Category Archives: Piracy

A to Z of Making It, Music, My Stories, Piracy

Success Is A Combination Of Different Metrics

I’m surfing the net and reading. I come across a few reviews of music. Black Sabbath are getting favorable write ups from the mainstream however music fans are split.

I think we need a shut down and a restart in music as everybody is so busy scrambling for cash. Great music is coming a very distant last.

Ozzy these days is all about the money.

In my opinion it doesn’t matter whether anybody buys the new Black Sabbath album. Thinking of sales as the only validation point is old school economics.

These days it’s all about whether people LISTEN to it. I love Black Sabbath but I’m not listening to 13 nor have I a desire to hear it again.

Music was always a service. People heard music by going to a live performance of it. Then music evolved into a product. I grew up in an era were I wanted to own the music I liked. I wanted to collect as much music as possible. I was buying a product.

Now I don’t need to own music. I can just get the music I like whenever I want to hear it. Streaming is changing the way I consume music.

Instead of purchasing a CD once and playing that album 10,000 times, I can now stream a song 10,000 times. It’s a relationship between the artist and fan that never ends.

The music business is built on smoke and mirrors. That gig that sold out, by bands purchasing their own tickets for reselling in reality didn’t sell out. That album that sold millions, by the labels pressing millions in reality didn’t sell millions.

If people want to know if an album or a song is a hit they need to look at more metrics.

How many YouTube views?
How many Spotify streams?
How many streams from other providers?
How many torrent downloads. Free music can be good for you. I remember watching the Iron Maiden 666 movie and Nicko McBrian was saying that they haven’t sold a single record in Costa Rica, however they have 40,000 kids coming to the show.
How many digital sales in the major markets?
How many physical sales in the major markets?
Are people talking about the album?

The main point is it’s a combination of everything, sales numbers are not everything, you’ve got to look at the total picture.

Standard
A to Z of Making It, Music, Piracy

Create Something That Is Forever

There is an article doing the rounds on TorrentFreak about Nintendo designer Shigeru Miyamoto.

The part that interests me is the below quote;

“In fact, from our perspective you want to create a game that people will want to keep and keep playing for a long time. That’s the approach that we always take and that’s the best way to avoid used games.”

As an artist/creator that is what you need to do. Metallica created Master of Puppets, Mötley Crüe created Shout At The Devil, Dream Theater created Images and Words, Queensryche created Empire.

What will you create?

Standard
A to Z of Making It, Copyright, Music, My Stories, Piracy, Stupidity

Creating News Every Day

I was telling people at work the Kim Dotcom story. At first I was surprised that none of them had heard of Kim Dotcom. Then I was even more surprised that none of them had heard of MegaUpload.

So I pointed them to YouTube and I told them to check out the raid on his house. I pointed them to articles on various web sites like Techdirt and Torrent Freak. I even pointed them to his Twitter account. Finally I told them that if it’s not in the prime time news or in the newspaper, that doesn’t mean it didn’t happen. T.V stations and the owners of the newspapers are all part of the Entertainment Lobby Groups, so they have no interest in running a story that is going to put the Entertainment Lobby Groups in a bad light.

It then got me thinking. Kim Dotcom has been painted as this money laundering criminal that needed SWAT teams to break down his door and arrest him in the early hours. Then you talk to normal people and they don’t even know who he is and have never heard of him. This just adds further evidence to the already known fact, that the U.S. Government acted on the hearsay of the Entertainment Lobby Groups.

These days, everyone must do their own analysis. Even though most people claim to be educated, they are not. They stick to the one thought, and dig down into the trenches defending that view point. You need to be critical of what you read. Seek differing viewpoints.

One thing I learned from University, is that authors of journals, research pieces and non-fiction books normally have a financial backer who has an interest in the piece. Who is paying the writers? Research funded by the MPAA or RIAA paints a very different picture of piracy and sharing compared to research funded by independent bodies.

In the end we always do what we want to do. We don’t need to get our news from traditional sources anymore. WordPress had a blog post on the Turkish Protests and the Police Brutality around it, from a Turkish resident who was living it. The Turkish media and news outlets had nothing. We are exposed to news 24/7.

The punch line is, if any musician / artist wants to survive the times, they need to be creating news every day.

Standard
Alternate Reality, Copyright, Music, Piracy, Stupidity, Treating Fans Like Shit

Fear of the New – Alternate History

The Pirate Bay celebrated their 7 year raid anniversary a few days ago, so the question needs to be asked, what can the music business learn from The Pirate Bay?  The Pirate Bay has been court blocked in various countries, however, that still hasn’t stopped people in those countries from accessing the website, via proxies.  On top of all that, the site has gone through numerous changes, like removing its tracker then moving to magnet links, and a few months ago the torrent site moved to the cloud. The site has also switched domain names on multiple occasions.

All of these changes make the site more resilient and it all started seven years ago, when the Pirate Bay was first raided.

So let’s think about this for a second.  The Pirate Bay, is a site that wants to escape the long arm of justice and in order to do so, they keep on innovating so that they remain open.

So what has the RIAA (the music labels lobby group) done during the last 7 years on the innovation front.  All I keep on reading, is that Google keeps on getting millions of take down requests from the RIAA and the labels.  They still want legislation enacted that will put the internet under their control.  They still want others (like ISP’s) to enforce copyright breaches.  Basically, they still want others to pay for their own short comings.

Let’s see what an alternate history could have been created, if the RIAA innovated instead of legislated.

2003 – The Pirate Bay and MySpace is established.  The RIAA and MPAA take the opportunity to purchase the technology and employ the creators.  With integration between both technologies, both sites are relaunched as The Entertainment Portal. Users that want to upload, need to create an account, however users that want to download don’t need to be members.  Downloading is all free and the The Entertainment Portal makes money from advertisements.

2004 – The Entertainment Portal want to engage more people to upload their collections, especially hard to find and long forgotten titles.  They even give out awards to the people who upload the most, much in the same way they give out gold records to artists who sell.

In the meantime, The Entertainment Portal has been working on advancing the MySpace technology, so that users can also personalise it and share their own stories.

2005 – Cyber lockers start to become a threat, however The Entertainment Portal is too busy innovating to care.  A video sharing technology is released.  It is called YouTube.  A new feature is also added where users can do status updates.  Everything is rebranded to become The Portal, a one stop shop for anything to do with entertainment.  

2006 – A streaming service is offered for both music and movies.  Users can also stream new release movies into their homes on the same day of release.  The Portal encourages users to do movie launch parties and to share it over the Portal.  Users are also encouraged to create their own “hangouts”, where they can play radio DJ to other people in the hangout.

… to be continued

Standard
Copyright, Piracy, Stupidity

Copyright Stupidity

http://torrentfreak.com/five-undercover-police-cars-sent-to-arrest-single-alleged-movie-pirate-130525/

There is a story doing the rounds over at Torrent Freak. Refer to the link above.

The tone of the story is about the power that the MPAA (Motion Picture Association of America) funded Federation Against Copyright Theft (FACT) holds in the U.K. It looks like copyright infringement these days involves a lot of police resources and judicial resources all based on evidence that is gathered by FACT officers. Think about that for a minute. The Police Department is not doing any investigation of their own. They are taking the evidence of FACT officers as being true and correct. In addition, these are non-violent crimes, so for the police to invest large resources, is extreme to say the least.

FACT is funded by the MPAA. The MPAA is funded by the U.S movie studios. The Movie Studios have an agenda; to bring the distribution of movies back under their control. They want it to be like it was before the Internet came along.

That is why the Movie Studios get the MPAA to lobby hard to change legislation. The MPAA, tried to do this with SOPA (Stop Online Piracy Act) and PIPA (PROTECT IP Act) and they failed.

In the meantime, MPAA funded FACT organisations have sprung up all over the world. The Australian FACT version took one of the medium size ISP players to Court, so that a judge can declare that ISP’s are responsible for copyright infringement. They failed. Negotiations then started with FACT and all the other ISP’s about a warning/strikes system. Even these have broken down.

Going back to the story, when the alleged “violent” copyright infringer was questioned/interviewed, it was done by FACT officers, while the Police sat back. Then when it came to charge the alleged copyright infringer, it was unclear as to what he has done wrong, and on his bail sheet, it is referred to a Miscellaneous Offense.

So let me get this straight.

1. An out of hours search warrant is issued. This would involve a Judge, Police Prosecutor and FACT officers.
2. Five Undercover cars, containing 10 Police Officers, plus FACT officers raid a house, where the alleged copyright infringer doesn’t live anymore. Put this down to the great investigation from the FACT officers. Put this down to Police incompetence for not investigating the matter as well.
3. Once they find out from the current residents of the property where the alleged copyright infringer lives, 3 police cars, containing 6 police officers plus FACT officers raid the current place of residence of the alleged copyright infringer.
4. The raid is due to the alleged copyright infringer recording and distributing Fast and Furious 6 and a few other titles. However, the items seized included three servers, a desktop computer, blank hard drives and blank media. NO movie recording equipment was seized.
5. Back at the Police Station the alleged copyright infringer is interviewed/questioned by FACT officers, while the Police Officer sits back and observes.
6. The alleged copyright infringer was then let out on bail, with the charge recorded as an Miscellaneous Offense.

So all of this time is invested just for a Miscellaneous Offense. This is Copyright Stupidity at its worst. This is what happens when the judicial process has been sold to whoever pays the most. If you look up conflict of interest in any dictionary, you will see the above debacle fitting in with the definition.

Standard
Music, Piracy, Stupidity

Richie Sambora Finally Speaks and Bye Bye, What About Now?

Let’s scream piracy.  Let’s scream tougher laws.

The PR machine from the RIAA and Bon Jovi will be saying that this album didn’t sell as much as it should have, because people downloaded it for free.  What a load of B.S?

The album is a DUD.  It is a bunch of 50-year-old men, trying to appeal to a teen market.  The teens that like Bon Jovi, like Bon Jovi because of the classic songs they have written, not because they try to sound like One Direction.

What About Now is sitting at 197 on the Billboard Chart.  The album has done its run.  Bon Jovi (the band) spent over 5 months recording and writing this album, only to have it do a run of 10 weeks.

Richie left for “personal reasons” according to Jon.  Now Jon Bon Jovi doesn’t want to talk about it anymore.   Then Jon drums up some publicity (as the album surely isn’t) by calling Justin Beiber an asshole.  Richie then finally speaks out about his departure.  He is pissed that Jon is talking trash and making it hard for him to return.

On the other hand, the Because We Can World Tour, is still continuing with shows booked all the way into 2014.

Standard
A to Z of Making It, Copyright, Music, Piracy

Creativity involves Diversification

I love creativity.  It could be a song, a story, a novel, a comic, a movie, a photograph, a TV show or even a website.  We are overloaded with people creating something.  Some of it is good, some of it is bad.  However that is subjective to my tastes and interests.  Stuff that I like, a lot of other people don’t like.

Due to the Internet, the entry barriers to promote creative works have diminished greatly.  That is a good thing.  Sometimes it takes years for the creative works to be discovered by an audience that appreciates it.

Check out Randy Blythe’s Instagram account.  This dude, takes awesome photo’s and then adds a story to each photo that he takes.  He personalises his creativity.  You don’t have to be a fan of Lamb Of God, to appreciate the creative work of Randy Blythe.  He doesn’t even advertise that he is the singer of Lamb Of God, all he has are the words, “In some band. I try and be a good man.”  Make sure you check out his photos from Prague, during the court case.

Nikki Sixx is another, that is creating quite a few different creative outlets.  Apart from Motley Crue, he also has Sixx A.M.  On top of that, he is a book author, photographer, web show DJ and many more.

Check out the photos on his Tumblr account and on his Instagram account.  Even Nikki Sixx has started adding stories about his photos, in a similar vein to Randy Blythe.

There are others, like Claudio Sanchez from Coheed and Cambria and Corey Taylor from Stone Sour, that released concept albums and are branching out into graphic novels, comics and movie deals.  Robb Flynn from Machine Head is another that is building connections with his fans, by posting his Journals/Ramblings up once a week.

That is what it takes these days to make it.  You need to be creative 24/7.  You need to remain in the public eye.  You need more than just one outlet.  Selling music is a zero sum game.  Having all your eggs in the one basket, is not good risk management.  Spread out, diversify.

You need to connect with people.  It could take years or it could take days, so be prepared to put in time.  You probably will not be paid and any monies you are paid, would not be enough to support a family, but then again, all creative people create because they love it.  It is an outlet to them.  Somewhere through the years, this changed to people creating just to be paid, which is a shame.  Look back at all the masters of history, from Beethoven to Bach to Dali and Monet.  They created music and paintings, not to be paid in the millions, because they wanted too.

So don’t buy in to all of the piracy and copyright infringement bullshit, put forward by the entertainment industry’s lobby groups like the RIAA or MPAA or the labels/studios themselves.  Creativity can bring back many financial gains, you just need to be prepared to put in the time.

Standard
Copyright, Music, Piracy, Stupidity, Treating Fans Like Shit

Queensryche – Operation Mindcrime

A telephone rings twice.   Nikki walks over to the phone and picks it up.
“Hello,” answers Nikki.
“Mindcrime, Mindcrime,” is the reply from the other end.
The music behind it sounds sinister.  In a panic, Nikki hangs up.  He is disorientated.  The words are strange and yet familiar.  His hands are shaking.  The phone rings again.  Don’t pick it up he tells himself.  Don’t do it.  What he is thinking and what he is doing are two different things.  They are out of sync.  He picks up the phone…

I added the above, in an attempt to describe how Operation Mindcrime (the song) begins.  It is a song written by Chris DeGarmo, Geoff Tate and Michael Wilton.  To be fair to Wilton, he has had his share in co-writing some Queensryche classics (Empire is one song that comes to mind immediately), however compared to the quality output of DeGarmo, it pales. 

In order to explain where Operation Mindcrime (the song) fits into the story arc, I need to back track a little bit.  Nikki, is a heroin addict who is manipulated into joining an underground organization dedicated to revolution (this is the Revolution Calling song).  At the head of this organization is Dr. X, a man who manipulated Nikki by feeding his heroin addiction, while at the same time brainwashing him in the process.  Whenever Dr. X says the word “Mindcrime” Nikki becomes his servant, his puppet, a catatonic mental state which Dr. X uses to his advantage, by commanding Nikki to undertake any murder that the Doctor wishes.

It just takes a minute
And you’ll feel no pain
Gotta make something of your life boy
Give me one more vein
You’ve come to see the doctor
Cause I’ll show you the cure
I’m gonna take away the questions
Yeah I’m gonna make you sure

A hit man for the order
When you couldn’t go to school
Had a skin job for a hair-do
Yeah you looked pretty cool
Had a habit doing mainline
Watch the dragon burn
No regrets, you’ve got no goals
Nothing more to learn

Story telling in music.  This song came out in 1988.  How relevant does it sound today.  Just think of all the current Islamic terrorists.  They are normal kids, from poor backgrounds, that are all looking for a place where they can belong.  They are perfect prey for the religious demi gods looking to turn them into weapons, to turn them into puppets and servants, so that they carry out their bidding. 

Here’s a gun take it home
Wait by the phone
We’ll send someone over
To bring you what you need
You’re a one man death machine
Make this city bleed

How many cities have bled from the actions of a few individuals.  Operation Mindcrime deals with death by assassination, in real life, death by terror is what we are confronted with. 

As much as Operation Mindcrime is a story, you can go as far as to call it a prophecy.  A vision of a future where the democratic governments, become far from democratic.  Where our Government elected officials serve the Corporations, instead of the people that voted them in.  The lyrics in Speak state the same, “the rich control the government, the media the law”. 

These days, people do more jail time and pay more fines for Copyright infringements, then people smugglers, then drug smugglers, then murderers and rapists do.   How can that be so?  The answer is easy.  Copyright is controlled by the Corporations, and who do the Corporations control, the Government.  The Government even granted the Corporations a Government granted monopoly. 

Standard
Copyright, Music, Piracy, Stupidity

Fans Rushing The Stage – Part 2 – Copyright As Censorship

It looks like the video I was linking too in this post, was taken down from YouTube, due to a copyright complaint filed by SME (Sony Music Entertainment).  This is wrong on so many levels.

For starters, there is no music playing on the footage.  So I am struggling to understand how this infringes on any copyright.

Next, Motley Crue is signed to their own label, Eleven Seven Music, and the distributors are Universal Music Group and RED Distribution, LLC which is a Sony Music Entertainment division that handles distribution for independent record labels.

Again, this is a very far reach from SME to say that they own the copyright to a fan filmed video, that first has no music in it and it is from a band that is on their own label and use a division of SME for distribution ONLY.

I see this as legacy industries using Copyright as Censorship.

What these legacy industries fail to understand is that the internet is a copy system.  Here it is again.

And again.

Standard
Music, Piracy, Stupidity

Alice In Chains

Techdirt story

Why, Jerry, why?  I like it when artists speak their minds.  Once upon a time, the fans listened to every word and never questioned the words of their idols.  These days, it is different.  Alice In Chain’s need to wake up and realise that it is a different game now.

“something you’ve worked on and poured your soul into, and invested your money in, somehow it’s no longer deemed valuable. That’s fucked up, to me. “

No Jerry, it is valuable to the people who find it valuable.  Just because you spent two to three years creating your art, doesn’t mean that people will find it valuable to pay you for it.  The ones that want to pay, will pay.  They will also come to your shows, buy your merchandise and spend money on meet and greets.

The ones that don’t want to pay, will never have paid to begin with, even in the glory days of record label control.

To be honest, I heard the Alice In Chains comeback album and I didn’t like it.  They should have called the band something different.  So to be honest, I have no real interest in the upcoming album.  According to Jerry, I should care because he spent time pouring his soul into the new album.  Sorry guys, there is just too much competition these days for listeners attention these days.

Standard