Dare is an English rock band, formed in 1985 and fronted by former Thin Lizzy keyboard player Darren Wharton.
The “Real Love” single was the first thing I purchased from Dare in 1991. I liked it a lot, so I purchased the album before it, “Out Of The Silence” released in 1988 (and that review is next) but not the album “Blood from Stone” released in 1991, the single was on.
Why?
Because the album wasn’t readily available in Australia upon release. A&M Records wasn’t really renowned for their excellent release strategies. And the album isn’t on streaming services either. Go figure.
Back to the single, you get one album track in “Real Love” and two B sides, in “Killer Lover” and “Rideaway”.
Real Love
It’s a ballad.
The melodic lead in the Intro which also appears in the Chorus is excellent. Very singalong like and Wharton’s raspy/throaty voice adds the right emotion to it.
Killer Lover
It’s a generic hard rock track in the style of artists like Winger and Steelheart.
Rideaway
This is a great melodic rock track.
And I always wonder why some songs break through and become popular and some don’t.
“Real Love” has all the right ingredients to be a monster song, but it never came to fruition. But it got me interested to check out the debut album.
“Animosity” is album number 3 and it was released on November 13, 2001. Four months later it was certified gold by the RIAA.
This is their best album, a mixture of their Nu-Metal grooves with a lot of melody and head banging riffs.
Just think Rage Against The Machine riffs merging with Metallica riffs and melodies and Faith No More riffs and melodies.
Sevendust is Lajon Witherspoon on lead vocals, Clint Lowery on lead guitar, and co-lead vocals on “Xmas Day” and “Angel’s Son”, John Connolly on rhythm guitar, Vinnie Hornsby on bass and Morgan Rose on drums.
This album really highlights what a great talent Lajon Witherspoon is. His vocals are exceptional.
T.O.A.B.
Written by drummer Morgan Rose, it stands for “Tits On A Boar”.
In case you are not familiar with it, it means a person, place, event or item in which there is little or no value.
Musically and vocally it could have come from the debut.
And any song that starts off with “Die you piece of shit!”, well you know you ain’t gonna get a love song.
Praise
Written by Clint Lowery, Lajon Witherspoon and Morgan Rose.
A great riff kicks this off, something that Stone Sour would do a lot off.
Trust
Written by Clint Lowery and Lajon Witherspoon.
The power of the Intro riff hooks me in immediately.
Then it’s just bass and drums for the verses and Lajon delivers a killer vocal melody.
And if you are in any doubt, press play for the Chorus.
Also it wouldn’t be a Sevendust song with a head banging interlude.
Crucified
Written by Clint Lowery, Lajon Witherspoon and Morgan Rose.
It continues the standard set with “Praise” but the Chorus is more melodic. Very Disturbed like.
And lyrics like “Don’t you feel like a bitch / Don’t promise shit you’ll never be” set the aggressive tone.
Xmas Day
Written by Clint Lowery.
A ballad, which reminds me of Soundgarden, Alice Cooper 70s version and other
Don’t know how she gets by Sleeps with a phone on her chest And a bottle that’s totally dry Forgets the day I was born But if she saw me right now
The lyrics more or less sum up what the song is about.
But press play to hear the Chorus and the great vocal performances.
Dead Set
A Lowery, Rose and Witherspoon composition. It’s a heavy rocker with another killer Chorus.
I dodge the grave almost every day
Shine
A Witherspoon composition with a syncopated groove riff in the verses which is head banging material.
I’m on a free fall / So hard for me to shine
Follow
A Lowery and Connolly composition with Aaron Lewis doing additional vocals. Goddamn it could pass as a Staind or A Perfect Circle song.
And how good are the opening lyric lines.
Time can take everything that surrounds you
Damaged
It’s a Connolly and Rose composition.
How could you really know as your blood flows The damage left inside
No one will ever know the damage done especially the mental damage.
Live Again
Another Connolly and Rose composition. And if you press play on a track from this album this is it.
Look at yourself and live again
That Chorus. So emotive and catchy.
Beautiful
A Lowery, Rose and Witherspoon.
Another killer heavy Intro that gets me thinking of Faith No More with a Chorus that reminds me of Godsmack.
Redefine
A Lowery, Rose, Witherspoon with a heavy riff that reminds me of Disturbed.
But that Chorus riff. So cool to play with the octaves.
Angel’s Son
A Lowery and Witherspoon acoustic composition.
It was originally released on “Strait Up”, a tribute album of Lynn Strait, former lead-singer of the band Snot. Strait died in a car accident on December 11, 1998, at the age of 30.
If you thought Sevendust was just too heavy for ya, then check this album out.
Dark Tranquillity is a Swedish melodic death metal band from Gothenburg. They are considered one of the pioneering acts of the Gothenburg metal scene, which also includes bands such as In Flames and At the Gates.
The band was formed in 1989 and in August 1993, the band released this album.
And they never stopped releasing music.
But when you look at their catalogue of releases, it’s like this album doesn’t exist.
Wikipedia describes “Skydancer” as a “very weird album and there really isn’t anything else like it – for good and bad. Most of the songs contain 20+ riffs that never are repeated in the same way, and the integration of clear vocals and acoustic guitars were extremely unorthodox for its time, as were the advanced use of counterpoint and recurring musical motifs”.
And I agree.
If you got into the band, post 2010, the debut album would be very strange to your ears and you would be questioning if it’s the same band.
The recording process was stressful. They only had a budget for 10 days of studio time, and working with studio engineers who were clueless about extreme metal. Which tells as the production is definitely demo like.
The band for the album is Anders Fridén on lead vocals, Niklas Sundin on lead guitar, Mikael Stanne on rhythm guitar, backing vocals, Martin Henriksson on bass and Anders Jivarp on drums.
Vocalist Anders Fridén either left or was fired after this album as he joined In Flames and was replaced by then rhythm guitarist, Mikael Stanne on vocals.
And recording history would have it that Mikael Stanne was the lead vocalist on the first In Flames studio album, “Lunar Strain”.
And for all the accolades of being a melodic death metal band, this album is part of the death metal genre.
Nightfall by the Shore of Time
Well it starts off with a guttural scream of the word “Nightfall”. And for the almost 5 minute song, the riffs move between fast thrash riffs, tempo changes and melodic Maiden like riffs.
With guttural singing.
Crimson Winds
It’s mid-tempo rock intro has a sing-a-long melodic lead. Then at the 1 minute mark it goes into a progressive like riff reminding me of Thin Lizzy and Iron Maiden and the guttural vocals kick in.
The interlude/solo section is so Maiden like.
A Bolt of Blazing Gold
It has an acoustic intro that sounds like it came from a Spaghetti Western. At about the minute mark, distortion guitars kick in. And 90 seconds in, guttural vocals kick in. At approx. every 30 seconds there is a change in music or tempo or time signature and that’s how this song progresses.
At 2.40, it goes back into a slower doomier tempo and we get clean tone vocals along with the guttural vocals.
In Tears Bereaved
This one is fast. Blast beats everywhere, tempo changes, time changes and guttural vocals.
Musically, there are some cool bits but overall, it’s a skip.
Skywards
Its relentless, with riffs crashing into each other, guttural vocals everywhere and hard to follow.
Through Ebony Archways
It’s a classical guitar piece at the start, almost waltz like. The acoustic riff changes as the song moves into clean tone vocals.
Shadow Duet
There’s some good riffs in this and the singing moves between growling and melody.
My Faeryland Forgotten
Chaos is how I describe this song.
Alone
A slower more doomier groove for the album closer.
However the release I have has the 1994 EP, “Of Chaos And Eternal Night” added to it. And the sound is remarkably improved than the debut.
Of Chaos and Eternal Night
You can hear the fast melodic metal riffs more prominent in this track.
With the Flaming Shades of Fall
This one is a mid-tempo track and the riffs are excellent.
Away, Delight, Away
Press play just to hear the intro as the guitars play an open string lick in harmony that reminds me of “Wasted Years”.
Alone ’94”
An updated version with better production.
If you like melodic vocals, then you will hate this, as the vocals are more growling than singing.
If you want to hear youthful enthusiasm and creativity by putting in as many riffs as possible into a song, then press play.
The “Body and the Beat” album and the song “Rain” kept Dragon in the Charts between 1983 and 1986.
In 1986, they released the hard rock sounding “Dreams Of Ordinary Man” album which was certified Platinum in Australia and kept their comeback alive.
In 1987, they dropped a cover song, “Celebration” from Kool And The Gang. And it went to Number 1 on the Australian charts and stayed in the Top 10 for quite some time.
I’m not a real fan of that song but it made business sense to cover it because of it’s cross over appeal. It was played in night clubs, parties and everywhere you went in Australia, you heard Dragon’s version.
And then in April 1989, they dropped “Bondi Road”, their ninth studio album.
And no one knew it at the time but it was to be the last album of new material to be released during singer Marc Hunter’s lifetime, who passed away from throat cancer in 1998 at 44 years of age.
Bondi Beach is listed as a place to visit in Sydney for tourists. It’s also the place where the reality TV show, “Bondi Rescue” is filmed which shows the lifeguards basically saving tourists from the waters.
With a title that involves the word “Bondi”, summer always comes to mind, however they dropped the album in April, which in the Southern Hemisphere, is the second month of Autumn.
But by the time October rolled around (the second month of Aussie spring), the album had grown in momentum and really became a summer album for the months of December, January and February.
Young Years
It’s one of their best songs, a hard rock classic. And it’s not even written by the band, written by keyboardist Alan Mansfield and his partner, vocalist Sharon O’Neill, who as a songwriting team have written other songs for Dragon which became fan favorites.
The song also had a massive resurgence in popularity following Marc Hunter’s death in 1998.
And on guitar they have the great Tommy Emmanuel. Apart from being an accomplished solo artist and an amazing guitar player at that, Emmanuel has amassed a lot of session credits here in Australia and in the U.S.
Plus a special mention to the awesome backing vocals of Mary Azzopardi and Wendy Matthews.
It’s a great opener and then I felt lost listening to the next songs.
“Blue Blue”, “Book of Love”, “Here Am I”, “Ice in this Town” and “Gold in the River” failed to capture the intensity and fire of the opening track.
Bondi Road
Then the Intro riff started for “Bondi Road” and I was back in. It’s all in clean tone but it’s got this rock blues funk groove which I like.
Written by Johanna Pigott and Todd Hunter, who also wrote “Rain”, however this time around vocalist Marc Hunter also has a songwriting contribution.
Summer
You couldn’t have an album called “Bondi Road” without having a song called “Summer” on it.
This one is written by David Hirschfelder, Marc Hunter and Wendy Hunter.
It’s major key riff, rocks hard but the way it’s delivered, it feels like I’m on the beach, soaking in the summer rays.
Then came “Family Man” and the album lost me again.
Runaway
It rocks out of the gate with a hard rock riff.
Another track written by the team of Alan Mansfield and Sharon O’Neill.
Good Time Girl
Mansfield and O’Neill contribute another song.
The rock sounds of Free and Bad Company start the song, and it moves into a riff similar to “Young Years”.
Stick around for the Chorus.
Celebration
And yes the stand alone single was given an album as well.
The album was Certified Gold in Australia, a bit lower than the previous albums and a sign of the changing times.
“Smoke” is album number 5 from Drivin N Cryin, released in February 1993 on Island Records.
I got it a few years after as I was trying to get my hard rock fix circa 95/96.
And it was a purchase based on the song titles. When Grunge hit, a lot of the song titles had just one word as the title.
As soon as I saw titles like “Back Against The Wall”, “Turn It Up Or Turn It Off” and “Whiskey Soul Woman”, I was curious. Then I saw that Geoff Workman (RIP) is the producer and engineer so I purchased.
For those that don’t know Workman has been involved in either producing and engineering some massive albums for The Cars, Queen, Journey, Foreigner, Toto, Mötley Crüe and Twisted Sister.
I knew nothing about them and for quite some time, I presumed this album was their first.
But the band was formed in 1985 and had a deal the following year.
Kevn Kinney on vocals/guitar, Tim Nielsen on bass and Paul Lenz on drums are the original members.
The band’s name, Drivin’ N Cryin’, was chosen because it reflected the two directions of the band’s music. Good for driving and good for crying.
In 1987, Lenz left and was replaced by Jeff Sullivan. And rock history would have it that Sullivan was the drummer for a certain band called Mr. Crowes Garden, which later would became known as The Black Crowes.
Afterwards Rhythm Guitarist Buren Fowler joined the trio and this is the band as I know it.
While they released albums in the 80’s, it was “Fly Me Courageous” released in 1990 and with Geoff Workman as Producer, which is seen as “the album” from the band. Certified gold, the album is hard rock the way it should be, without zero hairspray and make up and no label interference. However I didn’t know this at the time.
And three years later, “Smoke” follows in the same direction with Geoff Workman behind the boards again and the same sound.
Back Against The Wall
It feels like a derivative version of “Ace Of Spades” with a “Wipeout” drum groove in between certain sections. And I like it.
She Doesn’t Wanna Go
One of my favourites, especially that Chorus riff.
Smoke
This one has a Van Halen feel in the Intro riff, but as soon as the Verse kicks in, it’s like Thin Lizzy and in the Chorus its AC/DC.
What is there not to like.
When You Come Back
It sounds like a cut from the “Lies” EP by Gunners.
Patron Lady Beautiful
At 7 plus minutes, it’s a jam out 70’s style cut, slow blues rock with a lot of guitar solos. Another favourite.
1000 Swings
It’s a blues rock tune with a metal like Chorus riff.
1988
It feels like some of the early Sabbath recordings when they just jammed the blues.
Whiskey Soul Woman
The Cult comes to mind when I think of this song.
And it’s got the “Strutter” beat which I like. I call it the “Strutter” beat, because the Kiss song was the first song I heard with that snare/high-hat and bass drum all at same time.
What’s The Difference
It’s very Petty/Dylan and I like it.
It’s just a light dirty electric and a vocal melody.
Eastern European Carny Man
It’s like a Bad Company meets Boston track.
All Around The World
Its sleazy in the riff department, very 80’s Motorhead like.
Turn It Up Or Turn It Off
It feels like a merge between “Do Ya” and “Whole Lotta Rosie”. Vocally, the melodies feel very Tom Petty like.
Once this track finishes there is 30 seconds of silence and “Can’t Fall Off the Mountain,” a hidden track begins like an acoustic camp fire tune.
And I enjoyed this album.
But I lost sight of em as I started getting into bands like Collective Soul, Tonic, Matchbox 20, and some of my 80’s and early 90’s favourites started to release some great recordings circa 97 and onwards.
So if you like hard rock with bluesy overtones and some Petty/Dylan/Lemmy/Lynott influenced like singing, call up Drive N Crying.
“One Way Ticket to Hell… and Back” is the second studio album from The Darkness. So much for all the talk about diminishing recording budgets, as this album cost £1 million to make.
Released in November 2005.
They even got Roy Thomas Baker, best known for his work with Queen, who is a major influence on The Darkness to produce.
And a change was happening within the band as well.
Bassist Frankie Poullain left the band during the early stages of production on the album, with most bass parts on the album played by guitarist Dan Hawkins.
So the musicians for the album are Justin Hawkins on Lead Vocals / Guitars and Piano, Dan Hawkins on Guitars and Bass and Ed Graham on Drums.
Richie Edwards would join on Bass for the tour.
One Way Ticket
A flute and a choir starts it all off and then a riff inspired by “Highway To Hell” kicks in.
And the song is an amalgamation of the big hits from the debut, like “I Believe In A Thing Called Love” and “Growing On Me”. A perfect opener.
But the solo felt like a bit of a joke. And it feels like that was the intention.
Knockers
It’s got this Pink Floyd feel in the Intro and Verses and I was waiting for Justin Hawkins to sing “We don’t need no education”. But that never happened.
And the Chorus has this Gospel Country Rock feel.
Is It Just Me?
The riff is similar to “Too Fast For Love” and other blues rock classics like “Peter Gunn” with a Chorus riff that reminds me of Rick Springfield and “Jessie’s Girl”.
Dinner Lady Arms
Musically, it’s a Def Leppard “Hysteria” like riff, just more up-tempo.
But the Chorus lacks lyrically, because the title is stupid and the hook doesn’t resonate.
Seemed Like A Good Idea At The Time
A hard rock ballad with a title to challenge Meatloaf.
Hazel Eyes
It starts off with harmony guitars, which feel like they have a backwards effect on em. Then the strumming starts and the song begins. There’s bagpipes, a vocal melody and some high falsettos, which the guitar mimics as a harmony lead.
But it felt rushed and it ends abruptly.
Bald
The intro is brilliant, ominous and it builds nicely, until the guitars crash in with distorted chords and lead breaks. Musically, this is my favourite song, even though the Chorus vocal melody is a ball squeezing contest in falsetto highs.
Girlfriend
The riff has got that Status Quo 12 bar blues feel. But it’s not a favourite.
English Country Garden
I get what they are trying to do on this by bringing in the weirdness of Queen but it’s a skip.
Blind Man
Another skip.
Wanker
It’s the B-side to the “One Way Ticket” single and its Rolling Stones groove smashing against AC/DC and Status Quo works for me.
There are horns which gives it a soul rock feel, and Hawkins moves between normal singing in the verses to his falsetto in the Chorus which he even harmonises as a backing vocal.
It’s insane.
Grief Hammer
It’s the other B-side to the “One Way Ticket” single and the Intro gets me interested right away. Musically its pretty good.
And this album while good in certain parts lost me as a fan for almost a decade.
Because at times it felt like a Jack Black “Pick Of Destiny” soundtrack. And I like that soundtrack because it’s Jack Black.
And I guess it a big recording budget doesn’t lead to quality.
I more or less ignored them until “Easter Is Cancelled” in 2019.
The debut album “Permission To Land” took everyone by surprise. No one was ready for The Darkness. Their look, their vocal chops, their style of music was all “anti-what’s in vogue”.
Justin Hawkins is on vocals, lead and rhythm guitar, synthesizer and piano. His brother Dan Hawkins is on rhythm and lead guitar. Frankie Poullain is on bass and Ed Graham is on drums.
I saw the clips and I watched em perform on various TV shows. I was a fan but I didn’t feel the need to buy. I wasn’t sure if it was a gimmick or the real deal.
Anyway a few years later I actually purchased their product.
Black Shuck
I was hooked from the AC/DC inspired intro. Very “Dirty Deeds” like.
Once the singing started, I was like WTF.
In a simple verse you hear operatic falsettos, Meatloaf like “Bat Out Of The Hell” style vocals, Freddie Mercury extravagance and NWOBHM throaty spitfire vocals. Almost theatre like. King Diamond also comes to mind.
It felt like a train wreck and I liked it. So I stayed on the train to see how far it would go before it crashed.
Get Your Hands Off My Woman
Then this started, with a bass riff that reminded me of The Police. The operatic falsetto is all over the verses and the Chorus.
And I like the “Hit With Me Your Best Shot” inspired Chorus riff.
The train crash was still on the rails.
Growing On Me
Very Cheap Trick like in the Intro/Chorus and when the Verse kicks in, check out the Rick Springfield “Jessie’s Girl” riff.
And I like it.
Finally we get a solo in the middle of the song and in the outro, but it’s the riff before the solo which I like.
I Believe In A Thing Called Love
At 159.4 million streams on Spotify, it’s their “hit”.
What else can be said about this. The riffs are very Sweet/ELO like and the Chorus vocal delivery has become iconic throughout the years. I remember in the early days of the “Idol” shows, there always was a singer who auditioned with this song.
And how good is the Outro, with the lead first and then that head banging riff to close.
So far, so good. A four punch knockout combo so far.
Love Is Only A Feeling
A mid-tempo like ballad more Poison like. And by now, my ears had acclimatised to the falsetto and normal singing voices.
Givin’ Up
Musically, it’s AC/DC in attitude and spirit.
Stuck In A Rut
The intro riff is “Thunderstruck” played ala Malcolm Young. Vocally it’s everywhere and not my favourite, but it doesn’t take away from the power of the music to me.
Friday Night
More Cheap Trick like influences.
Love On The Rocks With No Ice
I like the music. Its hard rock the way I like it. It has that AC/DC style of rock, with all of these other influences throughout, like ELO, Bad Company and even Judas Priest.
And this song has their best solo moments in the mid-section.
Holding My Own
“Purple Rain” from Prince and “Faithfully” from Journey come to mind when I hear this.
Makin’ Out
More AC/DC style of rawk and roll to close out.
Check out the open string lick after the solo, very “Thunderstruck” like.
By the end of it, I hoped they would stick around, but had a feeling that the labels would use them and spit them out. Like “Chainsaw Charlie” in “The Crimson Idol”.
But I was wrong, as they have shown the same resilience from when they started.
Doing it their way and “anti-what’s in”.
In Australia, Canada and New Zealand, the album was certified Platinum. In the U.K, it was 4x Platinum.
In Denmark and the United States it’s certified Gold.
And I guess you know which review is coming tomorrow.
Formed in December 2000, they come from an area outside Detroit, Michigan. And since Kiss told me that Detroit is a Rock city, the Dirty Americans well then had to rock. And they sure do.
They got the attention of Roadrunner Records a few months after forming but were kept in limbo hell by the label. They recorded demos and albums worth of material for the label, but the label kept holding them back.
After a few false starts to release an album, “Strange Generation” was finally released in Europe, Japan and Australia in March 2004. The band was also then released from their contract with Roadrunner Records, and the debut album was later released in the US by Liquor & Poker Music. I had to google the name of the label to see if David Coverdale was running it, since Whitesnake had a song called “Liquor and Poker” written for the “Slip Of The Tongue” album and even the tour in support of the album was called the “Liquor and Poker”.
I purchased the album because of its retro psychedelic looking cover and the fact that Roadrunner was the label behind it.
Like many bands during this era, it was lucrative to have your songs on video games.
The song “Car Crash” is featured on the soundtrack for the PlayStation 2 video game Gran Turismo 4 and “Burn You Down” is featured in the main menus to ATV Offroad Fury 3 and Gretzky NHL 2005.
From an Australian point of view, they had the same sounds that Wolfmother and Jet had. That throwback to the 70’s retro sound. Good old classic rock.
No Rest
It explodes like a fuzzed out Sabbath crashing into the Rolling Stones.
Car Crash
It’s like The Doors meets Molly Hatchett.
Can love be like a car crash?
I suppose you need to be in both to really know.
Strange Generation
For some reason, “Generation Swine” keeps coming into my headspace when I see this title. But it’s more similar to early Cheap Trick than later Crue.
Burn You Down
The combination of Cream like riffs in the Verses with a Blue Oyster Cult “Don’t Fear The Reaper” style Chorus is great to listen to.
Time In Space
The start reminds me of AC/DC. Musically that is.
Give It Up
A blues rocker ballad, more in sync with Grand Funk and Lynyrd Skynyrd than anything else.
Deadman
My favourite song.
It’s got this Tea Party sound and feel, which is basically like Led Zeppelin’s “Physical Graffiti” sound.
And some sections remind me of Bush in the vocal delivery.
If you need to press play on a song from this album, then this is it.
Deep End
It could have appeared on Led Zep III and fitted perfectly with the style of that album.
Way To Go
The Chorus is addictive on this.
We Were Young
It’s got a Collective Soul feel, like “The World We Knew”.
The whole album just rocks and grooves.
I didn’t skip a song when I got it and listening to it again, today, I still didn’t skip a song.
But.
Afterwards it was hard to describe or sing or hum any of their melodies.
But.
When I pressed play again, for the second time, it was all familiar again, only to disappear a few hours later after I finished listening to it.
And I’m thinking that’s why they didn’t break on through to larger things, like other retro sounding bands. They didn’t have that “Are You Gonna Be My Girl” or “Joker And The Thief/Woman” tune.
Plus it was very hard to find any information on em back then.
Checking Spotify out right now, it does have two EP’s in “Jet Black Holy Water” and “Detroit S.O.B” and an album called “Black Feather” released in 2011.
In the end, they are largely unknown to the masses. Do yourself a favor and press play.
“After Hours: Unplugged & Rewired” is like a best off, done in an acoustic format with the addition of a few new tracks.
Released on October 8, 2013 and this one was purchased from the Amazon U.S store without any graffiti on the cover.
This City
One of my favourite songs.
Electronic programmed drums provide a foundation, while the acoustic guitars reign with arpeggios and harmonics.
If there is a song to listen to, press play on this.
This city made me who I am
I was always told that I am a product of my upbringing, and how the family, the social circles and the city I grew up in plays a part with all of this.
There is also a bluesy solo on this, which is cool to hear the guitarist flex their styles.
Forget You
From the “Breaking Point” album. It was heavy and aggressive on that album, a perfect concert and album opener.
It feels swampy this time around and it doesn’t lose its aggression.
Shallow (Closer Than the Angels)
From the “Counting The Hours” album and the way this song sounds in acoustic format is so Breaking Benjamin and I like it.
Suffocate
This song is from the first album “Cause And Effect” and it works great in acoustic and electric formats.
It also appeared on the “Hollow” EP.
Personally I prefer how it starts off in acoustic and I like how I can make that “American Woman” association for the riff known as the “Nu Metal” riff.
Closer to Me
A new song. This song sounds great and I like how the drums have this processed electronic effect for the first part.
Dance in the Fire
From the “Breaking Point” album.
I don’t like how they tried to recreate the fast picked distorted verse riff in acoustic format. They should have stayed within the strummed verse riff.
But the Chorus is exceptional.
Morphine
From the “Counting The Hours” album and they nail that Staind vibe.
Use Me
From the “Hollow” EP and “Counting The Hours” album. This song has been done acoustically previously and it works.
Whatever It Takes
From the debut album “Cause And Effect”.
I’ll do whatever it takes to get you out of my life
It’s a great hook and they deliver it nicely.
Demons
It’s a new song.
Just close your eyes Let the demons rest tonight
But they don’t rest, unless we use something to rest em. Because when a person is alone with their thoughts, the demons are out to play.
Broken Halo
From the “Breaking Point” album. The song was done acoustically as a bonus track for the album and released here as well.
Sweet Misery and Worth The Pain
Both are from the “Hollow” EP. I like the electronics under “Worth The Pain”.
Little did I know that this would be the last full length album from the band.
Various single song releases came out and a new album called “Aquarius” was announced but it never saw the light of day.
However I will have one final post on those single song releases, plus a bonus post on “The Tragedy Machine” side project of the Winterstein brothers.
destroyerofharmony 