Category Archives: My Stories

Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

The Record Vault – Extra Sebastian Bach

Here is another addition from the box of the CD’s I found, to a previously reported Record Vault collection for Sebastian Bach.

“Give Em Hell” is the album.

It’s Bach’s fifth solo release, but only the third release to contain original studio recordings. It’s also at this point in time his last official release. Bach toured on this album, then went on an “18 And Live” tour and then went on a 30th Anniversary tour of Skid Row’s debut album.

As usual with a Sebastian Bach release, there is a crew of musicians, assembled to write and record the album, produced by Bob Marlette.

Steve Stevens co-wrote the songs, “Push Away”, “Had Enough” and “Gun To A Knife Fight” and also played on em. John 5 co-wrote the song “Temptation” and also plays on it. Duff McKagan plays bass on the whole album. Devin Bronson who is a songwriter and a guitarist co-wrote a lot of the songs and also plays the rest of the guitar tracks. Bobby Jarzombek is on drums, and if you are a Fates Warning fan, you would know of his work.

And there is a cover of “Rock N Roll Is A Vicious Game” from April Wine.

So let’s unpack it.

“Hell Inside My Head” is a rock and roll tour de-force. The riffs are excellent. Especially the intro melodic lead, which goes into a ZZ Top Texan groove.

“Destiny has put me to the test”

Who knows if there is a destiny or a pre-determined path?

What I do know is the choices I make or have made have definitely put me to the test on occasions many years later. Somehow I find a way through the chaos and madness.

“Harmony” has a melodic chorus, which is a good relief from the aggressiveness of “Hell Inside My Head”.

“All My Friends Are Dead” is one of my favourites on this album. The song is written by Bach, Bronson, Marlette and a person called Issac Carpenter. The intro riff is super heavy. Scorpions employed a similar riff for “The Cross” on the “Humanity” album.

The Chorus is catchy and the guitar playing throughout the song, is excellent, which is all done by Devon Bronson who is basically showcasing his abilities here.

“Temptation” has John 5 making an appearance on guitar. The songwriters are listed as Bach, John 5, Marlette and a person called Johnny Chromatic. I don’t know which songwriter wrote the intro riff, but it’s a monster. And the verses have a nice guitar riff, with a powerful melody from Bach.

“Push Away” is another favourite cut. This one is written by Bach and Steve Stevens.

The guitar playing is excellent. Stevens brings it.

And the way the song smoulders in the verses just to explode in the Chorus, works. But it’s the guitar playing that connects with me and from 3.08 to 4.28 it’s one of the best moments on the album, especially that guitar solo between 3.56 to 4.28.

In “Dominator”, Bronson takes the stage again with his guitar playing. It’s down tuned, like “Stockholm Syndrome” from Muse and heavy for a song that deals with bondage. And that last minute, the heaviness, brings back memories of Skid Row’s “Subhuman Race”.

“Had Enough” has a song writing committee of Bach, Bronson, Stevens, Marlette and a person called KS Anthony.

It’s sort of like a power ballad, but hang around for the 2.30 mark rolls around, the bridge riff and then the solo. And to top it off, there is an outro solo. For that alone, the song is high up on a list of mine, plus Bach delivers a vocal performance to rival his 80’s/early 90’s self.

“Gun To A Knife Fight” is written by Bach, Stevens, Marlette and KS Anthony. The verses roll while Bach delivers a vocal performance that will remind you of songs like “Psycho Love” and “The Threat”. And that melodic rock chorus needs more attention. And the lead break again is worthy of guitar hero status. On the three songs that Stevens appears, they have some of his best work on em.

“Taking Back Tomorrow” is needs more attention. But no one cares. The song structure and the riffs are excellent. This one is written by Bach, Bronson, Marlette and Issac Carpenter.

“Disengaged” is heavy, fast and aggressive. It rocks, it speeds, its melodic and Bach delivers a vocal line.

Bach always liked the heaviness in music and this album delivers on that hands down. And if you’re a fan of Steve Stevens and his style of guitar playing, the three tracks he makes an appearance on are essential listening.

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Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

Hexes

“Hexes” is from the Tesseract album called “Polaris” released in 2015.

For those who don’t know, Tesseract are an U.K. act, who play a form of progressive rock. If you like genre titles, then they started off as a djent band which then morphed into a math rock style with atmospheric rock elements.

“Hexes” according to a quick search on the internet, means to cast a spell on/put a curse on.

And in this instance, our own decisions and past histories are the hexes we put on our lives.

It’s a progressive, atmospheric tune.

At its core, is a digital delay riff, which just keeps on building into an explosive syncopated progressive riff.

But let’s not forget the vocal melody and that haunting soft piano which just rumbles under the surface.

And that half time section from about 3.22 to the end.

It isn’t a secret this mind’s shrouded in history
It isn’t a secret this mind spirals in disarray
It isn’t a secret this mind shatters in mystery
It isn’t a secret I find terror in memory

Our thoughts are a secret. Unless we talk about em. But we don’t. Because we feel exposed and we don’t like to be exposed.

So we keep thinking and building more thoughts. Which we store away like memories. Fantasy clashes with reality and the mind is confused as to what is real.

History hexes us
I breathe again
History hexes us
I live again

Whatever happened in our past, it doesn’t mean our future is fixed. Each day is a new chance to breathe and live again.

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Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

Cauterize

For those who don’t know, Mark Tremonti is the guitarist and main songwriter for Creed, which then morphed into Alter Bridge with Myles Kennedy.

But Creed and Alter Bridge live in the heavy/hard rock arena. In between downtime, Tremonti decided to hook up with some friends and pay homage to his metal influences.

If you want to hear speed metal then look no further than the “Cauterize” intro riff. The big thrash acts don’t even write riffs like this anymore.

The song then morphs into a Euro Metal tour de force with open string pedal pi

The last 35 seconds of the song feels like a jazz-fusion jam cranked through the car stereo with the window down and my hand half hanging out as I’m driving on a road full of hope and possibilities.

And the album is called “Cauterize,” but Tremonti was leaning towards “Providence” as the title of the record, until he went through all the lyrics and all the song titles, and when he looked at them “Cauterize” seemed like the most unique title.

Take the sun and cauterize
Make us pure again

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

April 2020 – Part 4

The final post for April 2020.

Here is the Spotify link to all of it. Here are posts 1 and 2 and 3 which talk about new music in April.

And here are the songs from the first three months (Jan to Mar) who are still doing the rounds in April.

Circle The Drain
Machine Head

Up until last year, Machine Head had four members. Then drummer Dave McClain and guitarist Phil Demmel left. Actually they already left, but then committed to finishing off the tour as sort of a last farewell. I read some interviews where they said it was like “turning up for the pay check”.

Robb Flynn is the founding member of Machine Head and he continued the band after the departures.

Robb got drummer Chris Kontos and guitarist Logan Mader who played on the MH debut “Burn My Eyes” album (released in 1994) and they (with current Machine Head bassist Jared MacEachern) re-recorded that 94 album live in the studio. This iteration became known as the BME band. Then Robb did an acoustic cover of “Die Young” from Black Sabbath, released it on Spotify and it became my favourite track.

And Machine Head toured. But with two versions of the band. There was the BME band mentioned above and the “Classics” band, with the addition of Waclaw Kieltyka on guitar and Matt Alston on drums.

So the “Classics” band would play all the Machine Head classics, and then the “Classics” band would go off and the “Burn My Eyes” band would come to play that album in its entirety.

From a new song perspective, he dropped two songs with different musicians (yep different from the dudes mentioned above). I couldn’t even keep track of who is who and I like looking at the credits.

I didn’t like “Do Or Die”, but I do like “Circle The Drain” and I enjoyed watching the making of videos. I like how it all came together and how a conversation with a friend about his relationship “circling the drain” finally nailed the title down. The drummer on “Circle The Drain” is Navene Koperweis.

It’s a great song and when Robb Flynn sings melodically, it’s a pretty cool moment. I still remember when I was watching the making of “Through The Ashes of Empires” album in 2003, and Robb Flynn is playing an acoustic guitar and playing Tesla’s “Love Song”. And I was like F yeah”. This dude knows his shit.

Feeling Whitney
Royal Bliss

It’s a cover of a Post Malone song about addictions and looking for that fix. The Post Malone version has more of a “Dust In The Wind” acoustic feel, while Royal Bliss turn it into a modern rock song.

Running Up That Hill
Naked City
Jorn

These two cover songs from Jorn would probably never go out of this playlist. The Kate Bush cover about making a deal with God to swap places is excellent and“Naked City” is one of my favourite cuts from the “Dynasty” album.

Come Clean
H.E.A.T

The Chorus on this song is so catchy.

Lyrically it’s not the best, about moving on to other partners but he can’t stop thinking about his ex. But the melody and the execution is excellent, and it’s melodic rock so who cares about the lyrical message.

Because Of You
Storm Force

I love the keys in the start, the nod to “The Who” as an influence and the major key 70’s feel of the verses.

And when the Chorus rolls around, it seals the deal.

Because of you I will climb a little higher

There is always someone there, who has your back, mentoring and supporting you. Remember that and never feel alone. It could be a parent, a sibling, a grandparent, a friend, a mentor.

Aeromantic album
The Night Flight Orchestra

Yep, the whole album is still doing the rounds.

“Transmissions”, “Aeromantic”, “Taurus”, “Carmencita Seven” and “Dead Of Winter” kept getting a lot of listens this month.

That’s not to say that the other tracks like “Divinyls”, “If Tonight Is Our Only Chance”, “Sister Mercurial”, “Servants Of The Air”, “Golden Swansdown”, “This Boy’s Last Summer” or “Curves” are no good. Because based on my mood anyone of them would become my favourite for a day.

Mr Big Shot
Collateral

This song reminds me so much of the songs from Skid Row’s self-titled debut and it just keeps getting spins from me. And it’s also from the debut album of Collateral.

Since this song has been four months in my playlist, I thought I should find out more.

Clicking on their bio on their website, it tells me, “Ripped jeans, cowboy boots, long hair and make-up, Collateral are a band that look and sound like a stadium rock band”. I know most stadium bands didn’t wear ripped jeans and cowboy boots, but hey, who cares, its rock and roll so let’s go with that imagery.

I think I have mentioned before that Collateral are from South East Kent in the U.K.

Remember a time when the UK led the way for rock and roll, with Cream, Eric Clapton, Led Zeppelin, Bad Company, Free, Deep Purple, Black Sabbath, Steppenwolf, Slade, Mott The Hoople and David Bowie. And then the U.K did it again in the 80’s with the NWOBHM and New Wave.

Maybe the modern streaming age is seeing another revival. Sweden definitely has something special happening with their many different scenes focusing on different styles of rock and metal, like melodic rock, hard rock, progressive rock/metal, thrash metal and death metal. UK bands have also made their way into my playlists and my headspace as well.

Let’s see where it all goes.

Aftershock
Swallowed By The Machine
The Death Of Me
Harem Scarem

There are a lot of good cuts on Harem Scarem’s album and the guitar playing from Pete Lesperance is excellent. “Swallowed By The Machine” at this point in time and for the mood I am in, is getting a lot of attention.

We’re falling into dystopia
It’s crumbling before our eyes
Black mirror reflecting all our lives

I love technology, I work in technology and I am careful to switch off and not let those black mirror devices take control every single minute of the day.

Days of judgement upon us
Broken and demoralized
March into the vortex single file

It’s like a dystopian movie, where the human race is lined up, like cattle, waiting for their turn to walk into confusion and dizziness.

Because it feels like the world tries to do that.

With so much information at our fingertips, we don’t know what to click on and read sometimes. Every story has a point of view of the writer, and they are laced with some facts, a little bit of lies and a little bit of fiction. And then people try to pass it off as “truth”.

We all have dreams, we all have doubts
Be careful which you feed
And don’t get swallowed by the machine

Feed the correct hunger and walk the road you want to walk.

Watching “The Last Dance” and seeing those years roll by, man, it brings back some crossroads decisions. I can’t dispute the decisions made, because I am here today, with a wife and three kids. And I am content, happy.

I have no doubt that if I made a different decision, I wouldn’t have what I have today and I probably wouldn’t be in the same place mentally. But I still wonder, what if because the machine still rolls on, beckoning me to step inside.

Fake News
Turn The Light On
Shakra

The intro riff on “Fake News” reminds me of that GNR and Skid Row swagger.

And it’s good to hear these kind of influences, because Shakra (from Switzerland) are a band which defines the meaning of perseverance and grit.

Imagine a hard rock band, being formed in 1995, when the Grunge movement was on a decline and Industrial Metal like Ministry and NIN was becoming a thing, Tool was still a relatively unknown band, as “Aenima” was a few years away from being released and Korn was a few years away from their breakthrough and the start of the Nu-Metal movement.

25 years in the business and twelve albums down. Not bad at all.

Bubbles
Framing Hanley

These guys started off in 2005. They got signed and released two albums on a record label in 2007 and 2010. The band left their label and created a Kickstarter campaign for the next album, by asking their fans to donate a dollar.

That album is “The Sum Of Who We Are”, released in 2014.

They went on a break for three years between 2015 and 2018. And finally they have a new album out in 2020 and the song “Bubbles” just refuses to go away.

I Can’t Be The Only One
Killswitch Engage

I like Killswitch Engage.

The riffs are a cross between melodic rock, hard rock, heavy metal and groove metal. On occasions there are thrash and black metal riffs and a nod to Sweden’s metal scene around 1992 to 1998.

The vocals move between screamed and melodic. And screaming the way they do, it takes a toll on the vocal chords.

During the album making, vocalist Jesse Leach had to have throat surgery to remove a polyp and then 3 months of speech, vocal and scream therapy. And no vocalist wants to hear, that there could be a chance they could never sing again.

And you know how much I hate labels. Here is what Jesse Leach said on the issue of being classed as Metalcore in an interview at the excellent Consequence of Sound website.

“You know how genres go. That term has been so bastardized, I don’t even know what it means. When I think of Killswitch, I don’t think metalcore, I think metal, in general. I get people gotta categorize it, I get that, but you ask me, I don’t know, because I don’t even listen to metalcore. We came from the hardcore scene. We were hardcore kids who were into metal. That’s where the ‘metalcore’ came.”

This is an alternate edit from the track released on 2019’s “Atonement” album. And I really like the below lyrics.

Divided we’ve become, this fight has just begun
But I can’t be the only one
Together we overcome with a truth they can’t outrun
But I can’t be the only one

United we overcome

“Habit” by Adelitas Way, “All Eyes On You” by Smash Into Pieces, “The First Time” by Khymera, “Shadowman” by One Desire, “Broken” by FM and “Fly Like An Eagle”, “Legacy” and “Lay Me Down” from In This Moment are also getting spins.

And that’s it for my April listening. It’s only taken me half a month to complete.

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Music, My Stories, Stupidity

IsoRamblings And IsoThoughts

In the last couple of years, everything we knew has changed. The tech heads who we pledged our loyalty and private information to, stopped innovating and started protecting their riches, selling out data and search/like histories to everyone and anyone.

Remember the Facebook–Cambridge Analytica data breach.

It’s old news now. Irrelevant. That’s how quickly we move on.

And then comes a company called Clearview who builds a database of peoples faces which can track where that face appeared by using cameras in streets, shops and traffic lights.

Sounds scary right.

But the scary part is that, we the public, willingly gave em our faces and we didn’t even know we were doing it, because of our social media accounts or tags from other social media accounts that didn’t haven’t their privacy set high.

And the biggest topic before COVID-19 was climate change. It got that big that grown adult men felt threatened and decided to make fun of Greta Thunberg.

But Michael Moore has brought that topic back in the conversation with his latest documentary. Moore definitely knows how to stir up shit. But that was last week’s news, it doesn’t even rate a mention today.

And what side are we on for COVID-19?

Are we on the “health before the economy” side or the “economy before health” side.

The Governments are really about the economy and if people die, so be it, it’s all collateral damage.

How will live music return to the masses?

You can’t really practice social distancing and one person per 4 metres square in a live venue.

Bryan Adams went on a Twitter meltdown because he couldn’t do his residency and Brent Smith from Shinedown wants to tour because he’s healthy and eats right and he’s telling his fans to do the same. And if they do, they will be fine in the venue together and not get Coronavirus. Umm, yeah.

And the U.S via Trump are getting a lot of press around the world for the wrong reason. And he keeps calling it the China Flu.

Do people even know that the Spanish Flu started in a farm in Kansas, USA and was then spread to the local garrison there and then spread all around the world by US troop movements during WWI?

It was a U.S flu.

And even back then the leaders of the U.S failed to acknowledge it, and they put economics before public health. It didn’t turn out too well did it.

And I never thought in my lifetime I’ll see a pandemic. But I have.

And music still lives. It thrives. Because of digital distribution. And if that stops I still would have my collection.

So read critically, read from different sources and make up your mind that way, because our leaders are not the ones to trust.

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Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

April 2020 – Part 3

The third installment of April 2020 new music.

Here is the Spotify link. Here are posts 1 and 2.

An Ill-Fated Wonder
Scar Of The Sun

A metal band from Athens, Greece.

This is the beauty of Spotify and music in general right now. For the music styles I like, Spotify tells me the style is vibrant and alive all over the world.

If the record labels still controlled the distribution chain, they will have the world believe that beats and hip hop is the only style.

The open string legato intro gets me interested. And the whole song reminds me of the Paradise Lost, “Draconian Times” album merged with “Shogun” from Trivium.

Hope and pray
Long the day
That your lie turns asunder
Pure dismay
Gone astray
From this ill-fated wonder

And the breakdown section from about 3.40, when it goes to clean tone and then the build-up starts which moves into the open string melodic lead, with double kick drumming. Well, its head banging time.

The Way You Bleed
Taking Dawn

From the U.S.

Originally the band was called “7th Son”. So you can have a guess as to which band is an influence. They changed their name to “Taking Dawn” and a Roadrunner contract came soon after.

Roadrunner is known for its “excellent and non-existent Artists Development Department”, so when the first record didn’t set the world alight commercially, the label dropped them and signed another fresh band.

Then there was some band member changes and the need to use a different name for a few years in “Devils Run” and an eventual return to the “Taking Dawn” band name.

Taking Dawn came into my life because of a few excellent covers in “The Chain” from Fleetwood Mac and “Black Diamond” from Kiss. So I have been following them on Spotify.

What an intro. It reminds me of so many other songs. The acoustic guitar part reminds me of “While My Guitar Gently Weeps” and “The Housing Of The Rising Sun” and when the distortion kicks in, it’s a smorgasbord of power chords, open string pedal tones, hammer ons and pull offs.

Why can’t you see the beauty in the way you bleed

Turn Away – Radio Edit
Sunflower Dead

A great hard rock song and I know nothing about the band. If it sticks around then I might do a Google search.

Light From Within
My Wicked Twin

A blog I follow, mikeladano.com had a post-up about this album. You can view it here. There is nothing to add except put it on and enjoy.

And the vocal melody in the verses, like the first four lines, are very “Alice In Chains like” in style and delivery. But the music is so far removed from Alice In Chains sludgy vibe.

From A Whisper To A Scream
Gathering Of Kings

I like melodic rock and Europe is leading the way with this kind of music.

Gathering Of Kings keeps delivering on their melodicism’s. The keyboard riff is hooky and it gets me interested straight away.

And the lead break brings back memories of the 80’s Shrapnel Artists.

Perfect.

The Whole “Catastrophist” Album
Trivium

I don’t think there is a better metal act than Trivium right now.

Robb Flynn on Twitter called it a masterpiece.

And I agree.

The Kerrang review said, “you can hear just how much they love heavy metal, injecting elements of thrash, melodic death metal and black metal throughout the 10 songs.”

And I agree.

The Metal Hammer review over at loudersound.com states “ The Sin And The Sentence got Trivium back on the horse. “What The Dead Men Say” has them winning again. One of metal’s most beloved bands are on the form of their lives right now. It doesn’t get much better than that.”

And I agree.

The excellent Sonic Perspectives website, said this; “There is something in this album for everyone, but one might not know what it is until the song has already hit them straight in the chest with its might. Wherever Trivium steps from here, be it down this same path or diverging elsewhere, it will be in the shadow of “What the Dead Men Say.””

And I agree.

I’ll have a review of this album soon as for me there is just so much to unpack.

Freight Train
Vandenberg

Adrian Vandenberg can still write a great song.

“Freight Train” is great because it has a lot of quality riffs, a killer lead break by Vandenberg, which is a lot longer than some of his 8 second teaser lead breaks he did with the “Moonkings”.

Did I mention the chorus vocal line is pretty cool as well?

Like a freight train
Burning down the tracks
Nothing can get in my way
Like a freight train
No looking back
Make no mistakes, I’m here to stay

Adrian Vandenberg is a freight train.

When he sets his mind to come back, he comes back. When he set his mind to pull back and go underground and focus on his art and painting, he did just that. As a fan of his 80’s stuff, I am happy to see that he’s here to stay.

Got no time to hesitate
Never take the easy way
Don’t look back on bad decisions made

What’s done is done.

There’s no way to turn back time, it’s important to move on and live in the now.

Hazard
Long Distance Calling

They play instrumental music, but it’s more of a groove, a band jamming on a groove and seeing where all of the different textures take em. Very different to guitar solo instrumental music like Vai, Satriani and so forth.

And I like it.

Maybe because it reminds me of Tool.

“Hazard” has this female spoken voice about AI’s developing skills that will overpower humans and as soon as the voiceover stops, the song kicks in with a dreamy lead break and the texture gets louder, frantic and sombre.

Its brilliant to listen to.

Always The Same – 2020 Remix
Whitesnake

This song came from out of nowhere and what a track. A left over from the “Flesh And Blood” album. The feel of the music, the vocal line. I dig.

It’s been one of those days when it all goes wrong

Man who hasn’t lived those days. You just can’t get a breath from drowning. Sometimes the wrongness is out of our control, sometimes its self-inflicted from words said or things not done or said.

Now it’s raining, raining in my heart
It’s always the same when were apart

No one wants to be alone. It’s more evident today than ever. For the person who lives alone, self-isolation is proving difficult because they have no one else to talk to when the tech is off. And it’s strange to type these words, because going out and socialising was illegal in lockdown.

The Whole Album
Revolution Saints

There will be a review coming up of this album soon.

In the meantime, if you like bands like Night Ranger (not because Jack Blades is in here, because Doug Aldrich plays that mf guitar like a combination of Jeff Watson and Brad Gillis), Journey (when they knew how to rock out) and of course melodic rock in general, then you should check this out.

If you liked the debut album, you should check this out. If you like the sophomore release, then you should check this one out.

Part 4 is coming up with the usual suspects which are still re-appearing from the start of the year.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

The Record Vault – Bullet For My Valentine – Venom Edition

I didn’t know I had the CD until I opened up a box and there it was. Still in its wrapping along with a lot of other CD’s in their wrapping. I had a phase when I started streaming, where I just purchased a lot of CD’s online and just put them away in a box as I was streaming the album on Spotify. Based on what was in this box, there will need to be a “Record Vault” revision of some of the other artists as well.

Anyway, this post is about “Venom” released in 2015.

But I need to go back to the “Fever” album released in 2010, because that album started the hard rock and heavy metal phase of BFMV and it’s my favourite album. They followed “Fever” with “Temper, Temper” released in 2013, which went further in a hard rock direction. Like they had a live cover of “Whole Lotta Rosie” from AC/DC as a bonus track. But then again, they also had a Robert Tepper cover, “No Easy Way Out” on the thrash metal “Scream, Aim, Fire” album released in 2008.

But in 2015, they combined elements of all their releases into a very good album called “Venom”.

It was in my top 10 for 2015.

It had the speed metal, from the first two albums, it had the heavy metal and hard rock from the two albums just before “Venom”, plus it had a touch of growth with some modern influences and the digital delay U2 influence heard in the title track “Venom”.

I’ve said it before, BFMV is a melodic rock and hard rock band with thrash and metal influences, however fans of hard rock and melodic rock have not given this band a chance because of the screaming aspect or the classification with a different style because of record label marketing. Like metalcore.

And for a band with metal, hard rock and thrash roots who came out 2005, BFMV have massive numbers when it comes to streaming and YouTube views.

Massive.

And they tour relentlessly. I’ve seen em live and the band delivers.

“No Way Out” is relentless. A thrash-a-thon.

Looking out standing over the edge
Too numb to feel alive

Even though this song was written in 2015, the words are still relevant.

Will life return to normal once COVID-19 is all over?

Will people still gather in larger groups?

A scientist on TV said, there might not be a cure or a vaccine for COVID-19, but a treatment, like how they do with HIV. Its numbing.

Tell me why I feel like there’s no way out

The Chorus deals with the mental struggles of thinking there is no way out and we hate waiting for time to pass and we hate following rules but sometimes following rules is what we need to do.

This negativity
Is dominating and smothering me
I just can’t breathe

I can’t help but over analyse events, thinking that some of the people I deal with have other motives, saying one thing to my face and saying something else behind my back.

The negativity is not productive and its torturous. This was heaps prominent when I was younger and as I got older, my care factor for these kinds of analysis went to ZERO. Other things are more important than putting thoughts in my head which don’t exist.

The guitar solo while brief is quality. And it ends with the same thrash-a-thon that it began with.

“You Want A Battle? (Here’s A War)” from Bullet For My Valentine (BFMV) starts off with a call to arms which is familiar to people who grew up in the 80’s.

“We will not take this anymore, These words will never be ignored, You want a battle? Here’s a war”

And the band blasts in with some pretty cool riffage.

The message based on the first three lines, is the same between Twisted Sister’s war cry of “we’re not gonna take it”, to Bullet For My Valentine’s “we will not take this anymore”.

But the subject matter is a bit different if you look at the film clips.

While in the 80’s, the enemy for Dee Snider and Co. was the disciplinary parent while the BFMV music video the enemy is the abusive parent and the violence in the family, until the victims get their revenge. And the Genus lyrical annotations state the song is about bullying.

Don’t suffer in your silence
Know you are never alone

Vocalist and guitarist, Matt Tuck, said that he suffered a lot of bullying at school because he was the heavy metal kid with long hair that didn’t fit in and how it took him a lot of time to finally stand up for himself. I find it strange that this kind of

From about the 2.50 minute mark there is this bridge like section which I like and then when the outro chorus kicks in with an open string melodic lick under it, its head banging stuff.

“Army Of Noise” could have come from an 80’s album.

Lights out, fist raised
Adrenaline rushing infecting our veins
Now feel the heat as the temperature spikes
Bodies are thrashing the fire ignites

Metallica’s “Kill Em All” album has this vibe with “Seek And Destroy”, “Metal Militia”, “Whiplash” and basically every other song except “The Four Horsemen” and “Jump In The Fire”. The first two songs on the “Ram It Down” album from Judas Priest have this vibe.

So here we are
Weapons in arms
Army of noise has come to destroy
We will not fall

How things change. Hard Rock music went from “noise” to “acceptable” to “mainstream”. And it got heavier and it was till acceptable.

What is classified as noise these days?

“Worthless” is a typical “FU”.

You can keep all your apologies
Those words are worthless to me
And I don’t wanna hear that you’re sorry
Your words mean nothing to me

Take that.

And all the songs are underpinned by great riffage, excellent shredding and drumming.

There was an additional 3D style cover but the photo below doesn’t do the V and the snake justice.

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A to Z of Making It, Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

April 2020 – Part 2

April 2020 has finished and a lot of new music has hit my earbuds and I am still listening to tunes released between January and March 2020. While the last post started off with the songs from previous months, this post will start the new ones;

Here is the Spotify link.

Here is post 1.

Ishtar’s Gate
False Prophet
Testament

“Souls Of Black” is a great album and it was my introduction to Testament in a post “Metallica Black Album” landscape. The earlier stuff is technical like thrash with Alex Skolnick creating jazz fusion solos over the chromatic riffs from Eric Peterson. Then Skolnick left and I was like why.

And throughout the years I have been following Testament and their releases. I don’t own a lot of the bands stuff, but I did have a pretty cool mix tape from the era and I recently purchased their first five albums in a CD box set for $23AUD.

And Peterson just kept writing excellent riffs that covered power metal, thrash, groove metal, nu-metal and black/death metal. Chuck Billy would sing, growl and spit those vocal lines out. Then Skolnick returned and so did my interest in the band.

These two songs stood out to me on their recent release. The riffs are top quality.

Walking On A Thin Line
Hartmann

Oliver Hartmann has been a mainstay in the German rock scene for the last 20 years. He sings in Hartmann, and he is the lead singer for “Echoes”, a Pink Floyd tribute band.

And he plays bass and has done a lot of guest appearances on other records from European artists.

“Walking on a Thin Line” sounds like one of the best Scorpions songs that the Scorpions didn’t write.

Honesty Files
And You’ll Say
Urge Overkill

Ken Taylor from sunny “10 degrees Celsius” Melbourne commented on a blog post recently and he told me to check out an album from Urge Overkill (as I had mentioned the “Sister Havana” song and how the band was like a one hit wonder), which I did and I saved two songs. This album is from the mid 90’s so it doesn’t really belong on the April 2020 new music, but hey, its new music to me, as I heard it in April 2020.

We Will Rock You
Empires Fall
Welcome To The Night
Stranger In The Room
Darkness Remains
Night Demon

“Night Demon” is another recommendation from Ken Taylor. Their energetic take on the NWOBHM and Iron Maiden is fresh. I really like how bands these days take an old style and sound and make it new.

Every song you play, will have something familiar from a previous song you may have heard. And of course they do a rocking cover of Queen’s “We Will Rock You”.

Billy’s Got A Gun – Live
Def Leppard

One of my favourite Def Leppard songs.

Can you feel it in the air?

Danger!!

What You Give Is What You Get (Edit)
Dance (Edit)
RATT

The RATT Atlantic Re-Issues are disappointing. Each album has an EDIT of a song released as a single as its bonus track.

The “Round And Round” edit cuts out DeMartini’s guitar solo and it goes straight into the harmony solo. The whole solo is a favourite of mine, so I couldn’t add that “edit” to the list. And from “Detonator” they have a dance funk mix for “Lovin’ You Is A Dirty Job” which is basically a joke.

I find it hard to believe that there is no extra material laying around or demos of the album songs. I remember reading an interview with Juan Croucier many years ago, and he states how he has over 60 songs left over from his RATT days, which either had him as the main songwriter or as a co-writer.

I play guitar and I know that even though a song is finished, there is another one in the works and other riffs been written. You just don’t stop creating.

The Canary
Protest The Hero

From Canada.

Protest the Hero (known as PTH from now on) are one of my favourite bands. They had a recording contract for their first three albums between 2005 and 2011. They built a cult following and then got dropped by their label. The label even said to them they have “no audience”.

So they went the fan funding route in 2012, trying to raise $125K USD and they ended up getting $341K.

I was on board with the Indiegogo fan funding campaign for the “Volition” album.

I was also on board with the Bandcamp six month “Pacific Myth” subscription campaign, where I get a song a month for six months, with a video that highlights the making of, plus the sheet music and I get to download the cover of each song, plus the track and the instrumental track.

Then they released that as a six song EP.

And then it was all quiet on the Canadian front, until “The Canary” flew in. And I’m back in the cage, ready to support them again.

Part 3 coming up.

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My Stories, Unsung Heroes

The Last Dance

Two episodes a week come out, because ESPN is involved, along with Michael Jordan’s production company and Netflix. Otherwise all of it would drop if it was just done by Netflix.

It’s a great doco so far.

I more or less lost interest in basketball after the 97/98 season, but this doco has got me reading about it again, watching older games and other basketball documentaries.

I’m not even a Bulls fan, it was Lakers for me. But I never got on board the Kobe era with Phil Jackson as coach. Just too many other things were happening in my life that made sports not really important. Sort of like how COVID-19 showed all the sports stars that they are not really an important service when it comes to life and death.

So how much power did Jordan have?

Well, when ESPN was given the all clear to have unprecedented access to the Chicago Bulls during the 97/98 season, the contract stipulated that the ESPN footage could only be used/released if Michael Jordan approved it. Well its time now for Jordan to release it and ensure that his legacy remains, in the face of new challengers (these challengers have been made up by the media) like Steph Curry and LeBron James.

It’s been over 22 years and the footage is that clear, it looks like it was filmed today. It feels like those Amazon “All Or Nothing” documentaries.

And there is no doubt that the era of Jordan, Pippen, Rodman (who came a bit later on) and coach Jackson is a massive era. Plus there is no doubt that they all ended up hating Jerry Krause.

A lot of the things in the documentary, show how the team banded together in spite of Krause. If they played a team who had a player that Krause liked, then they would set the record straight and show Krause that he was wrong. Jordan and Pippen even took their anti-Krause stance to the USA Dream Team match against Croatia in the Olympics.

Toni Kukoc was already signed with the Bulls but was sent on loan and playing in the European Leagues. Pippen owned him in that first match, but as Jordan said, to Kukoc’s credit he showed what a player he is in the final. Even though Croatia lost. Of course, we all know that Kukoc eventually joined the Bulls and played a part in the three-peat.

Krause always spoke about how great the organisation is. Because he also wanted to be noticed for the backroom work he did. But the players are its bread and butter. The players are the organisations best assets. If the players are not there and doing what needs to be done on the court, then the organisation has nothing. You don’t see a retired Krause jersey hanging above centre court.

What happened after Jackson, Pippen, Jordan and Rodman left the Bulls?

Sweet FA.

If the organisation that Krause built was so great, why didn’t it keep winning titles or get back to winning titles after a decade in the wilderness, like the Lakers did in the 2000’s under the tutelage of Jackson, and Kobe (being mentored by Jordan).

Krause forgot who were the stars. It was the players. They are the assets. They brought people in to the venue and they sold the merchandise. Pippen won six titles and the Bulls wouldn’t up his salary. They kept him to a contract he made years ago before they even won their first title. When the Bulls won their fifth title, Pippen was listed at 122 on the salaries received list. Players who played in non-championship teams earned more than Pippen. Rookies even earned more than Pippen.

Seriously that is how Krause treated his assets.

The record labels did the same disservice to their best assets, the artists.

Of course if you got a recording contract back in the day and got to make an album that did commercially well, then you are thankful, but the power was always on the label side.

The deck was stacked against the artist from breaking even. The artist still lived at their parents’ house while the label heads and A&R reps flew private and had executive offices in high rises and lived in penthouses.

Desmond Child went to Richie Sambora’s parents house to write with the band. Even though they had two Gold albums on the board, the band Bon Jovi had a million plus debt to the label.

But Krause wanted to prove that he is the “man” and that the “organization” is brilliant, and in his vanity, he is also the reason why the Bulls never achieved anything post Jordan.

And Jordan never went back. He mentored Kobe at the Lakers instead and is owner of the Charlotte Hornets. Whereas if you look at others, Magic and Larry Bird they still had some involvement with the teams they played their careers with.

And what a great title, “The Last Dance”. Phil Jackson came up with it, as he had a policy of giving each season a title before it commenced.

Because Jackson was told he was on the outer and to him it was “The Last Dance”.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Sign Of The Times

It was a Metal Hammer magazine in 1989 which had a two page interview with a young German guitarist called Axel Rudi Pell.

I thought what a cool name. The interview was all about his debut album, “Wild Obsession” released in 1989

And I had this “buy list” that I kept in my wallet of records to buy, so I added it to the list. But I never found it available and I never ordered it. And he kept releasing albums and he kept appearing in the European magazines. The U.S and Aussie mags gave him no love and neither did any of the Guitar mags, but the Metal Hammers’ and Kerrangs’ did.

And I kept reading of the albums he kept making, like “Nasty Reputation” released in 91 with Rob Rock on vocals and the albums between 1992 and 1997 which had Jeff Scott Soto on vocals. And I kept adding his albums to the “buy list” and then I stopped.

In 1998, Johnny Gioeli joined on vocals and never left. Remember Hardline and its debut album with Neal Schon, Deen Castronovo and the Gioeli brothers. Yep that same dude. He has done 13 studio albums with Axel Rudi Pell, plus Hardline albums and Crush 40 albums for video games. If you want a hard worker in the music business, Johnny Gioeli is one.

Keeping a stable vocalist has made me a fan of ARP’s works, because he’s unlike other hot shot guitarists who just kept changing singers with each album. Actually only two come to mind at the moment, in Malmsteen and Lynch.

So I’m listening to the new album, “Sign Of The Times” and I don’t know if it’s the mood I am in, or the quarantine for the last 10 weeks, but this album is hitting all the spots for me. Every single song has something which connects.

Like in “Gunfire”, the song reminded me of Motorhead in the riffs, and you had Gioeli pulling out some cool metal vocals and then the guitar solo started and it just kept going and I kept banging that head and I was in love with the song.

“Bad Reputation” is all major key and it’s got that summertime love feel. This could have come from an ELO album, or an early Whitesnake, or Bad Company album, or even Sweet. Hell, Kiss covered this style on “Dynasty” and “Unmasked”.

The Choir voices and the violins kick off “Sign Of The Times” but when the distorted riff comes in on its own, it’s like “Heaven And Hell” and Gioeli is singing about “being on our way to better times”, and it’s got Dio all over it.

“Looking down on the ashes, we are moving on to a new world”

If you call this an unprecedented time, a time of ashes, then we hope to be moving to a new world. Time will tell how we navigate these uncharted waters.

And for all the heaviness of the song with its riffage, the guitar solo section is just drums, keyboards and bass. No rhythm guitar. It’s exactly how it will sound live and of course ARP doesn’t disappoint in the lead.

“The End Of The Line” just rolls along at about 140bpm and my foot is tapping and Gioeli is telling us that “we are running out of time”.

Any song with a title like “As Blind As A Fool Can Be” just screams epic. Before the song even started I was already thinking, “All The Fools Sailed Away”, “Blindman”, “Soldier Of Fortune”, “Sailing Ships” and “When A Blindman Cries”. And it rolls along like any ballad should.

On “Wings Of The Storm” (I know, it’s an overused title), the world gets weirder every day, so Gioeli is looking to fly far away on the wings of the storm. And the riffage by ARP is exactly how it should be. It’s got this bluesy feel in the verses, but it’s still metal. And when the Chorus kicks in, the riffs are excellent but Gioeli is the star with the vocal performance.

And no ARP song is complete without a minute and a half guitar solo. There’s actually two of em on this one. In the middle and in the outro.

“Waiting For Your Call” sounds like an awesome Scorpions song that Scorpions didn’t write.

“Into The Fire” (another overused title, I know) has this groove which reminds of “Kashmir” and “Egypt(The Chains Are On)”. And of course, the solo is worthy for a track which closes the album.

Listening to this album and hearing Gioeli on vocals has got me thinking that I really need to go back and listen to the Hardline albums I haven’t heard since the first album, which happens to be a lot albums.

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