Copyright, My Stories, Piracy, Stupidity

Sony and Stupidity Go Hand In Hand

I am pretty sure that everyone knows about “The Interview” by know.

Regardless of how good or bad or average the movie is, “The Interview” is famous and successful.

It was used as blackmail against theaters, if they showed the movie, another September 11 was threatened. So it got pulled.

Everyone weighed in on the debate from bloggers to journalists to politicians. So many ideals came into the conversation like free speech, the right to make a black humour/comedy movie in the current day, politics between democracy and communism, censorship, the freedom of the internet and capitalism.

Eventually Sony got the balls to release the movie. It was made available in select theaters plus on many Video On Demand outlets. For the first time ever in the major studio’s history, you could see a movie in theaters or watch it online legally at the same time.

This alone is a big step forward for the movie industry and I am 100% certain that in 50 years from now, journalists and bloggers will be writing about how Sony led the way for a new business model and saved the movie industry.

Future historians always like to re-write history to suit a certain point of view. Look no further than Russia at the moment. Vladimir Putin has asked and then taken charge himself to have history books re-written with bullshit so that he and his ancestors look favourable and more important than they really where.

This story is about stupidity and Sony is at the forefront.

So “The Interview” is released on multi-platforms at the same time. Online box office came in at $15m and Theater Box Office came it at $3m. The movie was projected to make $18 to $20 million in its opening week so with all the bullshit that has gone on behind the scenes, it still met it’s opening week target. This hybrid model has shown that a film’s success and money earning capacity should not be tied in to a THEATER.

However the studios are greedy.

If I go to a movie with my family, I need to purchase five tickets at $15 a piece. That comes to $75AUS for a movie. However, if that movie is available for me to get on a video on demand service, then I am charged once and my whole family can watch it. That is why the studios resist and still use the old way of releasing a movie, which is cinemas first, then DVD/BluRay sales, VOD licensing, Cable licensing and Free To Air licensing.

And of course the real test of stupidity is that SONY released the movie online only in the U.S.

Yep, they used geo-restrictions (something that has been pissing off a lot of Australians for a longtime) to keep the movie release in the U.S only. So according to Sony, if you lived outside the U.S and wanted to watch the movie legally, “tough luck”. So what do people normally do when confronted by situations like this.

They turn to P2P.

It looks like stupidity is affecting profits more than piracy to me.

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A to Z of Making It, Music, My Stories, Piracy

What Do The Charts Tell The Metal and Rock Community?

What do the current Billboard charts tell us. On the Rock and Metal chart we had the following list for last week;

1. Korn – Paradigm Shift (1 Week on The Chart)
2. Alter Bridge – Fortress (1 Week On The Chart)
3. Cage The Elephant – Melophobia (1 Week On The Chart)
4. Stone Temple Pilots with Chester Bennington – High Rise (EP) (1 Week On The Chart)
5. Avenged Sevenfold – Hail To The King (7 Weeks On The Chart)
6. Dance Gavin Dance – Acceptance Speech (1 Week On The Chart)
7. Metallica – Through The Never (Soundtrack) (3 Weeks On The Chart)
8. Five Finger Death Punch – The Wrong Side Of Heaven And The Righteous Side Of Hell: Volume 1 (11 Weeks On The Chart)
9. Dream Theater – Dream Theater (3 Weeks On The Chart)
10. Rush – Vapor Trails: Remixed (2 Weeks On The Chart)
11. Asking Alexandria – From Death To Destiny (10 Weeks On The Chart)
12. Skillet – Rise (16 Weeks On The Chart)
13. Volbeat – Outlaw Gentlemen & Shady Ladies (27 Weeks On The Chart)
14. Black Sabbath – 13 (18 Weeks On The Chart)
15. Bring Me The Horizon – Sempiternal (27 Weeks On The Chart)

Special mention:

Imagine Dragons – Night Visions (58 Weeks On The Chart)

So the above charts show me a few things:

1. That the fans love new music. There are 5 albums that have their first week on the charts.

2. After a week, if that new music is not great, we move on very quickly. Dream Theater is suffering this fate.

3. If that new music is great, we spread the word and the album hangs around in the “charts”.  Avenged Sevenfold, Five Finger Death Punch, Skillet and Volbeat are a few bands that are hanging around.

4. If you create a group of songs that connect, expect to be hanging around for a long time. Imagine Dragons is one such band.

5. Artists need to adapt their business practices. Instead of spending months on an album, just to see it fade away within 6 weeks, they should be releasing more frequently. It doesn’t have to be original songs all the time. It could be acoustic versions, cover versions, unique live versions, blog posts and so on.

6. Here today, gone tomorrow is the modern paradigm. Artist need to adapt, so that they are here today, everyday.

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