A to Z of Making It, Music, My Stories, Stupidity

It’s A Dog Eat Dog Music Business. A Study on Blowsight and Doug Aldrich

The music business is a dog eat dog business. No person that has made it or seems to have made it is an overnight sensation regardless of how their stories are trumped-up in the press.

I was listening to a band called “Blowsight” and another band called “Burning Rain”. While I was listening to these two bands, I started thinking about their careers.

Lets start with Blowsight. The album I was listening to is “Life And Death” that came out in 2012. I dig this band because they blow to bits that whole “artists need to be pigeon-hole into a genre” game. They hit every style/genre over a bed of distorted guitars. Of course they are from Sweden who to me is one of the greatest exporters of rock bands.

Their story goes back to 2003, when singer Nick Red met guitarist Serban and realised that they had the exact same influences. They started recording and teamed up with drummer Fabz and Flavia who was their first bass player.

Now think about the time frames here for a second. These guys are 12 years vets of the music business already. They have a catalogue of songs on Spotify to listen to. Have they made it, are they on the path to making it.

Now for Burning Rain. The album I am listening to is “Epic Obsession” that came out in 2013. The funny thing is that Keith St James and Doug Aldrich signed the deal with Frontiers Records back in 2003 to make this third album. Why Frontiers thought that “Burning Rain” needed a follow-up after the first two albums is beyond me.

There is no doubt that Doug Aldrich can play.

If he couldn’t play he wouldn’t have gotten the Dio and Whitesnake gigs. He also played with Hurricane and I’m being honest here, that band was a great rock n roll outfit and even though the original members of Robert Sarzo (that’s who Aldrich replaced) and Tony Cavazo had more famous older brothers in Rudy and Carlos, Hurricane holds a place higher up for my liking.

Aldrich got a lot of visibility in front of the masses with his Dio and Whitesnake gigs that began in the early two thousands and by then he was a 20 year veteran of the music business. But he is no star.

It all started off with the band Lion from 1986 to 1989. By 1990 he was the Guitar Doctor for hard rock bands, appearing with Hurricane and House Of Lords. By 1991 be formed Bad Moon Rising. This venture (along with solo album releases in between) went to 1999, when Burning Rain became a priority until he got the higher profile gigs with Dio and Whitesnake.

However as good as a guitarist that Aldrich is, you need to have great songs for people to be interested. For that to happen you need to have quality musicians behind you because you are only as strong as your weakest link.

And the dirty little secret is that being good just isn’t good enough you have to be great consistently, because while bands record albums, most music fans don’t even hear them.

When you compare both artists on Spotify stats you will see that one band is consistently listened too and another band is more or less ignored.

Blowsight’s “Bandit For Life” song has 1,506,964 streams. Their lowest streamed song in the Top 10 is “Things Will Never Change” and it has 91,708 streams.

Meanwhile Burning Rain’s best song “Our Time Is Gonna Come” is at 5,481 streams and I swear I must have a racked up at least half of those myself. Their most played song is at 11,000 plus streams and that is their worst song in my eyes. But it is the album opener. So what people are most probably doing is hearing that first song, hating it and not moving on the other songs. To be honest the first three songs are all crap on the Burning Rain album.

But Doug Aldrich gets all the press. Google his name and 529,000 search results come back. That means metal and rock websites have interviews with him and so forth.

Goolge the band Blowsight and you would get about 130,000 search results come back, which means that a lot of metal and rock websites are not giving the band any time of day.

Goes to show how out of touch the metal and rock news outlets are. They report on bands and artists that the fans don’t really give a shit about. Aldrich won the lottery getting the Dio and Whitesnake gigs however his Whitesnake output is more or less ignored although “Forevermore” is a brilliant song.

Same deal with his Dio “Killing The Dragon” output. Burning Rain as I have mentioned is also ignored. Aldrich’s first band Lion only has the Transformers theme song available (from the 1980’s cartoon movie) and Bad Moon Rising is non-existent.

So tell me, which artist has a real audience. The fans know and the news outlets will keep on reporting what the fans don’t give a shit about.

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A to Z of Making It, Music

Blowsight

Nikki Sixx is a fan and he endorsed the band on his Sixx Sense Radio show. Celebrity endorsements in other genres would normally see the endorsed act get some serious traction. However the very divisive metal and rock communities fail to pay the same attention to celebrity endorsements like other genres.

Lorde broke through because of an endorsement. Credit Sean Fanning. I got into the band Avatar because Zoltan Bathory endorsed them during the “American Capitalist” tour. Endorsements from our heroes makes us pay attention. However in the end musicians endorse little. Google “musicians endorsing musicians” and you don’t really see any list that Google can recommend. However you see a lot of pages on musicians that HAVE endorsements with manufacturers.

Anyway, someone who is famous said that Blowsight are great. So the band gets a look. Now it is up to them to capitalise on it. Bands don’t get a lot of chances in the music business. They need to deliver when they do get the chance. And it is always about that one song. If the song is okay, kiss that chance goodbye. And that brings me to Blowsight.

First YouTube. The official video clip for “This Pain” is sitting at 28,651 views. The official video clip for “Hit On The Radio” is sitting at 16,874 views. The official video clip for “Days Of Rain” is sitting at 72,837 views. Hardly earth shattering numbers, especially since “Hit On The Radio” is talked up as “the song”.

However their cover version of Lady Gaga’s “Poker Face” is sitting at 120,231 views on one user channel and 55,918 on another user channel for a combined view of 176,149. Their cover of Britney Spears “Toxic” is sitting at 119,072 views on a different user channel. So for two cover songs, the view counts total 295,551. There is a fan base there for sure that can be monetized.

However the two most viewed YouTube videos are on user channels and not on the official Blowsight channel. Actually there is no Blowsight channel. The official videos mentioned previously are on the Fastball Music Label channel. This is a big mistake on their part.

Spotify has the following list as today;
1,272,112 streams for “Bandit For Life”
1,031,547 streams for “Poker Face”
430,068 streams for “The Simple Art (of Making You Mine)
357,917 streams for “Toxic”
266,551 streams for “I Wish You 666”
143,881 streams for “Invisible Ink”
60,108 streams for “Hit On The Radio”
50,681 streams for “It’s Me You’re Looking For”
49,634 streams for “Through These Eyes”
32,553 streams for “Back Where We Belong”

To put into context the million dollar stream figures for the songs “Bandit For Life” and “Poker Face”. Dream Theater is a world-renowned and Grammy nominated band and their song “On The Backs Of Angels” has 1,205,759 streams. Blowsight is more or less a small-scale Swedish based band.

Remember the best artists of the Sixties and Seventies became famous because of cover songs. Look at Jimi Hendrix. “Hey Joe” and “All Along The Watchtower” come to mind immediately. Linda Ronstadt’s fame came because she took other peoples forgotten songs and made them hers. Led Zeppelin even covered songs and called them their own.

Blowsight – Destination Terrorville

It was late in the afternoon at work, my head was fried and then “Destination Terrorville” filled my ears pace through my budget TDK ear pieces. What can I say, I stuck with TDK during the cassette wars, so their name still resonates with me.

For an album that was released in 2007 it sure sounds fresh and new. Of course, I wanted to know more, so I Googled them.

Of course they are from Sweden. Stockholm to be precise. Another Swedish act like Avatar, April Divine, Takida, Corroded and Days Of Jupiter trying to make a difference in the modern rock scene. The roots go back to 2001 and they released demos of their material on the internet and allowed listeners to freely “collect ‘em all!”. Hey what a great idea, competing with free to get some market share.

Back in 2007, front man Nik Red was known as Niklas Fagerstrom (of course a totally perfect rock star name and a scene from the movie “La Bamba” comes to mind right now. You know that scene where Richard Steven Valenzuela is told to shorten his name to Ritchie Valens, so that he has more mass appeal).

My first impression is that it is very reminiscent to two bands I dig. One is Evans Blue, the other is Breaking Benjamin.

They are a band that is able to take the best bits of the pop, rock, metal and punk worlds. In the end it still comes across as modern rock/metal. That is not a bad thing, however it is a very crowded marketplace and they need to be really great at what they do.

“All That Is Wrong” has got a sleazy middle eastern sounding bass line that is reminiscent to Tool “46 x 2” especially when the guitars crank in. The verses are punchy and syncopated and it makes up for the Chorus that falls flat.

“Over The Surface” has a very classical sounding arena rock chorus that is very reminiscent to the style of Finnish band “The Rasmus.”

“Red Eyes” is Alice In Chains/Soundgarden with a Euro Metal vibe. In the vocal delivery, you can hear the influence of Nick Hexum’s (311), Phil Anselmo (Pantera) and Layne Stayley/Jerry Cantrell (Alice In Chains)

“Bus Girl” has got this classical Beethoven vibe as well. It is a minor key song and you can feel the sadness fill the headspace. It is one of the best songs on the album and it was a bonus track.

“If You Were Me” is a great track, starting off with echoed natural harmonics but a ballad it is not. It has a lot of different genre hoping styles in it.

“How I Get What I Deserve” is canvassing Three Days Grace and any song off the “One-X” album.

“The Simple Art (Of Making You Mine)” sees Blowsight turning into Papa Roach.

All the songs are good, but not great.

Blowsight – Life And Death

This album was released in 2012 and it’s damn good. It has that anything goes attitude with some tasty shredding along the way.

“Sun Behind The Rain” has an unbelievable pop hook in the chorus and it comes from out of nowhere as the verses are syncopated head banging heavy rock.

“Through These Eyes” is a combination of all the Top 40 genres, ranging from pop rock merged with R&B and hip hop. Think Coldplay, Black Eye Peas, Red and Linkin Park.

“Surprise” has a tasty intro. It grabs you from the outset.

“Hit On A Radio” is a replacement for Good Charlotte since the band is on hiatus.

“This Pain” is melodic metal in a certain “In Flames” kind of way.

“Blackout Time” starts off like a Beyonce/Destiny Child song.

“Red Riding Blues” starts off with a cabaret swing feel.

“Dystopia Part II” starts off with a Muse feel and then it enters Avenged Sevenfold territory. The bio states that the song is “the off­spring of Queen’s “Bo­hemian Rhap­sody” mating with “November Rain” by Guns N Roses”.

“It’s Me You’re Looking For” is an energized cross between Avatar, Rammstein and Volbeat.

“Back Where We Belong” is System of A Down on adrenaline.

Singer Nick Red has stated that the band’s focus is “to break down the bar­riers by bringing dif­ferent genres to­gether whose fans would openly fight each other out in the streets”.

So can they break down the doors to the large U.S market?

Why am I talking about them when I am being critical?

Yes they can and I believe in them. I believe in what they are trying to do and that is important.

“Sun Behind The Rain” is the star of the show.

Blowsight needs to get out of the old school thinking, which is to release an ALBUM. The album ideology was built for a different time. This was a time when people waited for radio to play in a “new” single years after the album was released. That worked when albums had gated releases. These days the whole slab is available for free on the very day it comes out.

Do artists seriously believe that people will decide to purchase their albums 12 months later just because they liked a few songs when it came out?

That was the old gated system, where if the artists delivered enough singles, it would convert those who were unsure to financially commit. However the new game is to constantly release music so that the audience will be continually engaged and committed.

Black Sabbath released an album that got a bit of traction out of curiosity, then disappeared. It looks like all the people wanted was the tour.

Avenged Sevenfold had the album hit of the summer and are now following it up with an animated series and a mobile game.

Bon Jovi released an album, but all the people wanted was the tour. The album stiffed, however the tour was the highest grossing tour for 2013.

Dream Theater didn’t really have the material for a follow up album to “A Dramatic Turn Of Events” and the album disappeared from the conversation. They should be back in the studio right now, recording cover songs, some originals and some instrumentals. Kiss your solo albums goodbye and focus on Dream Theater.

Blowsight are going to lock themselves away to record another album. Then what.

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