Music

Black Sabbath – Allphones Arena, Sydney, 27 April 2013

Black Sabbath are legends of metal. Black Sabbath are legends of stoner rock.  Black Sabbath are the forefathers of metal.  The accolades go on and on.

I was just walking into the venue when the band kicked off their set at 8.30pm.  That is by far the earliest i have ever seen a headlining band start.  Usually it’s 9pm or later.  Leading off with the classic War Pigs from the Paranoid album.   Tommy Clueftos on the drums, is a great metal drummer.  He was bashing that kit, like it is the last show he is ever going to play.  But he is no Bill Ward.  He doesn’t have the jazz swing feel of Bill Ward.

CONSPIRACY THEORY fact 1; Bill Ward’s initials are BW.  Brad Wilk, the drummer from Rage Against The Machine that replaced him in the studio for the 13 album also has the same initials, BW.

CONSPIRACY THEORY fact 2; Bill Ward is born on the 5th May.  Brad Wilk is born on the 5th September.  (okay i am grasping at straws here).

CONSPIRACY THEORY fact 3; Black Sabbath was formed in 1968 as a heavy blues rock band named Earth.  Brad Wilk was born in 1968.

Coming off War Pigs, Into the Void and Under the Sun where let downs to me.  Snowblind and Electric Funeral dragged it out even more.  To use a phrase from Bill Ward, it was downer rock.  Why they played those songs, instead of Sabbath Bloody Sabbath, Sweet Leaf, or a vocal version of Symptom Of The Universe is beyond me.  You could see the energy in the crowd lift when they went into the first minute of Symptom, just before the drum solo and again the same for the first minute of Sabbath Bloody Sabbath, just before Paranoid.

End of the Beginning is laughable.  Rick Rubin got them to recreate the song, Black Sabbath.  The two songs are identical.  I looked around at the audience, and everyone was laughing it off as some sort of joke.

Ozzy has said that 13 is the best album he has ever done.  From the two songs i have heard so far, Ozzy seems to be forgetting that he has already done those songs.

God Is Dead! sounded better live, however the vocal melodies are weak, the song is too long and Ozzy was reading the lyrics off the teleprompter for the two new songs, so he was stumbling around a little bit with that.

Geezer Butler is the star for me.  His bass work is unbelievable.  He is not just a bass player, he is a back up guitar player as well.  Ozzy is a walking miracle.  People have taken lesser drugs and have overdosed.  Ozzy still keeps on going.  For the state he is in, he gave 100%.  Clueftos on drums gave 500% and Iommi on guitar was the Sheriff in town.

I can tick Black Sabbath with Ozzy off my childhood list of bands i needed to see.  Would i recommend them at $160 a ticket? No.

 

Complete Set List:

War Pigs, Into The Void, Under The Gun, Snowblind, Electric Funeral, Black Sabbath, Behind the Wall of Sleep which ended with a Geezer Butler bass solo, N.I.B., End of the Beginning (new song from 13), Fairies Wear Boots, Symptom of the Universe (for 1 minute and then the drum solo), Iron Man, God Is Dead?, Dirty Women, Children of the Grave and the encore started with the intro to Sabbath Bloody Sabbath, before they went into Paranoid.

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Music

Sales Numbers for the U.S.

Metal Insider

I was looking at the sales figures in the above link.  A lot of people focus on the sales aspect of everything, so if something is sold a lot of times, they class it as being successful.

So if you look at the sales, you will see a lot of hard rock and metal bands doing low numbers for the week.  One can easily jump to conclusions.  The album is bad, it bombed or the industry favourite, piracy.

However, to me the sale numbers mean nothing.  What is important here, is the length of time the music has been out.

Let’s start with Volbeat.  They have two albums that are selling.  Yippee, you say.  Here’s the thing, Beyond Heaven/Above Hell was released in September 2010.  Yes, 2010.  It has been around for over 2 and a half years.  What does this tell you?  They did it without the mainstream sledgehammer across the head marketing like Bon Jovi and Justin Timberlake.  They did it by creating great music and letting the people spread the word.  The funny thing is, the song that made them popular in the U.S, Still Counting is not even on this album (it is from an earlier album from 2007 called Guitar Gangsters and Cadillac Blood) and was added as a bonus track later on.  Talk about great music waiting to be found.  It was released in 2007 and it wasn’t until 2012, that people really heard Still Counting, appreciated it and starting buying it.

You need to remember, there is so much music released each days, (I checked the new release schedule and i counted over 400 releases on one day).  Multiply that by 52 weeks, and you have a lifetimes worth of music to go through.  We need a filter and what better filter than people spreading the word.  Not by the hundreds, but the by the thousands and in PSY’s case, by the millions.

Volbeat’s new album Outlaw Gentlemen and Shady Ladies entered the charts in the top 10.  They had the usual big first week sales and second week drop, however this time around, the audience was waiting for a new release.  Time will tell if this album will have the same longevity.

From hearing it, it’s a good album, but it doesn’t have the defining song, and that is what fans want.  Bon Jovi had Wanted Dead Or Alive on Slippery When Wet, Motley Crue had Kick Start My Heart on Dr Feelgood, Metallica had Enter Sandman on the Black album, Poison had Nothing But A Good Time on Open Up and Say Ahh.. and so on.

In This Moment has been doing business since August 2012.  34 weeks.  Bon Jovi’s What About Now, has more or less stalled.  Justin Timberlake’s is slowly declining as well.  Will they still be selling in 34 weeks time.  For Bon Jovi, i am sure they will not.

Otherwise, is a band that i have been following for over a year now.  Each week, you see them move between 400 and 700 units.  They are touring their arses off, picking up new fans along the way.  The album came out in May 2012.  It will make a year, where it has been selling low numbers.  To me this is a success story.  If they stay at the rate they are, they will be passing 40,000.  What’s 40,000, I hear people saying?  That is a year’s worth of touring.  The music is the entry-level to all the other things in the business.  You don’t make money from selling music.  You make money from the doors that music opens.

Stone Sour have two albums that are selling, House of Gold and Bones Pt 1 and Pt 2.  The concept story is the entry for the multimedia projects to come, like the graphic novels, the motion picture movie and the tour.  It’s not all about sales, it’s about different income streams.

Coheed and Cambria has already walked the path that Stone Sour is walking right now.  They have had their concept albums put into comic form, graphic novel and companion books.  Claudio Sanchez has also signed a deal to develop the Armory Wars story into a motion picture film.

Black Veil Brides is another band, involved in the multimedia aspect, with their concept album, Wretched and Divine: The Story of the Wild Ones.  

Shinedown is one of the best hard rock bands doing the scene right now.  Amaryllis has been out for over a year now and the band is still moving units.  Why, because people are spreading the word, they are hearing the songs live and are liking them.

For the critics that have called this album a failure, just because it didn’t move the same units as The Sound of Madness is a shallow viewpoint to have without any analysis.  A song like Second Chance comes around once in a decade.  That song alone moved over 2 million mp3’s.  The Shinedown tour is doing decent business at the box office.

The key here is longevity.  You don’t want to be here today and gone tomorrow.  You want the music, the band, to remain public, to be in people’s’ minds.  So many have released albums and have been forgotten.  Does anyone remember that Joe Walsh released a new album last year, or that David Bowie and Bon Jovi released an album in the same week.  They have been forgotten.  The hardcore fans will say otherwise and that is okay they are entitled to their opinions.

Life today is all about information.  We have a tonne of it.  We are connected 24/7.  There is always something coming out that takes the flavor of the minute.  Black Sabbath released God Is Dead, and it was tanking, regardless of what the artists and Loudwire said about it.

Ozzy then releases a statement about his fall back into addiction, trying to drum up press and then Sharon chimes in.  It ain’t working, the song is a dud at nine minutes long.  It’s a four-minute song on a 12 inch extended remix.

I am seeing them in two days at the Allphones Arena in Sydney.  I might eat my words after hearing it live.  No one is talking about them.  The 13 album is already in the rear view mirror and it hasn’t even been officially released.  They are touring Australia and there is no buzz.   

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Copyright, Music, Piracy, Stupidity, Treating Fans Like Shit

Universal Music Takes Down Black Sabbath’s – God Is Dead? and then Re-Instates It

Article at Torrentfreak

Universal Music Group is known for its bogus take down requests.  Then when it is pointed out the error they made, they blame YouTube for following with their request.  Of course it is now back up.

I can understand the reason for the take down requests.  It was meant to take down content that was infringing or content that was making money by using music from UMG artists and UMG wasn’t taking a cut.

So how the Official Black Sabbath YouTube page fell into that category is beyond me.  All UMG has done here, is ensure that the fans have ripped the work and put it up on a thousand other channels and websites.   Check YouTube now and you will see many pages that are offering the song.

Stupidity by Labels – TICK

Treating Legitimate Fans Like Shit – TICK

Using COPYRIGHT to protect profits and bottom lines – TICK

Blame Technology when errors are made – TICK

Ensure that people pirate the content as the legal option was taken down – TICK

Then Scream PIRACY so that Legislation can be written – TICK

I was looking at the numbers.  PSY’s new song Gentleman has 167,000,000 views.  Black Sabbath’s comeback song with Ozzy is sitting at 118,000.   Even the Sabbath In The Studio series was averaging about 250,000 views.

If you are interested in my take on God Is Dead, click here.

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Music, My Stories

Storm Thorgerson – Off to the Bright Side of The Afterlife

The album cover was an important part of each album release.  A lot of the times we purchased albums based on how the cover looked.  Iron Maiden immediately comes to mind.  Most of the times people are unaware who the artists are that create these iconic images.  In this case, Storm Thorgerson is a name that people either know or don’t know.

I guarantee if you mention to anyone the name Storm Thorgerson they would look at you like you are speaking a different language.

However if you mentioned Pink Floyd – The Dark Side Of The Moon, then you get a reaction.  You can say that he is best known for creating the prism-spreading color spectrum on the front of Pink Floyd‘s ‘The Dark Side of the Moon’ album.  (All images are sourced from Wikipedia, so that I can showcase my favourite album covers by Storm).

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Pink Floyd – A Momentary Lapse Of Reason was the first Pink Floyd album I purchased in the late eighties.  From this album I started to go back and explore the others.

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Storm passed away, on Thursday 18th April after a long illness with cancer and the after effects of a stroke in 2003. He was in his 69 years old.

If you have Dream Theater’s – A Change of Season EP, Falling Into Infinity album or Once In A Livetime album, then the cover art was all designed by Storm.  Dream Theater is one of my favourite bands at the moment.

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Megadeth’s – Rude Awakening DVD cover, was designed by Storm.  This cover is a dead set classic.

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Europe – Secret Society – again very creative, the secret society is faceless people pulling you in all directions.

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Thornley – Come Again – this is one of his best covers, the trap door exit into another world or an alternate reality.

Peter Gabriel – I love the ghostly face in the car with the raindrops. The light and dark shades capture the moment.

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Black Sabbath – Technical Ecstasy – this one was a rare one from Storm, as most of his album covers involved photographs and manipulation of photographs.  This one is more or less a drawing.

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Muse – Absolution – the shadows of the people falling down from the sky, while the person looks up.  Brilliant. Or are the people finding absolution and are being taken up the sky.  Again it makes you think.

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Led Zeppelin – Presence – I always took this photo as showing a side of the wealthy/powerful and the black presence in the middle of the table.  I am sure others have a different take on it.  It has been known the Jimmy Page dabbled in black magic, and could this be the presence that the album cover refers too. It makes you think.

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The Mars Volta – Frances The Mute – we are all faceless people bypassing each other, just to get ahead.

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Biffy Clyro – Only Revolutions – i love the contrast of the Red and the Blue.  Very war like.

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There are a lot of other covers out there, so delve deep and remember the man who is iconic to pop culture.  He worked with the best and he is the best.  Rest in Peace and thanks for the memories.  

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Music, My Stories

God Is Dead? – Black Sabbath – not a classic song waiting to be discovered

Loudwire

YouTube

Click on the above link if you want to hear it?

WARNING: every minute or so, you hear a woman’s voice over it saying iHeart Radio on demand.  What a stupid idea?  The people that want to hear this song are the fans?  For the people that want to pirate it, they already   would have their hands on the album or have a source that would deliver it to them.

Black Sabbath, 'God is Dead?'

Artwork by Heather Cassils.

Ozzy’s take on the meaning of the song, from Loudwire.  The below excerpt is from that Loudwire post.

“How I got that title was I was in somebody’s office and there was a magazine on a table and it just said, ‘God Is Dead,’ and I suddenly thought about 9/11 and all these terrorist things and religion and how many people have died in the name of religion,” explained Osbourne. “When you think about the tragedy that’s happened throughout time, it just came in my head. You’d think by now that their God would have stopped people dying in the name of, so I just starting thinking that people must be thinking, ‘Where is God? God is dead’ and it just hit me.”

While a simple look at the song title may inflame a few, it’s important to note that there’s a question mark at the end. Osbourne points out that the statement is more of a discussion with a ray of hope. He tells Lowe, “At the end of the thing, there’s still a bit of hope because there I sing that I don’t believe that God is dead. It’s just a question of when you see so many dreadful people killing each other with bombs, and blowing the tube trains up and the World Trade Center.”

To be honest, its nothing original or innovative.  So any people out there looking for anything groundbreaking, this is not the song.

‘God is Dead?’ is everything Black Sabbath fans want from the metal innovators, and if the rest of ’13′ maintains the quality of Sabbath’s latest single, we could be looking at a contender for best metal album of 2013.

Is this guy serious?  Graham Gruhamed Hartmann wrote the above in the Loudwire article  referenced.  It’s very rare that Loudwire commentators review works on a critical basis.  To be honest this song is pretty boring.  It doesn’t have enough ideas in it to sustain the 9 minutes.  It’s not a bad song, nor is it a great song.  I think 5 minutes would have been enough.  To label it as everything Black Sabbath fans want, is not true either.  I am a Black Sabbath fan, and if the rest of the album is like this song, i wont be impressed.

And contender of the year for best metal album?  It sure has a lot of ground to make up on the following releases;

Coheed and Cambria – The Afterman – Descension
Black Veil Brides – Wretched and Divine: The Story Of The Wild Ones
Bullet For My Valentine – Temper Temper
Stone Sour – House Of Gold And Bones Part 2
Volbeat – Outlaw Gentlemen and Shady Ladies
Pretty Maids – Motherland
Killswitch Engage – Disarm The Descent
Mutiny Within – Synchronicity
Love and Death – Between Here and The Lost
Defy Tolerance – Stop The Bleeding
Audrey Horne – Youngblood

This is the difference to 1978.  There is so much content being released these days, that if you want your music to be around for a year or more, the music needs to be great.  Ozzy’s album sales since Down To Earth have not been stellar and Black Sabbath’s sales (even Heaven and Hell sales) have not been stellar either.

And from what i heard just now, the music isn’t great.  The slow gloomy riffs worked early on in Sabbath’s career because the music was referencing their gloomy life, growing up in Birmingham.  The gloomy riffs don’t have the same effect now.  Maybe the gloom is referencing Iommi’s fight with cancer.  Regardless, the shock effect is gone.  This is Sabbath playing it safe.

I know it’s only one song, however I can see the album doing the same spiral that Bon Jovi and Aerosmith had with What About Now and Music From Another Dimension.

I have my $180 tickets to see Black Sabbath next Saturday in Sydney at the Allphones Arena.  I am expecting a show of all the classics and maybe this new song thrown in.  I hope not.

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Black Sabbath must have the same marketing team as Bon Jovi

Black Sabbath

I am going to watch Black Sabbath towards the end of April.  The way I got into Black Sabbath is through Randy Rhoads.  He was my idol.  The Tribute, Blizzard and Diary albums became my bibles in relation to guitar playing.  I needed to learn every riff, every lick, every bass line and every vocal melody line.  It was an obsession.

On Tribute, I heard three songs that where not written by the usual Ozzy, Randy and Bob Daisley combination.  I actually feel sorry for Bob Daisley.  Sharon tried her hardest to write Bob out of the Ozzy history and to give the barely sober Ozzy a bigger role in the song writing process.  It’s common knowledge that Randy wrote the music, Bob the lyrics and the melodies where Ozzy’s.

Paranoid, Iron Man and Children Of The Grave where the songs.  On the album sleeve it mentioned that the songs are written by Osbourne, Iommi, Butler and Ward.

This is the pre internet era, so you couldn’t just Google the names.  You needed to read the album sleeve, buy magazines or ask older people if they know anything about the artists.

It was Children of The Grave that got my attention.  The way it’s done on Tribute, the original Black Sabbath version sounded lame when I heard it.  The tempo was slower and it didn’t have the wonderful Randy Rhoads Guitar Hero solo.

So Black Sabbath is about to release a new album.  The first one with Ozzy since 1978’s Never Say Die.  It’s called 13.  They even got Rick Rubin involved.  What he actuakky dies these days is open to discussion.  Ozzy calls the album, mind blowing.  It’s the usual approach of the old school of marketing.  Talk up an album before its release.

Ozzy’s last great album was No More Tears featuring the wonderful bass playing of Bob Daisley.  His musical career has been slowly declining however his net worth has been increasing due to Ozzfest and reality TV.  Does anyone remember any songs from Black Rain, Scream and Down To Earth.  Do people care about a new Black Sabbath album?  Heaven and Hell (the recent Dio fronted Sabbath) made their money through ticket sales, which focused on the legacy created by the first two Dio fronted albums.

One thing that Black Sabbath doesn’t seem to know is that this is a new era.  They are doing it all wrong, like how it was done in the old days.  Top down marketing.  Hit the fans across the head with a sledgehammer of marketing propaganda and hope they spread the word.  No one in the streets is spreading the word.   Yeah its all over the usual music websites and the band is doing radio interviews, but no one is really pushing it socially.  Black Sabbath has fans, there is no doubt about that but it does it know any of them.

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