It came out in 2008.
It’s not on Spotify but YouTube has various videos of the album and it is the last Dokken album I purchased.
By the time “Broken Bones” came out, I was a streamer. But I’ve always had that album, along with “Return To The East” and “The Lost Tapes” in my “saved for later” shopping cart, waiting until the price is right.
This album is also the last to feature bassist Barry Sparks and drummer Mick Brown.
Like previous records, Don Dokken had to organize various labels for a worldwide release.
Rhino for the North America market, Frontiers for Europe and King for Japan.
Production is handled by Don Dokken and Tim David-Kelly.
Standing On The Outside
A riff from “It’s Not Love” kicks off the album and I’m tapping my foot along with it.
The verses are better than the Chorus.
And the lead break from Levin is excellent.
Give Me A Reason
It starts off with clean tone arpeggios that remind me of “Walk Away”. But that was hiding the rocker to come.
Musically the song is excellent, while the melodies are stuck in the lower bass/baritone range and sound a bit monotonous.
Heart To Stone
A feel from “Into The Fire” kicks it off before it moves into a “Stop Fighting Love” vibe. It’s basically Dokken sounding like Dokken.
Jon Levin doesn’t get the respect he deserves He’s the longest serving guitarist in the band and he’s become a great co-writer with Don. Plus he respects the past.
How I Miss Your Smile
A simple repeating two chord arpeggio Intro kicks off the song and Don’s heartbreak lyrics take over.
It’s a run of the mill power ballad, but the lead break from Levin makes it worthy. He’s emotive and bluesy.
A classic metal riff kicks off the song, straight from the grooves of the “Tooth And Nail” album.
The guitar solo reminds me of “Alone Again” and I like it.
But it suffers from a lack of dynamics vocally.
Point Of No Return
My favorite track.
The Intro reminds me of “Seven Nation Army” but once the song picks up it’s got a “Paris Is Burning” vibe.
Mick Brown and Barry Sparks lay down an energetic tempo.
Jon Levin has done a great job continuing the Dokken guitar brand in the 2000’s and he continues to shine on this track, showing his Lynch and Schenker/Jab influences.
Don Dokken is gravelly in his vocals and I like it as it works for this song.
The Chorus is anthemic and check out the lead break. It’s guitar hero worthy.
Another ballad which could have come from Klaus Meine.
Levin is inspired by old Dokken.
It feels like “Cry Of The Gypsy” merged with “Lost Behind A Wall” and I like it.
And Don’s lower range singing works perfectly on this while Levin shines all over this track.
This is good and I like it when artists merge their old way with new influences from modern rock artists.
Musically it’s modern rock, like a bit of Tool and a bit of Chevelle.
But it’s the lead break from Levin that captures my attention.
An energetic rocker and the riffs are excellent.
The bonus track on the Japanese edition. A speed metal cut like “Tooth And Nail”. It should have been on the album and Don’s gravelly vocals work.
If you like the 80s version of Dokken, you will like this. It’s the best album of the Jon Levin era.