Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

May 2020 – Part 2

Here we are with May Part 2.

The Black Serenade
Gunfire
Sign Of The Times
The End Of The Line
Bad Reputation
Wings Of The Storm
Into The Fire
Axel Rudi Pell

As soon as I saw the song titles and how un-original they sounded, I wasn’t really keen on this, but I’m glad I bit, because it’s a good metal album (metal being, the way I know metal) and Johnny Gioeli who has had vocal duties for over twenty years, delivers.

If you like good riffage plus lead breaks that sound like they came from the 70’s classic rockers and melodic vocals, then this album should be on your list.

“The Black Serenade” has the synth choirs happening while Axel Rudi Pell emotes and then burns for the minute and thirty seconds album lead track. “Gunfire” has the same venom of “Ace Of Spades” with a lead break that goes for almost two minutes, but never gets boring.

“Sign Of The Times” is epic, “The End Of The Line” is just one of those songs that could have come from a Rainbow album, about a “valley far away” and “Bad Reputation” has this major key vibe.

“Wings Of The Storm” is a blues tune, a metalized version of “Fool For Your Loving” and “Into The Fire” is epic, “Kashmir” like.

Cut Me Down
Ryders Creed

From the UK. That’s all I know. So I let the music do the talking and the song ended up in my playlist. They have an album out as well, which I will check it, as I’m interested to hear more.

Mysterious
DeVicious

From Germany.

This is why I like the recording industry and Spotify. Every artist can participate and somehow their music finds a way. From the artists mentioned, there are two German acts and an UK act.

All For Love
Joe Satriani

Satriani wrote a song once called “The Enigmatic” (it was called that because of the scale he was using was the Enigmatic scale) and that is how he has remained with me.

An enigma.

I’m on the train and I’m off the train.

“All For Love” is one of those slower tempo songs that will remain with me for a long time. So I’m back on the train.

Can’t Stop This Train
Hartmann

This song sounds a like those early 90’s songs that hit the charts, which focused on a blues like groove but still rocked hard. And the vocals remind me of David Coverdale so much on this one.

I also really like the lead break on this one, so I need to check out who the guitarist is.

Hollow Convictions
I Feel Alive Again
Prophets Of Treason
Killswitch Engage

Killswitch Engage live in that world between aggression and harmony, between screaming and melody. In purgatory. It’s a balance. “Hollow Convictions” is excellent musically and it connects the balance for me, with a melodic Chorus. “I Feel Alive Again” also achieves that balance, along with the aggressive “Prophets Of Treason”.

Eternity Now
Love Is Alive
New Event Horizon
Everything You Want It To Be
Big Sugar

I had never heard of “Big Sugar” at all. But thanks to the blogging community and Deke at “Thunder Bay” I now have.

“Eternity Now” sounds like it could come from a Rush album. “Love Is Alive” sounds like the best Don Henley song that Henley didn’t write. “New Event Horizon” sounds like a reggae/Latin song which could be appear on an Enrique album. “Everything You Want It To Be” sounds like a funk song, until that ELO like Chorus kicks in.

Basically if you like variation in your artist, then Big Sugar delivers it.

That’s it for Part 2. May Part 3 is coming up.

Standard
Copyright, My Stories, Piracy, Stupidity

Sony and Stupidity Go Hand In Hand

I am pretty sure that everyone knows about “The Interview” by know.

Regardless of how good or bad or average the movie is, “The Interview” is famous and successful.

It was used as blackmail against theaters, if they showed the movie, another September 11 was threatened. So it got pulled.

Everyone weighed in on the debate from bloggers to journalists to politicians. So many ideals came into the conversation like free speech, the right to make a black humour/comedy movie in the current day, politics between democracy and communism, censorship, the freedom of the internet and capitalism.

Eventually Sony got the balls to release the movie. It was made available in select theaters plus on many Video On Demand outlets. For the first time ever in the major studio’s history, you could see a movie in theaters or watch it online legally at the same time.

This alone is a big step forward for the movie industry and I am 100% certain that in 50 years from now, journalists and bloggers will be writing about how Sony led the way for a new business model and saved the movie industry.

Future historians always like to re-write history to suit a certain point of view. Look no further than Russia at the moment. Vladimir Putin has asked and then taken charge himself to have history books re-written with bullshit so that he and his ancestors look favourable and more important than they really where.

This story is about stupidity and Sony is at the forefront.

So “The Interview” is released on multi-platforms at the same time. Online box office came in at $15m and Theater Box Office came it at $3m. The movie was projected to make $18 to $20 million in its opening week so with all the bullshit that has gone on behind the scenes, it still met it’s opening week target. This hybrid model has shown that a film’s success and money earning capacity should not be tied in to a THEATER.

However the studios are greedy.

If I go to a movie with my family, I need to purchase five tickets at $15 a piece. That comes to $75AUS for a movie. However, if that movie is available for me to get on a video on demand service, then I am charged once and my whole family can watch it. That is why the studios resist and still use the old way of releasing a movie, which is cinemas first, then DVD/BluRay sales, VOD licensing, Cable licensing and Free To Air licensing.

And of course the real test of stupidity is that SONY released the movie online only in the U.S.

Yep, they used geo-restrictions (something that has been pissing off a lot of Australians for a longtime) to keep the movie release in the U.S only. So according to Sony, if you lived outside the U.S and wanted to watch the movie legally, “tough luck”. So what do people normally do when confronted by situations like this.

They turn to P2P.

It looks like stupidity is affecting profits more than piracy to me.

Standard
A to Z of Making It, Music, My Stories, Piracy

What Do The Charts Tell The Metal and Rock Community?

What do the current Billboard charts tell us. On the Rock and Metal chart we had the following list for last week;

1. Korn – Paradigm Shift (1 Week on The Chart)
2. Alter Bridge – Fortress (1 Week On The Chart)
3. Cage The Elephant – Melophobia (1 Week On The Chart)
4. Stone Temple Pilots with Chester Bennington – High Rise (EP) (1 Week On The Chart)
5. Avenged Sevenfold – Hail To The King (7 Weeks On The Chart)
6. Dance Gavin Dance – Acceptance Speech (1 Week On The Chart)
7. Metallica – Through The Never (Soundtrack) (3 Weeks On The Chart)
8. Five Finger Death Punch – The Wrong Side Of Heaven And The Righteous Side Of Hell: Volume 1 (11 Weeks On The Chart)
9. Dream Theater – Dream Theater (3 Weeks On The Chart)
10. Rush – Vapor Trails: Remixed (2 Weeks On The Chart)
11. Asking Alexandria – From Death To Destiny (10 Weeks On The Chart)
12. Skillet – Rise (16 Weeks On The Chart)
13. Volbeat – Outlaw Gentlemen & Shady Ladies (27 Weeks On The Chart)
14. Black Sabbath – 13 (18 Weeks On The Chart)
15. Bring Me The Horizon – Sempiternal (27 Weeks On The Chart)

Special mention:

Imagine Dragons – Night Visions (58 Weeks On The Chart)

So the above charts show me a few things:

1. That the fans love new music. There are 5 albums that have their first week on the charts.

2. After a week, if that new music is not great, we move on very quickly. Dream Theater is suffering this fate.

3. If that new music is great, we spread the word and the album hangs around in the “charts”.  Avenged Sevenfold, Five Finger Death Punch, Skillet and Volbeat are a few bands that are hanging around.

4. If you create a group of songs that connect, expect to be hanging around for a long time. Imagine Dragons is one such band.

5. Artists need to adapt their business practices. Instead of spending months on an album, just to see it fade away within 6 weeks, they should be releasing more frequently. It doesn’t have to be original songs all the time. It could be acoustic versions, cover versions, unique live versions, blog posts and so on.

6. Here today, gone tomorrow is the modern paradigm. Artist need to adapt, so that they are here today, everyday.

Standard