“The thing I will never understand about the management and that tour and the band was that in their insane thinking, the management called a meeting before the tour started and informed the band that Don was gonna be breaking the band up and trying to just hire us as musicians on the band.
Or else, if that didn’t work, we didn’t agree to that, he was just gonna leave, keep the name and kick us out. Before the tour started — literally days before it started.”
The band was unraveling. I was happy to be out there on that stadium tour, but I was totally depressed. I was just miserable. To see your guitar player on stage in front of 100,000 people walk behind his amplifier in the middle of the solo and snort coke, I mean, fuck, man. It drove me crazy. So, that just broke us up. That’s the way it goes. Shit happens.
Don Dokken at Songfacts
Somewhere in between, the truth is there.
And drugs or no drugs, this album known as the “Beast From The East” captures a band at the peak of their creativity and mastery of their instruments in 1988.
Unchain The Night
It was a weird choice to open with, especially when the album they were promoting, opened with “Kiss Of Death”.
It was perfect.
After the taped (I think) Intro plays, the band kicks in and all hell is breaking loose. And my speakers are rumbling, because the guitar tone from Lynch is excellent.
Don is sounding good. And I’ve heard the vocals got juiced up later on by Michael Wagener, but hey it still sounds live and I’m all in.
And I still go nuts for the Chorus after the solo. Then there is another solo from Lynch and the Chorus comes back in again.
Tooth And Nail
They play it even faster and I didn’t think it was possible to chuck in fills during the verses at that speed, but Lynch delivers while Pilson and Brown keep it grounded and rocking.
The clean tone in the verses. Check it out.
Kiss Of Death
It’s faster than the studio and I like it.
And the solo break. I can listen to it all day long and play air guitar to it.
When Heaven Comes Down
I didn’t expect this to resonate as good as it did.
How heavy does that Intro/Chorus riff sound?
And I still go nuts over the mood they set, with the guitar riff and drum build up just before the solo.
Into The Fire
The clean tone sections sound wicked because Lynch puts bends and legato into his arpeggios.
And I like how the outro is loaded with guitar leads.
Pilson and Brown need a special mention here for holding down the fort. Great playing. And of course, Lynch excels, coked up or not.
I love the bluesy swagger of this one.
The way it starts off with the crowd participation and just high hats, then the clean tone riff and then the beat.
It sounds great on the album and great live especially the improvised lead break. It’s fast and furious and scary.
It’s Not Love
They jam it, they get the crowd to sing along with em and I’m singing along with em as well.
I like how the little Intro flows, it throws a curve ball. Your thinking, is it “Alone Again” or not.
And then it begins.
By the end of it, everyone is singing “alone again without you”.
Just Got Lucky
It sounds full of energy.
Breaking The Chains
I’ve always liked the main riff and there’s no way you can’t enjoy it live.
In My Dreams
It’s powerful live. A great closer.
And I like how they jam out the ending.
The final studio cut.
A fitting title to signal the end of the 80s Dokken era. As the outro played, I didn’t want it to fade out.
By the end of it, the “Beast From The East” (the album, not the recent European snow storm) cemented itself as one of my top 5 live releases behind “Live After Death” and “Tribute”.
And of course, I got in on vinyl first. Then on CD. And then again on CD as part of a box set.