Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

The Record Vault – Australian Crawl

There is no way you could have lived in the land of Oz and not known Australian Crawl. They had their own unique merge of Aussie pub rock, The Police, The Eagles, Reggae and Pop. Add to the mix, musicians who could really play their instruments, a guitarist who didn’t mind shredding pentatonic lines and a vocalist who had a unique singing style which at times you couldn’t make out what he was saying, which made it even more fun. 

I didn’t get these albums until the 90’s because I didn’t feel the need to own any Australian Crawl in the 80’s because every radio station played em, every music video TV show played em and when they split up in 1987 and singer James Reyne went solo, the same thing happened with his solo career as his solo songs were everywhere along with his Australian Crawl songs.

And my favourite song is “Reckless” and I don’t even own it. Also, the first ever song I wrote was called “The Final Wave” taken from the title of their last album, which I saw was out via a commercial on TV, but I didn’t buy it. At the time, the album was competing with a lot of big releases from the U.S for my hard earned dollars. But their most famous song, is “Boys Light Up” because everyone associated it with weed smoking. And it is a song you don’t need to own, because it’s still played on radio to this day, plus I used to cover the song in various 90’s cover bands I was in.

“Sirocco” is the first album I dropped the needle on. It came out in 1981 and it got its title from a boat which Error Flynn used to own. If you don’t know who Errol is, then read on below. 

“Things Don’t Seem” kicks the album off, dealing with a relationship where the girl’s mother has a bird’s nest hairdo, her brother gets plenty of action and her father thinks he’s a weirdo and all he wants to do is just get some action with the girl.

“Unpublished Critics” is the song that everyone in Australia reckons Axl Rose and Slash ripped off for “Sweet Child O’Mine”. And Axl Rose did have a like for Aussie music, covering songs from Rose Tattoo in Guns’N’Roses club days. Lyrically, I always thought it dealt with their critics, with the lyrics;

The singer in the band, he sweat on a pose
And he’s really such a jerk
Thinks he can call me stupid
Because he gets a lot of work

“Oh No Not You Again” is probably the best Eagles song not written by “The Eagles”. It’s got that “Take It Easy” feel. Actually “Take It Easy” was written by Jackson Browne, so… And if you think, Tommy and Gina had it hard in “Livin On A Prayer”, these two lovers in this song had it even harder or he had it hard for someone else.

Don’t own no swimming pool, not even a colour TV
He work awful hard some days and she lets him be
Things ain’t looking good for them, no love no more
Some friends are comin’ round tonight
He’s out on the town, knockin’ on the wrong door

“Lakeside” was also all over the radio. The sound and feel of the song puts you at the lakeside and the lyrics sum up the suburbia, with the lyrics;

I got a terrific Torana
A green hand going to wave bye-bye
I got a C.B. shuffle and a dashboard muffle
Pilot’s twitch my eye

My older brothers mates had yellow and black Torana’s, while my brother had a Holden V8 Calais, all done up. The cars looked super cool and they always had pretty woman in the passenger seat.

“Trusting You” is one of their best constructed songs, with so many different stylings when it comes to playing the guitar; like guitar leads, arpeggios, power chords, off beat reggae upstrokes, natural harmonics and some whammy bar action. And the verse riff is similar to “Rockin In A Free World”, albeit in a different key. Which song came first?

Your time will come and go
For a while you’ll have control
Take your pound of flesh
Feed your greed and leave guiltless

Is it about a relationship, a bad business partnership or the record label bosses?  In any two way relationship, regardless if its peer, business or romantic, there will be someone making more decisions than the other party.

“Errol” is about a good ol’ Aussie womaniser called Errol Flynn, an actor who took Hollywood by storm with his legendary 12 inches. Musically, this one reminds of “The Police”.

Convict state
It just don’t rate
He want to get higher
Apple Isle
The inbred smile

Errol didn’t want to stay in Australia, he had bigger dreams and the U.S was the place for him.

He want to pounce
Like an animal
To girls he just can’t say no
He had them all
Screamin’ for more
He play the wild scene
Ah scandalise
No compromise

Errol, the boy from down under is showing Hollywood how it should be done.

They build him up
They took it all
And then they
Just cut him down

And like all entertainment careers, the movie studios who made him, took it all away, because they held the power and I think at that time, they would sign actors to long term contracts and then they wouldn’t give them any movies to do, and they wouldn’t release them either to go work for another studio. These kind of contracts got abolished when they were challenged in court by an actress, who was also in a similar predicament.

“Easy On Your Own” builds on their acoustic Eagles vibe. This one brings back memories of “Sweet Home Alabama” and because of their diversity to cover different styles, it is a big reason why Australian Crawl became so popular. Like for example, the guitar solo is a slide guitar solo. In other songs, it’s a rock solo, a reggae solo, a country solo, a blues solo and so forth.

Shirt tails flapping in the wind
Waiting for my train to come in
Ticket reads like a faithful friend
Run the gamut back again
Rounds completed there’s no more crowds
Towel around my neck-it’s finished now
Stumbles blindly to the door
Impending Monday morn

The end of a weekend, the end of a night, catching the train home as not a lot of people had cars. These days, people still catch the train but with fear. It wasn’t like that once upon a time.

“Love Boys” has this verse riff, which is a lot like “Long Way To The Top”, played in a clean tone with a chorus effect and it sounds heavy.

Kings Cross cruiser
Late night bruiser
The tattooed love boys
The tattooed losers
She’s ready for him
She’s pretty pretty
He’s pretty bent and
He’s bashed her silly

Those big bikie bouncers at Kings Cross in Sydney, always up to no good and in and out of jail. If you’ve ever been to the Cross, you will know what I mean.

“Resort Girls” kicks off with a lead break which sounds very familiar but I can’t put my finger on it. And that’s why I love music, taking your influences and making them your own.

Holiday resorts are really quite amusin
If ya don’t watch out you can really take a bruisin
Lots of pretty girls in very scant bikinis
With rum, boyfriends too busy with their surf skis

“Sons Of Beaches” is up next, released in 1982 and does anyone remember that Jersey kid called Jon Bon Jovi, wanting to call the follow up album to “Slippery When Wet” exactly the same. That son of a ….

Anyway, for us Australians, which is a land surrounded by water and sand, the title is perfect.

“Runaway Girls” starts the album off and it is another fast paced rocker, in the same vein as “Things Don’t Seem” from the previous album and it deals with a girl headed for big bright lights, use on the way but that’s alright, seems like there’s some things you got to sacrifice to get where you want to go.

“Daughters Of The Northern Coast” has a riff which again sounds familiar to something I already know, but I can’t put my finger on it.

Daughters of the northern coast
Sons of beaches, don’t deliver the post

“Shut Down” is my second favourite and we used to cover it in various bands I was in. That lead break that kicks the song off and repeats in the Chorus, is simple, yet so emotive. And the lead break in the middle, hooks me in only to end when I think it’s going to go for a bit longer. The beauty of music, make a statement and leave the listener wanting more.

The outro section, we would play games as to what was sung. I always thought that “Alimony” was always repeated and after a few beers, my listening apparently got better and it sounded like “out of money” and then it morphed to “hey there honey”.

Lyrically, it deals about a girl with a slim waist, who is addicted to the swing jet set lifestyle and likes to go slow and pick up the pace. And then she moves on to another, hence the reason why the outro vocals are singing alimony.

“Downhearted” appeared on the first album, but it got a second wind on radio and appeared on the third album as well. Along with “Shut Down”, this song got played relentlessly on radio. Huge songs, that appealed to both rock heads and pop fans.  Lyrically it deals with a relationship left behind in Bali, and the empty feeling upon the return home to Australia.

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Music, My Stories

Hot Metal – Issue 30 – August 1991

I purchased this magazine religiously, every month along with all of the US magazines I could get my hands on. It carried the slogan, “Australia’s Loudest Magazine” and here is an example of some of the cool stuff in it;

KISS

Gene Simmons record label “Simmons Records” was all but finished as distributor RCA had dropped all the bands he had signed to it.

Eric Carr had open heart surgery to remove a growth and was expected to make a full recovery, however Eric had a business dispute with Gene and Paul over a cartoon comic character Eric was developing. Gene and Paul felt that since Eric is in the band, anything he creates means they should also get a cut. Carr rejected this as his cartoon comic has nothing to do with Kiss and the earnings he would have to give up would be significant.

GUNS N ROSES

Axl Rose rejected 27 mixes from Bob Clearmountain, wasting another $200K of Geffen’s money as the “Use Your Illusion” release dates kept getting pushed back from April to August and eventually it would came out in November I think.

Meanwhile the band had started touring in support of the albums and in between stops they managed to enter different studios to finish of the recordings and a new person was hired to mix.

WHITE LION

White Lion was a duo after James Lomenzo and Greg D’Angelo took a walk. And it wasn’t for musical differences. A few months after, White Lion was finished.

DEF LEPPARD

Def Leppard was seen as a band who may not have that much more of a future as Steve Clark’s death was still fresh and band members became keen to pursue solo projects.

We all know that didn’t pan out and while Def Leppard might have had a lean 90s period, they did come back bigger and better than ever later on.

RECORD LABELS

Lizzy Borden was dropped by Metal Blade and Bitch assumed they got dropped as nobody from the label would return their phone calls, but they never got anything in writing. To top it off, they finished up recording demos for a new album and didn’t know if they should give it to Metal Blade or shop it around.

Enigma Records finished up (meaning they went bankrupt) without paying its artists. Some of their artists got picked up by other labels. Stryper went to Hollywood Records, Yngwie Malmsteen went to Elektra and XYZ went to Capitol.

REVIEWS

Van Halen got a pounding review of 4 skulls out of 5 for “FUCK” with the reviewer saying, “this album is much, much better than anyone could reasonably expect from Van Halen at this point in their career.”

It’s because artists didn’t have a long shelf life and with every great band their are poor releases in the career, just ask Aerosmith, Alice Cooper, Kiss and Black Sabbath.

Dangerous Toys got 3 skulls out of 5 for “Hellacious Acres” with the reviewer saying, “Sadly they haven’t delivered the biting, driving punch of the first album, maybe third time lucky.”

Well we never got to hear a third album.

L.A Guns also got 3 skulls out of 5 with the reviewer saying the second half of the album is shit and a mini album should have been on the cards as the first half is excellent.

QUEENSRYCHE

Queensryche had momentum with “Silent Lucidity” just outside the Billboard Top Ten and “Empire” selling 1.6 million copies in the U.S. Chris DeGarmo spoke about how “Operation Mindcrime” laid dormant for 8 months and then went from strength to strength on the back of the “Eyes Of A Stranger” single. And they couldn’t tour Australia because they didn’t have enough sales.

POISON

Bret Michaels and CC came to fisticuffs and things were unwell in the Poison camp. We all know how that one played out.

FASTER PUSSYCAT

Taime Downe from Faster Pussycat spoke about how they got pelted by the Y&T fans in 1987 when they opened up for the band.

AC/DC

Brian Johnson could imagine himself becoming a Vegas act and singing “Back In Black” when he is 50. He was 44 at the time of the interview and when he was 50, he was still on top of the music world playing arenas and stadiums.

MINDFUNK

Mindfunk spoke about no limitations and no boundaries to their music. And I still haven’t heard how they sound.

METALLICA

Metallica started the press for the upcoming self titled “Black” album and the interviewer was blown away at what they heard.

The band was also still finishing off the mixes for “Enter Sandman” as the single was scheduled to be released in two weeks time.

The interviewer was also privy to hear the tracks “My Friend Of Misery”, “Sad But True”, “Holier Than Thou” and “The Unforgiven”.

ONE PAGE ADS

One Page Ads for “Hey Stoopid” from Alice Cooper, Metallica, LA Guns and Roxus.

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Music, My Stories, Stupidity, Treating Fans Like Shit

It’s Here and Then It’s Gone

My son wanted to play “Domino” from The Night Flight Orchestra. It is on their “Amber Galactic” album released a few years back.

He went to Spotify search, typed in the band name, when into their account, clicked on discography and couldn’t find the album. He went to his saved playlist of TNFO on his Spotify account and the album wasn’t there anymore. For reasons only known to the band and their label, the “Amber Galactic” album is not on Spotify Australia for Premium Subscribers to enjoy. It was here and then it was gone.

Even though I have purchased the CD, it’s basically remained in its plastic wrapping, and it’s a purchase made because I am a collector of bands I like, not because I want to play the CD and look at the artwork and lyrics. Hell, I don’t even know what the booklet looks like inside.

And the decision by artists to remove their music from Spotify or any other streaming service is wrong. It’s even more wrong when one streaming service has it and another doesn’t. What is even more wrong then all of the above, is that YouTube has the full album, and it pays less and torrent sites have it available for download in mp3 and FLAC, and they pay nothing.

But Spotify started in Sweden, by a Swede and here we have a Swedish band pulling their product from it. Even though the streaming company has turned the recording business around, they still are the punching bag for many.

And the loser here is the fan, who does the right thing, takes up the legal alternative, only to feel short changed or as my son said, ripped off.

Remember if the artist has no fans to connect with, they have nothing and the label has nothing.

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A to Z of Making It, Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

The Record Vault – Arcade

EMI really wanted this album to work.

Stephen Pearcy’s previous band RATT splintered. Some say it was due to dwindling sales (500K units in the US is not a small amount for their “Detonator” album, but then again the labels reckon it was, especially after moving 3 million units for their previous albums) and others say it was due to Grunge.

Regardless, Pearcy didn’t wait around and he hooked up with Fred Coury from Cinderella on drums, Johnny Angel played guitar originally and wrote songs for the debut, but was dropped and in came Frankie Wilsex and Donny Syracuse, while Michael Andrews is on bass.

EMI even paired up Pearcy to write with Jim Vallance of Bryan Adams and Aerosmith fame, and they also got producer Dave Prater, who at this point in time had some serious chart success with Firehouse and Dream Theater.

But it didn’t work, and nobody really knows why. Good music is good music and it should find an audience. But it didn’t. Well it didn’t like how the label wanted it to.

So what happened to all of those rock and metal fans from 1984 to 1990?

Why didn’t they lap up this album?

Well, the base wasn’t as big as people thought. The bulk of the fans shifted between rock and pop and metal, so when it came to 1993, it was no surprise that some fans had shifted their allegiance to other styles. Maybe they just thought that Stephen Pearcy was done and dusted or he’s a one hit wonder or because fans became hip now, into more mellow music, like how Mark Wahlberg cut his hair in Rock Star, it wasn’t cool to like rock music anymore. I knew a few people like that, and if they existed in my circle, I am sure they existed in other circles as well.

I purchased the CD but I can’t remember from where. But I do remember the “Cry No More” single which I purchased via a second hand store, complete with ONE song. Yep, you read that right, one SONG on a CD which can hold 70 minutes of music.

And the album is not on Spotify, which is a shame. A real shame.

Calm Before The Storm

It has a wicked open string riff as good as any metal like riff at the time. It’s credited to Vallance, Angel, Pearcy and Coury.

But I dream of rising light
A sign it’s time to be reborn

And a Pearcy was reborn but ignored.

Cry No More

It’s written by Johnny Angel, Fred Coury and Stephen Pearcy.

And man, when a guitarist spends time being the main songwriter and then doesn’t get to play on the album or plays on the album and is fired before the tour, I see that as a low act by said band mates and management.

When I was young my daddy always taught me
To speak the truth and never tell lies
Now that I’m old and no one ever told me
The life you live, the truth you can disguise

We are living it everyday, trying to make out what is real and fake.

Down and out, I need a friend
Who’ll be there until the end

You don’t know who will be there at the end. And it scares people.

Messed Up World

A sign of the times we live in.

Greedy little fingers
Dirty little lies
Diggin’ themselves in deeper
Wearing their disguise
Crooked preachers sell religion
Underhanded politicians

Artists have written about corruption from when I can remember and it’s still happening without any end in sight.

And I ask myself why?

Maybe Geoff Tate was right all along, the holy dollar rules everybody’s lives and everyone has got to make a million, it doesn’t matter who dies.

I don’t wanna believe what they tell me
I ain’t gonna buy what they sell me
I ain’t gonna take what they’re givin’
It’s a messed up world that we’re livin’ in

Damn right and it is only going to get worse, because if you have school children who can’t vote, striking from school for climate change, imagine the changes coming when they can vote. The current powers that be will fight tooth and nail to keep the world messed up.

World peace and religion
Well you know that’s what they teach
But their arms hold up their halos
They never practice what they preach

Wearing masks is the name of the game. It’s all messed up, but that’s how we survive.

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Music, My Stories, Stupidity

What Does Democracy Look Like?

While the rich pay for their kids to get into college and use other paid people to pass exams for them, the real and proper generation are out on the streets protesting about climate change and gun reform.

And people might say the Universities admissions scandal is a U.S problem, well it’s not. Trust me, there are plenty of wealthy people from other countries who have bribed University officials to get their children in. Hell, in Australia we even have judges applying the same rules of law differently to wealthy children compared to poor children.

In relation to climate change demonstrations, it’s happening world-wide.  Brexit and all of the crap that comes with it, about millions being lost to the economy means nothing to the next generation. The Wall that Trump wants to build means nothing to them. The state and federal government elections in Australia coming up means nothing to them at the moment, because if the world is not fit for living in, what is the point.

The days of tax cuts to sway voters are over. There is a new voter base in town, and they don’t wear the same clothes as their parents did. It’s about the environment, it’s about feeling safe and it’s about having a home to call your own.

They are showing what proper democracy looks like. Something that their parents have forgotten as they got too comfortable with life, concerned about keeping their job, making that mortgage and credit card repayment and ensuring that all the utility bills are paid.

Did you know that 90% of people live within their comfort zone in such a small crowded circle?

Well the next generation wants to change that. They want to change the status quo. If these old and out of touch politicians believe they have a chance at victory at the next election, well think again. Those 10% who live outside their comfort zone will grow even greater and we will have another defining moment like the 60’s revolution.

And the Governments better watch out when that happens.

These climate change protests started because of one person. A 15 year old Swedish girl called Greta Thunberg, started a solo protest in Sweden in August 2018. This movement by one person striking from school for one day, will have almost 2000 cities striking today.

And it’s needed. The weather is too severe. Summer is not summer anymore, its death by humidity. The rains are not just rains anymore, its flash flooding or severe flooding. Hail is not hail anymore, as they come down in clumps the size of tennis balls and cause severe damage. Everything is changing, except the politicians viewpoint on climate change or the viewpoint of the rich when it comes to getting their dumb kids into Universities.

And right now I feel the need to listen to “Little Fighter” from White Lion.

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Music, My Stories, Copyright, A to Z of Making It, Stupidity

More File Sharing Equals More Music…

One of the main points of organisations or people who support stronger copyright laws and enforcement is the lies that stronger copyright laws act as an incentive for people to be creative or to make art. About 10 years ago, these lies appeared everywhere. What the public didn’t know, was that these organisations had a seat in the Government Policy room, to negotiate a range of bills in secret.

SOPA (Stop Online Piracy Act) and PIPA (Protect IP Act) got introduced in 2011 in the US Senate for discussion. In January, 2012, people held protests in the streets and online about these bills which would put too much control of the internet into the hands of corporations and governments. Eventually, these bills didn’t pass. TPP was written in secret with the corporations, and it got passed without discussion, only for Trump to squash it and come out with another act, even better for the Corporations.

One thing throughout it all that hasn’t dropped off, is the creative output of people. There is so much more content being produced and created right now than ever before. And the consumers have choice, and a lot of it.

Multiple studies have shown that even though there was a massive increase in infringement once upon a time, at the same time there was also a large increase in creative output as well.

And of course, people will associate output versus money made. Like the way Gene Simmons did when he said “Rock is dead”. Some people create art purely for money. Others create art because they want to create or have a need to create. Money will come, merely as a by-product of creating art.

When the record labels acted as gatekeepers, they could put money behind artists and develop them. It used to happen and some labels did it better than others. But that boom in the 80’s, is not because the labels developed artists, it’s because those artists developed themselves outside the sphere of the record labels.

No one can say that a record label developed Twisted Sister, Motley Crue or even Quiet Riot. Even Metallica did their first album independently and had a cult live following before Elektra came in to sign them for “Ride The Lightning”.

For artists that had break out success in 1986, like Bon Jovi and Europe, I would say, yes, they got developed by the label and got the green light for a make or break third album.

Economist Joel Waldfogelm, did some research a while back.

He wanted to see if the rise in sharing had any drop off on the new music being produced. And the research said, no, as new music was being created continuously. However, the record labels claimed otherwise, a claim not based on evidence.

in my opinion, the study also debunked what Gene Simmons said, about “rock being dead”. Gene’s comments circled around how file sharing and streaming meant that no new acts are being developed and able to grow and release quality albums. In fact, the study finds no support for that claim.

The study looked at the best of lists on popular websites for each decade from the 80’s and found on average, about half of the best-of albums since Napster are from artists whose recording debut occurred since Napster.

The study even went further to check how many albums in the 80’s are from artists from the 70’s and how many are from artists who had their debut in the 80’s. And guess, what, the numbers match the post Napster numbers.

How can that be if no artist is being developed?

Basically, there is no evidence that new artists are no longer being developed or are not creating high quality, successful music. Then again, the great artists didn’t need an A&R rep to develop them. They had their own drive and their own motivations.

But the labels have great PR writers and they sure know how to spin a story, along with the publishers and the movie studios. But their theories are not backed by independent research evidence.

The big difference between pre and post Napster is that most of the new musicians are coming from independent DIY artists, rather than the majors. And the labels don’t like this. And they are taking money away from the legacy artists when it comes to recorded music but the legacy artists still make coin on the live circuit.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories

The Record Vault -Accept

I had an “Headbangers Heaven” compilation album which had “Screaming For A Love Bite” on it, so that was my second introduction to the band, with the first being the “Balls To The Wall” film clip. I actually traded the 4 LP compilation for “QRII” with Randy Rhoads.

And my ownership of Accept material started with “Metal Heart”, “Breaker” and the “I’m A Rebel” album.

I didn’t feel the need to own the bigger albums in “Restless and Wild” and “Balls To The Wall” but those albums did enough to make me buy “Metal Heart”.

The title track starts of excellent but the classical Beethoven lead was just too much for me. “Midnight Mover” has a head banging riff but the vocal melodies in the verses don’t do enough to capture the commercial vibe of the music.

I know that a lot of people didn’t like the new mainstream MTV sound to their music and I was like what the fuck are you talking about?

It’s still distorted, it’s still rooted in their metal and rock.

“Up To The Limit” reminds me of AC/DC and is the best song of the first three. “Wrong Is Right” is pure speed metal and my answer to the people who said Accept sold out with this album.

“Screaming For A Love-Bite” is the reason for my confusion. Musically the song is brilliant, very melodic rock, but the vocal delivery doesn’t do the song justice. Why would you write a song musically like this and expect UDO to sing it like Def Leppard.

And that’s what is wrong with the album overall, the expectation that a gravelly like vocalist is expected to deliver MTV friendly vocals.

“Too High To Get It Right” is hard to listen too, “Dogs On Leads” is a bad rewrite of “Balls To The Wall” and “Teach Us To Survive” sounds like a rejected “Pink Panther” song,

“Living For Tonite” and “Bound To Fail” are great musically but the vocals don’t do the songs justice.

And it’s these songs that should have been easy to listen too because they are Accept.

“Breaker“ is a good album. The rise started here.

“Starlight” has cool riffs as Udo deals with the bright lights of Hollywood. “Breaker” is a part of the history of speed metal. “Burning” is a 12 bar blues metal tune in the vein of “Born To Be Wild” from Steppenwolf.

“Feelings” has Hoffman galloping his way to glory and delivering a tribute to AC/DC as well.

“Midnight Highway” is an AC/DC cut that Angus and Malcolm Young didn’t write because they didn’t have Judas Priest and Slade as influences.

The “I’m A Rebel” album is not on Spotify but YouTube has it, so I listened to it as I couldn’t really remember a track from it.

And I remembered I enjoyed listening to it, and I still didn’t remember a song from it apart from the title track.

Many years later I came across the Accept debut album and the “Restless And Wild” album on CD. The debut is not on Spotify however “Restless and Wild” is.

“Fast As A Shark” is fast and I was wondering if a young James Hetfield or Dave Mustaine were listening. Then again, the song owes its roots to Motörhead and Judas Priest.

“Restless and Wild” immediately hooked me in with its “Barracuda” galloping riff.

“Ahead Of The Pack” continues the riff assault.

“Neon Nights” is excellent, with a cool bass groove, melodic riffs, a verse that reminds me of “Welcome To My Nightmare” and a Chorus as good as any pop chorus doing the rounds at the time.

“Flash Rockin Man” intro is part of the “One Riff To Rule Em All”. In case you’re wondering what I’m talking about, I did a post a while go about the riff which I know as “Two Minutes To Midnight” and how for a period between 1976 to 1986, that riff was rewritten into different derivative versions by a lot of different artists.

“Princess Of The Dawn” has a riff which should be part of the melodic metal canon if it isn’t already.

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