Tag Archives: Spotify

Classic Songs to Be Discovered, Music

Imagine Dragons – It’s Time and Demons

It’s Time and Demons are two songs that are just stuck in my head.  They are catchy as hell.  They have enough of the rock in them to get my attention and keep it. The vocals are unique enough to have me interested. This is why I love music.  A great song can come from left field.  The rookie that no one gives a chance, has come to play.  

Yes, I am a bit behind in hearing their music as some of the songs on the album are from 2010 EP releases, however good music will always come to the top.  It is the signal in the noise.  Once you find it, you latch on to it and ride it to the top.

The fans of the band have made this happen.  The actual album is still moving 30,000 units each week in the U.S., however that pales in comparison to the digital sales of It’s Time and Radioactive. Both songs are numbering in the millions for downloads.

YouTube lists Radioactive with 36,671,318 views and It’s Time with 30,431,235 views.  How come the RIAA isn’t complaining about piracy here.

Spotify lists Radioactive with 93,914,273 streams and It’s Time with 46,974,864 views.

The other songs are doing high numbers as well.  This is the key today, to keep people coming back, over and over again.  Imagine Dragons are doing that.  Spotify is proof of that.

 

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Classic Songs to Be Discovered, Music

Vaudeville – Restless Souls – Classic Song To Be Discovered

Vaudeville is one band that deserves more recognition for what they do.  They merge the styles from Muse and Radiohead with Hard Rock.  It sounds beautiful and original.

Check out Restless Souls here via their Bandcamp page or at Spotify.

Will you stand up
And fight against their wrath
Or will you run
Until there’s nothing left

Restless Soul has this omnipresent vibe.  It’s telling the story of not fulfilling your potential.  We all want to be loved, and in our quest for acceptance, we cage a bit of the person we are each day.  This is the running away part.  Eventually, it will come to a time, where there is nothing left of the person you really are.

Freedoms call
It’s too late
Restless souls
Dreamers decay
We’re all goners
Waiting for our day
We’re all goners
Floating in space

Acceptance that we are nothing in the end.  Acceptance that our whole existence ends in death.    Check out the whole album.

Vaudeville are an unsigned band.  They have been doing the rounds since 2007.  The first album Dismantle The Sky came out in 2009.  The next album Vendetta came out in 2012, and this is where Restless Souls is found.  In March 2013, they released an EP called House of The Rising Sun.  Remember, you need to be in this for life.  Good music will find an audience.  

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Music

It’s A Changing Game

You Tube is going to paid subscriptions.  What does this say about the changing landscape of the entertainment business?

The old Pay TV business models need to really adjust their business models.

You Tube is a distribution system.  It is done over the internet.    For $2 a month you can subscribe to a channel.  Imagine if The Walking Dead is on that channel or Game of Thrones or your favorite sport televised live.  I would take up that offer, and stop paying my $600 Yearly Pay TV bill.  That is what people should be thinking about.  That is where it should be heading.

In Australia, as at December 2012, there are 2.3 million subscribers for Pay TV.  If all of those subscribers have the basic package and pay $600 a year, it comes close to $1.4 billion in revenue coming in for the year.  However, I believe that more money is to be made if people are able to choose the channels they want.  I know from September to February i will have the channel that plays The Walking Dead, and from March to June, i will have the channel that plays Game Of Thrones.  I love my sport, so i will have the channels that are relevant to those sports on all year round.

It’s a consumer world.  Give them all the choices.

Let them pick the channels, let them pick when they want to watch the next Game Of Thrones episode.  All the creators have to do is to make it and release it, let them watch it non stop for the week.  The era of the time slot is over.  That is an advertising relic.

Make it east to bill them and let them cancel when they want.  The old contract term doesn’t fit the modern day.

If fans decide that it is too expensive, they will find another way to get the content they desire.  Why would makers of content, want fans to go down that path?  Their job is to keep those fans in their circle and connect with them in other ways.

Look at Spotify.  They are bringing music to the masses.  Their search algorithms or music discovery algorithms are shit, but they are working on it.

Innovate or disappear.

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Music

PPCA (Phonographic Performance Company of Australia)states its an important win for artists

There is an article over at Computerworld about how the Federal Court of Australia “ruled that Internet simulcasts of radio programs are not broadcasts under the Copyright Act and therefore are not covered by existing licences granted to commercial radio stations.” 

The Federal Court believes that the a radio program transmitted from a “terrestrial transmitter is a different broadcasting service from the delivery of the same radio program using the internet.”

This is typical of the record labels still keeping one foot in the past and not moving with the present.  It is clear that the recording business survives by sales of recorded music.  Since recorded music revenues are not what they used to be compared to the glory years of the 90’s when everybody was re-purchasing their scratched LP’s or chewed up tapes onto CD, the labels have tried every lobbying/bribery trick in the book to get legislation passed that gives them back the control that the Internet has taken away.

Could this the labels secretly trying to kill off radio simulcasting so that the streaming services are all that remain, like Spotify, which the labels have a stake in.  As the Australian Copyright Council said, the decision “leaves open the possibility for new licences to be negotiated for content that is streamed by way of radio simulcast on the Internet.”

Based on the labels past experience, the labels will insist on a super high licence fees as they hate the current statutory cap on commercial radio who need to pay just one percent of their gross income.  Therefore i am sure the radio’s wont pay this new excessive rate and hence the labels will kill this promotional outlet.

“This is an important win for artists and labels whose music is used widely on the internet to help drive profits for Australia’s radio industry,” said PPCA CEO, Dan Rosen.

I wonder how many artists where signed up for this action.  I wonder how much of the new fees would go back to artists as the labels are renowned for their creative accounting practices.   And what artists are we talking about here, as most independent artists don’t get played on mainstream radio.

To me Radio should be the last thing up and coming artists should strive for.  PSY was broken by YouTube without any mainstream publicity.  He dropped Gangnam Style without publicity and the online world built it into the monster it became.  The mainstream channels just picked up the crumbs.

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