Tag Archives: RIAA

Copyright, Music, My Stories, Piracy, Stupidity, Treating Fans Like Shit

The Prophetic Writings of Dave Mustaine

Throughout my life, bands like Megadeth, Metallica and Queensryche, have commented a fair bit on governments, democracy and the corruption that happens.

In the last 10 years, the Entertainment Industries have shown to the world, how corrupt they really are, and how they would do anything to protect obsolete business models. When I started writing this post, the themes that started to appear, reminded me of Megadeth songs.

Dave Mustaine is renowned for his mouth and his witty/snarly lyrical writing. Remember a time when musicians used to lead. Dave Mustaine is one of those musicians.

Seeking Asylum

There is a current role reversal happening in our lives today. Once upon a time in a galaxy far far away, political dissidents would actually SEEK asylum in Democratic Free countries like the US, UK, Australia and Canada. Now people are looking for asylum in other countries to get AWAY from the Democratic Free countries. How the times have changed?

It reminds me of the lyrics to The World Needs A Hero (from the album The World Needs A Hero, released in 2001).

An Iron Fist quietly sits inside the Velvet Glove
Take control, untouchable just like God above
I can’t escape, wrapped in red tape, what will become of me?
If I object, then I defect my country tis of thee

Bradley Manning, detained in red tape and military courts. What will become of him? He didn’t kill anyone? He didn’t terrorise anyone? He didn’t bomb any public infrastructure? So why is he imprisoned? All he did was to embarrass a government.

Ed Snowden, leaked information about the NSA spying on US Citizens and now he is treated as a criminal, seeking asylum in countries that will not hand him over to the US. Remember the time when Communist defectors seeked asylum in the US. This is what corrupted democracy leads too? All Snowden did was to embarrass a government.

Copyright Levy

Most of Europe has a Copyright Levy imposed on the purchase of storage media, smartphones, tablets and any other connected devices.  In my view, since there is such a levy on digital products, whether devices or storage media, then non-commercial infringement should be permitted. The copyright monopolies shouldn’t get to have it both ways – either they need to go after alleged “pirates”, or they can tax the items “pirates” use. Makes you wonder why organisations like HADOPI (in France) were formed, since the public had already paid for the content without even wanting to?

Sort of like the song Dread and The Fugitive Mind (from the album The World Needs A Hero, released in 2001).

What’s yours is mine and what’s mine is mine too
If you shake my hand better count your fingers

Nothing else can sum up the Entertainment lobby groups and the Copyright Cartels better than the above two lines from Dave Mustaine.

ENFORCEMENT

Speaking of enforcement, Hadopi in France, has been a total waste of time and money. It was created as a gradual response system to piracy. Basically three warnings and then no internet. The aim of Hadopi was to push people to legal paid services.

“While illicit file sharing has dropped, legal paid services have not benefited as was hoped.”

The entertainment industry focus should be trying to figure out ways to make more money however the entertainment industries believe that getting rid of piracy will lead to more money. All it will do is push piracy further into a darknet.

Sort of like the lyrics in Symphony Of Destruction (from the album Countdown To Extinction, released in 1992).

You take a mortal man
And put him in control
Watch him become a god
Watch people’s heads a roll

Let’s change them up to suit;

You take the RIAA
And put them in control
Watch them become gods
Watch people’s heads a roll

BLOCKADES

All over the world, blockades of websites is becoming common. The site they are all after is The Pirate Bay. The labels claim that the infamous torrent site facilitates copyright infringement. In countries like the UK and Ireland the courts agreed and ISP’s are forced to implement the block. Of course, users can easily bypass any blockade by using one of the many available Pirate Bay proxy sites. It’s that old whac-a-mole game. The Recording Associations around the world are spending monies in costly legal avenues and lobbying/bribery, instead of innovating.

Reminds me of the song New World Order  (originally recorded for the Youthanasia album of 1994 and released on the Th1rt3en album in 2011).

Monitoring all wages
New world order comes in stages
Your currency is obsolete
Feel the agony of defeat

Power resides in the ones that can purchase legal solutions to assist in their bad business models. The currency of fairness and justice is obsolete, against the power of money. We are all slaves to it. The whole blockade of websites is due to money, not piracy.

THE ART OF WAR VIA THE ARM OF THE LAW

The Entertainment industries like the RIAA seem to think that by using the arm of the law to extract money by force or to threaten people by force is a satisfactory response for copyright infringements. Remember people, copyright infringement is a civil matter not a criminal matter. However when power resides with the ones that control government, anything is possible.

Reminds me of the song Endgame (from the album Endgame, released in 2009).

The Ex-President signed a secret bill that can land a legal US Citizen in jail
And the Patriot Act stripped away our Constitutional Rights

All rights removed, you’re punished, captured and enslaved
Believe me when I say, This is the Endgame

Admins of websites have been found guilty for facilitating copyright infringement, have been given sentences harsher then murderers and drug dealers. These admins didn’t kill anyone, however if you take a penny from the wealthy, you have committed a grievous crime that needs to be punished severely.

INNOVATION STIFLING

Spotify has been far more successful in tackling piracy than any law. So what does the RIAA do? They want to charge more for the licensing fees. I am waiting for the punch line to come from the RIAA that this increase is needed to protect the artists that create the content. When it comes to money people just become dumb and those people are in charge of companies that make dumb decisions.

Sort of like the song, Millennium Of The Blind (from the album Th1rt3en, released in 2011)

All your money’s ours to bankroll corrupt wars
You can’t see what you’re fighting for
Trust your leaders as they send you out to die
The true face of evil can’t be seen without eyes

You can tweak the above to read;

All the money’s ours to bankroll shakedown wars
You can’t see what we are legislating for
Trust in the RIAA as they protect what you create
Through bribery and corruption so that politicians legislate

JUDGES SET MARKET PRICES

A 3 judge panel has set prices on the rates that internet services like Pandora need to pay, so that they can play music on line and the RIAA claims it is a free market.

Reminds me of the song Bite The Hand That Feeds (from the album Endgame, released in 2009).

They ball-gagged Lady Justice
And blindfolded her so she can’t see

They took everything and anything
As long as it once belonged to me

When the Courts have Judges that used to work for the Copyright Monopolies, the verdict is always the same. Good for business, bad for the people.

POLITICIANS PUSH CORPORATE PROPAGANDA

When are politicians going to stand for the people again. Instead we have the people that we voted in, pushing the agendas of corporations. A good example is the new RIAA stooge Marsha Blackburn. Enough said.

All of this reminds me of Peace Sells (from the album Peace Sells But Who’s Buying, released in 1986) and We The People (from the album Th1rt3en, released in 2011).

What do you mean “I couldn’t be President of the United States of America?”
Tell me something, it’s still “We The People” right

Nope, it is not we the people anymore and it hasn’t been for a long time. It is We With The Money.

Violate your rights, no more equality
Surrender freedom, your social security

When our politicians started to want to earn the same as Wall Street bankers, the writing was on the wall for equality and justice. Looking at all of the headings in this post, it makes me feel like I am living in a dictatorship. All of this is happening in Democracy. Peace Sells people, and the Copyright Cartels have purchased it all up.

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A to Z of Making It, Copyright, Music, My Stories, Piracy, Stupidity

It’s Time That Artists Leave The Old Way Behind and Be Leader’s Once Again

I still don’t agree with the old business model of putting together twelve tracks just to sell them for ten dollars as a package. I would like to see established bands like Machine Head, Dream Theater, Five Finger Death Punch, Shinedown and Trivium lead the way with a new paradigm. Leave the old way behind.

I know that Five Finger Death Punch are about to release a double album and Trivium have a new one coming along as does Dream Theater and Machine Head is not that far away either. All of these new releases are based on the old way. The album still has a place if done right and what that means is that all the tracks have to be of high quality. No one has time for filler these days.

Five Finger Death Punch started the writing process for their new album/s on the Trespass Festival Tour at the start of 2012. They brought out a mobile recording studio with them, to hash out riffs and put bits and pieces together, so when they got into the studio in September 2012, they already had the songs.  This is where they should have been releasing some songs. At the end they had 25 songs written that they are releasing on two CD’s.

Five Finger Death Punch are signed to a label, so of course they will need to release an album, as that is what the labels demand. So keeping that in mind, FFDP should have picked the best 10 songs for a CD release and from September 2012 to July 2013 they should have been releasing a song a month from the other 15 songs they had left. It is a different take on the old way. It is keeping the labels happy as they are still stuck in the past and it is keeping the fans happy as they are living in the future and just want content.

One thing that artists need to be clear on; streaming has won the war. YouTube is the original and unofficial streaming king. That is where the kids go to watch and listen. If artists pull their albums from legal services like Spotify, those same albums will still be available on YouTube to be streamed unlicensed. The fans have spoken. The fans killed off the CD, by embracing new technology. It is time the artists take note.

One more thing that artists need to understand: Spotify gives them 70% of the revenues. The exact same amount as iTunes. The difference is that Spotify pays you over time instead of right now and that is the problem that a lot of artists with the pressure of the label and the manager do not understand. The reason why they don’t understand it, is because the label and the manager all want to be paid RIGHT now.

Go on to Black Sabbath’s Spotify account and check to see which songs are the most streamed from them. It is all the songs written 40 years ago and nothing from the new album. Streaming services do pay.  If the artists have a problem with not getting “paid” by streaming services, they should be checking with the company they sold their rights to. Black Sabbath might scream piracy, however who is collecting the monies from Spotify streams for their back catalogue. The answer: the company that holds the rights is collecting.

I remember a time when musicians used to lead. Now technologists lead, while the artists entourage of money leaches are screaming they are not making any money, while the association who represents the Record Labels (and who claims incorrectly that they represent the artists as well) the RIAA plays Whac-A-Mole with technology. They killed Napster only to get Kazaa and Limewire. They killed Kazaa and Limewire, only to get BitTorrent and The Pirate Bay. They kill one cyber locker like Megaupload and another ten more appear. They send DMCA takedowns to Google and then another 100 new links spring up. Seriously does Google need to be doing all this work, just for providing a service like a search engine.

What artists and the labels do not realise is that Spotify and YouTube has made a dent in people’s downloading habits. Progress doesn’t happen overnight or right now. It takes years and sometimes decades. Invest now for rewards later, however the record labels do not believe in this, the managers do not believe in this and they convince the artists that they sign to not believe in this. So what do they believe in; short term profits.

The answer to success is right there in front of the artist. If an artist wants to make plenty of money in music, they need to be a superstar as no one has time for anything less. Just like there is one Facebook, one Google and one Amazon, the same filtering will happen in music and their respective niches.

Five Finger Death Punch is knocking on that Superstar door for the metal genre. They have competition from Stone Sour, Bullet For My Valentine and Disturbed, however if fan engagement is an indication then Five Finger Death Punch are the new superstars.

Shinedown is already the new superstar for the hard rock genre. Bands like Hinder, Adelitas Way, Alter Bridge, Seether, Halestorm, Three Days Grace, Black Stone Cherry, Saving Abel, Pop Evil, Rev Theory, Breaking Benjamin are the challengers.

Dream Theater is already the superstar for the progressive genre. They are unrivalled and really unchallenged at the moment.

Periphery are the Djent superstars.

TesserAct are the new Pink Floyd superstars.

Machine Head are the new superstars of the thrash genre.

Metallica have surpassed superstar status and have moved into the Legends space.

If you want to survive in the future, you need to live in it. Metallica now understands this, however AC/DC still doesn’t understand it. For some insane reason, AC/DC is holding their music back from Spotify (which is licensed and pays) while it is on Grooveshark and YouTube (which are unlicensed and do not pay).

Spotify might not even win the streaming war. Maybe Google will come up with something better, maybe iTunes Radio will win, or some other new player will come on the scene and blow everyone away. One thing is clear, there will be only one streaming champion. Diehard fans will still pay up front for songs they have never heard, however with so much music coming out at the moment and our time so limited, this is not the business model that artists should base their future on.

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A to Z of Making It, Copyright, Music, My Stories, Piracy, Stupidity

Creating News Every Day

I was telling people at work the Kim Dotcom story. At first I was surprised that none of them had heard of Kim Dotcom. Then I was even more surprised that none of them had heard of MegaUpload.

So I pointed them to YouTube and I told them to check out the raid on his house. I pointed them to articles on various web sites like Techdirt and Torrent Freak. I even pointed them to his Twitter account. Finally I told them that if it’s not in the prime time news or in the newspaper, that doesn’t mean it didn’t happen. T.V stations and the owners of the newspapers are all part of the Entertainment Lobby Groups, so they have no interest in running a story that is going to put the Entertainment Lobby Groups in a bad light.

It then got me thinking. Kim Dotcom has been painted as this money laundering criminal that needed SWAT teams to break down his door and arrest him in the early hours. Then you talk to normal people and they don’t even know who he is and have never heard of him. This just adds further evidence to the already known fact, that the U.S. Government acted on the hearsay of the Entertainment Lobby Groups.

These days, everyone must do their own analysis. Even though most people claim to be educated, they are not. They stick to the one thought, and dig down into the trenches defending that view point. You need to be critical of what you read. Seek differing viewpoints.

One thing I learned from University, is that authors of journals, research pieces and non-fiction books normally have a financial backer who has an interest in the piece. Who is paying the writers? Research funded by the MPAA or RIAA paints a very different picture of piracy and sharing compared to research funded by independent bodies.

In the end we always do what we want to do. We don’t need to get our news from traditional sources anymore. WordPress had a blog post on the Turkish Protests and the Police Brutality around it, from a Turkish resident who was living it. The Turkish media and news outlets had nothing. We are exposed to news 24/7.

The punch line is, if any musician / artist wants to survive the times, they need to be creating news every day.

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Classic Songs to Be Discovered, Music

Imagine Dragons – It’s Time and Demons

It’s Time and Demons are two songs that are just stuck in my head.  They are catchy as hell.  They have enough of the rock in them to get my attention and keep it. The vocals are unique enough to have me interested. This is why I love music.  A great song can come from left field.  The rookie that no one gives a chance, has come to play.  

Yes, I am a bit behind in hearing their music as some of the songs on the album are from 2010 EP releases, however good music will always come to the top.  It is the signal in the noise.  Once you find it, you latch on to it and ride it to the top.

The fans of the band have made this happen.  The actual album is still moving 30,000 units each week in the U.S., however that pales in comparison to the digital sales of It’s Time and Radioactive. Both songs are numbering in the millions for downloads.

YouTube lists Radioactive with 36,671,318 views and It’s Time with 30,431,235 views.  How come the RIAA isn’t complaining about piracy here.

Spotify lists Radioactive with 93,914,273 streams and It’s Time with 46,974,864 views.

The other songs are doing high numbers as well.  This is the key today, to keep people coming back, over and over again.  Imagine Dragons are doing that.  Spotify is proof of that.

 

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Music

Motley Crue and Kiss at the Allphones Arena, Sydney 9th March 2013 – Part 1 – Motley Crue’s Set

Motley Crue and Kiss at the Allphones Arena, Sydney 9th March 2013 – Part 1 – Motley Crue’s Set

Tonight, there’s gonna be a fight
So if you need a place to go
Got two room slum, a mattress and a gun
And the cops don’t never show

The mighty Crue kicked off their set with the excellent Saints of Los Angeles.  Artists these days are not prepared to live the life their heroes lived.  We are all comfy in our middle class homes.  Not the Crue. Anyone who has read The Dirt knows that the Crue’s lifestyle determined their musical style.

I took two of my boys to the concert.  Their first ever RNR concert.  The sound for the Crue was muddled and the drums where very difficult to be heard (whereas Kiss had a far superior mix).  Vince as usual was short of breath and off key.  Maybe the five kidney stones that knocked him out on the next night was the cause.  One thing I can say is that the live show is spectacular, with the lights, the pyro, the backup singers/dancers and Tommy Lee’s rollercoaster. 

So come right in ’cause everybody sins
Welcome to the scene of the crime
You want it? Believe it? We got it if you need it
The devil is a friend of mine

The party line was the scene of the crime.  They lived it, they felt it, they sang it and they made every adolescent kid in the eighties want to do it.    

We are, we are the saints, we signed our life away
Doesn’t matter what you think, we’re gonna do it anyway
We are, we are the saints, one day you will confess
And pray to the saints of Los Angeles

Yes, every band that dreams of fame and fortune, sign their lives away to the Record Label.  From Motley’s perspective, they were four headstrong individuals that wanted to drink and fuck the world.  , It didn’t matter to them what the label said or their manager or agent said they are going to do things their own way.  Not a lot of artists trying to make it these days have that attitude.  It is the ones that do not sell out that end up having a lasting and profitable career.    

Red line tripping on a land mine, sipping at the Troubadour
Girls passed out naked in the back lounge, everybody’s gonna score
She’s all jacked up, she’s down on her luck
You want it, you need it, the devils gonna feed it

The decadence.  Getting tanked at the Troubadour.  I have never been to LA, but listening to this song, made me feel like I have been there and experienced what the Crue did.  The power of music.  It is forever and it touches us all in different ways.  The reference to the devil once again in a song with Saint in the song title.  The Yin and the Yang.  Sharing the groupies with each other and whoever else was in the room.  The debauchery. 

Kneel down ye sinners, to streetwise religion
Greed’s been crowned the new king
Hollywood dream teens, yesterday’s trash queens
Save the blessings for the final ring, Amen

I can’t believe that Nikki Sixx wrote those lyrics when he was shooting up twenty four seven back in 86.  Wild Side is the street man’s bible.  In 1987, Greed had been crowned the new king.  The world was changing.  Technology was starting to get traction and the bankers started to get more power.  Everyone and everything was thrown away as soon as they or it stopped making money for the Corporations. 

I carry my crucifix under my death list
Forward my mail to me in hell
Liars and the martyrs lost faith in the Father
Long lost is the wishing well

Who can we believe in these days?  It seems that evil deeds and good deeds go hand in hand and are committed by the same person.  We lose more and more of our innocence as we get older.  We make choices that are heavily influenced by money. 

Shout shout shout
Shout shout shout
Shout at the devil

Could Shout At The Devil be the best Christian song ever.  Even Stryper would be proud.  Nevertheless, the Crue started the show with three winners.  Ah yes, I still remember the criticism that the Crue took in the 80’s for this album because of the pentagram on the cover.  But as Nikki Sixx described in the Dirt, “It just looks cool. It’s meaningless symbols and s–t. I’m just doing it to piss people off.”  A lot of the artists these days, don’t do this.  They all want to be loved.  It upsets them when they see hate or criticism thrown their way. 

She’s got an alligator bag
Top hat to match
Dressed in black on black
She’s got a Philipino girlie
She claims is her friend
I tell you boys, you just gotta laugh
Now I used to call her Cindy
She changed her name to “Sin”
I guess that’s the name of her game
I really used to love her
Then, the kitty she discovered
It’s got to be a sexual thing

The perfect love song, boy meets girl, boy falls in love with girl, only for girl to leave boy for another girl.  Only the Crue could have pulled a song off like this and with Nikki’s witty street gutter lyrics, it comes off as a treat.  And they gave a new meaning to what SOS stands for.  Same Ol’ Situation

Everybody wants some, what the hell
Everybody needs some, everybody yell
Ohh (Ohh) , No (No)
Don’t need no lovin, no respect
Cos it’s all about the sex (SEX!)
Cos it’s all about the
Ohh (Ohh) Yeah (Yeah)
What gets me off is a little neglect
Cos it’s all about the sex (SEX!)
It’s all about the

Finally a Crue song about what they like doing best.  Sex.  Two of their stars even stared in their own movies.  Could this be the reason why the Crue returned in 2004 bigger and better?  I think those two sex tapes combined with The Dirt re-launched the Crue and made them relevant again.   They where all over the internet. 

Home Sweet Home didn’t go down to well.  As Tommy Lee was playing the piano, either Vince’s mike got cut or he forgot when to come in.  To me it sounded like he forgot when to come in and this put the band off.  Home Sweet Home was the Turn The Page of 85, and by 86 – Wanted Dead Or Alive by Jovi would have replaced it.

That’s alright, that’s okay
We were walkin’ through some youth
Smilin’ through some pain
That’s alright, that’s okay
Let’s turn the page

Don’t Go Away Mad (Just Go Away) was the first song on Dr Feelgood that I repeated constantly.  I loved the title and the way the song starts off as a Rob Stewart Maggie May, before kicking in to a Boston – Don’t Look Back / T Rex style groove.  It was one of those songs that put growing up out there.  It’s okay to be sad, it’s okay to be happy.  It’s okay to love and it’s okay to leave.  Just turn the page and move on. 

The Drum solo and guitar solo parts are the weakest part of the shows.  It would have been way cooler if Tommy Lee actually drummed to Primal Scream while doing the drum coaster.  And it would have been way cooler if Mick Mars did an extended solo break on the Home Sweet Home solo with the band and all as his back up, sort of like how John Petrucci does in Hollow Years.

Broke dick dog
My head slung low
Tail knocked in the dirt
Time and time of being told
Trash is all I’m worth
When I was just a young boy
Had to take a little grief
Now that I’m much older
Don’t put your shit on me

Primal Scream was a 90’s version of We’re Not Gonna Take It.  The kid from 1985 is now six years older.  And I didn’t take shit.  I knocked a kid out because he stepped on my school bag.  It was an accident that he stepped on my bag, but man I was an angry kid.  I was angry at the system.  My home life was good, but teachers just didn’t understand me. 

Plug me in
I’m alive tonight
Out on the streets again
Turn me on
I’m too hot to stop
Something you’ll never forget
Take my fist
Break down walls
I’m on top tonight
No, no
You better turn me loose
You better set me free
Cause I’m hot, young, running free
A little bit better than I use to be 

Cause I’m alive
Live Wire

When I first heard Live Wire, I was just a kid.  As I got older, I got stronger.  As I got stronger, I felt invincible.  I believed that I was invincible.  This is before marriage and before kids.  That is when a person’s life becomes complicated in the sense that it is not about them anymore.  Until that day came to me, I was feeling alive and was trying to break down as many walls as I could. 

He’s the one they call Dr. Feelgood
He’s the one that makes ya feel alright
He’s the one they call Dr. Feelgood

Cops on the corner always ignore
Somebody’s getting paid
Jimmy’s got it wired, law’s for hire
Got it made in the shade
Got a little hideaway, does business all day
But at night he’ll always be found
Selling sugar to the sweet
People on the street
Call this Jimmy’s town

The Dr. Feelgood album has gone into history as Motley Crue’s best album and also the album that Metallica wanted to emulate in its sound.  This in turn led to Metallica working with Bob Rock, and the best-selling album of the Sound Scan era.  How cool did Nikki Sixx sum up corruption?  That is why we can never win the war on drugs.  There is too much money going around, and a person on a shitty wage will always be tempted to look the other way.  This is also why the RIAA and MPAA will never win the war on people sharing.  If people want to share, they will share, regardless of the laws and fines around copyright infringement.  If people want to sell drugs and take drugs, they will, regardless of the rules and jail time around it. 

Friday night and I need a fight
My motorcycle and a switchblade knife
Handful of grease in my hair feels right
But what I need to make me tight are

Girls, Girls, Girls
Long legs and burgundy lips
Girls, Girls, Girls
Dancin’ down on Sunset Strip
Girls, Girls, Girls
Red lips, fingertips

Only the Crue could release a song like this.  Again their lifestyles determined their musical styles.  They talk about LA and the Sunset Strip.  It made you want to go there.  Just to see those girls with the long legs and burgundy lips. 

When I get high
I get high on speed
Top fuel funny car’s
A drug for me
My heart, my heart
Kickstart my heart
Always got the cops
Coming after me
Custom built bike doing 103
My heart, my heart
Kickstart my heart

This is the song where Vince sings the words When I, speed and me from the first four lines.  That’s it, that is all he sang.  I couldn’t stop laughing.  Kickstart My Heart = taking things we do in life and doing then to the extreme.  A lot of people link this song to Nikki Sixx’s overdose and resurrection and the title does make you believe that is so.  However the only reference to that part of his life is the lyric Adrenalin running through my veins.  To me this how we should live our lives.  If we are not doing things out of our comfort zone and pushing ourselves we could end up like the billions around the world, toeing the same line of live, work and die.  

Crue set is over, my two boys are like WOW.  And that in itself is worth the $800 i paid for 4 tickets.  This is my third time seeing the Crue.  This show for me was all about experiencing them with my kids.  Hopefully when they come around again a few years time my one year old will be old enough to come.

Next up KISS.

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CD’s and other Facts

They still have those stupid FBI Anti Piracy Warnings. Do the labels and the FBI believe that these work or deter people.

They still have that stupid sticker on the top that takes forever to get off, even after it is wrapped in plastic.

Lyric booklets are almost no more.

I still buy em from independent self release artists like Digital Summer, One Less Reason, etc as a form of support.

Bands should take a leaf out of what Coheed and Cambria did with The Afterman releases and Stone Sour with the House of Gold and Bones. Take care of your fans.

For bands that listen to what their support team tells them, don’t. Listen to your fans. They are your bosses. Know your fans and connect with them.

Piracy is here to stay. Accept it, and use it to your advantage. If you are one of those bands that has their music with the large labels, speak up when the RIAA claims its a win for artists. The RIAA represents the labels, not the artists.

Don’t wait for the label to sign you and think that once that is done you will be a star. You need to work at it..

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