Music

Bon Jovi is coming to Australia – December 2013

Bon Jovi fans rejoice, Bon Jovi is coming to Australia, to play all of their classic songs, plus a couple of so/so new ones.

The Because We Can – The Tour will be visiting stadiums all over Australia.

Members of the Backstage JBJ can purchase tickets now. By the way to become it member it costs;

$300 for Premium Membership for 2 years,
$160 for Signature Membership which is for 1 year,
$80 for Standard Membership which is for 1 year,
$60 for Online Membership which is for 1 year.

So if you are a member of Backstage JBJ and have paid astronomically ridiculous prices to be a member, you then get the chance to pay even more astronomical prices for one of the backstage packages before anyone else can.

Anyway members of Backstage JBJ get first dibs when it comes to buying VIP Packages today, May 2nd at 9:00AM AEST (Sydney) and pre-sale tickets without packages beginning Monday, May 13th at 9:00AM AEST (Sydney).

 

Dec 7 – Melbourne, Etihad Stadium – May 20 is the Public Sale
Dec 8 – Melbourne, Etihad Stadium – May 20 is the Public Sale
Dec 11 – Adelaide, AAMI Stadium – May 20 is the Public Sale
Dec 14 – Sydney, ANZ Stadium – May 20 is the Public Sale
Dec 17 – Brisbane, Suncorp Stadium – May 20 is the Public Sale

Sorry Western Australia people, it looks like another show has ignored you.

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Music, Piracy

Bon Jovi – The life cycle of What About Now – From 1 to 76 in six weeks.

The release of What About Now happened with a bang.  Due to record label collusion between Universal (Bon Jovi’s label) and Sony (Justin Timberlake’s and David Bowie’s parent label), the album was released the week before Justin Timberlake’s 20/20 album and because of that it went straight to Number 1, beating off David Bowie.

The second week saw the album slip to Number 7.  The third week saw it drop even more to 34 on the charts.  By the fourth week, it was down to position 50.  On the other hand, the Because We Can tour, was selling out arena’s and stadiums.

Digitally, the album performed even worse.  The iTunes chart had the album debut at 52 on the 12 March 2013, and by the March 15, 2013, it was out of the Top 100 iTunes chart. Three days.  That’s it.

Songs from the album do not even rank in the top 25 of the streaming charts.

The fans have clearly spoken.  The hard-core fans like me purchased the album so that we could have it in our collections.  It’s a collectors thing.  The fans that the band picked up during the Slippery/New Jersey era and the It’s My Life era, prefer to buy tickets to the show.

So where is the album, 6 weeks after its release.  Sitting at position 76.  Bands like Imagine Dragons and Mumford and Sons are still in the top 20 and their albums have been out since mid 2012.  Adele’s 21 (released in January 2011) is still charting and selling more than Bon Jovi’s new album (released in March 2013).

The labels will scream piracy.  However, data clearly shows, that if you release good music, it will sell, and it will be around for a long time.  Release crap music and expect it to be ignored.  Thank god, Bon Jovi delivered some classic albums in the past.

 

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Music

Sales Numbers for the U.S.

Metal Insider

I was looking at the sales figures in the above link.  A lot of people focus on the sales aspect of everything, so if something is sold a lot of times, they class it as being successful.

So if you look at the sales, you will see a lot of hard rock and metal bands doing low numbers for the week.  One can easily jump to conclusions.  The album is bad, it bombed or the industry favourite, piracy.

However, to me the sale numbers mean nothing.  What is important here, is the length of time the music has been out.

Let’s start with Volbeat.  They have two albums that are selling.  Yippee, you say.  Here’s the thing, Beyond Heaven/Above Hell was released in September 2010.  Yes, 2010.  It has been around for over 2 and a half years.  What does this tell you?  They did it without the mainstream sledgehammer across the head marketing like Bon Jovi and Justin Timberlake.  They did it by creating great music and letting the people spread the word.  The funny thing is, the song that made them popular in the U.S, Still Counting is not even on this album (it is from an earlier album from 2007 called Guitar Gangsters and Cadillac Blood) and was added as a bonus track later on.  Talk about great music waiting to be found.  It was released in 2007 and it wasn’t until 2012, that people really heard Still Counting, appreciated it and starting buying it.

You need to remember, there is so much music released each days, (I checked the new release schedule and i counted over 400 releases on one day).  Multiply that by 52 weeks, and you have a lifetimes worth of music to go through.  We need a filter and what better filter than people spreading the word.  Not by the hundreds, but the by the thousands and in PSY’s case, by the millions.

Volbeat’s new album Outlaw Gentlemen and Shady Ladies entered the charts in the top 10.  They had the usual big first week sales and second week drop, however this time around, the audience was waiting for a new release.  Time will tell if this album will have the same longevity.

From hearing it, it’s a good album, but it doesn’t have the defining song, and that is what fans want.  Bon Jovi had Wanted Dead Or Alive on Slippery When Wet, Motley Crue had Kick Start My Heart on Dr Feelgood, Metallica had Enter Sandman on the Black album, Poison had Nothing But A Good Time on Open Up and Say Ahh.. and so on.

In This Moment has been doing business since August 2012.  34 weeks.  Bon Jovi’s What About Now, has more or less stalled.  Justin Timberlake’s is slowly declining as well.  Will they still be selling in 34 weeks time.  For Bon Jovi, i am sure they will not.

Otherwise, is a band that i have been following for over a year now.  Each week, you see them move between 400 and 700 units.  They are touring their arses off, picking up new fans along the way.  The album came out in May 2012.  It will make a year, where it has been selling low numbers.  To me this is a success story.  If they stay at the rate they are, they will be passing 40,000.  What’s 40,000, I hear people saying?  That is a year’s worth of touring.  The music is the entry-level to all the other things in the business.  You don’t make money from selling music.  You make money from the doors that music opens.

Stone Sour have two albums that are selling, House of Gold and Bones Pt 1 and Pt 2.  The concept story is the entry for the multimedia projects to come, like the graphic novels, the motion picture movie and the tour.  It’s not all about sales, it’s about different income streams.

Coheed and Cambria has already walked the path that Stone Sour is walking right now.  They have had their concept albums put into comic form, graphic novel and companion books.  Claudio Sanchez has also signed a deal to develop the Armory Wars story into a motion picture film.

Black Veil Brides is another band, involved in the multimedia aspect, with their concept album, Wretched and Divine: The Story of the Wild Ones.  

Shinedown is one of the best hard rock bands doing the scene right now.  Amaryllis has been out for over a year now and the band is still moving units.  Why, because people are spreading the word, they are hearing the songs live and are liking them.

For the critics that have called this album a failure, just because it didn’t move the same units as The Sound of Madness is a shallow viewpoint to have without any analysis.  A song like Second Chance comes around once in a decade.  That song alone moved over 2 million mp3’s.  The Shinedown tour is doing decent business at the box office.

The key here is longevity.  You don’t want to be here today and gone tomorrow.  You want the music, the band, to remain public, to be in people’s’ minds.  So many have released albums and have been forgotten.  Does anyone remember that Joe Walsh released a new album last year, or that David Bowie and Bon Jovi released an album in the same week.  They have been forgotten.  The hardcore fans will say otherwise and that is okay they are entitled to their opinions.

Life today is all about information.  We have a tonne of it.  We are connected 24/7.  There is always something coming out that takes the flavor of the minute.  Black Sabbath released God Is Dead, and it was tanking, regardless of what the artists and Loudwire said about it.

Ozzy then releases a statement about his fall back into addiction, trying to drum up press and then Sharon chimes in.  It ain’t working, the song is a dud at nine minutes long.  It’s a four-minute song on a 12 inch extended remix.

I am seeing them in two days at the Allphones Arena in Sydney.  I might eat my words after hearing it live.  No one is talking about them.  The 13 album is already in the rear view mirror and it hasn’t even been officially released.  They are touring Australia and there is no buzz.   

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Classic Songs to Be Discovered, Music, My Stories

Next 100 Years, I Could Make A Living Out of Lovin’ You and Ain’t No Cure For Love – Classic Songs Waiting To Be Discovered

Crush.  Does anyone know that It’s My Life came from this album.  You can say this was Bon Jovi’s renaissance.  After delivering a terrible album in These Days and a worse solo album in Destination Anywhere, Jon Bon Jovi needed to go back to Rock N Roll.  Luke Ebbin was on board to produce the album.  It was to be his first major production credit and what a good job he did with it.  It’s My Life was a monster.  So whatever came after it, wasn’t going to matter.  Call it the curse of the Number 1 effect.  Crush was a great album.  However, it was the B-sides that came with the CD-singles that were the standouts.

Next 100 Years was written by Jon Bon Jovi and Richie Sambora.  It has that Beatles Hey Jude ending and then from about 4.25 it just goes into overdrive.  It’s got that Seventies vibe, that abandonment.  Hell the song even goes up to 6.19 which strays very far from the pop formula that Bon Jovi is renowned for.  Sambora wails on the guitar.  This is the year 2000, Nu Metal is ruling the scene and guitar solos are non-existent.  Trying telling that to Richie.  He must have missed the memo.  If there is one thing I can say about Richie, he stayed true to himself as an artist.  He didn’t follow the grunge trend or the industrial electronic trend Jon followed on Destination Anywhere.   He just remained the same.  His second solo album, Undiscovered Soul was a real standout in 1998.  I even watched him perform, 5 minutes from my house, at the Shellharbour Workers Club.  Now that was an unexpected surprise.

I’ll believe 
When you don’t believe in anything

That is life.  When I don’t believe someone else i know believes in something better and vice versa.  The Yin and the Yang.

I Could Make A Living Out Of Lovin’ You was written by Jon Bon Jovi, Richie Sambora and Billy Falcon.   If you like AC/DC, if you like rock n roll, this is the song for you.    It’s the a quality AC/DC song not written by the Young Brothers.  This song was on the Australian deluxe version as a bonus track.  To me, it is one of the best rock songs Bon Jovi has written.  It’s got that Bon Scott tongue in cheek attitude in the lyrics.  It is the guys having fun.  Yes FUN.  That is what it is supposed to be about.  Having FUN.  

If there’s something that needs fixing 
I’m the man to see 
Look me up, I’m listed 
Just check under “B” 
If you’re ever on the spot 
Well, I’m good with my hands 
24-7 I’m your handyman 

Until the work is finished 
Well, I don’t get paid 
I don’t mind getting dirty 
That’s my middle name 
I’m in the service business 
So I understand 
Call me 24-7, I’m your handyman

Aint No Cure For Love is the best ZZ Top song not written by ZZ Top.  How this song has not ended up as a Bon Jovi classic is a tragedy.  It’s the guys having fun again.  It’s written by Richie Supa, Jon Bon Jovi and Richie Sambora.  Supa is known for his contributions to Aerosmith, plus Sambora used him for a lot of the Undiscovered Soul songs.   This is Classic Rock revisited in the YEAR 2000.  It deserves more attention.  It show a different side of Bon Jovi.

Cupid was a blind man
He must have missed his mark
Shot an arrow in the air and hit me in the heart

I went to see Saint Valentine
Said whats come over me?
Daddy must have missed the chapter about the birds and bees

You can be the King of diamonds
You can cash in all your gold
You could hire Johnnie Cochran
It’s too late to save your soul

NEXT 100 YEARS – YouTube

I COULD MAKE A LIVING OUT OF LOVIN’ YOU – YouTube

AIN’T NO CURE FOR LOVE – YouTube

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A to Z of Making It, Music

Nuno Bettencourt – Guitar World, September 1989

The article was written by Andrew Hearst, and it appeared on page 17 of the September 1989, Guitar World Issue.

“Be sincere.  Whatever you do.  If its Lawrence Welk you’re into or if its Eddie Van Halen, just be honest about it and love what you’re doing.”   Words of wisdom from Nuno Bettencourt, guitarist for Extreme, a Boston – based hard rock band whose self titled debut album was recently released on A&M Records.

A guitarist speaking his mind.  How many people speak their minds these days?  Not a lot, and if they do, they are scared of the haters.  Well guess what, if you seek the limelight, there will always be haters.  Remember, not everyone will love you, but your audience will.  If you love what you are doing, the audience will be able to feel it, they will be able to relate.  Your fans are not stupid, they will know if you are faking it.  Like when Def Leppard delivered Slang, or Motley Crue delivered Generation Swine, or Bon Jovi delivered What About Now or Metallica with Load and ReLoad.  We know that these albums are about chasing some fools gold, chasing an idea implanted in the musicians head by a manager, an agent or a producer.  That is why the people didn’t respond.

Extreme’s first album was produced by the super experienced Reinhold Mack, aka Mack.  His resume is a list of who’s who of classic albums.  Some of my all time favorite albums like Scorpions – Fly to the Rainbow, Deep Purple – Stormbringer, Deep Purple – Come Taste the Band, David Coverdale – White Snake and most of the ELO and Queen albums from 1975 to the mid 80’s had Mack involved, either as sound engineer or as a producer.

Born in Portugal 22 years ago, Bettencourt moved to Boston with his family when he was four.  As a freshman in high school he heard Edward Van Halen and was inspired to pick up the instrument.  Soon he was playing covers and originals in a succession of casual local groups; he calls Extreme his “first really serious band”.

Back in the eighties, bands normally were formed, they would chop and change musicians until within a few months a stable line up was confirmed.  It was expected that once you had a stable line up, you would start to play shows, build an audience and write killer songs.  By doing that, you are creating a buzz, and with that buzz, the good old Mr Record Man Gatekeeper, would come along and make you famous.  What no one told these poor suckers, is that the good old Mr Record Man Gatekeeper will also make them sign contracts that where far from fair for the band.   To put this into context, Extreme, were formed in 1985, signed in 1987, assigned to work with a master producer in Mack so that they develop their songs and sound and their first album hit the streets in 1989.  That is what bands expected in those days.

It doesn’t happen like this anymore.  Labels in the old sense do not exist.  They do not spend money on artist development anymore.  Why? Wall Street.  Labels need to answer to a board of directors and shareholders.  Their memo is to make money, not waste money on artist and development.  Remember Warner Music is going into business with Kickstarter.

“The biggest lack in eighties’ guitar playing is rhythm,” he says.  “There’s a whole other three minutes of a song to be enjoyed.  I love playing solos, but there’s a time and place for that.  There’s a whole other world out there to play with and people are missing it.”

Such balls.  Here is a new up and comer hot-shot guitarist and he is blasting 80’s guitar playing.  To be honest, he is not wrong.  I cannot list the amount of albums i purchased where the songs are lame as, however the guitar solo spot is a song within a song.  Keel is one band that comes to mind.  Yeah they had a few good songs on each album, however the rest of the songs where shite with good solo spots.  MacAlpine is another.  This was Tony’s attempt at having a vocal oriented band around his guitar playing.  The only problem is, you need to have the songs to make it work, not just the guitar solos.  He did it well with Project Driver (the supergroup featuring Rob Rock, Tommy Aldridge and Rudy Sarzo), however that was with more accomplished musicians.   Not a lot of people show balls these days.  We all want to be loved, even by the people who only like to hate.

Extreme headlined a scheduled 15 city club tour in April and May.  The group now hopes to land the opening spot on an arena tour.  “We just want a fair shake,” says Bettencourt.

That is what every band wanted back in the day.  Their careers where in the hands of the people who controlled them behind the scenes.  The label, the manager, the booking agent and so on.  They had to rely on all of the above to get a fair shake.  Seriously how fair was that shake to begin with.  All of the above mentioned people, take a generous cut from what the band makes.

These days, the fair shake is up to you.  You determine how high or how low your career goes.  You determine your definition of success.  Adam Duce got fired from Machine Head, because his heart wasn’t in it anymore.  His definition of success was different to what Robb Flynn’s was.  He felt like he toiled for over 25 years and still hadn’t made.  He wanted to be like Metallica.  But there is only one Metallica.  And since he wasn’t as famous as them, he didn’t see the point in continuing.

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A to Z of Making It, Music, My Stories

Persistence and the meaning of Making It

I just came back from a shopping experience with the wife and the kids.  You leave in the morning, happy, all together and as a family.  You come home, angry with each other, yelling at each other and wondering where did it all go wrong.

Does the above sound familiar to any bands out there?  How many rock stars have called the band they are in FAMILY?  Let me tell you.  That is complete B.S.  Bands are not families and never will be.

90% of the bands have one or two people working hard to get the band running.  In most cases, the songwriting is even done by the same one to two people.  All the organising comes from the same people.  For a while, this is cool, however it then comes to a point where it all explodes or implode’s (depending on which side of the line you are on).  Bands are dysfunctional.  Anyone that tells you differently is a liar.

The difference between a band/artist making it or not making it is persistence.  It could be the love of the music that keeps them going or it could be something else.

Now making it, to me has a different meaning to what others have it.  Making it is being able to live off your music/art.  It doesn’t mean that you are rich.  It doesn’t mean that you sell out arena’s.  It doesn’t mean that you are the mainstreams darling.  It means that you have found a niche, and that niche has found you, and you are in this ride together supporting each other.  You deliver music that the niche desires and the niche rewards you with the support that they desire.  You can make payments on loans and keep the lights on.

So if you are in a band (which to me, is a ridiculous idea if you are the main songwriter) and you expect to be famous like Bon Jovi.  Guess what, it aint going to happen.  The entry-level into music these days is zero.  The gatekeeper model of the past has lost its war with the internet.  Distribution was controlled by the Record Labels.  Not anymore.  Marketing before, was to over saturate the mainstream media outlets like radio, TV, magazines and newspapers with the hope that people will buy blind.  The majors still do this.  The Justin Timberlake 20/20 promotion is living proof, where I even saw his posters in a heavy metal section of a record shop.  Yeah, his album moved a million units in its first four weeks, however, will it have longevity, like Def Leppard’s Hysteria, Adele’s 21.

So what does this mean for you.  How do you get from Point A – starting out to Point Z – making it.

Persistence.  You can never reach Point Z if you quit.  You need to be on this road forever.  Once you are clear on that, you can start the journey.  The first part of the journey is building connections.  These connections are not built by promoting a song you have just released, or telling people you are writing this great song and you can’t wait for them to hear it.

Connections are built by life experiences.  Talk about a concert you went too and how did it make you feel.  Others that went to that concert could latch on.   Talk about your life experiences and pretty soon, hundreds of others will connect that have similar experiences.  That is the start.  Build on it.  Leave the music/art promoting out of it to begin with.

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Music

The Album

In my view the idea of the album is gone. It doesn’t fit in today’s world. Hell, it didn’t even fit in the old world either. Yes I know some albums are that good, that every song from start to finish had to be heard, however 95% of albums released have two to four, maybe five good songs on them. That is why we purchased them. To listen to those good songs. These days, we just purchase the songs we want, we don’t need the album. However, it remains, as that is how the record labels make money, that is how they trick artists into signing everything away. Artists are signed to album deals. Fans are smarter these days, then the music industry. Fans want to spend their money on artists, however the artists haven’t figured out how to monetize it.

Yes you have artists like Protest The Hero that went to Indiegogo to fan fund their next album. Yes I contributed. Not because they were offering some wam bam fan experience. I contributed because I am a fan, and I wanted their new album. I would have preferred if they had a better fan experience. I would have preferred if they had released a new song by now. I would have preferred if they had a listening party for the fans that contributed of rough demos and sketches or lyrics in progress. Instead I have to wait for the album, and it could be a turd. Or it could be great. Or it could be so, so.

Regardless, people still buy albums. As long as people buy albums, the labels will still order their artists to create and release them. This is where they make most of their money. Kid Rock has moved almost 475,000 physical units of Rebel Soul and is still shifting on average 7000 units a week. It has been out since November 2012.

Shinedown still move on average 3000 units a week for Amaryllis and this album is over a year old being released in March 2012. The band is also approaching the 300,000 sales mark. They are out in tour, working hard, promoting the album. POD and Three Days Grace are also on the same tour, however fans are not buying their offerings. Why. Its crap. I heard the POD album and its garbage. Three Days Grace – Transit of Venus was that bad, even the singer left.

Both Shinedown and Kid Rock are on Atlantic. That is almost 8 million in sales revenue these two bands have come up with, plus they are still bringing in 100,000 each week. Not a bad deal for the label.

Volbeat still move on average 2500 units a week of Beyond Hell/Above Heaven. This album has been out since September 2010. All up they have sold over 220,000 units in the US for this album and their new album Outlaw Gentlemen and Shady Ladies was just released this week and it is a good album, however it does have quite a few filler songs as well. Not a lot of bands have two albums three years apart still charting and selling. The fans are spreading the word for this band. The bands mix of metal, punk, rockabilly, country and reggae has found a market. They have worked hard, they are platinum heroes in Europe and have been since 2005, and they have broken into the US market in the last year or so. It’s been a long time coming.

However in all of this I don’t believe the bands are maximising the fan experience. I am including Bon Jovi in this as well. It’s still the old way of doing things. That is they spend months and months recording 15 to 20 songs for an album, and then spending dollars on marketing the album to people that don’t care, hoping that people will buy and releasing a video or two to keep interest up. Once interest starts to dissolve, it’s time to go on tour, with the thought that the album will start selling again because of the tour. There is a lot of hope in the above as the bands don’t know their fan bases. They need to change their way of thinking.

Warner Music is even going via the fan funding route with Kickstarter. They will offer every act that raises $100,000 on Kickstarter a contract. There is a good chance that most acts will turn down the offer, as why would you need a label if you have raised over $100,000 however people do love to have a safety net and an ego to satisfy. There also another way, where if a band gets 1000 people to donate, they will get offered the deal as well. Warners has effectively moved the cost of recording and developing artists onto the fans. If the artists fail, there is no loss to Warner. If they blow up and become sensations, there is a win to Warner. Either way, Warner doesn’t suffer.

And the reason why I am mentioning this. Warner Music is the parent company to Atlantic Records. The music business is about to change again.

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Music

Bon Jovi – What could they have done differently

What could have Bon Jovi done differently with the release of What About Now.

They need to know their audience. The audience are the ones that will spread the word. It is the audience that will spread the word via text, Facebook and tweets. Instead Bon Jovi focused on advertising spending stupid amounts to hit people that don’t really care about the band. Bon Jovi experienced his daughter OD’ing and his family lived through the Jersey wild weather, all before the release of the album. They still could have released the album, but how cool would it have been if Jovi released a song for free about how the storms destroyed his beloved Jersey. How real and true would it have been if he released a song, showing his pain at his daughters subsequent overdose. The songs didn’t have to be released as part of an album, they can be released as stand songs. They don’t need to chart (however I am sure that is what Jovi judges success on). Be real, be true to yourself. Don’t be a fake.

Once upon a time, Bon Jovi had an edge. Through all the years of success he has lost the edge, smoothing up all the surfaces like he is a big window skyscraper. To me that looks pretty damn uninteresting.

The fans know when their favourite musician is telling the truth. So why don’t they do that. The whole Richie Sambora leaving the tour is about smokescreens and dishonesty. Who are the band worried about alienating. The fans care, they want to know what is going one, so be honest with them.

Don’t Act Above Your Fans – Bon Jovi is the CEO of the band, he is part owner of this, has a stake in that, blah, blah, blah… Once upon a time Bon Jovi was just one of the people, one of the kids from the street who was a rebel and had rock n roll dreams. He achieved those dreams, and now he act’s above the people. All this does is inspire people to take swipes at him. If you have success, it means that you will always have haters. Accept it, don’t try to control it. Don’t try to be someone you are not.

Break all the rules, create a great 10 minute song, get a scriptwriter in and make a music video motion picture of another great song, create a concept album, have the movie to go with it, do a small club tour, paying homage to earlier releases like the first two Bon Jovi albums in their entirety. Stop thinking about the $$$$ at the end and start thinking about increasing the fan experience which in turn will bring more $$$$ than ever.

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Bon Jovi’s What About Now drops from #34 to #50

Well its week 4.  As predicted, the worst ever Bon Jovi album has proven to be just that.  It’s moved 2,383 units for the week but the tour is selling out.  That alone should tell Bon Jovi that the music they put out, is completely garbage.  The fans coming to the shows have totally ignored it.  In most cases, i can see fans running to the toilet or to buy a drink when any new song appears in the set.

This album debuted at Number 1 four weeks ago.  It went to number 7.  It went to number 34.  Now it is at 50.

There are fans that are angry at the absence of Richie Sambora due to drinking and partying.  If i was Richie, i would be drinking as well, especially when in the lead up to the album release he was saying that it is the best thing Bon Jovi has ever created.  With a statement like that, i will be hitting the booze as well, as all street cred goes out the window.

Trust is more important these days than sales.  Bon Jovi is moderating its own forums so that they paint a rosy picture.  What are they trying to say to their fans?  We don’t care about your views?  We don’t want to connect with you?  We just want you to give us all of your money, like the one way street of old.  It’s different these days Jon.  It’s a two way street.  If you want to be relevant, you need to write great songs again and again and again.    You need to release them more frequently or just stop releasing new crap music and live of the legacy you created sort of like the Eagles.

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Classic Songs to Be Discovered, Music

Undivided – Another classic Bon Jovi song waiting to be discovered

This is what music is about, writing about experiences. September 11, 2001 changed everyone. That event changed everything. For those that saw it, we felt fragile and we felt afraid. This lead to anger. We wanted revenge.

Undivided was written by Bon Jovi, Sambora and Billy Falcon. Falcon actually pops up on a lot of Bon Jovi songs that have been missed. Falcon was an artist who really hadn’t released anything worthwhile, until Jon signed him to a deal with Jambco Records. Does anyone remember that label? Jambco was a record label started by Jon Bon Jovi, under Mercury Records in the late 80’s. I remember it released Aldo Nova’s – Blood on The Bricks and Billy Falcon’s – Pretty Blue World. Both albums did nothing. Aldo Nova couldn’t capture the magic from the Fantasy album, even though JBJ co wrote all the songs on the album, and even produced the album. In the case of Falcon, all the songs were written by Falcon, with JBJ co producing. In the end even JBJ’s name couldn’t get it to sell.

Undivided is probably the heaviest song Bon Jovi has recorded. The producer was Luke Ebbin (who was introduced to JBJ by A&R legend John Kalodner) and the song was originally called One. For those that don’t know, John Kalodner was the guy that broke Whitesnake in the US and relaunched Aerosmith in the 80’s (both via Geffen Records). He also signed Foreigner and AC/DC to Atlantic Records in the seventies.

They should have kept the One song title. Maybe they thought One belonged to U2. The stomping groove grabs you from the outset. Its mean and its angry and you can feel it coming out of the speakers that way.

That was my brother lost in the rubble
That was my sister lost in the crush
That was our mothers, those were our children
That was our fathers, that was each one of us
A million prayers to God above
A million tears make an ocean of

It could relate to anything, a terrorist attack, a war front, a natural disaster. The message here is to stick together. We can rise back up, but we can’t do it alone. We need each other. We need to do it together. Even though we are connected to each other 24/7, we are alone. We don’t stick together anymore.

I found spirit; they couldn’t ruin it
I found courage in the smoke and dust
I found faith in the songs you silenced
Deep down it’s ringing out in each of us

I know that this song is about the twin towers. When I listened to the song back in 2002 that was not how I related to it. Being from Australia, the Bali Bombings happened on the 12 October 2002, and the Bounce album was released on the 6 October 2002. This song to me is about Bali. I even wrote a song called Mourning Sun, about the two terrorist acts.

When people are hurting they turn to music. All the fund-raising is aided by musical benefit concerts and compilation albums. When I couldn’t make sense of what was happening in the world I turned to music.

Hearing this song again in this day and age, one day we will stand as one against the copyright maximalist, against the greedy politicians and the lobby groups that influence them, against crime and violence in the family. One day Bon Jovi will release another song as powerful as Undivided, instead of the C Grade elevator music they released with What About Now.

For those that don’t know, here it is

For those that know it, revisit it, put it in your mp3 player and spread the word on it.

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