Music, My Stories

Life in December

I am physically rooted.

December is a hard month on the body.

It all started on December 4. That was my nieces birthday. Plenty of food and drink. Drink for me equals alcoholic drink.

Then on December 10 it was my other nieces birthday. Again plenty of food and drink.

On December 12, it was my work Christmas Lunch that ended up going into the night. That was one more drink than food.

Then on the 17th it was my IT team lunch. This was in-house so plenty of food and soft drink.

Then I had my sixteen year anniversary on December 20. Again plenty of food and drink.

For the first few years of my marriage, my wife and I exchanged gifts. Sometimes we agreed to not worry about it. Other years I got her gifts or flowers and got nothing in return. Which is okay for me, if I don’t get nothing back. This year, we agreed that no gifts is to be on n the menu. So the day comes, we wake up and wish each other happy anniversary.

However, my wife is acting strange. I ask what is going on and she keeps on telling me that she is just tired. We got out to dinner later that night with the kids. We came home and my wife goes to bed while I stay up with the kids. The next day at her sister’s house she drops the bomb. She is upset because I didn’t get her flowers.

Then on December 25, we had Christmas lunch at our place. Again more food and drink.

And today, December 28, we had my youngest son three-year birthday party. Again more food and drink and New Years is still to come.

My body is rooted.

And one last thing,  all the best to everyone for the New Year.

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A to Z of Making It, Copyright, Music, My Stories, Piracy, Stupidity, Unsung Heroes

The War Between Money and Art

The music industry is a thriving industry. It always was and still is. History has shown that musicians have expressed themselves lyrically without interference in their vision. They have been creative and innovative. However, with the rise of the recording industry and the money pyramids that industry created, the musical vision was compromised. Greed became more important than the vision. Once our heroes attained riches, the songs post “most successful album” just didn’t connect or resonate anymore.

As kids growing up, we fall in love with music, the melodies, the riffs, the lyrics, the phrasing and that free rebellious feeling that it inspires in us. Music always captured a sense of time and place. I could hear a song that I haven’t heard in ages and immediately it places me back in a time and a place of my past.

Music is about the creative individual and how they express their creativity. Great creativity equals success and success equals profits. When money enters the game and people who contribute nothing musically start to live a very comfortable life from those profits, then all they care about is keeping those profits the same plus a little bit more. That is why pop music suffered in the Eighties while Metal and Rock took a foothold. Metal and hard rock was honest and real. However once it became a commercial viable product, commerce took over and metal/rock became stale, until Bon Jovi, Def Leppard and Guns N Roses blew open the paradigm again and suddenly every label was chasing similar style of bands or getting their current roster to emulate those two bands.

Impose any financial and marketing frameworks on creativity and you get compromised art.

Conformity.

A business that is 100% about profit.

And the very thing that brought money into the industry in the first place and made the industry so popular is sacrificed. What was free and rebellious becomes controlled and processed. In 2014, the songwriters from Sweden have this down pat, which is no surprise as Sweden did give the world IKEA, which sells generic and bland ready-to-assemble furniture, much like the pop industry right now, bland ready to listen music.

The songwriter of the two thousands is without doubt Max Martin, a Swede. Taylor Swifts pop career has been written by Max Martin. Britney Spears career has Max Martin all over it. Bon Jovi’s comeback hit “It’s My Life”, yep that had Max Martin as well on it. Pink’s “Please Don’t Leave Me” and Kelly Clarkson’s “Since U Been Gone” also had Max Martin all over it.

And where did Max Martin start his career. It was as a singer in a metal/rock band called “It’s Alive”. The band was a stepping stone to meeting other people and eventually he got into song writing and at the moment his team is known as an “assembly line song writing team”. Martin is that big in Sweden, that the Swedes will now be able to lick him via his own postage stamp.

It’s a thin line as artists want to be paid for their creations and record labels want to make money of art that they have funded. Add to that mix songwriters like Martin who also want to get paid along with the publishers. However all sides are forgetting the crucial unknown, the FANS.

The casual music fans will lap up the trashy, mass-marketed pop music and any other music that crosses over into the pop stratosphere. The niche fans will bank roll their heroes forever and a day. Think of Shinedown as an example. They crossed over with “The Sounds of Madness” album and had platinum parties for singles and album sales in excess of a million. The follow-up, while still popular moved half of its predecessor. What that means is that the original niche fans of the band still purchased the album, the merchandise and the concert tickets while the casual fans streamed it and purchased the concert tickets, as Shinedown did big business at the box office on the Amaryllis tour.

But the question in all of this is that labels are seeing a future where the artists are tied to corporate ‘brands’. With this kind of business mindset, would another Dream Theater, Pantera, Machine Head or Metallica even come to be.

How can an artist be free to express their musical vision if they are tied to a corporate brand whose only interest is profit and commerce.

George Orwell said that “Myths which are believed in tend to become true” and the recording industry via the RIAA and the Publishing firms are all about making myths into truths. However Orwell also said that “In a time of deceit telling the truth is a revolutionary act” and that is what the Internet has allowed. The internet has allowed people to tell the truth or to offer a differing viewpoint then the one that is pushed by the lobbyists and the copyright industries.

For artists it is all about the song. That is your ticket and your bargaining chip. The song is your entry into the business. A lot of songs equals a body of work (not an album). But you need to work it, and you need to connect.

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A to Z of Making It, Influenced, Music, My Stories, Unsung Heroes

The Master At Re-Interpretation: Joe Cocker (R.I.P)

When I started to play guitar in the Eighties I was obviously into the whole metal and hard rock scene. As far as I was concerned, it had to be all pedal point riffs, fast eighth or sixteenth notes and a whole lot of shred thrown in. I was self-taught for about three years however my dad kept on pushing me to go to a guitar teacher.

My dad got the number of a teacher from a work colleague of his, who had has son visiting the same teacher. To cut a long story short, the lessons were structured on theory, rhythm, scales and it ended with the teacher (his name was Michael) showing me a song to play. Michael asked me in advance to give him a list of hard rock and metal songs that I want to learn so that he could figure them out and show me. I told him that I got that part covered and I would like him to show me songs that he likes regardless of what styles they are or from what artist they are.

I must say it was a dead set eye opener. Apart from sitting down and learning songs outside of the style I was interested, I also learnt the art of melody, better chord placements and vocal phrasing. Overall these sessions made me a better musician and a songwriter. It changed my viewpoints from being just a guitar player to being a band player and to play for the song instead of the glory of the solo.

“Bad Moon Rising”, “Sitting On The Dock Of The Bay”, “Mr Bojangles”, “Sunshine of Your Love”, “I Shot The Sherriff”, “Knockin On Heavens Door”, “Imagine”, “While My Guitar Gently Weeps” and “Lambada” happened in the first 9 weeks. Then we started with some Beatles songs like “Yesterday”, “All My Loving”, “Come Together”, “Let It Be”, “Day Tripper”, “Eight Days A Week” and eventually we got to “With A Little Help From My Friends”.

And that is where Joe Cocker comes into my life. It was his version of the song that I remembered. So I started to study some of his most well-known songs and I found out that he didn’t write any of them. But it was his re-interpretations of those songs that made him a superstar. Some people are great at just writing songs, some people are great at writing and performing their own songs, while others are great at re-interpreting other people’s songs. That is Joe Cocker.

His fame is tied to what he did with the words of other songwriters. And Cocker (along with his collaborator’s) chose well.

“She Came In Through The Bathroom Window” and “With A Little Help from My Friends” released in 1969 and 1968 respectively. “She Came In” was Cocker’s big U.S hit at the time, while “With A Little Help” was his big U.K hit.

“Delta Lady” released in 1969 was written by Leon Russell. “Don’t Let Me Be Misunderstood” also released in 1969 was written Nina Simone and covered in 1965 by the Animals. “Feelin Alright” was written by Dave Mason with Traffic.

“The Letter” released in 1970 was a song from 1967 by the band Box Tops. An upbeat rock version of “Cry Me a River” was released in 1970 by Cocker however the song’s roots go back to 1953 and it was written by Arthur Hamilton. “You Are So Beautiful” released in 1974 was written by Bill Preston whose original version first appeared in 1974 however it was Cockers slowed down version courtesy of producer Jim Price that made the song a hit.

Cocker’s biggest single came in 1982, when ‘Up Where We Belong,’ a duet with singer-songwriter Jennifer Warnes’ from the movie ‘An Officer and a Gentleman,’ stayed at No. 1 for three weeks. This is one song that wasn’t a cover of a previous song, however it was written by a song writing committee in Jack Nitzsche, Buffy Sainte-Marie and Will Jennings.

Then in 1986, “You Can Leave Your Hat On” came out. The song was written by Randy Newman and it goes back to 1972. “Unchain My Heart” was released in 1987. The song was written by Bobby Sharp and recorded first in 1961 by Ray Charles. Then in 1989 came “When The Night Comes” a song that wasn’t a cover, however it was written by hit songwriters in Bryan Adams, Jim Vallance and Diane Warren.

The point of all this.

In the mid-nineties I was in a band. We played three sets each night and got paid $150 each. The set up was bassist/vocalist, drummer and myself on guitar. The first set was originals. Hard rock originals. Think about that for a second. The mid-nineties was very hostile to hard rock bands, however we didn’t care. Anyway the second set involved covers from the sixties, seventies and eighties and the last set was all nineties modern rock songs. It was the second set that got the best applause.

The bassist and I had a knack for re-interpreting  songs. “Stormbringer” and “Knockin On Heavens Door” became one song with music coming from Deep Purple and the lyrics coming from Bob Dylan.

“Foxy Lady” and “Immigrant Song” became another song. “Born To Be Wild” and “Cum On Feel The Noize” was one more. “We Will Rock You” and “Long Way To The Top” also got merged. I am seeing a lot of this cross merging on the internet, especially between Metallica and Megadeth. Fans of the bands are doing their own merging and re-interpretations of the bands classic songs. One song that we didn’t change at all (and played within our originals set) was “Breaking The Law” from Judas Priest. And the grunge/industrial crowds we played to at the time lapped it up. They thought the songs were our own song and we didn’t tell them any different.

Throughout this whole phase, Joe Cocker was in the back of the mind. I kept on asking myself, how would Joe approach this song. Would he slow it down, speed it up, funk it up or just fuck it up.

Hell, our heroes hooked us with cover songs or crossed over into the mainstream because of cover songs. Motley Crue with “Smokin In The Boys Room”, Tesla with “Signs”, Machine Head with “Hallowed Be Thy Name”, Killswitch Engage with “Holy Diver” and many more.

As a musician, there is a lot to learn from re-interpreting other people’s songs. There are some songs that are just perfect for you and relate to you in a way that they could have been written by you. It’s okay to cover songs and to have a career based on your re-interpretations of cover songs.

Rest in peace Joe Cocker, you showed me that music is much more than the clichéd “these songs are my children” point of view.

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Copyright, Music, My Stories, Stupidity

D.A.T.A

In a November 1992 issue of the Hot Metal magazine that I used to buy, there was a quote said that stuck with me for all of the wrong reasons.

“We want to make money”
Star-Star vocalist Johnnie Holliday.

The reason why it stuck with me was that every single musician I was working with during that period and beyond had the same viewpoint.

Blame MTV.

Suddenly our musical heroes became TV stars. Artists that were big in the Seventies crossed over to super stardom during this period. New artists starting off would end up moving millions of units because of a video clip. Suddenly every prospective musician wanted a piece of that money pie, without fully understanding that the decks are stacked against them from the start.

Fast forward to 2014 and the making money argument is still there. The top 1 percent of bands and solo artists now earn 77 percent of all the revenue from recorded music.

Just because a person decides to create music, it doesn’t mean that they will make money from it. There is no guarantee and there never was. A music career is no different to a small business start-up. Some will succeed and others will not. Some of those that succeed will go on to greater success and from those that go on to greater success, you will get maybe 1 or 2 that will crossover in a big way.

But to make money, the artist needs data and they need to understand what that data means. Basically, data is king and it is a shame that the recording industry has taken so long to understand that.

Universal Music Group uses a database called Artist Portal that was built by interns (who are employees now) five years ago. About a year ago Warner Music created “Artist Dashboard”. Sony Music Entertainment on the other hand has so many separate dashboards in play that they need a whole analytics team to eyeball everything. Guess they have more important issues on their minds right now dealing with hack after hack after hack.

However the labels are still not getting the full picture. What they should be doing is to also compare the artists reach on P2P networks and the countries where it’s happening, even down to the cities. And the data has to be made available to artists in real-time. In the end, the artists are the ones that keep the wheels rolling on the label machine.

And the question needs to be asked. What are the metal labels like Nuclear Blast, Roadrunner, AFM, Metal Blade, Century Media, Spinefarm, etc. doing for their artists? How are they capturing and analysing data for the artists on their roster?

20 million searches take place on Shazam every day. So how many metal and hard rock labels use the data that Shazam generates?

It has been downloaded over 500 million times and even though it’s main user interface is about identifying unfamiliar songs, it’s big secret is that it is an early detection tool for songs that could break through.

Think about that for a second.

By using the data that fans generate, Shazam can identify which songs are having an impact and in what cities/countries. Of course it is great for the pop music business however I am sure it is an under-utilised tool when it comes to metal and hard rock music. How much more evidence does the recording industry need to know that “the wisdom of the fans” is law.

Bands can target what cities to promote in and eventually play in if they had that data. The future is here and data is directing the music business. That is why the big labels still rule. They have the money to throw at compiling DATA.

The barrier to entry may be low, but the barrier to success is higher than ever.

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Music, My Stories, Piracy, Unsung Heroes

Thoughts On Music

Good music feels like it was made just for you and in an era right now that has artists coming and going, that song connection is what forms a sense of devotion to an artist. So when a friend of mine said that people are less devoted to artists today and more open to the listening experience I was quick to disagree. Maybe in a pop context that is the case, however when it comes to metal and rock music, that devotion is real. Of course it has changed from the past. In the past, that devotion was fostered over the purchase of an album. Today it is fostered with each song.

Go on Spotify and you can see that “Now We Die” is a song that fans of Machine Head are gravitating too. It already has almost 1.2 million streams. “Halo” has 1.9 million streams and that is from an earlier album. For me the song that I gravitated to is “Ghost Will Haunt My Bones” because god damn, that past of mine just doesn’t seem to leave me be.

Music gives us identity and it expresses how we feel. Generations are defined through music.

The British Rock invasion in the Sixties defined a generation born just after WWII and a whole cultural shift began. Punk Music defined a generation in the U.K that was beset by unemployment and another cultural shift took place. That punk attitude merged with the British Rock invasion gave birth to the New Wave Of British Heavy Metal. Heavy Metal and Thrash Metal then caught on in the Eighties and in the U.S it defined a generation disenfranchised by the conservative Reagan era. Metal music appealed because it was angry and people were looking for music that they could clench their fists too. Hard rock/heavy metal music was the gang that we all gravitated to.

Music was our patch, in the same way that bike clubs patch in members.

And so much debate is happening around music that really has nothing to do with music.

There is a section of artists who are arguing that they don’t get paid enough from streaming services. Then you have streaming services that are arguing that they have killed piracy. The $2 billion that Spotify has paid to the rights holders is not a number to be compared with how much money the rights holders would have made selling CDs. Spotify is comparing that number with how much money artists would have made from piracy. And as we all know piracy doesn’t pay artists a cent.

So music is going through another cultural shift and a whole new generation is being defined. The recording industry was disrupted by technologies and there are two ways to respond. See the change as a threat or see it as an opportunity. Unfortunately 15 years after Napster, the incumbents still think only in terms of loss and insist on thinking about the industry in the same way as before.

So while a subset of people are decrying the online world, millions and millions of others have decided to embrace it, believing a relationship with their fans is what it’s all about.

And you have different mindsets competing with each other. You have people who broke in the eighties, when we were all glued to MTV and then you have people who broke in the two thousands, in an era that is still defined by turmoil. The Eighties heroes are struggling to get people interested in their new music, so their dollars come from the live circuit where they play all the classics.

We all know the old game was about making a lot of noise. That huge marketing lead up could lead to a big first week in sales. And then the album dies from the news. The normal media outlets don’t care if people are listening to the latest Machine Head album or Vanishing Point.

The game today is that if you’re a musician you would start off in music and then end up doing a lot of different things that involve speaking tours, fan funded projects, book deals and so forth. The fans will keep you alive however you need to be a realist. Musical world domination is a long shot, while being a famous public figure in the internet age is more achievable.

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Copyright, Music, My Stories, Piracy, Stupidity

A Shutdown Equals New Technologies

On December 15, 1877 Thomas Edison patented the phonograph. This simple innovation would give rise to the Copyright Industries and the Recording Labels many years later. On December 10, 2014, the Pirate Bay went offline due to a police raid based on evidence gathered by the Copyright Industries. Meanwhile, P2P sharing has remained at the same levels before the The Pirate Bay shutdown.

Goes to show that the copyright industry really hasn’t learned nothing from the past fifteen years.

Napster came and challenged everything the recording labels and the copyright industry stood for. These industries had two options, embrace Napster or crush Napster. Napster was the sharing community cultural centre for people. If the industries embraced it, then they would have been at that centre. Instead they decided to crush it and Napster’s centralised server proved to be its Achilles heel.

What the Copyright industry failed to conceive was the post Napster generation who innovated even harder, and it is no coincidence that Bit Torrent and The Pirate Bay rose a few years after Napster and the cornerstone of their innovation was decentralisation.

When The Pirate Bay came to prominence people stopped developing because the site was good enough. Everyone became complacent. But now it is down and the same catch cry is heard across the world from developers.

“NEVER AGAIN”

Already the talk around the web is that these new P2P initiatives will protect privacy, free speech, encrypted trackers and block chain technology (Blocks in a block chain are ‘sealed’ with a cryptographic hash). The legacy of Napster will live on and so will the legacy of The Pirate Bay.

Because the funny thing here is that the recording industry had a chance to control digital music. In late 1993 two audiophile computer science students were fascinated by the code that shrunk huge sound files and they started testing compressed songs to see if they could spot the difference. In time, they could no longer tell the difference and that is when it was realised that CD’s could go online. This gave rise to the first mp3 website, the Internet Underground Music Archive (IUMA). The vision was that by putting songs online anyone could share their music online and potentially build an audience. Bands could upload and advertise their tunes, build their own pages, sell merchandise and, eventually, let people play tracks right from the site. Bands could choose whether to charge or give away their music, in order to build a following for live shows.

With all new technologies it didn’t take long for the record labels to notice. They recognized that the free flow of music would destroy their business. But they passed on the technology and in 1999 the music industry changed forever.

Napster showed the world  how easily one could share music. However, Napster did not last long, but it altered forever the way in which people consumed music and what they should pay.

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A to Z of Making It, Music, My Stories, Piracy

The World Revolves Around Someone Selling Something

The whole world revolves around someone selling something.

At the most basic level, if you are working a normal 9 to 5 job, then you are selling your time each day so that you get a wage.

If you are a car manufacturer you are selling a vehicle. In order to sell that vehicle, the manufacturer needs to a lot of pieces to come together. They need people to create the vehicles, first in drawings/design and then in assembly. Before they even get to the assembly stage they need people to manufacture parts for the vehicles. All of the people involved in the process have sold their time for a wage. The company has paid that wage, which they forecast they will cover by the sales of their vehicles.

So what if the vehicles do not sell due to LOWER PRICES and COMPETITION in the world market places. What if the vehicles don’t sell because owning a motor vehicle is not seen as a rite of passage any more by the younger generation. Instead of having a hit car they have a dud.

Let’s use that analogy for a musician.

You are a musician. In order to sell yourself, you need to do the following; Invest time in learning an instrument. Invest time in creating. Invest time in assembling the song together in a studio or your own DIY studio. In all of the time invested, you have not earned a cent. Then you end up releasing your music to the world and the following things would most probably happen;

NOTHING. With so much competition for listener’s attention the odds of your music getting heard without an established audience is VERY LOW. Maybe the songs did get heard and are just not good enough for someone to talk about them or share them.

So what is your next step?

You will either give up or you will create more art so that you can find an audience. Or if you just want to get a gig each week that pays some dollars, you will end up in a cover band.

Just say that SOMETHING happened with your release. If your music is released on a small independent label of some sort and you have a small fan base expect it to end up on P2P networks and YouTube accounts of other users. That doesn’t mean that you had your music stolen or that you have lost sales. YouTube can be monetized while P2P/YouYube views means that you have a potential fan base.

So what is your next step?

Scream piracy or create more art so that you can connect with your growing audience.

Just say that SOMETHING MORE happened. If you music is released on a large independent label and you have a decent following (like Machine Head, Dream Theater, etc.) then expect it to end up on P2p networks, cyber lockers and YouTube accounts of other users.

In this area artists are at the level where they don’t want to lose the audience they have nor the income they generate. The life cycle is album-tour.

Just say that ALOT happened. Here the scenarios and possibilities are endless.

The question that is hitting every carmaker around the world is how do they sell their vehicles (and make money in the process) to a whole new generation because the OLD way of making a car and just releasing it and expecting people to buy it is just not working anymore. Companies like General Motors have taken on board youth-brand consultants, Subaru is trying to get the emotional connection correct (whatever that means) and Ford is using social media as a way to connect with new buyers.

That same question is hitting every musicians and the recording industry around the world.

How do they sell themselves when the old way has not been working for over 15 years.

It’s about people. The human beings that are your fans. And you need to develop that connection and relationship with them. The car makers know that and they are trying. Do you know that?

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Music, My Stories, Unsung Heroes

The Studio

Finally, the recording studio is complete. After years of procrastinating about what computer to get, what Digital Audio Workstation (DAW) to use, what audio interface to purchase, what monitors to use and all of the other decisions that go into a recording studio, I bit the bullet and went for it.

The new Apple iMac desktops got the nod. It was actually the only computer that I had in mind. $2,999 AU gone. Then I  purchased the Apple Care Protection Plan, plus a disc drive and AntiVirus. All up the purchase came close to $3,600.

The Steinberg UR44 became the audio interface of choice. This was the hardest decision that I needed to make. I was looking at PreSonus, Apogee, Avid and M-Audio interfaces. I originally wanted one that had about 8 plus inputs (just in case I wanted to do a full band) however we all need to start somewhere so I settled on the 4 input Steinberg unit. However the Cubase AI (DAW) software that comes with the audio interface is NOT  COMPATIBLE with the latest Yosemite operating system. Go figure. The monitors by the way are JBL’s.

Now for the DAW shenanigans.

From the mid-nineties to about 2001, 90% of the studios that I used for recordings had Cubase as their DAW. Then after that, ProTools suddenly became the standard. Some studios also used Logic. I have exposure to all three and in the end, it was the ease of paying and downloading Logic Pro X from the App Store that made me go with that.

However, I am pretty sure that in a few years I will most probably upgrade to ProTools for the DAW with an Apogee Audio Interface. But as I said, we all need to start somewhere.

So finally on Sunday, I cranked it all up and fumbled my way around the Logic Pro interface and the Apple operating systems. I have been an IBM and Dell user for the last 14 years, so the iMac takes a bit of getting used to. In Logic Pro I couldn’t even find the tempo settings (which thanks to the quick help guide) it got me going.

Then I laid down a few scratch guitars for this song I am working on called “The World We Live In” and my boys are all down in the studio enjoying the moment. In order to make their day, I set up a few vocal tracks and asked them to sing the verses.

Did they nail the key?

Of course not.

Were they far off the key?

Of course not.

What they did realise is that when the record button is clicked, stuff ups happen around the timing and the phrasing of the vocal melody. The 8-year-old got a clean pass down and then the 9-year-old followed. The almost 3-year-old, without the mic in front of him is pretty good. As soon as I put the mic in front of him, he freezes. My wife is the same. For talking she leads by miles, however put a mic in front of her and you get silence. Hey that’s an idea.

Then the 8-year-old asks me how was his take as he wants the song to be up on Spotify ASAP. I love the enthusiasm. It keeps me young and energized.

I told him that the vocal take was okay however he would need to redo it again and maybe redo it many more times. This kid, I will tell ya, doesn’t like re-work.

And after three hours of fumbling and stumbling with the DAW controls, I have a pretty decent minute and a half musical draft down to start building on. Now the only problem I have is sneaking away to spend more time in the studio.

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Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

The Perfect Album Of 2014

We know that metal and rock bands need to get their heads away from the album format. From all of the 2014 releases that I heard, there was not an album that I loved from start to finish. So for my top 10 list, I have sequenced my favourite songs like an “album”. (Everyone gasps).

It looks pretty solid from start to finish.

Machine Head – Now We Die

It’s the first track and lead single from “Bloodstone and Diamonds”.

Cast off the shackles of the past
Live in the moment nothing ever lasts

So true, live in the now because no one knows when that last day being alive is.

A family friend died last week at 50 years of age however he actually died over 10 years when his wife left him. He just never got over it and it led to 4 heart attacks, stents, pace makers and in the end it was a brain haemorrhage that did it. A few days ago, the mother of a kid I coach in football died from a heart attack. She was under 40 years of age.

The recording business is so enraptured about what they lost that they fail to see the opportunities of the day and what they stand to gain.

Vanishing Point – Distant Is The Sun

One of Australia’s best kept secrets when it comes to melodic metal. This is the title track of their new album that almost didn’t get made.

 How many times can you walk away
How many years can you give to crying

It covers the years in between albums and the struggle to get the album done due to life being life. They dealt with a record company going bust, band members leaving, shelving the music written with those band members, starting from scratch again, the death of a family member and then finding inspiration to continue.

Evergrey – King Of Errors

The anti-heroes from Sweden. As a fan, there has not been a bad release from them. “Hymns For The Broken” is no different and “King Of Errors” is a great comeback song.

They call us kings
And then we fall down broken

Social media accounts put out an image that all is well in our lives. There we are, happy, smiling, taking selfies with others and having a good time.

I know that life is peaks and valleys. We could be kings and queens for a while but it doesn’t sustain. We all have our lows. We all make errors. I made errors and I made choices that led me to where I am today.

Black Label Society – Angel Of Mercy

“Zakk’s developing into a monster. If you listen to his guitar playing there’s a little bit of Hendrix here, some other stylings there. He’s putting it all together in his own way. Zakk’s a musician for the future.”

OZZY – Guitar World, October 1989

Enough said.

Door of memories
Closed forevermore

I love the analogy of using the door to keep the memories from leaking out. We never want to lose all of those good and bad memories. In the end they make us who we are today.

Intervals – Automation

Intervals is another progressive band from Canada with a cult like following. I came across their name when I saw them on a tour poster with bands that I support like Periphery, Protest The Hero and TesserAct.

“Automation” is from their 2014 self-funded/released album “A Voice Within”.

After a few instrumental releases, this is their first one to feature vocals and what a stellar job they did with it.

The gears pulling forward
Always falling into place
The battle I know is over
Despite the effort and haste

The Kindred – Heritage

Yep, another band from Canada that was formerly known as “Today I Caught The Plague” and one of the best progressive bands out there that everyone needs to hear. This song is from the album “Life In Lucidity” released on Sumerian Records.

Now stand on the shoulders of history’s tallest thinkers
See that their height is borrowed from predecessors
And even the worst ideas can spur better conceptions
Pushing humankind along an evolutionary rite of passage

The whole British Rock movement in the Sixties came about because of the love the British musicians had for the American Blues movement. They borrowed from their predecessors to make new creations. Hell, Led Zeppelin took blue and folk staples and built a career of that. That E7(#9) chord that Jimi Hendrix so famously used in “Purple Haze” was used consistently by Wes Montgomery years before. However it is known to the masses as the “Hendrix Chord”.

We’ll be tomorrow’s heritage
The giants of advancing thought
But if only we respect the statuesque preceding

Machine Head – Ghosts Will Haunt My Bones

It was hard to pick a song from Machine Head because “Sail Into The Black”, “Killers and Kings” and “Game Over” are all up there as well, however “Ghosts Will Haunt My Bones” was a favourite right from the start. That whole intro build up made me want to pick up my work desk and throw it out the window.

From my throat the agonies emit
My demons wrestle and my thoughts conflict
The stench of bile, as I purge this hate
An inner struggle I can’t separate

With all that was happening behind the scenes between the Machine Head members it is a miracle that this album was finished and finally released.

Adrenaline Mob – Dearly Departed

Adrenaline Mob’s aura is a throwback to the Eighties period. Yeah, I know they might have had some nu-metal style of riffing in some songs, overall, the feel is still classic Eighties.

I gave you everything
Took you under my wing
With open arms brought you in the family

I don’t allow people into my life that easily anymore. The band members from my last band left me cautious and then when they put in song writing claims for songs that I had registered in 2005 (and the band formed in 2008, with the bass player that also put in a claim joining in 2010) I was furious. The deceitfulness shown by them I thought wasn’t possible in humans and it was a real eye-opener to me to be more careful.

Fight or Flight – Leaving

The side project that featured members from Evans Blue and Disturbed.

Living life through compromise

Being married for more than fifteen years is basically living a life through compromise on both sides. Having kids further compromises that life. Working a Monday to Friday job is another compromise. Get where I am going with this. Are there any people out there that have never compromised anything of themselves?

Sanctuary – The Year The Sun Died

Sanctuary are a cult favourite of mine and the thing is as much as I tried to get into Nevermore, I just couldn’t. Then came Warrel Dane’s solo album and I was like “yeah”. And with Sanctuary’s new one, it’s a “Fuck Yeah”.

What if there is nothing more?
What if there is only emptiness?
What if there is nothing more
Beyond the code of deliverance?
What if everything decays?
What if we’ve all just been betrayed?
The code of deliverance leads us closer
We are closer to the end

It’s like a modern-day “Draconian Times” from Paradise Lost all wrapped up into one song.

ONE LAST ENTRY: Black Veil Brides – Faithless

Say what you want about them and their look but man, this band has two deadset shredders in Jinxx (plus he plays a mean violin) and Jake Pitts.

“Faithless” is a riff romp and the Bob Rock production just takes it to another level. Even the vocal tone of Andy Biersack which I am not a big fan off is pretty good under the tutelage of Rock.

Live with defiance
It’s time to fight
Don’t ever let them keep your words from being heard

Dee Snider would be proud.

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My Stories, Stupidity

Failure To Notice My Wife’s Hairstyle

My wife is upset. Upset because I didn’t notice that she was at the hairdressers today. Upset because I didn’t comment on the way her hair looked. Upset because I didn’t comment on her hair colour. Just upset.

What can I say in my defense?

Well, I have no excuses, but here is the story of what transpired.

When I came home from work, I saw that my wife was laying on the couch with the little dude. At that quick glance I didn’t notice nor could I see that she had done anything to her hair although I did know that she was at the hairdressers because she told me earlier on in the day.

From the corner of my eye, I saw that the kids got their school reports for the year, so I turned my attention to the reports. As I was reading the reports, the kids came up to ask me if I was happy with the reports. I was happy and I briefly spoke to the kids about their reports telling them how happy I was with their efforts this year.

The whole time I was oblivious to my wife’s hairstyle.

She came up to me, I hugged her, she flicked her head around like those Pantene hair commercials and I STILL DIDN’T notice.

As I am recalling the events right now as I type this post I can see the many many (just think of the fictional Commandant Eric Lassard from the Police Academy movies saying the “many, many” line) missed opportunities I had to notice the new hairstyle.

What can I say it was a comedy of errors. Did I also tell you that it is our 16 year anniversary in nine days? Yep, 16 years married and three beautiful boys is the result.

My wife’s viewpoint is that if she was my girlfriend I would have noticed her new hairstyle and bought her flowers.

Maybe she is right. Maybe we get comfortable with our long-term partners that we fail to notice them anymore. I could have easily turned it into an argument however I didn’t. It was my bad that I failed to notice.

There are times when life is just too noisy and unfortunately today was just one of those times.

But the beauty of life is to always have a laugh about things afterwards and look at the good things that we have.

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