Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

Crossfade – We All Bleed

It was five years from the last album. Five years are a long time to be gone from the music industry these days. A lot of living has taken place. Fans grow older. Tastes change.

Singer/guitarist Ed Sloan declared that music was his enemy. After doing two album and tour cycles, he was burnt. It wasn’t until the other Crossfade band members, Les Hall and Mitch James snapped him out of his slumber towards the middle of 2008 that they started on working on new songs for the album that would become “We All Bleed”.

They had a new label in Eleven Seven Music. Allen Kovacs knows how to spot a good act and he pursued them hard enough from when Columbia dropped them. Eventually he ended up signing them.

“Dead Memories”

It’s full of Muse’isms. It begins with a “Stockholm Syndrome” style riff that connects immediately. And then a Pantera style Chorus melody with a lot of groove. The song is credited to Les Hall and Ed Sloan and it’s a guitar heavy classic.

I’m not holding on to dead memories of what I used to be
I found a way to make this, I found me

It sets the theme of personal struggles evident throughout the whole album.

“Dear Cocaine”

It’s a brutal song even though it is a country-style ballad. The brutality lays in its honesty.

The song started off with the words “Dear cocaine, I’m not your bitch …” written on a piece of paper by guitarist Les Hall. Mitch James then added the next line “Dear Cocaine, I’m not your whore”. T

“I Think You Should Know”

It’s another ballad that comes across as brutal. A Les Hall composition who proves himself over and over again as a songwriter to be reckoned with.

I think you should know how it feels
Falling down and out alone when no one cares
I think you should know how it feels
When the world buries your soul and you’re still alive

Isn’t that always the case, when you feel that the whole world is against you, no one just understands.

“Lay Me Down”

The song has got some serious groove. The underlying feel is Deftones but the song has so many different decorations added to it, that it makes it unique. Especially the lead guitar lines under the chorus vocal melody. Another Les Hall and Ed Sloan composition.

I’m useless, I’m done
I’ve written letters to the ones
I’ve loved so much that it hurts to say goodbye
I don’t wanna die, I just don’t wanna be alive

It’s dark and disturbing. It’s actually even darker than “Suicide Solution” or “Fade To Black”, yet those songs ended up in the courts.

“Make Me A Believer”

It starts off as another Muse inspired song. Then it starts to go into a progressive groove, with shades of early Black Sabbath. Is that a bass solo from the 8 minute mark?

Something is lost
Dying alone
Make me a believer

“Open Up Your Eyes”

Is that a tapping string skipping/sweep arpeggio lead break? Another Les Hall and Ed Sloan composition. So many eclectic styles are heard on this album.

So everybody just sing along
Make the answer known
Know that none of us are alone
Everyone of us should feel life
So open up your eyes!

A message of hope.

“Prove You Wrong”

It’s credited to Les Hall, Ed Sloan and Mitchell James however the initial draft was written by Ed Sloan when he got off the road after the “Falling Away” touring cycle. He wrote a piano upbeat song as he didn’t know what direction to go in. Once he handed the song in to the band, Les Hall worked it up to the version that we know.

Lyrically it is about going through a tough time and when Sloan finally snapped out of his depression he realised that he was bringing a lot of people down with him, so he decided to write this song and let everybody know that he was going to prove them wrong and that everything’s going to be all right in the end.

Someday I might stay sober
Figure out where I went wrong
Make some sense of what’s left of me
Make a go of this alone

Life is complicated, and we count on our music to get us through.


It looks like Les Hall was listening to some Dream Theater. “Suffocate” reminds me of Dream Theater’s “Disappear” and “The Ministry Of Lost Souls” with the addition of a Deftones type groove and finished off with some tasty classic rock lead breaks. What a great combination. What a great song.

This empty image of myself
A different view from someone else
It turns and slowly counts to three then it fades out
Then it fades out

A to Z of Making It, Classic Songs to Be Discovered, Influenced, Music, My Stories

John Sykes

How do you follow-up “Still Of The Night, Bad Boys, Give Me All Your Love and Is This Love”?

You don’t. You change tact and form a super group with musicians that have some real rock credentials.

Forming a new band or going solo (depending on how people see the Blue Murder project) after being fired from Whitesnake before the huge success of the 1987 self-titled album, John Sykes believed the world was his oyster. Surrounded by the expertise of John Kalodner and a big money offer from Geffen Records, he believed he would have instant success now that he could play by his own rules.

However that was not to be. The Blue Murder self-titled debut got stiffed from the outset, due to the Geffen label bosses doing everything to please David Coverdale. David Coverdale even threatened to withhold the next Whitesnake album if the label didn’t pull its marketing of the Blue Murder project.

The self-titled Blue Murder album is a classic album. It was an accumulation of who John Sykes was at the time. Can’t say much about the pirate swash buckling image, however the music was epic and majestic. The songs. First class.

It is a shame that it is not on Spotify, however the follow-up “Nothin But Trouble” is on Spotify along with a folk band called Blue Murder. If you don’t own or haven’t heard it before, go to YouTube and you can hear the full album in a high quality stream.

Released in 1989 it was produced by Bob Rock. It kicks off with “Riot”. There is so much intensity and drama in this song and I remember when I heard John Sykes’s vocals, I was like damn, this guy can sing. I couldn’t believe that John Sykes considered getting someone else to do vocals.

It contains the majestic “Valley Of The Kings” which ironically was co-written with Tony Martin. Of course, if you listen to the Black Sabbath album “The Headless Cross” with Martin singing, you will hear a lot of similar melodies to “Valley Of The Kings”.

“You’re workin’, slavin
Into death every day
Set us free”

Depending on how people view a 9 to 5 job, not much has changed since the time of the Pharoah kings.

How heavy is “Ptolemy”? What about that groove!

“Black Hearted Woman” is co-written by with Carmine Appice and Tony Franklin and it is a derivative version of “Children Of The Night” and “You’re Gonna Break My Heart Again” from Whitesnake.

“Out Of Love” is the result when John Sykes combined “Is This Love” and “Looking For Love”.

“Billy” is the Thin Lizzy influence coming through.

It’s nine songs and no filler, however this great album was still eclipsed by the work that John Sykes did with David Coverdale.

Look at the track list to the John Sykes “Bad Boy Live” CD, and you will see “Bad Boys”, “Crying In The Rain”, “Is This Love” and “Still Of The Night” on the track list. Those songs still get played live by Whitesnake and by John Sykes.

Listening to Blue Murder it doesn’t sound dated. The music has lost none of its power in the decades that have passed. That is the power of the riff and John Sykes was damn good at creating an awesome riff.

The album is heavy without being bleak. You can listen to it while driving and you can listen to it in the comfort of your home. It reminds me of a time when music ruled.

It is such a shame that the Blue Murder album got stiffed by David Coverdale playing record label politics and it’s follow up “Nothin But Trouble” got stiffed by the record label playing grunge politics. While “Nothing But Trouble” didn’t have the same impact has its predecessors, it is still a very satisfying album and it’s a John Sykes album I still listen to today.

“You promise heaven, but hell is all I see
(Mojo rising on the wind)
If there’s a lord above
Come rescue me
(Mojo rising on the wind)”

Any song that starts of with the above lyrics has my attention. “Cry For Love” is another derivative version of the “Valley Of The Kings”, “Crying In The Rain” and “Still Of The Night” style that John Sykes is renowned for, however it doesn’t sound like a forgery.

“We All Fall Down” is Thin Lizzy heaven and this track would have satisfied all fans of Thin Lizzy in John’s vocal delivery and lyrical style.

“I Need An Angel” is one of the best power ballads that John Sykes has composed.

“Runaway” is a clichéd lyrical theme however there is nothing clichéd about the song and it’s delivery.

“Dance”, “I’m On Fire” and “Love Child” are no different to “Sex Child” and “Jelly Roll” from the debut.

All of these songs can stand on their own. Anyone that listen’s today, cannot help but nod their head and tap their foot, because the music is so good!

It’s the guitar work, it’s hypnotic, it’s majestic, it’s all riff-a-delicious, it’s heavy, it’s melodic and it’s passionate. It’s like Sykes didn’t care who was paying attention, he was just going to go off and do his thing. If he wanted to chuck in a 2 minute guitar solo, he would.

So it is 1994 and John Sykes is without a record deal. What does he do next? He goes solo. In a gatekeeper controlled market, interest in John Sykes was still high in Japan and Europe. The U.S market got pushed onto the grunge and alternative band wagon. Hard Rock fans had to pay top dollar for imports to satisfy their musical needs. What can I say, the people who run the record labels are complete idiots.

In 1995, “Out Of My Tree” drops. I didn’t hear this album until Napster hit in 1999. I couldn’t justify paying the $80 for it in Australia, just because it was a Japanese import. So when Napster hit the Australian shoreline, John Sykes was the first name I searched out and to my delight, I found all the songs that made up the “Out Of My Tree”, “20th Century” and “Loveland” albums.

“Soul Stealer” opens the album with a very sleazy and groovy riff. Again it is derivative and it is perfect. There is a swing and it’s infectious. “I Don’t Want To Live My Life Like You” is next, with it’s very punky Sex Pistols vibe and super catchy chorus.

“Standing At The Crossroads” channels the spirit of Jimi Hendrix. Following that is the slow “I Don’t Believe In Anything”. It sounds psychedelic, very Beatles like and it sounds like it came from an era when everything on an album didn’t sound the same. It’s not a glam rock or pop metal power ballad. It is jazzy and the bass line is even funky. You believe that Sykes truly feels it. It’s structure is classic rock all the way, with a verse, chorus, lead break, back to the chorus and we are only half way through the song.

The piece de resistance is “Black Days”. It harkens back to the classic rock riffs that John Sykes creates. The groove behind the music is undeniable. It gets the foot tapping and the head tapping. It’s got a small drum solo, a classic Sykes solo and a slow, “Whole Lotta Love” style breakdown, before building up to that epic riff. Then we get a classic outro complete with Sykes soloing over a repeating vocal line and the drums building it up nicely until they are in a double time frenzy.

“Jesus and Mary” has an ascending riff like Led Zeppelin’s “Kashmir”. The lyrics let the song down in my opinion as the music is so good.

“Do Or Die” is a derivative version of “We All Fall Down” and “If You Ever Need Love” is a derivative version of “Is This Love”.

John Sykes even reformed Thin Lizzy as a tribute to Phil Lynott however some of his best work is on albums that have more or less been wiped from the map. Everyone should check those albums out.