Music

A Capitalist Democracy

In the valley of the kings
Na-na-na
Na-na-nahh!
You’re workin’, slavin
Into death every day
Set us free

John Sykes delivers the above in the outro to the Blue Murder epic “Valley Of The Kings”. Replace the word “Kings” with the word “Rich” and you get the following verse;

In the valley of the rich
Na-na-na
Na-na-nahh!
You’re workin’, slavin
Into death every day
Set us free

And it got me thinking about what democracy actually means these days?

Wikipedia states that “Democracy is a form of government in which all eligible citizens participate equally—either directly or through elected representatives—in the proposal, development, and creation of laws. It encompasses social, economic and cultural conditions that enable the free and equal practice of political self-determination.”

Wikipedia also states the term originates from the Greek word dēmokratía which means “rule of the people”. It is the antonym to word aristokratia which means “rule of an elite”.

In other words, Democracy means that “the people rule”. So are the people ruling?

In 2013, the people’s’ rule comes down to ticking a box every three to four years on election day for people who have been pre-selected by the ruling elite. Sounds pretty democratic to me.

The Australian people in 2007, elected Kevin Rudd as it’s Prime Minister and by 2010, he was knifed by the Ruling Elite of the Labor Party and replaced as Prime Minister. So much for the “rule of the people”. The people voted in the Prime Minister, so shouldn’t the people have the chance to throw him out of office at the next election. Not in Australia. The Labor Party replaced him. Sounds pretty democratic to me.

What about the recent TPP negotiations led by the U.S? Did you know that the TPP has been negotiated in secrecy. The only time the public hears about the terms of the agreement are via leaks because the public should trust their elected officials to do the right thing. That fact that certain interest groups, like the record labels and the movie studios are allowed to participate in the negotiations and other groups that counteract those views are not. It sure sounds like the rule of the people.

When interest groups and copyright monopolies lobby hard, they know which politicians pockets to hit. This is where the Rule Of The Elite comes into play in democratic nations. Money and wealth is in control. The people who have it, have built up a monopoly from their ivory towers. And they will do anything to keep it.

In relation to copyright, these industries have taken a government granted monopoly that is given to a creator of works and turned it into a corporate empire, where the copyright term expires 70 to 90 years (depending on the country you reside) after the creator’s death. And they are lobbying hard to even remove current Public Domain works and place them back under Copyright. Sounds pretty democratic to me. Did the people have a say in this? Of course not, we trusted our elected politicians to take care of our needs.

In short, our ‘democracy’ is a charade. Our democracy is corrupt and riddled with bad laws, that more or less do not apply to the ruling elite. As Geoff Tate sings in “Speak”;

The rich control the government, the media the law

How many people have participated in a meaningful way in how society is organised and run? The answer to this is probably NONE.

Sacred Reich released “The American Way” back in 1990. Has anything changed in the last 23 years.

This was once the land of dreams
Now these dreams have turned to greed
In the midst of all this wealth
The poor are left to help themselves
A capitalist’s democracy
No one said that freedom’s free
Lady liberty rots away
No truth, no justice
The American way

That is the democracy we have. A capitalist democracy. We have allowed this to happen. Corey Taylor nailed it with the lyrics in “All Hope Is Gone”.

We’re the problem,
but we’re also the solution

Our fascination with accumulating wealth has allowed us to give away more and more of our freedoms. Quoting from “Eye Of The Beholder”.

Independence limited
Freedom of choice is made for you my friend
Freedom of speech is words that they will bend
Freedom no longer frees you

Freedom of choice is indeed made for you.

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John Sykes

How do you follow-up “Still Of The Night, Bad Boys, Give Me All Your Love and Is This Love”?

You don’t. You change tact and form a super group with musicians that have some real rock credentials.

Forming a new band or going solo (depending on how people see the Blue Murder project) after being fired from Whitesnake before the huge success of the 1987 self-titled album, John Sykes believed the world was his oyster. Surrounded by the expertise of John Kalodner and a big money offer from Geffen Records, he believed he would have instant success now that he could play by his own rules.

However that was not to be. The Blue Murder self-titled debut got stiffed from the outset, due to the Geffen label bosses doing everything to please David Coverdale. David Coverdale even threatened to withhold the next Whitesnake album if the label didn’t pull its marketing of the Blue Murder project.

The self-titled Blue Murder album is a classic album. It was an accumulation of who John Sykes was at the time. Can’t say much about the pirate swash buckling image, however the music was epic and majestic. The songs. First class.

It is a shame that it is not on Spotify, however the follow-up “Nothin But Trouble” is on Spotify along with a folk band called Blue Murder. If you don’t own or haven’t heard it before, go to YouTube and you can hear the full album in a high quality stream.

Released in 1989 it was produced by Bob Rock. It kicks off with “Riot”. There is so much intensity and drama in this song and I remember when I heard John Sykes’s vocals, I was like damn, this guy can sing. I couldn’t believe that John Sykes considered getting someone else to do vocals.

It contains the majestic “Valley Of The Kings” which ironically was co-written with Tony Martin. Of course, if you listen to the Black Sabbath album “The Headless Cross” with Martin singing, you will hear a lot of similar melodies to “Valley Of The Kings”.

“You’re workin’, slavin
Into death every day
Set us free”

Depending on how people view a 9 to 5 job, not much has changed since the time of the Pharoah kings.

How heavy is “Ptolemy”? What about that groove!

“Black Hearted Woman” is co-written by with Carmine Appice and Tony Franklin and it is a derivative version of “Children Of The Night” and “You’re Gonna Break My Heart Again” from Whitesnake.

“Out Of Love” is the result when John Sykes combined “Is This Love” and “Looking For Love”.

“Billy” is the Thin Lizzy influence coming through.

It’s nine songs and no filler, however this great album was still eclipsed by the work that John Sykes did with David Coverdale.

Look at the track list to the John Sykes “Bad Boy Live” CD, and you will see “Bad Boys”, “Crying In The Rain”, “Is This Love” and “Still Of The Night” on the track list. Those songs still get played live by Whitesnake and by John Sykes.

Listening to Blue Murder it doesn’t sound dated. The music has lost none of its power in the decades that have passed. That is the power of the riff and John Sykes was damn good at creating an awesome riff.

The album is heavy without being bleak. You can listen to it while driving and you can listen to it in the comfort of your home. It reminds me of a time when music ruled.

It is such a shame that the Blue Murder album got stiffed by David Coverdale playing record label politics and it’s follow up “Nothin But Trouble” got stiffed by the record label playing grunge politics. While “Nothing But Trouble” didn’t have the same impact has its predecessors, it is still a very satisfying album and it’s a John Sykes album I still listen to today.

“You promise heaven, but hell is all I see
(Mojo rising on the wind)
If there’s a lord above
Come rescue me
(Mojo rising on the wind)”

Any song that starts of with the above lyrics has my attention. “Cry For Love” is another derivative version of the “Valley Of The Kings”, “Crying In The Rain” and “Still Of The Night” style that John Sykes is renowned for, however it doesn’t sound like a forgery.

“We All Fall Down” is Thin Lizzy heaven and this track would have satisfied all fans of Thin Lizzy in John’s vocal delivery and lyrical style.

“I Need An Angel” is one of the best power ballads that John Sykes has composed.

“Runaway” is a clichéd lyrical theme however there is nothing clichéd about the song and it’s delivery.

“Dance”, “I’m On Fire” and “Love Child” are no different to “Sex Child” and “Jelly Roll” from the debut.

All of these songs can stand on their own. Anyone that listen’s today, cannot help but nod their head and tap their foot, because the music is so good!

It’s the guitar work, it’s hypnotic, it’s majestic, it’s all riff-a-delicious, it’s heavy, it’s melodic and it’s passionate. It’s like Sykes didn’t care who was paying attention, he was just going to go off and do his thing. If he wanted to chuck in a 2 minute guitar solo, he would.

So it is 1994 and John Sykes is without a record deal. What does he do next? He goes solo. In a gatekeeper controlled market, interest in John Sykes was still high in Japan and Europe. The U.S market got pushed onto the grunge and alternative band wagon. Hard Rock fans had to pay top dollar for imports to satisfy their musical needs. What can I say, the people who run the record labels are complete idiots.

In 1995, “Out Of My Tree” drops. I didn’t hear this album until Napster hit in 1999. I couldn’t justify paying the $80 for it in Australia, just because it was a Japanese import. So when Napster hit the Australian shoreline, John Sykes was the first name I searched out and to my delight, I found all the songs that made up the “Out Of My Tree”, “20th Century” and “Loveland” albums.

“Soul Stealer” opens the album with a very sleazy and groovy riff. Again it is derivative and it is perfect. There is a swing and it’s infectious. “I Don’t Want To Live My Life Like You” is next, with it’s very punky Sex Pistols vibe and super catchy chorus.

“Standing At The Crossroads” channels the spirit of Jimi Hendrix. Following that is the slow “I Don’t Believe In Anything”. It sounds psychedelic, very Beatles like and it sounds like it came from an era when everything on an album didn’t sound the same. It’s not a glam rock or pop metal power ballad. It is jazzy and the bass line is even funky. You believe that Sykes truly feels it. It’s structure is classic rock all the way, with a verse, chorus, lead break, back to the chorus and we are only half way through the song.

The piece de resistance is “Black Days”. It harkens back to the classic rock riffs that John Sykes creates. The groove behind the music is undeniable. It gets the foot tapping and the head tapping. It’s got a small drum solo, a classic Sykes solo and a slow, “Whole Lotta Love” style breakdown, before building up to that epic riff. Then we get a classic outro complete with Sykes soloing over a repeating vocal line and the drums building it up nicely until they are in a double time frenzy.

“Jesus and Mary” has an ascending riff like Led Zeppelin’s “Kashmir”. The lyrics let the song down in my opinion as the music is so good.

“Do Or Die” is a derivative version of “We All Fall Down” and “If You Ever Need Love” is a derivative version of “Is This Love”.

John Sykes even reformed Thin Lizzy as a tribute to Phil Lynott however some of his best work is on albums that have more or less been wiped from the map. Everyone should check those albums out.

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