July had four posts on the new releases.
Part 1 is here.
Part 2 is here.
Part 3 is here.
Part 4 is here.
For single song releases, “Night Demon” released “Vysteria” on Spotify. Since they came up with the word, they also defined it as “exaggerated or uncontrollable emotion or excitement incited by the media, especially among a group of people during a pandemic”.
It’s basically about COVID-19 and how our lives have been affected by restrictions and lockdown, with the conspiracy catch cry of “is it the end of the world, or the thinning of the herd”.
NOBODY IS SAFE
THE VIRUS HAS NO PREDJUDICE
NO BLACK OR WHITE
THE RICH AMONG THE POOR
Tokyo Motor Fist released the “Lions” album.
“The world is in chaos” is how the title track starts off. And it sure is.
Michael Grant And The Assassins released the excellent and underrated “Always The Villain” album. It’s a Frontiers release and I became a fan on the first listen.
So who is Michael Grant?
When you listen to the album, remember that Michael Grant is playing those riffs, the majority of the drum tracks, the bass lines, the guitar lead lines and he also does the vocals.
“The Assassins” part of the name comes from his touring band, but they didn’t play on the album.
And before going solo, Grant was the founder, and lead singer/guitarist in the alternative melodic hard rock band “Endeverafter” between 2004 and 2012, who had a deal with Epic Records, and they released one album “Kiss Or Kill” in 2007.
From 2012 to 2018, Grant was the guitarist in LA Guns and also wrote and recorded “The Missing Peace” album, released in 2017.
The LA Guns camp said he left the band to pursue his solo project, while Grant said he was fired from the band.
Every single song on this album is melodic, with good riffs, catchy AOR choruses and great leads.
“Nightmare” is my favorite today, because of the lead break that reminds me of Dave Gilmour but depending on the day or my mood, other tracks take over.
Haken released the album “Virus”, which is a coincidence because the title was decided way before the whole COVID-19 spread worldwide.
And if you like progressive and technical rock/metal, then this album would fill the void.
And two albums reigned supreme for me in July.
“How Do We Want To Live?” from Long Distance Calling was released in June but I really sank my ears into it in July. From Germany, its instrumental Pink Floyd style rock with Tool like grooves and a few vocal tracks. And it’s the moods that always hook me in.
“The Kingdom” from Bush took me by surprise. This is their best album since the first two albums. Its heavy and it’s the Bush I like.
“Flowers On The Grave” has the riffs.
“The Kingdom” starts off with a bending note, before it explodes into a heavy riff that reminds me of Tool and Rossdale is nailing the vocal.
Only in the silence we can see who we are
When we are alone with our thoughts, that’s when it’s real. That’s when we know who we are. Are we thinking of how to make it, or are we thinking how to get back at someone who upset us or to get it on with someone else.
“Undone” moves me, every single time.
On my grave nothing really matters
Death gives us perspective.
Check it out.