My favourite album from Stabbing Westward. It was my first proper listening experience from them. I purchased the single, “So Far Away” and then downloaded a copy of the album before purchasing it.
And it’s not on Spotify which pisses me off. But of course YouTube has all the music.
What’s the deal with the cover?
If your making a statement about a self-titled album, is that the cover you want to advertise it?
After this album, I went back to listen to their earlier stuff via various Cyberlockers, Limewire, AudioGalaxy sites.
They needed to press the reset switch on their career.
How much more darker do they want to go?
The first album was called “Ungod,” the second was called “Whither, Blister, Burn and Peel” and the third was called “Darkest Days.” And for a name like “Stabbing Westward” I didn’t expect to hear a pop rock album.
They had three albums with Sony and two of em achieved a Gold certification from the RIAA. But they signed with an independent label after that in Koch Records.
Their new manager wanted the band to create an album with a heavy pop influence. Christopher Hall, Walter Flakus, and Mark Eliopulos fought against this decision. Somehow the manager had more power within the band than the actual band members and guitarist Mark Eliopulos was fired by the manager who brought in Derrek Hawkins as both a studio and live musician, as well as a new producer, Ed Buller.
For this album, Stabbing Westward is Christopher Hall – vocals, Derrek Hawkins – guitar, Jim Sellers – bass, Walter Flakus – keyboards and Andy Kubiszewski – drums.
Released on May 22, 2001, the album did well in Australia, but ultimately failed to sell worldwide like their previous albums. They got put on a tour opening up for “The Cult” however the label told them to drop out as they were wasting their money being the opening band on a tour that wasn’t setting any attendance records and to wait around for a better offer.
So Far Away
The themes of anger, hurt, regret and despair are still there in the lyrics, however the music is straight ahead heavy rock and the vocal melodies could have come from an 80’s hard rock album.
A strummed acoustic guitar which reminds me of Tonic. It’s a happy song about Hall’s girlfriend. I guess she was just perfect.
My favourite song on the album. It’s a soft rock song with a simple D to Bm to A to G chord progression and a haunting vocal melody. It also reminds me of tracks from Porcupine Tree like “Lazarus” and “Trains” hence the reason why I probably like it.
As good as any hard rock song that did the charts before and after. Most people associate it with drugs, but it’s not. It’s about looking back at your life so far and seeing how the decisions you made in the past lead to you burning so many bridges and feeling lonely.
Oasis wasn’t writing songs like this anymore.
Do the same old demons haunt just me?
Sometimes it’s hard to escape the past and the feelings you have to those occasions.
The Only Thing
It reminds me of The Verve and that alternative soft rock.
Very similar to “Wasted” in feel.
Breathe You In
An acoustic guitar riff reminiscent to The Verve and Oasis.
A short drum intro and then an aggressive Bush/Live like vibe kicks in with the main riff.
It sounds like a cut from “The Tea Party” and it’s a nod to their past albums.
Is anyone alive / Or am I lost in a world where nothing matters / Am I lost in a world where no one cares
I suppose the question can be asked about again about social media and all the noise that comes with that.
A bonus track for the Australian and Japanese edition. It has a “While My Guitar Gently Weeps” vocal vibe in the verses.
This record made me a fan. But. Before a fifth LP could be recorded, the band disbanded on February 9, 2002.
Vocalist Christopher Hall started a band called “The Dreaming” and by 2016, that band had Walter Flakus and Mark Eliopulos in the fold. In other words, three/fifths of Stabbing Westward. So it was just a matter of time before Stabbing Westward reunited. First for a reunion tour and in 2022, they dropped a new album called “Chasing Ghosts”.