I had my ACL Reconstruction on my left leg on Tuesday 1 September. So I have been at home recovering since then. And I am thinking about what the surgeon said before the operation.
The surgeon said that I would walk out of the hospital the next day after the surgery. Well that was complete bullshit.
On day one I was so drugged up on morphine and other painkillers that my head was spinning every time I tried get up. Plus the fact that I probably won’t shit for a month due to all of the painkillers. So how the fuck would I be able to walk out the hospital if the Earth can’t stop spinning.
So I was wheeled out on a wheelchair.
But not before the Physio girls tried to make me walk with crutches on a straight line and up and down stairs. With my head spinning. Some would say I have managed to walk up stairs before with a spinning head.
So I’ve been watching a lot of Netflix and other TV shows. And the following documentaries are still stuck in my head.
- The History of the Eagles Part 1.
- Artifact – The Thirty Seconds To Mars documentary about the label lawsuit against them for $30 million dollars.
- Blood and Thunder Documentary about Ted Albert’s search for the Australian sound with a focus on “The Easybeats”, “AC/DC”, “Rose Tattoo”, “The Angels” and the songwriting/production of “Young/Vanda”.
All three documentaries have four common threads.
- The path to stardom isn’t overnight.
Let’s not kid around when we talk about “The Eagles”. The main drivers and creative forces of the band are Don Henley and Glenn Frey. Their journey started in different parts of America. It took some time paying their dues with different acts, until they ended up as backing musicians to Linda Ronstandt and then finally into their own act.
And when “The Eagles” formed, the band was rounded out by seasoned and well rehearsed musicians.
Success is dependent upon education and hard work. Henley and Frey educated themselves by working with different artists, learning different traits and building on their skills.
Thirty Seconds To Mars main driver is Jared Leto. AC/DC’s main driver in the early days was Malcolm Young. Jared would go and do movies, educating himself a little bit more. Malcolm Young and Angus Young would do session work for songs his older brother wrote for other artists.
The difference between successful artists and not successful artists is recognition always came LAST! The music and the show came first.
Since the rise of MTV, a certain belief came over the mindsets of musicians that if they are not famous on their first track, cut moments after they picked up an instrument, then someone else is to blame. It wasn’t always that way.
- Keeping that stardom is not easy.
You’ve got to want it. And you’ve got to be willing to do the work.
How many bands have failed to reach the lofty heights of a previous album again?
Metallica will never top the “Black” album. AC/DC will never top the “Back In Black” album. Twisted Sister will never top the “Stay Hungry” album.
And the successful never stop working. Those classics on other albums didn’t come by accident.
- The middlemen who make more than the acts.
All of the bands mentioned in the documentaries built their audience with a dependence on middlemen. The labels had it rigged that whatever they produced from their studios would get radio airplay and in stores. They would put the band on tour. All of this label love to the acts would mean that all monies received from the sales of recorded music would end up on the labels profit and loss, with very little given back to the artists.
There is a conversation in the “Artifact” documentary between Jared Leto and Irving Azoff, which Azoff abruptly ends. Leto questions how much that call is going to cost him. He questions how he could be millions in debt to his label when the “A Beautiful Lie” album moved over 3.5 million units in the U.S.
And the guys in Thirty Seconds To Mars, they are financing the recording of the album that would become “This Is War”. If you think this is common, it’s not. Again, due to some creative propaganda by the labels, musicians believe they need someone else to pay. Independent artists normally finance their own recordings.
Are you willing to do this?
Now, more than ever in the modern era, no one else is gonna pay.
The Eagles wanted to be a rock band. Their producer of choice “Glyn Johns” who worked with Led Zeppelin and Cream, didn’t think so. This is why people hate The Eagles. Their desire to do it their way. They didn’t allow other people to drag them down into a hole.
The Eagles didn’t want to be pigeonholed as a folk rock act, the same way Led Zeppelin didn’t want to be pigeonholed as a blues rock act.
To truly be king you have to believe in yourself and play by your own rules. You’ve got to stick it out.
Sort of like Iron Maiden. They just kept at it and believed in what they did. A massive corporate empire has been formed around that belief.
So I am getting into “The Book Of Souls” album. It is my bedtime music. At the moment I last to track five before I dose off to sleep.