Category Archives: Music

Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

The Record Vault – Jason Becker

He came into my life because of all the ads Shrapnel Records and Mike Varney used to run in the guitar mags. But at that point in time I still didn’t commit to purchasing any music.

Jason Becker and Marty Friedman were in Cacophony together. In 1989 Friedman left to join Megadeth and Becker started to pursue a solo career. Of course by Friedman being in Megadeth, his Cacophony days with Becker were mentioned so it got me interested to check it out. But I still didn’t commit.

Becker then joined the DLR band, replacing Steve Vai and he went to work on new music which would become the “A Little Ain’t Enough” album. This got me interested enough to commit.

While recording the album, Becker began to feel a “lazy limp” in his left leg and numbness in his forearms.

After getting himself checked he was diagnosed with ALS otherwise known as Lou Gehrig’s disease and was given three to five years to live.

He managed to finish the DLR album, which was released in 1991, and the ALS gradually crippled his body and speech by 1997 but not his mind. He is still alive today and uses a computer to communicate with people via eye movements and to compose new music.

The “Perpetual Burn” album is a pretty big statement for a young 18 year old but then again, the 80s was the era of the shredders and every new guy on the scene had to have all the tools of a seasoned pro and more. Just look at Zakk Wylde.

“Altitudes” starts off with the keys playing chords and a pretty emotive solo. At the 1.25 mark it moves to a clean tone section which continues the emotion and the melody.

The guitar hero spotlight is from the 2 minute mark with a lot of string skipping, fast alternative picking and sweep picking.

The solo from 3.46 is a like a hard rock Vito Brattain style solo.

The title track “Perpetual Burn” has a lot of classical references. Even though Becker was not influenced by Malmsteen, it sounds like a Malmsteen song.

“Air” is just keys and guitar and then just guitar. It’s based around a classical movement.

“Temple Of The Absurb” is a progressive metal gem. It could have appeared on a thrash metal release from Metallica or Megadeth or Testament or a Fates Warning release or even a Dream Theater release. It has this Mercyful Fate influence which I like, and this modern neo classical Rainbow vibe. It’s no surprise that Friedman guests on this song.

The closer “Opus Pocus” has this major key melody which I like and it remains with me long after the song is finished.

His actual recording career is short because of his illness and it’s more of an instrumental nature with the guitarist is in the spotlight. But if you want to hear how he writes songs for a band setting, check out “Its Showtime” and “Drop In The Bucket” from the DLR album, “A Lil Ain’t Enough”. You will like em. Trust me.

Standard
Classic Songs to Be Discovered, Music, My Stories

The Pirate Vault #9

Iron Maiden – Somewhere In Time / Annihilator – Never, Neverland

I taped the “Somewhere In Time” album with Side 2 first and Side 1 second, because I didn’t want the 45 minute per side constraint to cut off “Alexander The Great”. I preferred that song over “Heaven Can Wait”.

“Never, Neverland” is the follow up to “Alice In Hell” and although each song on the album has some good guitar sections, it’s patchy overall.

Night Ranger / Deep Purple / Queen

This mix tape was done based on songs I liked at a particular point in time. I recorded it at my cousins place.

Halfway To The Sun, I Did It For Love, Reason To Be, Restless Kind

I didn’t like the “Man In Motion” album. But the songs listed here are what I would call my favorites. More musically than lyrically.

Like check out these masterpiece lyrics from “Halfway To The Sun” which was more suited for Motley Crue or Aerosmith.

So take them overdone lips
And that million dollar smile
And go use them up on some younger pup
That’ll spend his time and money on your style

They went their separate ways in the 80s.

Jack Blades teamed up with Tommy Shaw and Ted Nugent, bringing us two stellar albums Damn Yankees. Along the way Shaw and Blades wrote a lot of songs for other artists as well. One of my favorites is the Vince Neil track, “You’re Invited But Your Friend Can’t Come”.

“Burn” and “Mistreated”, I copied because they are awesome songs and I wanted to learn em.

Queen really came into my life in the 90s because of a few random things.

My cousin Mega was a huge fan and he kept playing me their more rockier songs.

“I Want It All” released in 1989, was all over the charts in Australia and then it kept getting played on radio.

Metallica covered “Stone Cold Crazy” in 1991 and it blew me away.

Lynch Mob covered “Tie Your Mother Down” in 1992 and it also blew me away. Suddenly I’m going back and listening to Queen.

“The Prophet Song” is from the “A Night At The Opera” album. It’s a blast at 8 plus minutes. I felt like I was in a “Conan The Barbarian” movie. Savatage would take this style and run with it, during the Zachary Stevens fronted era.

Lily Of The ValleyTenement Funster, Flick Of The Wrist, Stone Cold Crazy

All of these songs are from the excellent “Sheer, Sheet Heart Attack”. If you like rock and metal music, there is no way you can’t like this album.

Rocktober Radio Recordings

Triple M was one hell of a radio station once upon a time. And from the late 90s and onwards, it morphed to just another radio station that played the same as most of the other stations. Even the presenters had no rock credibility anymore. But once upon a time it was a bonafide rock station. October also brought forth Rocktober at Triple M.

Don’t Tell Me What To Do – Baby Animals

Suzi DeMarchi is one awesome frontwoman. I saw the band live at Revesby Workers and man they could play.

For those who don’t know DeMarchi was also married to Nuno Bettencourt.

This song is the first single from their second studio album, “Shaved And Dangerous” released in 1993. DeMarchi and Bettencourt also wrote a song together for this album and Nuno even produced and wrote a few songs for her “Telelove” solo album released in 1999. I like this album more than the debut but it’s the debut that keeps selling.

The Flame Trees – Cold Chisel

This is their best song. It’s melancholic and hopeful at the same time.

Sister Havana – Urge Overkill

One hit wonders with this song, which has a riff similar to songs like “Fantasy” by Aldo Nova and “Jesse’s Girl” by Rick Springfield.

Personally I liked it and it rocked hard during an 90s era that tried to kill rock.

Soul To Squeeze – RHCP

It was a B side from their massive “BSSM” album. Then it was released as a single and it went massive. You can’t keep a good song down.

Why Can’t This Be Love (Live), Dreams (Live) by Van Halen

These tracks were taken from their live album. It was very rare in the 90s for radio stations to play live songs.

Janies Got A Gun (Live), Rag Doll (Live), Love In The Elevator (Live), Dude Look Like A Lady (Live) by Aerosmith

Aerosmith songs were recorded during an Oz tour I think. The band is firing on all cylinders here, delivering songs from their two biggest 80s albums.

Runaway Train by Soul Asylum

I saw these guys on an MTV awards show and the songs music, and melodies connected immediately because it reminded me of the 70s acts.

Are You Going My Way, Believe by Lenny Kravitz

“Are You Going My Way” was overplayed. It went to Number 1 in Australia. My favorite is the ballad and the outro solo to “Believe” is brilliant.

Twisted Sister – Big Hits And Nasty Cuts / Def Leppard – Retroactive

I don’t know why I felt the need to copy the Twisted Sister “Greatest Hits” album to a cassette. But I did.

“Retroactive” from Def Leppard is excellent. “Desert Song” and “Fractured Love” are two of my favorites and they have Steve Clark all over em.

These unfinished songs from the “Hysteria” recording sessions, show how creative an artist is at certain points in time. The guys in Def Leppard wrote over three albums worth of music for “Hysteria”.

Standard
Classic Songs to Be Discovered, Derivative Works, Music, My Stories, Unsung Heroes

Up All Night

Slaughter is a forgotten band.

The people who normally read and comment on this blog would know that Mark Slaughter and Dana Strum were in Vinnie Vincent’s Invasion, which was signed to Chrysalis, when a person called John Sykes ran the label (not the John Sykes that we all know from Whitesnake, Blue Murder, Thin Lizzy and Tygers Of Pang Tang fame), but what a bloody coincidence.

Anyway, Vincent’s diva like demands didn’t sit well with the label and they offered the rest of his deal to Slaughter and Strum and the rest is history.

For two albums, Slaughter ruled because the band could rock, could croon like Michael Bolton and they could also bring out the metal, with Mark Slaughter belting out a triple octave voice.

And they even had a 25 year old Michael Bay direct the music video clip for this song. In 5 years’ time, he would become well known with the first “Bad Boys” movie.

Up all night
Sleep all day

This is an anthem.

It still has the same power 30 plus years later as it did back in the day. We tried to live to this. Artists lived this life, they didn’t care about their brand, their endorsements, their promo on Morning Breakfast shows. They kept it mysterious. All to themselves. With a lot of groupies.

Which doesn’t even exist anymore in music, because the techies and the financers are now breaking the rules and living the rock star lifestyle. When Steve Jobs hit the stage at an Apple launch event, he was greeted with an applause that was normally reserved for rock stars. When Oprah or Ellen or Lettermen walked onto their sets, they had a bigger applause than rock stars.

And musicians just kept signing their rights away for another chance to record and to be in a state of never recouping with the labels, while the labels laughed their way to billions in profits. Those same label execs who contributed nothing to culture, fly private, while the artists who made them billions don’t. There is no way a techie would have given away their rights the same way the music artists did.

When evening comes
I am alive

I feel I am most productive at night. Sometimes its past midnight and I don’t want to sleep because I am in the zone.

Up all night, sleep all day.

Standard
A to Z of Making It, Music, My Stories, Unsung Heroes

Youth Gone Wild

Sebastian Bach showed the tattoo on his arm in every photo he took and in every interview he did. All publicity is good publicity, well Bach was the master at it, from the bottle throwing incident in which an innocent girl got hit, to his TShirt that said AIDS Kill Fags Dead, Bach was always in the news.  

The track introduced Skid Row to the world. Its written by Dave Sabo and Rachel Bolan but Bach made it his own, living and breathing the message.

It was also the track that made Bach move from Toronto to New Jersey and join the band. It was the track that got em signed to Atlantic, which was also having a war with Geffen for popularity and sales. Actually, it was only Bach, Sabo and Bolan who got signed to the label. Drummer Rob Affuso and guitarist Scotti Hill did not get a deal, but from my own experience in having being in bands, there would be a band agreement in place that provides them with wages.

Roll It.

Then the Gm riff starts and we are off and rolling.

Since I was born they couldn’t hold me down
Another misfit kid, another burned-out town

All the towns were the same. A main factory, a couple of pubs, a main street, a school and then a shopping centre or mall. And the kids, we were misfits. Some took it to extremes more than others, but it was all done in the name of fun and out of boredom, because all we had was our records to keep us enteretained.

I look and see it’s not only me
So many others have stood where I stand
We are the young, so raise your hands

We are not young anymore, and the new young have different viewpoints. We stood for our voice to be heard, to prove to people that we matter. The young today care about different things.

I went to my sons school performance and they asked the kids what they want to be when they grow up. These kids wanted to be gamers, social media influencers, rich, princesses and sporting stars. And then you have Greta, the face of climate change.

They call us problem child
We spend our lives on trial

Not anymore.

Kids and their parents are like friends and mates these days. But once upon a time it wasn’t like that. I got in trouble for saying “Get Lost”. People treated that combination as a swear word.

Boss screaming’ in my ear about who I’m supposed to be
Getcha a 3-piece wall street smile and son you’ll look just like me

Our education system and the curriculum it uses, produces compliant factory workers. And it does this by telling students to do well on tests and to pay attention in class and to memorise things for exams.

These things don’t help when you are trying to map out a road less taken, and when you need to figure out what needs to happen next to solve a problem you’ve never seen before.

But society, has been conditioned, under the pressure of the financial system and the government (under pressure from the lobbyists) to go to school and become a worker to serve the system.

There is a also great story of the song over at Classic Rock.

Standard
Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

Tangled In The Web

The Elektra “Lynch Mob” albums capture a guitarist at the peak of his powers and with a passion to prove that he can make it on his own. And George Lynch didn’t fail with these albums at all.  

As good as the Max Norman produced “Wicked Sensation” is and as good as Lynch’s Dokken work is, Lynch finally broke away from all the baggage in 1992 with “Tangled In The Web” released during a time when Nirvana and Pearl Jam started to make waves on the chart and hard rock music and bands started to have less of an impact than they would have had if they released these kinds of songs a few years before. But Lynch released and competed with these guys.

If you don’t find the bluesy and swingy lightly distorted guitar intro with the brass instruments addictive, you are either too elitist to allow horns or too wound up. Keith Olsen, also co-wrote and produced the track, so credit needs to be given.

If you leave me lonely
And you take away the things that I love

We fear loneliness. The older we get, the less we want to play the game of love. And when relationships go bad, people pick sides which makes you question their motives in the first place.

And it still sounds fresh today as it did back then.

If you see me coming’
Better run and find a place to hide

I wonder what kind of coming they meant. Is it the ‘I’m coming over” or the “here I come all over you”.

“Tangled In The Web” was in the charts, competing with Black Crowes, Pearl Jam, Nirvana, Tom Cochrane and Red Hot Chilli Peppers.

Standard
Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Fly To The Angels

Slaughter was one of those bands you either liked or didn’t like.

Bassist Dana Strum was a go to man when people needed band members. He recommended Randy Rhoads to Ozzy’s camp along with Jake E Lee.

Afterwards, he teamed up with Kiss outcast, Vinnie Vincent for his Invasion. After Mark Slaughter joined the band (replacing the original singer, Rob Fleischmann), the Invasion went full tilt on album number two, before Chrysalis pulled the plug on Vincent’s diva like demands and offered his record deal to Slaughter and Strum.

And for a 4 year period, Slaughter was slaying the scene, becoming a reliable platinum act in the process.

Nothing lasts forever and for Slaughter, the fall was quicker than the rise in a commercial sense. Guitarist, Tim Kelly had some law enforcement problems over trafficking narcotics and then tragically, he lost his life in a motor vehicle accident. These days, Strum is more than happy playing Motley covers with Vince Neil, while Mark Slaughter is still writing and dropping new music.

“Fly To The Angels” is not my favourite track from the debut album, but it captures the great song writing that Slaughter and Strum are capable of. There is an electric and acoustic version of the song and both are good.

It’s a sad song and Slaughters vocal commands attention with its power.

Heaven awaits your heart

Standard
A to Z of Making It, Music, My Stories

Magic Words

I came across a book summary about “Magic Words” by Tim David. And of course I was interested as to what are magic words.

But it starts off with a warning, that magic words will only work when there is a strong human connection. And the most important magic word is “yes” and the word you should avoid the most is “no”.

And I’m thinking, “No shit” or “Yes what a crock of shit” because Dee Snider said “No” when he was told to turn it down in “I Wanna Rock”.

Well not exactly.

More like “can you help me?” style of questioning which gets the person answering either “yes” or “no”. Because, if they say yes, then there is a high chance they will actually do it. But they need to feel connected to you to make the words magic.

So it all comes down to our need to belong to something. Hence the reason why Rock and Metal songwriters had a lot of “We” in their lyrics and song titles like “We Rock” or We’re Not Gonna Take It”.

Avoiding the questioning which could lead to a “no” is important because the mood shifts from positive to negative and feelings of rejection.

The other magic words are But, Because, If, Help and Thanks.

And I’m thinking how this writer Tom David is telling the world what heavy metal and hard rock fans already know. That communication is the key to all human interactions.

So to make connections, get people saying “yes” a lot and “no”, not so much, unless someone is trying to exploit the group/you then a big “NO” is warranted.

To get peoples attention directed use the word “but,” and use “because” and “if” to motivate them and show your appreciation with “help” and “thanks.”

Standard
Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Nobody’s Fool

I don’t think they wanted to be glammed up, with teased hair and matador clothing with long jackets, but they did it anyway.

Signed to Polygram, the debut album, “Night Songs”, produced by Andy Johns, had everything from AC/DC style riffing and grooves, to Aerosmith style highs and Keifer’s unique raspy snarl.

But Keifer and co didn’t just sound like all of the other bands out there, because their influences weren’t just your standard Rolling Stones, Led Zeppelin and AC/DC acts. They also went back and found out who influenced their influences, and allowed those artists to also influence them, hence the reason why Cinderella was more bluesier than the rest.

The cymbals ring, while the clean tone Am arpeggio chord progression starts the song.

I count the falling tears, they fall before my eyes
It seems like a thousand years since we broke the ties

It seems like the hate and pain will never end, when relationships go bad, but it’s only been a day or two. Time heals all wounds and hearts. You just need to be patient.

I’m no fool

We can believe what we want, but when it comes to love, David Coverdale had it down pat, when he said he’s a fool for loving, because god damn it, that man lives and breathes love. So yes, when it comes to love we are fools. And we keep going back to it.

And the solo, so emotive, building up to the ending and that final chorus.

Standard
A to Z of Making It, Music, My Stories, Unsung Heroes

Better

The theory was that the most technical musicians become great artists. The fastest kids become professional athletes in the sports they selected and the smartest kids become good leaders or innovative ones. And that proved rarely the case.

When CC DeVille did a guitar solo spotlight live, people wanted to walk up to the stage and unplug his guitar. Same deal with Mick Mars. Reviewers in guitar magazines had a certain elitism in their writing and used these two guys as punching bags, but people are more aware of the music that DeVille and Mars created, than the words the elite journalists wrote.

Then another theory came out, that we all need to be better at what we do, that companies need to get better at their social responsibilities, that we need to be better at inclusion and how we need to keep learning to be better.

But better is always in the eye of the beholder.

I subscribe that we always need to be improve. For me, it’s a basic need to learn new stuff, as I am a curious person to begin with, and I like to create, so to create, I like to spread my learning wide so I have enough tools and information to create. Because nothing is created from living in a vacuum. Even those artists or the heirs of the artists who believe that their songs are so original, well they ain’t.

Every new song has to push the sound, the melodies, the lyrics and the music a little bit more than before, but not too much, otherwise the artist will lose the trust of the audience which they battled so hard to gain. It’s a big reason why some artists don’t stray too much from what made them famous, like Kiss, AC/DC and Iron Maiden.

Buy an album from these bands and it will still sound like an album they did, 10 years ago, 20 years ago, 30 years ago and even 40 years ago. And then there are artists who did stray a lot from their sounds and divided their fan base.

Def Leppard with “Slang”, which is a great album by the way and perfect for the time and era it came out. Motley Crue with their self-titled debut, which is one of their best albums for me and “Generation Swine”, which has great rock songs but an industrial production from Scott Humphries which I don’t like.

Bon Jovi with “Lost Highway”, a cool pop rock take on the country/southern rock sounds.

Queensryche with “Promised Land” an album full of dissonance and bleak landscapes so far removed from the polished sounds of “Empire” and even further removed from the operatic and concise storytelling of “Operation Mindcrime”.

Dokken with “Shadowlife” and their attempt at Nu-Metal, which is their worst album by far and after this, George Lynch reformed Lynch Mob, smoked some Limp Bizkit and delivered “Smoke This”, a rap metal album which was a complete disaster. Two from two for good old Georgie.

And then you have an anomaly in Metallica. They pushed the limits of technical thrash and then dropped a self-titled album with shorter songs, a powerful sound and concise lyrics. But it was still rooted in metal. Then they became a classic rock band with the “Load” releases. Then with “St Anger” they became a hybrid, but that trash can drum sound with James spitting out words rather than singing was interesting before they returned to their speed metal roots.

The truth it this, it doesn’t matter how technical you are, how fast you run, how much better you get or improve your skills, it all depends on your execution. Sometimes you will win, sometimes you will lose. But don’t ever stop executing. Just keep going and keep creating.

Standard
Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

March 2020 – Part 3

Here is the final post of March 2020 releases that have interested me in some way. Here is the playlist.

Higher Ground – Reach
It was their song “Live Or Die” from a few years ago which got me interested in the band as it was a cross between all the good things I like from Muse and melodic rock.

“Higher Ground” has more of that pop vibe, a fusion of jazz/reggae in the verses and Swedish rock choruses inspired by classical music.

The First Time – Khymera
The intro just hooks me in. I’ve heard similar songs with these kind of melodic intros and still to this day I stay riveted and interested.

“You’ve got me running for the first time” is the hook and in the second verse, “the price of love is misery”.

What The Dead Men Say – Trivium
I’m really digging the first two single drops from Trivium.

“What the dead men say is just between us” is the hook here, and the music just goes for the throat at full throttle with some wicked shredding along the way.

Shadows of The Night – Vandenberg
Adrian Vandenberg knows how to write some killer songs and the dude can play, referencing some classic heavy metal riffs on this one. Plus he’s finally allowed to use his surname again, so gone is the Moonkings and its just Vandenberg again.

Verdict: I like.

Wings Of the Storm – Axel Rudi Pell
Here is another dude who can play.

The world we are in gets weirder every day

Damn right it does. Who would have thought that we would be in lock down. So many businesses that I thought were resilient are closing doors. Looks like nothing is left in reserves for a rainy day.

And we are working from home, the kids are doing school from home and we leave the house for essentials only.

Fly eagle fly
Far away on the wings of the storm

It’s easier said and done these days.

Shadowman – One Desire

This is a good song, the full 6 minutes of it.

One Desire came into my radar a few years ago and I saved a few songs and now they have a new album about to drop and I’m digging what I am hearing so far.

“A shadow in the window hiding”

It’s descriptive but hey who hasn’t seen a shadow when we’ve walked past a window which reflects back to us our surroundings.

Broken – FM
FM came into my life because of Phil Soussan. Soussan was in band called Wildlife with Steve Overland and Chris Overland who would go and form FM a few years later.

Soussan wrote “Shot In The Dark” with the Overland brothers who wrote the original lyrics and they demoed a version of the song. And Ozzy was gifted a hit that he somehow magically co-wrote and no credit was given to the Overland brothers.

And This is one good song.

Let’s not pretend there’s nothing to mend

Been reading how relationships are turning sour due to the COVID-19 lockdown. I guess people didn’t really want to be with each other

Devil You Know – Electric Mob
The bluesy groove is old and it’s been used by thousands of other songs. Electric Mob amp it up, modern it up and they get my attention with it.

I’m interested. What comes next.

Outlaws and Outsiders – Cory Marks
There are a few guest musicians here. Travis Tritt, Ivan Moody and Mick Mars all appear.

The riffs between “Devil You Know” mentioned above and this one are very similar, with a Nickelback/Shinedown style chorus.

I’m interested. What comes next.

Actually, I just listened to “Hangman Jury” from Aerosmith and the riffs are similar.

In The Blood – Dizzy Miss Lizzy
I’m really digging the groove on this song.

There is this bridge like section from about 2.54 to 3.07 which they bring back as a solo from about 3.40 to 4.05 which really gets the foot tapping and the head moving. And to top it off, they finish the song with it.

And I always like a song which makes me want to pick up the guitar to learn it and this song ticks all the boxes.

IWSYA – Voices
Footsteps – Voices
Unknown – Voices
Heavy Metal Overlord did a review of this album and it got me interested to check these guys out. Thank you HMO.

The acoustic riff in “IWSYA” is melancholic and the melodic vocals add to it. From about 2.55 it gets these scattered reverbed black metal like screams, but the song sounds like a progressive song that bands like Haken and Tesseract are known for.

“Footsteps” is the closer and a two note arpeggio riff rings throughout in the intro as the drums play a math metal like tom roll.

It kicks in after that and the song rolls forward with an unbelievable three note violin lead riff which starts to become prominent from the middle of the song and it keeps on repeating to the end.

“Unknown” has an intro which gets me interested.

I think it’s the bass that does it for me on this song. It drives the groove, while the drummer and the guitarist decorate, if that makes sense.

Mother (Album) – In This Moment
I am a fan of the “The Dream” and “A Star Crossed Wasteland” albums and that style of hard rock with melodic vocals. But those musicians on those recordings have moved on except for Maria Brink and guitarist Chris Howorth and the new band kept morphing their sound, into the atmospheric, tribal beat driven style they have now. And I wasn’t expecting much from this album, but I was blown away.

“Fly Like An Eagle” is a Steve Miller cover and its done in a way which is unique to “In This Moment”. The drums establish the tribal war cry and the song keeps building. “Legacy” has a vocal melody that could have come from either “The Dream” or “A Star Crossed Wasteland”. And the way the song rolls, with its Def Leppard/Journey style of guitar decorating works for me.

“We Will Rock You” is another cover, and again done in a way which is unique to In This Moment with guest vocals from Taylor Momsen and Lzzy Hale. “Mother” is powerful, as soon as the anguished “Mother” chant starts. “Holy Man” has this section which reminds me of “While My Guitar Gently Weeps” and I like it.

“Lay Me Down” sounds like it came from “The Hu” with an infectious chorus and a “Lay Me Down” gospel chant which I like. “Into Dust” is the third cover on the from alternative rock act Mazzy Star and like all of the covers on the album, it is done in a way which captures the tribal roots style drumming and atmospheric build of what In This Moment is like now.

When “In This Moment” signed with Atlantic, I thought their career would be over because labels are always willing to play the short-term game. Labels are willing to cut more corners, to make money now than in the future. But it looks like “In This Moment” is given freedom to do what they want, to build their career even further. There’s plenty of room to win if someone takes a longer view than the others.

And that’s a wrap for March.

Standard