Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

2021 – YouTube Listening

I normally go to YouTube to listen to music which isn’t on Spotify.

And one artist always has me going to YouTube and that artist is John James Sykes otherwise known as John Sykes.

We all know that Sykes puts Boston and the Axl led Guns N Roses “Chinese Democracy” album for to shame for gaps between albums.

The last proper full length album that Sykes released was “Nuclear Cowboy” in 2000. Yep, 21 years down and approaching 22.

The “gap” between albums is now old enough to buy alcohol and drive.

But that doesn’t mean Sykes has been dormant.

In 2004, he released a live album called “Bad Boy Live” which is in my Top 10 of live albums. If you haven’t heard it, check it out, as it’s a perfect capture of his Whitesnake, Blue Murder, Sykes and Thin Lizzy days.

And when he appeared with super hyper release Mike Portnoy on Eddie Trunks show, we all thought that if anyone could get Sykes to release an album, it would be Portnoy.

Well that also didn’t happen.

But Sykes was working and writing and songs started to appear on YouTube.

Dawning Of A New Day

It hit YT on 2 Jan 2021. My review of that song is here.

Gates Of Hell

It came out in 2017. Check it out here.

Out Alive

It came out in August 2021. Check it out here.

And the album “Sy-Ops” is scheduled for March 1, 2022.

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Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

2021 – Spotify Wrapped Summary

I spent 40,275 minutes on Spotify listening to music.

That equals about 671 hours and close to 2 hours of music on the service alone.

And I have a lot of vinyl which also gets listened to, YouTube also gets some of my attention and various CD’s and DVD’s of artists.

In other words, I’m madly in anger with music.

I listened to 86 different genres. But I’ll take that with a big asterisk as Spotify needs to break down musical styles in many little categories so their algorithms can get down low.

And the top 5 are listed as follows:

It’s a pretty common theme that the music is either Rock or Metal. And who comes up with a genre called “Album Rock”.

What does “Album Rock” even mean?

But in the space of 365 days, I listened to 819 different artists.

And I remember in 1988, I purchased 8 albums and copied about 20 other albums from friends onto cassettes. From those albums, some were from the same artists. For example, I purchased “And Justice For All” and dubbed “Kill Em All” from Metallica.

Even if it was 28 different artists, that number is nothing compared to 819. And any new artist trying to make a dent to get peoples attention is up against the history of music on streaming services plus all the new releases that come out each day.

From a podcast point of view, “No Fucking Regrets” from Robb Flynn was my main one.

It’s cool to see a musician doing different things. Apart from the podcast, Robb also does “Electric Hour Fridays” on YouTube/Facebook in which he drinks beer and plays through songs from Machine Head’s catalog along with cover songs. And he does his “General Journal” posts.

My top five artists vis Spotify are Free Spirits Rising, Coheed And Cambria, Daughtry, Disturbed and Dokken.

And that’s the summary of my Spotify Wrapped.

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Influenced, Music, My Stories, Unsung Heroes

The Week In Destroyer Of Harmony History – December 19 to December 25

4 Years Ago (2017)

2017

The 2017 list was in.

And it had a lot of songs.

And here are a few selections.

Life Ain’t Easy (For A Boy With Long Hair) – The New Roses

Who would have thought that a German act would sound better than the American acts that influenced them?

So what can I say
Things got that bad
I stood before the mirror
To shave my head
But then I looked into my eyes
And I knew right then
You’ll let your hair grow
And start a band

Freedom – Revolution Saints

It’s the best song on the album.

Musically it sounds like a Deep Purple song from the Coverdale era and there’s nothing wrong with that influence whatsoever.

Freedom
Sweet freedom
Coming my way

Gemini – The Night Flight Orchestra

On each album, TNFO have a disco pop metal rock track. “West Ruth Ave” took the spot on the first album, “Living For The Night-time” took the spot on the second album and “Gemini” takes the spot on the third album.

Blind Leading The Blind – Adrenaline Mob

Man the “Mob” has suffered on the road.

AJ Pero didn’t survive the previous tour he was involved in and bassist David Z lost his life when a truck slammed into their van parked on the side of the road.

Goodbye Forever – Volbeat

We are the birth
We are the end
We are the souls
We have a name
We are the rising and fallen ones
We are the spirit forever more

It’s my favourite part of the song. I dig how the military style drumming works with the syncopated guitar lines and the gospel backing vocals.

Just brilliant.

Black Rain – Eclipse

This song is here because of the lead break. The riff under it reminds me of “Hangar 18” by Megadeth, while the actual lead break itself is reminiscent of the “Mr Crowley” outro lead and the “Tornado of Souls” lead by Marty Friedman.

No Surrender – Art Of Anarchy
Changed Man – Art Of Anarchy
The Madness – Art Of Anarchy

I was really surprised by this release. Actually I was blown away by it.

Carry Me My Bones – Corroded
A Note To Me – Corroded

It’s the acoustic versions from “The Nevo Sessions” and they sound swampy, bluesy and groovy and raw and better.

Carry me my tired bones

Light Me Up – Doom Unit

It’s got this swampy bluesy feel which I really dig. Plus the vocal melodies are addictive. And they are from Finland.

Human (Jim Eno Sessions) – Ran’n’Bone Man

If you haven’t heard “Human” then you should. It’s a hit.

I’m only human
I make mistakes

The Road – Quiet Riot

As soon as I heard the voice, it was familiar. I’d like to tell you that I knew it was Durbin on vocals just from hearing him, but I had to Google it to find out.

American Rock ‘n Roll – Kid Rock
Greatest Show On Earth – Kid Rock
Stand The Pain – Kid Rock

I can’t say I’m a huge Kid Rock fan, but I do check out his stuff from time to time. I also caught him live on the Bon Jovi “Because We Can” tour.

He’s a showman and a very good one at that. These three songs are hard southern rock all the way and man, they are a joy to listen too. It’s like one big party jam committed to tape.

Angel Of Mercy – Black Label Society

I don’t know what it is, but man this song gets the hairs rising on the back of my neck.

For those that don’t know, the song appears on the album “Catacombs Of the Black Vatican” from Black Label Society. It’s not a 2017 release but it’s been in my playlist since it came out in 2014.

The lead break is pure magic. It just explodes out of the speakers and builds and builds to the point where you cannot help but be in awe at the feel, the melodic phrasing and the disciplined technique on display. The song will never be a hit on the Billboard Charts and due to its mellow nature it might never get a live appearance, but god damn it, the song is a classic.

Rags to Riches – Babylon A.D

“Rags To Riches” is one of the singles released in the lead up and it hooked me in with its “Atomic Playboys” style riff.

Wanderlust – Black Country Communion

I dig this “super” group. First, I am a fan of Joe Bonamassa on guitar. Glenn Hughes on bass and vocals is a no brainer. Then when you add the rest of the personal, you can see it’s got some serious cred.

I don’t know what the song is about lyrically. I don’t really care, because the sounds, the groove and the feel hook me in.

God of the Sun – Sons of Apollo
Alive – Sons Of Apollo
Labyrinth – Sons Of Apollo

When I read that Portnoy/Sherinian started a project together I wasn’t interested. However as a fan of Ron Bumblefoot Thal, I was suddenly very interested. And when I read that Portnoy/Sherinian tapped Jeff Scott Soto to do vocals, I was very intrigued.

Any fan of progressive rock/metal will love this album. It has everything that all the great albums have. Even the musical interludes are memorable and hummable, which has become a forgotten art form over the last 15 years as bands play more technical and physically exhausting intricate passages in their songs.

The Sin And The Sentence – Trivium
Other Worlds – Trivium
Beyond Oblivion – Trivium
The Revanchist – Trivium
Endless Night – Trivium

Trivium is still at it and still kicking some butt.

Check out the T1000 Cybernetic drummer in The Sin And The Sentence.

The speed and precision. Human capabilities never cease to amaze me.

Find Your Way Home – King King
Broken – King King

There is a lot of good music out there and artists like “King King” are virtually unknown in the major music markets. They are a band that has this 70s Brit Hard Blues Rock sound and I like it.

This Is War – Audrey Horne

My favourite supergroup of extreme metallers (along with “The Night Flight Orchestra”) was back with a new album that brings back memories of the Seventies and Eighties. Once the harmony guitars that sound like “Fear Of The Dark” from Maiden kick in, I’m ready to throw my computer screen at the window.

It’s brilliant.

We will never be silence or divided
This is war

My 2017 call to arms.

And that my friends brings 2017 to close.

LIVIN ON THE CHAIN GANG

You get a power chord and then a vocal melody.

Did Skid Row try and recreate “Still Of The Night”?

It follows the same structure and in truth Coverdale and Sykes tried to recreate “Jailhouse Rock” with “Still of the Night”.

Turn on the TV, Cause I got nowhere to go
Seems that there’s a little trouble down in Mexico
A 13-year-old boy robs a store so he can eat
And they got him doing time while killers walk the streets

Once Bach sings “streets” he holds the note forever while the single note riff kicks in. Like “Still Of The Night”.

A hungry politician is the wolf that’s at the door
Hell-bent on submission and feeding’ on the poor
We could stare into the sun if we would open up our eyes
But we paint ourselves into a corner coloured in white lies

So true. Politicians want applause, want to be liked and want to please their donors. So while they seek submission from the poor, they then submit themselves to their donor and the corporations who are paying them millions to introduce laws to benefit their business model.

8 Years Ago (2013)

CRYING IN THE RAIN and JOHN SYKES FIRING

Two official studio versions exist. A very bluesy and sorrowful version from the 1982 album, “Saints and Sinners” and a very polished guitar heavy gem from the 1987 self-titled “Whitesnake” album.

And then there is the version that appears on the “Bad Boy Live!” album by John Sykes, released in 2005. It is an exact replica of the 1987 version that brought “Crying In The Rain” to the masses.

John Kalodner in an interview on the Melodic Rock website, said that he always tells David Coverdale that he should work with John Sykes again.

JOHN SYKES

How do you follow-up “Still Of The Night”, “Bad Boys”, “Give Me All Your Love” and “Is This Love”?

You don’t.

You change tact and form a super group with musicians that have some real rock credentials.

Forming a new band or going solo (depending on how people see the Blue Murder project), John Sykes believed the world was his oyster.

Surrounded by the expertise of John Kalodner and a big money offer from Geffen Records, he believed he would have instant success now that he could play by his own rules.

However that was not to be.

The Blue Murder self-titled debut got stiffed from the outset, due to the Geffen label bosses doing everything to please David Coverdale.

And it’s follow up “Nothin But Trouble” got stiffed by the record label playing grunge politics. While “Nothing But Trouble” didn’t have the same impact has its predecessors, it is still a very satisfying album and it’s a John Sykes album I still listen to today.

So it is 1994 and John Sykes is without a record deal.

What does he do next?

He goes solo.

In a gatekeeper controlled market, interest in John Sykes was still high in Japan and Europe.

In 1995, “Out Of My Tree” drops. I didn’t hear this album until Napster hit in 1999. I couldn’t justify paying the $80 for it in Australia, just because it was a Japanese import.

And that’s another wrap for another week.

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Music, My Stories, Unsung Heroes

2021 – Released Too Late In The Year To Listen To Properly

These albums came out at a time which is too close to the end of the year to be properly assessed for any EOY list.

Especially when they are up against albums which came out in the first four months of the year and those albums have became part of my fabric.

Volbeat – Servant Of The Mind

The pre releases single “Shotgun Blues” is a great classic Metal song.

It’s on my “On Repeat” playlist from Spotify which is basically designed to help the user keep track of what they’ve been playing most over the past 30 days.

And the “Shotgun Blues” single dropped in September and it’s still on the playlist.

The album dropped on December 3 and on purposely I’ve not listened to it as I’m waiting for my break to happen so I can sink my ears into it.

Black Label Society – Doom Crew Inc.

It dropped in November 26.

But I’ve been heaps busy to devote the time I want to this album.

And Zakk Wylde has earned the respect for people to devote proper time to his music and if they play guitar, to put in some woodshedding to learn some of his riffs.

Crazy Lixx – Street Lethal

The album dropped on November 5.

The pre-release singles all connected with me but I haven’t had the time to fully digest the album. It’s going to happen soon.

They are a Swedish Metal band formed in 2002, who bring back the 80’s Sunset Strip with the aggression of the San Francisco Bay Area Thrash scene and the defiance of Twisted Sister.

And once you add the Brit bands to the mix, it’s a whirlpool of creativity.

Their first album came out in 2007 and since 2010, they’ve been on the Frontiers label, releasing albums on a two year cycle.

If you’ve heard these albums drop your thoughts in the comments.

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Music, My Stories

2021 – Not As Good As I Expected

It’s always unpopular to have an opinion on an album that isn’t favorable.

Liquid Tension Experiment – III

John Petrucci delivered a great solo album in 2020, but when LTE reformed with Petrucci, Portnoy, Ruddess and Levin, the “III” album didn’t have the same impact as the first two LTE albums which I saw as ground breaking instrumental albums.

The first two albums were released in the late 90s and they came out at a time when most instrumental artists brought in an industrial sound to their albums because that sound is what was popular however LTE didn’t conform to what was popular.

Songs like “Acid Rain”, “Paradigm Shift” and my favourite “Universal Mind” which Petrucci borrowed from for “Happy Song” are instrumental masterpieces.

And the deeper you dig into the first two albums you’ll hear other awesome tracks like “Kindred Spirits”, “Freedom Of Speech” and “When The Water Breaks”.

But if you do want to press play on a track from this album, then “Blink Of An Eye” is the one. It’s got this groove that it’s intoxicating and it sets the foundation.

Trivium – In The Court of The Dragon

I’m a big fan of Trivium and in April 2020 just when lockdowns started around the world, they dropped the excellent “What The Dead Men Say”.

And they couldn’t tour behind it. Matt Heafy did a side project and the band got together and wrote another album.

Which didn’t have the same impact as “What The Dead Men Say”.

Dream Theater – A View From The Top Of The World

I will buy it as a Dream Theater fan so I can have it in my collection but it didn’t connect with me.

But like previous releases there are some nice instrumental sections.

I’m also not a fan of riffs created on the super heavy gauge of an 8 string guitar. It’s too low and muddled for my ears.

Black Veil Brides – The Phantom Tomorrow

It’s their third rock opera.

I really want to like it, but I couldn’t wait for each song to finish.

Bullet For My Valentine – Bullet For My Valentine

We fall in and out with our favorite artists.

At the moment I’m out with BFMV who I think are suffering an identity crisis.

George Lynch – Seamless

I purchased it as I have all of his recordings and while it was okay, I was expecting something else.

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Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

2021 – The 50/50 List I’m Still Investing Time In

Sometimes albums don’t capture me in their entirety but there is something there that keeps me going back.

Tremonti – Marching In Time

The debut album, “All I Was” from 2012 caught me by surprise because of its slant towards Classic Heavy Metal and Speed Metal.

“Dust” and “Cauterize” from 2016 and 2015 are my favorite albums, especially the song “Dust”, it’s a masterpiece.

“A Dying Machine” from 2019 brought a concept story to the mix and now we have “Marching In Time”. In between Mark Tremonti also did Alter Bridge, so no one can question his work ethic.

I listened to this a lot the week it came out and while each song has a section or a riff which floors me, I only press “like” on four songs, “A World Away”, “Now And Forever”, “Under The Sun” and “Marching In Time”.

It doesn’t mean the other songs are crap.

Far from it. I just need to find the connection.

KK’s Priest – Sermons Of The Sinner

I heard it once and I was impressed.

KK Downing is still a beast on the guitar and we all know that Tim Ripper Owens has an awesome set of pipes on him and is technically better than a lot of the vocalists doing the rounds including his idols.

Before all the JP fans tear me apart, this isn’t meant to be a slight on Halford at all, it’s just progression that people surpass their idols in technicality. Halford is still the “Metal God”.

I remember a Bruce Dickinson interview in which he said, he was floored when he heard Ian Gillian signing “Child In Time” and he started practicing like crazy in his bedroom to mimic what Gillian did on the recording, without knowing that Gillian’s vocals were dubbed in and recut a lot of times and heavily delayed. But Bruce was doing it all naturally. Progression.

For a bit of backstory, K. K. Downing got the idea of forming KK’s Priest after doing a one-off show billed as MegaPriest in 2019 with David Ellefson (my, my, how far has he fallen since his sex scandal) on Bass. As a band, KK’s Priest is somewhere between a solo project of Downing and a reunion with his former Judas Priest bandmates Tim “Ripper” Owens and Les Binks. However, Binks left the band just before the making of “Sermons of the Sinner” because of health issues.

So joining K.K Downing and Tim “Ripper” Owens is A.J. Mills on Guitars, Tony Newton on Bass and Sean Elg on Drums.

And I was a fan without even hearing a track.

My favourite track from JP is “The Sentinel” and when I saw that the last track is called “Return Of The Sentinel” I was sold. Even though the songs sound nothing alike, the nod to a classic sealed the deal.

Blacktop Mojo – Blacktop Mojo

They won a competition to open up for Bon Jovi who at the time were picking local acts from each city to open for them. Thats how they came to my attention.

And they do a mean cover of “Dream On” from Aerosmith and a drunken YouTube cover of “In The Air Tonight” from Phil Collins.

From Texas, so they have this blues southern rock vibe happening but there’s also a Soundgarden and Alice In Chains vibe as well.

Actually Black Stone Cherry comes to mind here as well.

This is album number 4 and it’s slowly growing on me.

Check it out.

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Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

Notable Mentions 2021

All of this were close to being in the Top 10 list.

Architects – For Those That Wish To Exist

I’ve heard the name but never really listened.

And they started to come into my life circa 2018 with the “Holy Hell” album, which I liked some songs on, but when “For Those That Wish To Exist” came out in 2021, I was liking a lot more songs.

I was even half way through a review, before I got side tracked with other posts and never went back to finish.

It’s album number 9 which goes to show that artists will never know which album makes a person a fan. They just need to be in the game, a lifer, producing music.

If charts still matter these days, then this album did great business around the world, hitting the number 1 position in Australia and the UK, while achieving Top 10 positions in Austria, Germany, Scotland, Sweden, Switzerland and the Billboard Hard Rock Charts.

While the band was known as a metalcore act when they started out, this album is not. It’s a stadium rock album with elements of all different kinds of metal thrown in and orchestral electronics.

Lord – Undercovers

An Aussie Metal band.

How can you knock back a covers album that has metal re-imaginings of songs like “To the Moon and Back” from Savage Garden, “Message In A Bottle” from The Police, “Playing to Win” from Little River Band/John Farnham. “(I Just) Died in Your Arms” from Cutting Crew, “The Sun Always Shines on TV” from A-ha, “On a Night Like This” from Kylie Minogue, “Break the Ice” from John Farnham, “Send Me an Angel” from Real Life and “Touch the Fire” from Icehouse.

And to top it off there are sizzling metal and rock covers of “Hard to Love” from Harem Scarem, “Reckless” from Judas Priest, “Wild Child” from W.A.S.P and “Runaway” from Bon Jovi.

Plus faithful renditions of “Judas be my Guide” from Iron Maiden, “Of Sins and Shadows” from Symphony X, “Shattered” by Pantera, “Someone’s Crying” and “I Want Out” from Helloween, “Creeping Death” by Metallica, “Silent Jealousy” from X Japan and “The Whisper” from Queensryche.

You can read my review here.

Chevelle – Niratias

Otherwise known as “Nothing Is Real And This Is A Simulation” and it’s one of their best albums in the last 10 years, a concept album that deals with interstellar travel, mistrust in leadership, loss and looking back at the past.

It’s more accessible then some of their previous works, with bigger Chorus’s.

Plus there is some great artwork from Boris Vallejo.

Iron Maiden – Senjetsu

It’s great to have Iron Maiden in our lives. The album is a bit bloated but then again, Maiden from the 2000’s onwards have done things their own way and catered to their own creative muses. Which I respect and still purchase.

You can read my review here.

The End Machine – Phase II

The End Machine is listed as a supergroup consisting of guitar player George Lynch, bass player Jeff Pilson, drummer Mick Brown and singer Robert Mason.

Frontiers basically wanted a Dokken sounding album and with 75% of the band being from Dokken plus a singer who worked with Lynch in Lynch Mob, the possibilities of a Dokken sounding album were high.

The self-titled debut came out in 2019 and in 2021, “Phase 2” came out. The difference here was that Mick Brown vacated his drumming gig due to his retirement and his younger brother, Steve Brown took the spot.

I also had a review partially written on this however other posts took my interest and I never went back to it.

But it did have comments like, “’this song reminds me of <insert Dokken song here>.

For example, “Dark Divide” is “The Hunter”. “Blood And Money” reminds me of “Tooth And Nail”. “Crack The Sky” has this “Stop Fighting Love” meets “It’s Not Love” vibe.

And to tell you the truth, I wouldn’t have it any other way, because while Dokken is on hiatus for new music, The End Machine definitely fills the void and Mason’s pipes are in fine form, while Mr Don is struggling a bit.

So if you like classic Dokken, then do yourself a favour and press play on this.

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Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

Top 10 – 2021: Part 3

Times Of Grace – Songs Of Loss and Separation

10 years is a long time between albums.

The debut album “The Hymn Of A Broken Man” came out in 2011.

Have I mentioned that Adam Dutkiewicz is a great riff meister?

All different musical roads lead to here. A combination of country, blues, metal and rock.

For those looking about positive messages, this isn’t the album for you. It’s melancholy lyrics and metal like riffage is music to make you crash your car. You can feel the sadness, a pain at the world, society and the various demons within the mind.

It’s gloom and doom, but inspirational as well.

The album title is indicative of the theme. And having gone through loss recently this album is becoming my companion, riding shotgun with me.

So I press repeat.

Free Spirits Rising

An Australian artist who releases a song every 6 weeks or something like that and plays all the instruments.

Its raw sounding hard rock but the music is melodic and catchy even though the vocals can be hit and miss.

Check out songs like “Outside The Lines”, “It’s OK”, “My Destiny” and “It Starts With Me”.

Soen – Imperial

It’s the kind of metal I like.

Soen is a Swedish progressive metal supergroup consisting of various extreme metal musicians. Their debut album “Cognitive” came out in 2012.

It was like hearing Tool and I was all in.

“Tellurian” came out in 2014 but their rise really started with “Lykaia” in 2017 and “Lotus” in 2019. And in 2021, we have “Imperial”.

And this one is more metal and hard rock with some progressive grooves and textures.

Lumerian

How good is the Intro riff?

And the Chorus, so melodic and haunting.

In the middle, the band introduces its main dynamic, which is heard throughout the album, in which they quieten down the song and rebuild it.

Deceiver

It’s almost Disturbed like from the “Believe” album in the Intro.

Monarch

That Intro riff. So heavy and intricate.

The only thing left to do is to listen to it again.

Durbin – The Beast Awakens

James Durbin’s covers of Judas Priest on American Idol got me interested. The YouTube videos got some traction here in Australia.

His debut album released in 2011, “Memories Of A Beautiful Disaster” rocked hard and I was a fan. “Celebrate” in 2014, lost me as it went way to poppy.

Then he hooked up (surprisingly) with Quiet Riot and he made me a fan again with the very underrated and forgotten “Road Rage” album released in 2018. “Space Cowboys” came out a year later but shit was going down in the Quiet Riot camp, as Durbin left the band before the album was released and drummer Frankie Banali was fighting for his life but we didn’t know it at that point in time.

And here we are with Durbin.

Durbin possesses a great vocal range and his prowess on the guitar is evident on this album. As a songwriter, all songs are written by Durbin.

If this is his first entry into the realms of Metal, then I will eagerly await his next.

Check it out.

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A to Z of Making It, Influenced, Music, My Stories

The Week In Destroyer Of Harmony History – December 12 to December 18

4 Years Ago (2017)

I was busy writing my EOY lists during this week.

8 Years Ago (2013)

CITY LIMITS

From “I Am Giant”, released in 2010.

It has this bass intro that reminds me of the song “Comedown” from Bush and the drum beat makes me think of “When The Levee Breaks” from Led Zeppelin. If you want an introduction into the band, then this is the song to start with.

“Are we living?
Or merely killing time?

BOOM.

Then the distorted guitars crash, mimicking the bass riff.

Check it out

BON JOVI – LIVE IN AUSTRALIA

The Buick stage design was a great concept.

It was fitting that they opened up with “That’s What the Water Made Me”, the best song from the “What About Now” album.

And they then went back to 1986 with two classics “You Give Love a Bad Name” and “Raise Your Hands” from the “Slippery When Wet” album.

And the 50,000 plus crowd enjoyed every note as the band went through their catalogue of songs.

JOVI’S GREATEST HITS PACKAGE

The story of the Bon Jovi “Greatest Hits” album goes back to 2007. At that time, Jon was very interested in developing the country rock sound that he experimented with on the unexpected hit single, “Who Says You Can’t Go Home,” which was featured on the 2005 album, “Have A Nice Day”.

The label, Universal Music wasn’t interested in allowing Jon to follow his muse, and instead wanted a “Greatest Hits” package from the band.

In the end, Universal couldn’t stop Jon from going ahead with the album; however the label believed that they would lose a lot of money on it.

So the label made Jon promise that once the country rock album bombs, Jon will deliver a “Greatest Hits” album.

But the“Lost Highway” album and world tour was successful.

After the “Lost Highway” tour, Jon and Richie got together and started writing five songs for the promised “Greatest Hits” package that was to come next.

Then the global financial crisis happened, and according to Richie Sambora, he and Jon just continued writing more than the required amount of songs needed for the “Greatest Hits” package.

Another argument was put forward to the label to release a new album, which in turn would postpone the “Greatest Hits” release again.

From the songs written, most of them would end up on “The Circle” album, with five songs left over for the “Greatest Hits” package.

The “Greatest Hits” was finally released in October 2010, while the band was still touring on “The Circle” album and it gave the band further momentum to hit the road again in 2011.

And I wrote 7000 plus words about the “Greatest Hits” package and the story behind it.

BLOWSIGHT

If you want to read about a Swedish band called Blowsight, then read on.

STILL OF THE NIGHT

It is a well-known fact that Led Zeppelin has borrowed (or stolen depending on how people view this) bits and pieces from other artists however Zeppelin’s influence and reach is vast and if there was no Led Zeppelin, a lot of bands that we love and like today would have not have existed in the form that we know them.

One such band is Whitesnake.

For a lot of people, their first hearing of Whitesnake was in 1987 and a song called “Still of the Night”.

The song is written by lead singer David Coverdale and guitarist John Sykes.

The Led Zeppelin influence is unmistakable.
The vocal delivery over the F#5 power chord in the intro reminds me of Robert Plant from “Black Dog” and “Jailhouse Rock” from Elvis Presley.

When the riff kicks in straight after, the ears are treated to a combination riff based on “Black Dog” and “Immigrant Song”.

Even though it is derivative, it is hard to burn out on the song because it doesn’t sound like anything else.

AVATAR

It’s hard to believe that “Black Waltz” was Avatar’s fourth release. Another band from Sweden and the famous Gothenburg melodic death metal scene.

I was interested to check this band out after the guys from Five Finger Death Punch mentioned in an interview that Avatar’s new album is doing the rounds while they are on tour and that it is influencing them in the riff department.

Avatar has just so many elements in their music.

Industrial rhythms (like Rammstein) – check
Old Time Rock N Roll boogie – check
Swedish melodic death metal scene (like In Flames) – check
Hyperactive metal (like System of A Down) – check
Modern Metal elements (like Disturbed) – check
Technical Metal elements (like Meshuggah, Sikth) – check
Melodic, arena sized choruses – check
And that is what I got from listening to Black Waltz. A bizarre, melodic, psychotic freakshow.

Check em out.

And that’s another wrap for another week.

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