From Australia. Advertised as Progressive Metal but it’s more like hard alternative rock with some progressive grooves on this album. And I like it.
“I Wonder” came out in October 2020 and I was surprised to learn that it’s their seventh album but my first time listening to them.
For this album Teramaze is Dean Wells on Guitars and Vocals, Andrew Cameron on Bass, Nick Ross on Drums and Chris Zoupa on Guitar.
The term Progressive Rock has a bad concoction these days, associated with a million notes over complex chord changes or in Tool’s case, long laboured grooves that move in and out of time signatures or polyrhythms. But there are a lot of bands that can take it all and make it sound easy, not complex and not too long.
Teramaze is one such band.
Kids noises are heard over an ominous synth riff and then the band crashes in with the lyrics “Children pray, from the ocean floor / Are we too late, to save their lives”.
The lyrics are based on a true story of children gone missing and their bodies been discovered at the bottom of the ocean.
It’s powerful and you need to listen to it.
Especially that “Interstellar” soundtrack influence from 3.17 to 4.06.
The way the songs starts off with the heavy groove riff, just gets the head banging.
By the time the verses come in, it’s slower but still powerful.
The lead break is excellent, emotive.
There’s this section after the solo which has the lyrics “No one will find me, no one will see me / From up above, I’m down below / They watch as they dance around me”. The way it is sung over the music is haunting as it carries the song for the last 2 minutes.
The clean tone arpeggio riff makes me pick up the guitar to learn it.
And the way the Chorus vocal melody with the words “Its so hard to know / If she’ll be waiting forever” is delivered is excellent.
And for styles, it’s more rock than anything else.
“A Deep State of Awake”
The synths start it off before an “Enter Sandman” style groove kicks in with the drums, bass and then guitar.
There are some leads which has the keys and guitar in harmony and it reminds me of Dream Theater “Images And Words” era.
Lyrically I see it as two voices within the same person. One part is delivered aggressively and the other is delivered melodically.
“Here to Watch You”
Especially when Wells sings “The Fearless will construct / Our way all the world will know now”.
My favorite track.
The “Sleeping Man” has a chorus hook of “I’ve awoken the sleeping man inside”. It’s catchy, its hard rock and its perfect.
The keyboard hooks under the melodies are also memorable.
Check out the guitar solo.
Man, this song for the first 90 seconds reminds me of those piano and vocal songs that Evergrey do so well.
After that it becomes a melodic rock song with excellent guitar playing
“Idle Hands / The Devil’s Workshop”
9 minutes long.
Musically and melodically the section in which Wells sings “We spent the time, and wasted it all most every year / And there is nothing left to follow” is excellent.
At 3.30, a lead break kicks in. It’s emotive and one of the best I’ve heard recently.
The section after it with the lyrics; “You never run it together / You never stopped the war / If only you could’ve chosen me / What life would have in store” is almost Daughtry like in delivery.
At 5.12 it’s just piano, playing the chords and vocal melody.
Then the vocals come in with the acoustic guitar. It builds up again to the “You never run it together / You never stopped the war” part again.
The last 90 seconds has double kick, fast melodic guitar leads and the only thing I can do is press play again and devote another 9 minutes of my time to the song.
“This Is Not a Drill”
Musically this song reminds of bands like Haken and Tesseract.
I see the world has changed
Theres nothing left to gather now
I feel the world has fallen
Tomorrow, may never come again..
We’re waiting for the cure
Assured it’s on the horizon
The lies insure well never know again..
I wonder what they’re singing about. And for everyone the world did change. People died, relationships ended, how we did things changed, flying and travel ceased and a lot of careers ceased to be.
At the 5 minute mark, the section that comes in reminds me of “Home” by Dream Theater.
To find someone to love, whatever.
That’s all we want in the end.
At 8 minutes and 40 seconds it never got dull or boring.
The way this song builds and is constructed is excellent.
Check out the Chorus with its symphonic and anthemic melody, especially when Wells is singing “We’re here tonight, you’re never gonna see me alone / we feel alive, I’m never gone make it”.
The “I watch them killing you slowly” section reminds me of Muse.
At about 5.10 some intricate playing happens but it’s all still accessible and sing along like.
And the lead break is excellent.
By the end of it, each track left something behind with me.
And from reading some of the reviews, this is the first album in a while which features lead vocals from band leader and guitarist Dean Wells. And I’m like, “why didn’t he sing on all the albums?”. His voice needs to be heard.
Check it out.
And don’t let the progressive tag turn you off some great Rock and Metal.