factor. He was the touring keyboardist for Aldo Nova during his “Fantasy” success. He did his time with Alice Cooper’s backing band at the same time with Kip Winger and played on the “Constrictor” and “Raise Your Fist and Yell” albums.

Winger like Night Ranger was a pseudo super group of musicians that connected on all levels and it’s important to mention this point to all the wannabe musicians out there.

Another important point to mention is that the songs that made up the debut album were written during a 3 year period by musicians that had experience and that had lived. I rate Winger the same as White Lion, however Winger did have a better all star team, whereas White Lion had Vito Bratta and to some extent Mike Tramp.

Winger is a band that has the songs that you can play forever. In a world that is suffering from information overload, Winger produced a body of work that we can all continue to listen to. Go on Spotify and check them out. Go on YouTube and check them out. Focus on the music and not on the pretty boy images put out there in the video clips.

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