And we continue with Al Pitrelli’s story.
By 1993, a lot of artists who got their break in the 80’s had nothing doing. Even his band Danger Danger was struggling. Their album “Screw It”, released in 1991 got zero skulls out of 5 in the reviews I came across. The reviewers had enough of song titles like “Slipped Her The Big One” and “Horny S.O.B”.
The million bucks spent on the album would never be recouped, the band got dropped and it took another four years for Danger Danger to resurface with “Dawn” in 1995 on an unknown label.
But before they got dropped by Epic, there was an attempted album called “Cockroach” scheduled for 1993, however vocalist Ted Poley sought legal action to prevent it from being released as Bruno Ravel fired Poley after the album was completed and then got Paul Laine to re-sing it.
Due to the court case, Epic shelved the album but money talks and in 2001, it was finally released with Disc 1 being the Paul Laine version and Disc 2 being the Ted Poley version.
But while old friends had their various issues, Al Pitrelli was steaming ahead.
He was doing studio work with artists like Taylor Dayne. At this point of her career, Dayne was on fire, and a lot of money was thrown her way by the label for her third album. A lot of great songwriters were commissioned to work with Dayne and they bring their own players. Pitrelli on this case, played guitar on two tracks “Dance With A Stranger” and “I Could Be Good For You” on Dayne’s “Soul Dancing” album released in 1993. And like his previous studio work, Pitrelli was asked to perform again on a cut written by Diane Warren (“I Could Be Good For You”). I guess he had the soft rock mojo Warren was looking for.
His “Coven Pitrelli O’Reilly” project released “CPR” in 1993.
His “Morning Wood” project finally saw a self-titled release in 1994 (in Japan only and it wasn’t until 2002 that it saw a European release), along with Asia (“Aria”), Widowmaker (“Stand By For Pain”), the self-titled “Ten Ton Tide” album and “Out Of Control” by TM Stevens.
The “Morning Wood” band was Pitrelli’s old pal, Chuck Bonafante on drums, Al Pitrelli on guitars, Tony Harnell from TNT on vocals and Danny Miranda on bass and keyboards. The album was all acoustic, mainly covers with a few originals.
The “Stand By For Pain” by Widowmaker is an album to be spoken of highly in relation to Hard Rock/Groove Metal. But like the heavy rock Widowmaker debut, it is largely ignored or forgotten. Dee Snider couldn’t catch a break post Twisted Sister, however he has shown his resilience, slowly rising back up year by year, first by a radio show, then as a screenwriter/director and when Twisted Sister reformed in the piracy decades, they were surprised to see that their music was more popular than ever.
Pitrelli also helped an old mate in Derek Sherinian get the keyboard job with Dream Theater after the departure of Kevin Moore. Al Pitrelli and John Petrucci used to teach guitar at a Long Island Guitar store, and Pitrelli put a call in to Petrucci to hire Sherinian who Gene Simmons described as the love child of Paul Stanley and Cher.
Pitrelli was also back in Asia for another album called “Aria” released in 1994. This period is known as the John Payne period. Al Pitrelli played on the previous album “Aqua” but didn’t tour. He played on “Aria” and went on tour this time, however after 4 concerts the tour was cancelled. Pitrelli left the tour early (how early can you leave a 4 show tour) and was replaced by ex-Simply Red guitarist Aziz Ibrahim for the other few shows. The album was also a complete commercial failure.
Another project called Ten Ton Tide released their self-titled debut. The band is listed as “Hard Rock” and “Prog Rock”. If you like Rush, then this band definitely fits the bill. This YouTube video is the only thing I could find on the project but it’s not the album that Pitrelli played on.
The band for the debut album is Jim Toscano on drums, Anthony Tirado is on Bass and Rhythm Guitar, Rob Glick is also on Bass and Guitar, Dan Gibson is on keyboards, Al Pitrelli and Zak Rizvi are on Lead and Rhythm Guitars and Dennes Cynd is on Vocals and Violin. One review mentioned the singer as a cross between Mick Jagger and Kip Winger. But I don’t hear that.
1994 or 1995 also saw a release from “TM Stevens – Out Of Control” called “Boom”, a fusion of hard rock, funk, rhythm and blues and metal.
For those who don’t know, TM Stevens is an American bass guitarist from New York City. He was a go to session guy and if you purchased a Billy Squier album, there is a chance you heard TM playing bass on it. The same goes for Pretenders, James Brown, Joe Cocker, Taylor Dayne, Cyndi Lauper, Tina Turner, Riot, Billy Joel and Steve Vai. And it was James Brown who got TM to sing. You know the track, “Living In America”. One of the voices on it is TM.
Apart from Al Pitrelli playing on the first album “Boom”, Richie Kotzen and Al Pitrelli both play on “Sticky Wicked” released in 1996.
In relation to “Boom”, check out the songs, “Supernatural”, “I’m A Believer” (a totally different song to the one you are probably thinking off), “The Gift”, “Hair”, “What About Love” and “Freedom (Never Gonna Give It Up)”.
Savatage were about to be dropped by Atlantic. They had given the band advances for each album and to the label, they never recouped that advance. Pitrelli was the studio player Paul O’Neill brought in to play lead guitar on their last album, “Dead Winter Dead”, released in 1995.
He went on a European tour with them as a hired gun and was to have no more involvement with the band after that.
The song “Christmas Eve (Sarajevo 12/24) was a hard rock mash up of “God Rest Ye Merry Gentlemen” and “Carol Of The Bells”. The guitar leads you hear on the track that a violin normally plays are from the fingers of Al Pitrelli. And when Savatage returned to the U.S, this song had crossed over into the Charts and became a holiday favourite.
When there is a hit, expect a new album to come out. Savatage went back into the studio with Paul O’Neill producing again, but this time around, Pitrelli was a fully-fledged member, playing all the guitars and he was known as the “musical director” of the band. But Savatage was seen as a heavy metal band, and some due diligence by the label suggested that they should change the name of the band for this Christmas themed album.
And “Trans-Siberian Orchestra” was born. Otherwise known as “TSO”.
Also in 1995, a few other projects that Pitrelli was involved in got a release. The band “Place Called Rage” released their self-titled debut. Joe Lynn Turner released “Nothing’s Changed” and “Mojo Bros.” released their self-titled debut.
The “Place Called Rage” band had a few friends from the 80’s, like Chuck Bonafante on drums, Danny Miranda on bass and Tommy Farese on vocals. Released in 1995, it’s a great slab of hard rock rooted in the 70’s Rock movement with a lot of Springsteen style “Americana Rock” thrown in.
The Joe Lynn Turner album “Nothing’s Changed” is also rooted in 70’s Rock. Almost Bad Company like. Pitrelli co-wrote 4 tracks with JLT and also Co-Produced the album with JLT. Other musicians to play on it are Greg Smith on bass, John O’Reilly on drums, with keys being provided by Gary Corbet, Derek Sherinian and Al Pitrelli. This is another great slab of hard melodic rock, lost in the noise of 1995.
The Mojo Bros. self-titled debut is hard to find. A few YouTube clips exist and that’s it. Joe Lynn Turner and TM Stevens even appear on their Temptation’s cover “Ball Of Confusion”. The music is mostly instrumental except when they get in a guest singer for a cover song. The band is Danny Miranda on bass, Joe Franco on drums, Al Pitrelli on guitars and Derek Sherinian on keyboards. These three albums released in 1995 are not on Spotify.
1996 brings us to Vertex.
The “A/2” album from Arcade disappeared from stores as soon as it was released. The music that Stephen Pearcy made a living off was out of style. So Vertex was born when Pearcy was asked to be part of an industrial band by Japanese drummer Hiro Kuretani. Al Pitrelli joined on guitar and Juan Croucier from Ratt was meant to be the bassist, however that spot went to Robbie Crane from Vince Neil’s solo band for the tour. Al Pitrelli plays the bass parts on the album except for two songs (“Time And Time” and “Aint Gonna Be”) in which Bob Daisley plays the bass. Fate would have it that Crane would became the Ratt bassist as well afterwards. In a dropping the names moment, the guitarist in Arcade Johnny Angel had a connection with Al Pitrelli from their brief Talas days.
Vertex was way ahead of their time. Musically, Vertex sounded like a cross between Rammstein (before anyone knew of Rammstein globally), the hard rock genre and Megadeth. Pearcy even sounds like Dave Mustaine in the vocal department. I believe critics just saw it as a glam rocker faking his way through the 90’s pretending to be industrial. But Pearcy is really good on this and the album is forgotten. “Industrial RATT” is a term that I came across a fair bit in the YouTube comments section. The bands Orgy, Coal Chamber, Snot, Static X, Powerman 500, Stabbing Westward and early Filter all sounded very similar to what Vertex was doing.
Another release that happened in 1996, was from the “Trans-Siberian Orchestra” (TSO) who dropped the “Christmas Eve and Other Stories” album around the Holiday season and man, it sold. 3 plus million is sales in the U.S for a triple platinum certification. A tour was organised in the U.S and it sold like crazy as well. The fusion of hard rock, progressive rock, classical and Christmas themed music with a bit of blues rock and jazz found itself an audience. A large one at that. And for the audience it was all about the experience.
After a long time as a journey man, a session guru and as a band member/leader trying to get a project up and running, Pitrelli had a project that would provide him with stability and success.
10 thoughts on “Al Pitrelli – 1993 to 1996”
that song sticky wicked in 1996 – was that written by Prince? i think he and miles davis had a song the same name
I don’t think so.
This man was busy! What a work ethic.
He’s like your guy. Mr Jeff Scott Soto. They did what they had to do to survive in music.
It sounds like it. Impressive.
I never knew the story of Danger Danger, they were already a scrap heap band by the time I ever saw their name. Having legal fights over an album that was destined not to sell seems a bit much but hey, it’s not my band to fight over.
TSO’s story is just out of this world. A cut from a Savatage album that I notice a lot of fans rank towards the bottom of their discography winds up being a hit and launches this monster touring machine. A lot of sporting events used cuts from the song and I was like “holy shit that’s Savatage,” then TSO is able to capitalize. For everything Al was involved with, it’s cool to see something that actually blew up.
I agree. The TSO story could never had been predicted
A2 had some good moments but the Arcade debut was better. Impressive as Al kept getting work. By the way great back story on Savatage about to get dropped and than a hit saves the day. Awesome stuff Pete
I’m a big fan of the Arcade debut. I thought it was one of the stronger hard rock releases of that year it came out.
Yeah Al just kept on going and going. It gets better when he joins Megadeth and how Mustaine praises him and than disses him after he fired him. It made for great writing.
Mustaine îs a wired differently thats for sure. lol