A to Z of Making It, Music, My Stories, Unsung Heroes

What Happens After The Pinnacle?

Want some advice.

Each style of music regardless of what genre will reach its pinnacle within 3 to 8 years and then a freeze would come across it.

The bands involved in the growth of the will have their best memories and the most defining moments of their musical careers during this growth period. We can use any scene however let’s look at the Eighties LA scene. It began in 1981.

Motley Crue, RATT, WASP and Quiet Riot had the LA Scene cornered at that point in time.

Quiet Riot was a twelve-year overnight success story when they had the first big breakthrough, going to Number 1 with “Metal Health” in 1983 and becoming the first “metal” band to do so in the U.S. That was the bands pinnacle. Within 3 years the band was over.

RATT was also a ten-year overnight success story, when they had their big breakthrough with “Out Of The Cellar” released in 1984. That was the bands pinnacle and within 8 years the band was over.

WASP was an eight year overnight success story when they had their big break through with their self-titled debut in 1984. The band never really stuck together, however Chris Holmes and Blackie Lawless remained until 1990. At that stage, WASP more or less became Blackie Lawless’s solo project and I define “The Crimson Idol” as Blackie Lawless’s and by default WASP’s defining moment.

Motley Crue was a six-year overnight success story when they had their big breakthrough with “Shout At The Devil”, however their defining album was by far “Dr Feelgood” and that album was a twelve-year journey. However a few years after that Vince Neil was out.

Once the pinnacle is reached, after that, a freeze sets in. That freeze happened in 1992 for hard rock music.

It took Motley Crue another 12 years before they achieved the same heights as they did in the Eighties. In between, the members worked hard at their own home movies, cough cough, Vince Neil and Tommy Lee. Solo projects like Methods of Mayhem for Tommy Lee, Vince Neil solo albums, 58 and Brides Of Destruction for Nikki Sixx and eventually finding time to record three Crue albums. One with John Corabi on vocals, one with the band reunited and another with Randy Castillo (RIP) on drums. Then came the all-encompassing book. “The Dirt”. And the resurrection started. If you’re not afraid to go through one door, many more will open there after. And that is what happened to Motley Crue. The book was the door they went through.

And that is what Motley Crue have done, played the game their own way and ended up with riches and power.

Quiet Riot and RATT never re-covered.

WASP/Blackie Lawless realised early on in the Eighties that WASP was a cult band, with a hard-core audience, and it was that audience who Blackie has played for. He didn’t change the WASP sound when Grunge was king. He didn’t change the WASP sound when Industrial and Nu-Metal became king. He just kept on going, realising WASP albums and I am proud to say that I own all of them.

And after the hard rock ice-age was over a new status quo existed.

The previously successful acts need to work even harder to stay successful. The new acts starting off in the new frontier had to work ten times harder.

Because the people that we think are star’s many people around us have no idea who they are.

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A to Z of Making It, Music, My Stories

Who Is the Real Star? The Band Name or the Personnel In The Band

There is an article doing the rounds at the Hollywood Reporter about how “The Walking Dead” is TV’s number 1 show and that the stars of the show are still largely unknown.

So it got me thinking. I was very interested to check out the show based on my love of the Horror genre. Once I checked it out, I was hooked. I didn’t start watching the show because they had certain actors in it. The only actor I was aware of was Daryl’s brother and that was from the movie Cliffhanger with Stallone and that was after watching a few episodes. So I got into the show because i was a fan of the horror genre.

However I got into “Sons Of Anarchy” because hard-core friends eventually got me to invest some time in it.

The point I am trying to make is that we get into certain TV shows, movies or artists based on a thousand different reasons. One thing is clear; we don’t get into these cultural icons because of the people in them.

For example, when Metallica started on the scene, no one was walking around saying that they got into Metallica because James Hetfield was such a cool cat or Lars Ulrich was the man. We got into Metallica for multiple reasons. For example, we were fans of the metal genre, the songs connected with us; we wanted to be part of the conversation and so on. From the outset, we become fans because of the music we hear.

That is what culture is all about. Sharing stories about the things we love.

Of course some outliers do exist and some artists have a cultural influence that transcends their music. They become institutions themselves. For example, Slash is now a cultural institution. Ozzy Osbourne is a cultural institution albeit with a lot of help from his “friends”. Nikki Sixx is a cultural institution. Robb Flynn is a cultural institution. Dee Snider is a cultural icon. These artists can all survive on their own. They are brand names themselves.

It’s taken Slash almost 14 years from when he left Gunners to re-establish and re-brand himself as a force to be reckoned with. That happened in 2010 with the release of his solo album and with a little help from his friends.

Randy Rhoads and Bob Daisley helped Ozzy Osbourne break the shackles of Black Sabbath. Jake E. Lee and Phil Soussan enhanced what Randy Rhoads and Bod Daisley created. Zakk Wylde turned it all into a blockbuster with “No More Tears” being the pinnacle.

Nikki Sixx re-invented himself and Motley Crue by first gaining control of Motley Crue’s back catalogue from Elektra Records. A task that no other artist had accomplished before. Then he pushed for the writing of “The Dirt”. Since then, he has become a solo artist with Sixx AM, a song writer for other artists, a social media junkie, a photographer, a literary writer and a radio personality.

Robb Flynn showed the world that he can survive. He really went out of his comfort zone recently and performed acoustically. He survived the “Through The Ashes of Empires” era and lived to tell the tale. Talk about Grit and Roll. It was music all the way, with no safety net. No plan B. His Journals are pure gold. Even if you don’t like Machine Head’s music, you can still appreciate the Journal Ramblings. For any artist starting off, there is information in there that is real. There is information there that is not sugar-coated by a mainstream writer.

Dee Snider, what else can be said. Read his bio.

These artists have all connected with us on different levels. They have become so large in people’s lives that they have become cultural institutions themselves. We then stick with these institutions through the good times and the bad times.

So what about all the other artists. Well for the remainder of the artists it is still about the music. They need to have the music pumping out and they need to make connections.

Dee Snider once said that there are no more rock stars in this day and age. I took that to mean, that in the internet age, there are no real recognizable faces to put to certain bands. While I agree with that comment in parts, I also disagree with it.

For example, Coheed and Cambria has Claudio Sanchez. Watch them live and you get to see the hair. Instantly recognizable.

Five Finger Death Punch has Zoltan Bathory with the dreadlocks and the UFC/mixed martial arts look. They have Ivan Moody and the Mohawk.

Shinedown has Brent Smith, who performs like an adrenaline injected Steve Tyler.

Black Veil Brides have, well they have the whole band.

Avenged Sevenfold have Eighties rock star stage names with instantly recognisable faces.

However if any of the band members in the above mentioned bands, decide to go on their own, it will be a tough slog for them as the bands they are in have all become cultural institutions. Then you have a band like Protest The Hero who look like normal guys going to University.

So going back to “The Walking Dead”. The show is the rock star. That is the cultural institution.

So for any wannabe rock stars, think about all of the above for a second. No one is going to wake up tomorrow morning and think to themselves, “damn, I want to hear some music from Zoltan Bathory, or “Insert New Artist name here””.

We wake up in the morning and think to ourselves, “damn, we want to hear some Five Finger Death Punch. We wake up and go “damn its “The Walking Dead” tonight.”

That is what a lot of misguided artists fail to grasp when they leave a certain cultural institution citing musical differences. They (meaning the person) were never the stars. The band name is the star and it always will be.

That is why Guns N Roses is still rolling along, playing to large audiences.

That is why Tommy Lee returned to Motley Crue.

That is why James Hetfield returned to Metallica after rehab. That is why Lars Ulrich never contemplated anything else except Metallica during this period.

That is why Dave Mustaine resurrected Megadeth after he disbanded the band.

That is why Dimebag didn’t want Pantera to end. He knew that Pantera was the star.

That is why David Lee Roth worked with Van Halen again. That is why Sammy Hagar wants to work with Van Halen again.

That is why Alex Skolnick returned to Testament.

That is why there is a fight over who owns the right to the Queensryche name.

That is why Benjamin Burnley went all legal for the right to use the Breaking Benjamin name.

That is why Bruce Dickinson and Adrian Smith returned to Iron Maiden.

That is why Rob Halford returned to Judas Priest.

That is why Black Sabbath reformed with three of the original members and released ’13’.

That is why bands like Ratt, Quiet Riot, Dokken, Poison and Skid Row are still continuing.

That is why Joey Belladonna returned to Anthrax and why Scott Ian is still continuing the band.

That is why Slayer is continuing without Jeff Hanneman.

To finish off with the immortal words of Ronnie James Dio “And on and on and on and on it goes….”

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