A to Z of Making It, Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

Dust And Gold

A shimmering clean tone guitar sets the song but it’s the vocals from Dave Hodges which makes me a fan.

Yes it’s the same David Hodges who was a studio contributor to Evanescence between 1999–2002 which accumulated in the “Fallen” album.

He has since had success co-writing and co-producing for various pop, pop rock and country artists, including Kelly Clarkson, Celine Dion, Daughtry, Backstreet Boys, Avril Lavigne, David Archuleta, Christina Aguilera, Carrie Underwood, Jessie James, 5 Seconds of Summer, and Tim McGraw. His career is basically an “A to Z in Making It”.

“Dust and Gold” is a song by Arrows To Athens, a David Hodges band project. It was released as a single in 2011 and later included on the band’s debut album, “Kings & Thieves” released in the same year.

It’s sitting at 5.4 million streams on Spotify. Forgotten. It’s a tragedy.

It’s down to you and me
On these cold and empty streets
Forgotten what we’re living for

The “you “ in this case is the persons belief.

The lyrics describe a struggle to find meaning and purpose in life. Their is reflection on the challenges and hardships faced, and wonders if there is any deeper significance to the experiences.

All I see are kings and thieves
When all I own is just dust and gold

The album title in the Chorus of another song.

The phrase could be interpreted in a few different ways, but generally, it speaks to the idea that people in power and those who steal or exploit others, who are normally the ones in power, seem to be the most visible and influential figures in society, while the second part of the phrase, “when all I own is just dust and gold,” could mean that the person has come to the realization that material possessions, hold little value in the grand scheme of things. This may contrast with the wealth and power of the kings and thieves mentioned in the first part of the phrase.

It can also be interpreted as a metaphor for the idea that while we may be insignificant in the grand scheme of things, we still have value and worth.

The mood and feel of the song has made it a popular choice for use in film and television, and it has been featured in trailers for movies like “The Mortal Instruments: City of Bones” and TV shows like “The Vampire Diaries.”

Musically, “Dust and Gold” features a driving beat and soaring vocals, with a sound that is reminiscent of bands like Thirty Seconds to Mars and Imagine Dragons.

Overall, “Dust and Gold” is a powerful and inspiring song that speaks to the universal human desire to find meaning and purpose in life, and to recognize the value of our own experiences and struggles.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Australian Method Series: Riff Raiders – Rock N Roll Daydream

A Hard Rock band from Melbourne.

What a cool name.

“Rock N Roll Daydream” is album number 2. It came out in 2020 on 30th March. By that time Australia had started its COVID-19 lockdown. Their tour from February to April was halted.

Riff Raiders are powerhouse vocalist Jenni Powell, Marty Powell on guitar and production, Ross Hetherington on drums, Josh King on guitars and Ron E. Smith on bass.

Loaded Gun

As soon as the riff kicks in I was hooked. If you like the ZZ Top blues rock and you like how Jake E Lee composed the riffs on Badlands debut, you will like this song.

Stop Looking At Me

A great modern rock tune, more like Stone Temple Pilots (think “Vaseline”), Shinedown and Nu-Metal with an Aerosmith swagger. Yes, it’s possible as Riff Raiders made it possible.

Samantha Jones

It tells the true story of a fan who left a vinyl copy of their first album on a train, and the efforts Sammy J went to to get it back to him. Musically it’s hard rock.

Best Day Ever

It’s a Foo Fighters like tune and I like it.

Light

A cool rock ballad.

When I’m Dreaming

This song reminds of the power and energy of Jet merged with Queens Of The Stone Age. It’s a perfect blend.

Stepping On A Cloud

If you enjoyed that Oasis hard rock period in the 90s then you will like this one. A perfect psychedelic groove for a song about sky diving.

Standing On My Own

It’s got that AC/DC vibe and a familiar vocal melody. A perfect song for the live arena.

Sunset To Sunrise

It’s got that Led Zep III acoustic vibe. Or Whitesnake on their last few studio albums.

Shade

What a slow sleazy groove to kick it off, merging songs like “Still Got The Blues” and “She’s So Heavy“.

Check out the guitar lead. It’s got Gary Moore and Richie Blackmore influences.

A perfect closer for a worthy album that showcases there is a lot more to Australian rock than AC/DC like acts.

And you hear a lot of classic rock influences like Thin Lizzy, Cheap Trick, The Beatles and Led Zep, and modern rock influences like Oasis, Foo Fighters, Shinedown and Stone Temple Pilots.

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A to Z of Making It, Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

Daybreak Embrace And The Music Business

Let me tell you a truth.

Once upon a time, back in the Record Label controlled music business no one would have heard any music from Daybreak Embrace is outside of their South Florida scene. Back then, bands would release independent EP’s and singles in the hope to generate a big enough buzz at their live shows that they would get signed. Then once they got signed there was no guarantee that the band would still get a chance to release music on that label.

So a band like Daybreak Embrace could be at it for a long time before the world could get a chance to hear their music. However that is not the case in 2014. And I for one, am glad about that.

I really enjoyed Daybreak Embrace’s 2010 EP “Tomorrow Awaits”. From that EP “Thirty–Six” is a dead set classic and “Sanctuary” is not that far behind. This is where people should start.

So I was curious as to what new music they had released since then.

I go to Spotify, type in their name and I see that they have new music. The “Mercury” EP was released in 2013. Damn, how did I miss that. The Modern Rock scene in the U.S is a very crowded marketplace. You have bands like Shinedown, Three Days Grace, Three Doors Down, Alter Bridge, Lifehouse and many more. So if a band is to rise above the saturated marketplace, then they need to be great.

Producer and songwriter, “Paul Trust” has played a big part in recording the band at a high level. Sometimes all bands need these kind of experienced people. Daybreak Embrace by the way is James Wamsley (vocals), Giann Rubio (drums), Dan Cartagena (lead guitar), Keneth Figueroa (guitar) and Dani Costa (bass).

Yep, I know they are not rock star names like Slash, Nikki Sixx, Jay Jay French or Ace Frehley. But that doesn’t mean they don’t rock.

With all the beautiful things that the Internet has brought us, one thing hasn’t changed.

It is still difficult for a band to get attention and the odds of success are still very low.

However good bands always came from left field and from a place completely unexpected. They are around for years before they are fully embraced. Like all technological startups there are early adopters before critical mass.

For any band, first comes the music and then comes the fan base.

For managers and record labels, they don’t care what the music sounds like. They only care that it has an audience.

And that is the hardest part for any band. Proving that it has an audience so that they can gain entrance into a bigger league. And that doesn’t happen overnight or within a year or within five years. Remember that every overnight sensation is years in the making.

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Music, My Stories, Piracy, Review in 40 Words

Review In 40 Words – Machina – To Live And Die In The Garden Of Eden (2012)

Machina are competing in a packed Modern Rock/Metal environment. To stand out, the songs need to be special. They’re not. Former “Evanescence” members John LeCompt and Rocky Gray, along with “Future Leaders of the World” members make up the group.

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A to Z of Making It, Copyright, Music, My Stories, Piracy

Where are the new Classic Rock heroes?

The main classic rock bands were all about individuality. The Eagles, Boston, Styx, Deep Purple, Black Sabbath, Led Zeppelin, Kiss, Rush, Bad Company, Foreigner, Aerosmith and Cheap Trick all had a unique sound. 

The Eighties gave us Metallica, Motley Crue, Guns N Roses, Bon Jovi, Def Leppard, U2, Duran Duran, AC/DC, Journey, Whitesnake, Van Halen (and yes i know that some of these bands formed in the seventies), Aerosmith again and Foreigner.

Look at the list, Metallica played fast speed metal that was labelled thrash, Motley Crue played a hybrid version of pop, punk, rock and metal. Van Halen wrote the book on the nuclear band, Guns N Roses rewrote the seventies classic rock period with a dash of punk and Def Leppard merged Queen, with Bowie with Mott The Hoople with their NWOBM leanings into a pop rock format. Each band spawned thousands of imitators.

Today, all the young bands want to be a member of the same club. Metalcore is one club that is completing suicide on itself. Each year, thousands of bands come out that sound the same as the original bands that came before it.

Modern Rock is another genre that is suffering from over saturation. Where is the uniqueness. The reason why Imagine Dragons are at the top of the food chain is that they had that uniqueness that separated them from the pack.

What is the difference between Pop Evil, Young Guns, You Me At Six, The New Black, The Maine, Tango Down, Smile Empty Soul, Red Line Chemistry, Redlight King, Pillar, Plan Three, Projected, Nonpoint, Three Doors Down, My Darkest Days, Rev Theory, Three Days Grace, Eye Empire, Egypt Central, Emphatic and so on? Absolutely nothing is the answer.

All the young uns want is to be a member of the club however individuality is the key to creating everlasting art. Don’t shun your individuality. Dream Theater stayed true to themselves at a time when grunge, industrial and nu metal ruled the mainstream. Tool came through on their terms and in the words of Frank Sinatra, they did it their way.

Today’s world has everybody Tweeting and Facebooking just to be liked. Where is the edge of the Classic Rock era?

Dave Mustaine and Ted Nugent have an opinion and everyone has a knee-jerk reaction to it.

Rolling Stone is coping a lot of flak for their cover of the Boston Bomber. What did the outburst of David Draiman or Nikki Sixx or any other celebrity that wanted to join the anti-Rolling Stone club do to change the matter? Nothing.

If anything they brought more attention to the Rolling Stone article. It’s the Streisand Effect all over again. However at least they are going out there and stating an opinion. Did anyone come out and say that the Rolling Stone cover was cool?

Magazines like artists live in the culture of being paid right now. Do the people that work for Rolling Stone magazine care if the magazine is still around in 12 months’ time? Of course not. They will dust themselves off and get another job.

Everybody’s got their own agenda. When I read a tweet or a post from a celebrity, I evaluate where they are coming from as opposed to accepting it as truth. Has anyone seen a news story that says piracy doesn’t hurt sales?

A lot of research has come out from various Universities that support this argument. Instead we get the RIAA/MPAA piracy stats banded about on major television, with no information as to where those numbers come from. Why? The major televisions are owned by the giant copyright monopoly organisations.

Another important distinction from today’s artists and the Classic Rock era artists is that no one can say no to the money. Rush could have recorded a mainstream radio friendly album in 1976 just to please the record label. Instead they recorded 2112, an album that set up a very lucrative future for Rush and an album that made the record label very nervous when they heard it. As guitarist Alex Lifeson has stated in numerous interviews, 2112 set up a career for Rush.

Egypt Central wanted to be a member of the Modern Rock club and have disbanded. Three Days Grace were a member of the Modern Rock club and lost their vocalist with the parting words that the recording industry just want hits and push artists to write songs in that vein. My Darkest Days and Rev Theory are all modern rockers and they have lost their lead guitarists, which are normally significant songwriters.

Remember, individuality is the key. How good is Machine Head, since they broke away from following the trends that the label used to push on them. Since 2003, they have gone from strength to strength. 

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