A to Z of Making It, Influenced, Music, My Stories

Undeniable Greatness with Metallica and Dream Theater

You are a teenager and starting a band. What do you have that could bring you untold fame and riches?

Life is your art right. It forms the basis of the songs that you write. The personal experiences from your life form the themes. So the saying goes, you need to have lived to create everlasting art. So if your definition of success depends upon becoming a household name in the quickest time possible, you’re going to waste a lot of time being frustrated.

The winners that win, do so because they outlast the competition. Metallica isn’t on top at the moment because they were better than everybody else. The same goes for Motley Crue. Both bands outlasted their competition.

What happened to Raven, the band that Metallica opened up for before Kill Em All was released? Even though bands like Slayer, Exodus and Anthrax are still around, they have never done the numbers that Metallica has done.

Anthrax had too many changes and they didn’t have that singer in Belladonna and Bush that could relate to the audience. Exodus didn’t really rate, while Slayer and Megadeth forged out a sustainable career on the back of the Metallica steam train.

Metallica
The best work for me is Ride The Lightning. For others it is Master of Puppets. For others it is the Black album. For this case study, let’s use the sales statistic, so that would mean the Black album is their best work.

The Black album was written in 1990 and released in 1991. James Hetfield, the main song writing force in the band was 27 years old in 1990. Lars Ulrich was also 27. Bob Rock, the producer was 36. The point here is that the people involved in the creation of this masterpiece have lived and experienced.

James, Lars and Kirk Hammet lived through a bus crash, which claimed the life of their band mate and main musical muse Cliff Burton.

Bob Rock by 1991 had worked on numerous big sellers, so he knew what it took to get the best out of the band. Watch the Classic Albums documentary and see how Bob Rock pushed Kirk Hammet to record that classic guitar solo in The Unforgiven.

Some say that Metallica sold out with the Black album, however it is as brutal as all the other Metallica albums that came before it. For all the haters, I dare them to point to any other album as heavy as the Black album that was riding high on the charts.

Forget about the single cuts like Enter Sandman, Sad But True, Wherever I May Roam and Nothing Else Matters. You need to dig deeper to hear the quality. Through The Never is a classic cut from the Master of Puppets era, as well as My Friend of Misery (that has similarities to the Orion breakdown). The best songs by far on the Black album is Holier Than Thou and The God That Failed. While one is classic speed metal in the Judas Priest vein, The God That Failed is the mainstreams introduction to groove metal, a term that Pantera would make famous with A Vulgar Display of Power.

The Black album desensitised everyone and set a standard of heaviness for bands like Korn, White Zombie, Disturbed, Alice In Chains, Rage Against The Machine, Tool, Nine Inch Nails and Ministry to step in and desensitise us some more. It opened the door to bands like Pantera to enter the mainstream.

Dream Theater
The breakthrough album for Dream Theater is Images and Words. Petrucci, Myung and Moore wrote it between the ages of 22 and 24 during the dark days of the vocalist search. The album came out when they were 25 years old. Another Day was written about John Petrucci’s father, who was diagnosed with cancer. Take The Time was written as their struggle at finding a new vocalist and always having to start from scratch when they failed. The music was more mature and better orchestrated. Personality sells. When Dream Theater released Images and Words, they didn’t bland their material to make it more relatable.

Then just when you thought that Dream Theater would go all mainstream, they shook things up again with Metropolis II. In the same way that 2112 from Rush laid the groundwork for what was to come for Rush, Metropolis II did the same thing for Dream Theater. It returned their core Images and Words audience and introduced the band to a large seventies era progressive rock fan base.

The next breakthrough album for Dream Theater was the heavy Train Of Thought. If there was any casual metal fan that was sitting on the sideline, this album made them commit. Of course Dream Theater always had metal styles in their music, however Train of Thought was all metal.

The recent promotion on the new Dream Theater album has the usual spin about Grammy nominated band and so on. Yep getting nominated is cool, however it doesn’t ensure long term success. Dream Theater built themselves away from the mainstream. They figured out what worked for them and what didn’t away from the mainstream, until they became so good it was undeniable. That is what will sell the band over and over again. That undeniable greatness.

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A to Z of Making It, Copyright, Derivative Works, Music, My Stories, Piracy

Metal Music and Piracy

Dave Mustaine from Megadeth was asked the question “What do you think about the state of the music industry right now with all of the changes that have been made?” when he appeared on That Metal Show (S12:Ep5)

“This generation has grown up to believe that music should be free. We focus on the live shows now. People are very song-focused now.”

While I disagree with David’s assessment that this generation has grown up to believe that music should be free, I do agree with his other comment that people are song focused and that the bands focus should always be on the live show.

This generation is a product of their times. The medium of the times is the Internet. This generation has grown up with the internet. This generation has grown up on quality. Dave Mustaine in the same interview was asked to rate his top 5 Megadeth albums. Guess which albums made his top 5.

1. Countdown To Extinction
2. Rust In Peace
3. Peace Sells
4. Killing Is My Business
5. So Far, So Good, So What

This is Dave Mustaine saying that his best work is in the first five Megadeth albums.

Scott Rockenfield (from Queensryche) was also asked the same question.

“Records are different these days, they are good calling cards for us to continue our legacy. Bands can’t earn a lot of money in record sales anymore. We started out as a live band. A lot of new bands don’t have that.”

No one wants to wait two years for a 14 song record with three or four good songs. We want more songs on a regular basis and we want quality.
The internet allows the bands to do this as the distribution costs are zero.

Record song, upload and share.

If the song is great, the fans will market it for free. That is the way the game is played today. Instead you still have artists thinking that they should record many songs, hype up their release, spend money on a scorched earth marketing policy and then release the product so that people can buy it. It’s all wrong.

As an artist you want your creations to live forever. For that to happen, people need to share the songs, talk about them, do derivative versions and make a connection.

This brings me to artists who just have it all wrong, when it comes to their views on the current state of the music business.

Scott Ian said that people should lose their connection because they share his recorded music. I listened to Worship Music on YouTube. I didn’t download it and I didn’t pay a cent for it. You can say that I unofficially streamed it, since YouTube is the first streaming platform that the entertainment business tried to shut down unsuccessfully.

As far as I’m concerned I went onto a legal site and listened to the music. So based on Ian’s interpretation of the law, the internet connection of the people that went on to YouTube to listen to the album has to be suspended (as we stole it) along with the Anthrax fan who put it up.

The Recording Business is just an arm of the Music Business, that is trying in vain to hold on to its old business models. No one wakes up in the morning, thinking they need to buy a CD. We wake up in the morning, thinking we need to hear this song.

Doc Coyle from God Forbid summed it up in a post on the Metal Sucks website;

“We seem to think people want CDs or books or DVDs as individual items to own and keep, but the truth is, what we really want is the content contained on these capsules of information. The CD, DVD and book are just messengers for the experience contained therein.”

I am going through an issue of Hot Metal from May 1993. As soon as I open the magazine, there is a two page advertisement for the release of Anthrax – Sound of White Noise. One page has the album cover art and the second page has the heading, RESERVE YOUR COPY OF ANTHRAX’S NEW ALBUM “SOUND OF WHITE NOISE” AT THE FOLLOWING IDN STORES.

Back then we needed to buy CD’s so that we could hear the music. If they said we needed to buy a stereo that plays unlimited music, we would have.

Speaking of buying:
Black Sabbath had week three sales of 25,300 and week four sales of 16,942. (U.S. sales)

It is doing the same decline as other rock/metal artists like Skillet.

Metal bands need to take a leaf from the Imagine Dragons playbook. This band has entered the Top 10 again with sales of 33,223 for its Night Visions album.

Think about that. Imagine Dragons has been selling for 44 weeks. It has sold more in its 44th week than a Black Sabbath album in its 4th week. The last couple of weeks has seen a resurgence for the band. Why? The band is touring.

People are talking about the shows and they are buying the music. Some people might see it as strange that people went to a rock show without owning a physical copy of the music.

These are the times we live in. These are the times that artists need to live in.

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